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283284 Los(e)/Seite
Los 815
J. Barry (late 18th/early 19th Century English school) - Miniature shoulder length portrait of Graham of Charterhouse, a gentleman wearing short brown wig and blue coat with red waistcoat, on ivory, in gilt metal oval double sided frame with bowed glass, the rear inset with plaited hair within blue convex glass glazed border, 3.5ins x 2.125ins overall (thought to be circa 1795) Provenance: Lawrence Gould Antiques, PO Box 36330 London NW2 5YF, purchased 17th November 2011 - Invoice No. 9624 Note: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the EU. It will NOT be possible to export this lot of ivory to the USA
Los 387
17th Century English school - Oil painting - Half length portrait of King Edward VI, inscribed "Edwardvs VI Rex", oak panel 20.5ins x 15ins, in modern gilt frame and glazed Provenance: Label to verso states "On reverse belonged A.C. Leader Esq (For) 75. Thought to have come out of a Cambridge College. Acquired Maxime R. Blochet, Paris. Salon des Antiquites, Saint-Tropez, August 1982"
Los 812
Isabel Blackmore (fl. circa 1836-1853) - Miniature shoulder length portrait of Mrs Fletcher C. Norton, her auburn hair tied with a blue ribbon and wearing white lace gauze dress, on ivory, in ormolu rectangular frame with textured slip, the frame decorated with leaf scroll mounts to corners, 6ins x 5ins overall Note: The rear of the frame with various labels, Mrs Fletcher C. Norton (formerly Emma Peacock) and dated 1844, the sitter is the mother of Aline Mary Norton / Mrs Walter F. Cuncliffe. Exhibited at the South Kensington - Catalogue of Special Exhibition 1865, No. 3066 Note 2: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the EU. It will NOT be possible to export this lot of ivory to the USA
Los 810
Late 18th/early 19th Century English school - Miniature shoulder length portrait of Richard Maxwell with grey hair and wearing blue coat, on ivory, in gold coloured metal oval double sided frame and glazed with plaited hair to reverse and initials "R.M.", worded to rear of frame "Richard Maxwell died 21st June 1813 aged 53 years", 3.375ins x 2.25ins overall Provenance: Lawrence Gould Antiques, PO Box 36330 London NW2 5YF, purchased 8th June 2009 Note: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the EU. It will NOT be possible to export this lot of ivory to the USA
Los 390
Lady Janet Clark (20th Century English school) - Oil painting - Shoulder length portrait of Charles Murray Beazley, younger son of George Arthur Beazley, canvas 17.25ins x 14.25ins, signed, in ebonised moulded frame, and Christopher Hall (20th Century English school) - Oil painting - Half length portrait of Arthur Stuart Beazley wearing a green jacket, canvas 26.75ins x 22ins, in gilt and painted frame Provenance: From The Collection of the late Stuart Beazley of Broome Park, Barham, Canterbury, Kent, and thence by family descent Note: Inscribed to verso with details of sitter and artist
Los 348
A 19th Century brass cylindrical cased "Gossage's" patent alarum in decorative brass casing, the enamel dial showing through crescent shaped opening, 3.125ins diameter x 1.5ins high, complete with japanned metal storage box with directions pasted to base, a brass cylindrical cased portable alarum "Parisian Portable Alarum", 2.5ins diameter x 1.5ins high, with cardboard storage box, and a reproduction print (from 18th Century engraving) by John Smith - Oval portrait of Thomas Tompion, 13.75ins x 9.75ins, in Hogarth frame and glazed
Los 839
A George III silver "Royal Academy Prize Medal" designed by T. Pingo, the obverse with portrait with monarch looking right, the reverse with seated male torso after a design by Giovanni Cipirani, inscribed "Study" and "R.Ac. Instituted 1768", the edge engraved "GIVEN TO HENRY CORBOULD FOR A DRAWING OF AN ACADEMY FIGURE, DECr. 10TH 1807", 55mm diameter Note: Henry Corbould born 1787 died 1844
Los 276
A late 17th Century French "Oignon" verge pocket watch, the silver dial with champleve enamel Roman numerals, divided into quarters the numerals interspersed by Fleur-de-lis ornament, the dial centre chased with exotic birds and mask ornament, with single blued steel tulip pattern hand, winding dial to centre of deep verge movement, the balance escapement bridge covered with an enamel plaque depicting a young woman, the verge escapement with fusee and rack and pinion regulator supported by pierced Egyptian style pillars, contained in gilt metal and silver case, the rear of the case inset with an enamelled miniature shoulder length portrait of a young woman, the borders engraved with baskets of fruit and leaf scroll ornament, 58mm diameter (gross weight 182 grammes - the movement completely anonymous - circa 1690) and steel winding key Provenance: Collection of Frank R. Horton
Los 809
Early 19th Century English school - Miniature shoulder length portrait of William IV wearing the garter robes and gold chain, with pillar to left background, on ivory, in gilt metal octagonal frame and glazed, surmounted by a crown, 3.5ins x 2ins Note: William IV (1765-1837) was King of Great Britain and Ireland, and of Hanover from 26th June 1830 until his death. He was the third son of George III and younger brother and successor to George IV - last King and penultimate monarch of the House of Hanover. He served in the Royal Navy in his youth and was, during his reign and afterward, nicknamed "The Sailor King". He served in North America and the Caribbean but saw little actual fighting. Since his two older brothers died without leaving legitimate issue, he inherited the throne when he was 64 years old. His reign saw several reforms, The Poor Laws were updated, Child Labour restricted, Slavery abolished in nearly all the British Empire, and the British electoral system was reformed by The Reform Act 1832 Provenance: Ellison Fine Art, 7 Ledborough Wood, Beaconsfield, Buckinghamshire HP9 2DJ, purchased 31st March 2014 - Invoice No. 1785 Note 2: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the EU. It will NOT be possible to export this lot of ivory to the USA
Los 834
A small collection of medals and tokens of Wellington interest, including - a copper token, the obverse with portrait bust facing left and inscribed "WELLINGTON & ERIN GO BRAGH". the reverse with "EDWd STEPHENS" over crowned harp over 1816, milled edge, 33mm diameter, a copper token, obverse with bust facing left and "FIELD MARSHAL WELLINGTON", the reverse with seated Britannia over laurel wreath and inscribed "HALFPENNY TOKEN", 27mm diameter, a copper medal - obverse with bust facing left and inscribed "ARTHUR MARQUIS OF WELLINGTON", the reverse inscribed "PORTUGAL DELIVERED SPAIN RELIEVED MDCCCXII", within a closed wreath, 36mm diameter, and nineteen other pieces, various
Los 376
Maurice Van Essche (South African 1906-1977) PORTRAIT OF A WOMAN oil on canvas 51,5 by 41cm Maurice van Essche came to South Africa equipped with a sound understanding of European art history, a sympathy towards the formalist currents of modern art and a fresh personal approach to interpreting African themes. Upon his arrival he was immediately accepted as a member of the New Group and quickly established himself as an important contributor to the burgeoning South African art scene. During his youth, van Essche worked in a stained glass studio and his experience there greatly informed his artistic output. This is most noticeable in his almost obsessive use of reds and blues which dominated his palette and can be seen in the background and garment of Portrait of a Woman. Van Essche’s treatment towards portraiture was decidedly modern. His semi-cubist analysis of facial features and simplification of the human form approaches abstraction. As an artist, van Essche often courted certain ideas of abstraction, but never committed to the notion entirely. Despite his use of geometric conventions, he never sacrificed the human qualities of his sitters in his concern with formal values. -K. W. Berman, E. Art & Artists of South Africa. Cape Town: A. A. Balkema, 1974
Los 295
Menpes, Mortimer WAR IMPRESSIONS London: Adam & Charles Black, 1901 LIMITED DE LUXE EDITION, SIGNED, numbered 7 of 350, large 8vo, xiv + 254 pp, frontis + 99 plates + double page map, original ivory cloth with top edge gilt, clear plastic cover and modern slipcase, boards slightly soiled, eps tanned, front and back hinges cracked, 2 loose pages in front, 40 pages loose in middle section, Frikkie Botha bookplate; and a watercolour portrait of Lord Roberts by Menpes, loosely inserted, edges of portrait curled (2)
Los 246
Latrobe, Rev. Christian I. JOURNAL OF A VISIT TO SOUTH AFRICA London: L. B. Seeley, 1818 FIRST EDITION, INSCRIBED BY AUTHOR, 4to, vii + [1] + 406 + [2] ad pp, frontis foldout map + 12 hand coloured aquatint plates + 4 topographical outline sketch plans, quarter bound in pigskin and marbled boards, vignette portrait and provenance note laid down on flyleaf, 14 pages with extensive foxing, otherwise light foxing, pencil marks on 4 pages, Frikkie Botha bookplate, inscribed “Benj. Henry Latrobe from the Author”
Los 153
JEAN COCTEAU 'Nous croyons en l'Europe', 1979, portfolio of 13 screenprints, limited edition 586/600, published by Sciaky editor, with Mme Weiss' speech for the European Parliament opening session 17.07.1979, colour portrait of Cocteau and two sheets of stamps designed by Cocteau, 44cm x 33cm. (Subject to ARR - please see Buyers Conditions)
Los 1301
Original vintage advertising poster in German for Sturm Cigarette Cards - Hindenburg The Great History - featuring a black and white drawing of a man smoking a Trommler cigarette in his office and putting images into a photograph album with portraits on the wall behind him and books and an ink well on the desk in the foreground and, below, smaller photo images with descriptions found on the cigarette cards relating to Hindenburg including a portrait of the Hindenburg family in 1880, the President of the Reich visiting Tannenbergfeier and Hitler shaking hands with the President of the Reich, with the text and prices in stylised coloured and black letters with the SA logo below. Sturm-Zigaretten (Storm Cigarettes aka the Storm Troopers' cigarettes; 1929-1935) were manufactured to support the NSDAP Nazi party's paramilitary unit, the Sturmabteilung (SA; aka the Brownshirts); the company also produced a set of cards for the German Army featuring different army and military images from history. Very good condition, folds, faint creases, minor tears and staining on margins. Germany,1930s. Designer: Unknown. Size (cm):52x21
Los 4104
Original antique British World War One propaganda poster "Make us as proud of you as we are of him!" featuring a portrait of a smiling British soldier in uniform inside an oval pendant with a blue ribbon above and the text below. Published by the Parliamentary Recruiting Committee, London. Printed by David Allen & Sons. Ltd., Harrow, Middlesex. Country: UK. Year: 1915. Artist: Unknown. Size (cm): 75x50.5. Good condition, folded as issued, small paper loss and tears in margins, slight staning.
Los 4501
Set of three propaganda posters: 1. Propaganda Poster - J. W. Stalin Portrait. Country: Germany. Year: 1951. Artist: Unknown. Size (cm): 59.5x42 . Very good condition, small tape protections on corners, minor losses and tears on corners.; 2. Lenin Portrait. Country: Russia. Year: 1978. Artist: I. Andreev. Size (cm): 59x45 . Good condition, small tape protections and marks on corners, repaired tears on bottom right corner, staining and creases on bottom margin.; 3. Portrait of N. Krupskaya, wife of V. Lenin. Country: Russia. Year: 1979. Artist: Kocmuh. Size (cm): 56.5x44 . Good condition, small tape protections on corners, staining, creases and tears on bottom margin.
Los 5603
Original vintage movie poster for the re-release of the American Romantic comedy Roman Holiday, directed by William Wyler and starring Audrey Hepburn and Gregory Peck in the lead roles. Initially released in 1953, the film offered her first starring role to a young Audrey Hepburn for which she gained critical acclaim and won many awards, including Academy Award for Best Actress. The film was then re-released in 1962 following the success of Breakfast at Tiffany's, as mentioned in the upper half of this poster: The Most Glamorous Playmate of "Breakfast at Tiffany's" Audrey Hepburn Now Invites You To Share The Happy Romantic Adventure That Won Here The Academy Award! Below the text, the poster features a portrait of Gregory Peck on the left and Audrey Hepburn on the right, alongside smaller images depicting scenes of the film set in Rome. The title and cast texts are printed in stylised colourful letters against a black circle positioned between the image of the two actors. Litho in U.S.A. Very good condition, folded as issued, small creases in margins. Country: USA, Year: 1962, Size (cm): 104x68.5
Los 534
Charles Jagger 1770-1827 portrait of Mrs Thomas Paul, Sarah Gaze, of Halstead and formerly of Norwich, watercolour on ivory, signed and dated 1796 verso, in a turned wood frame, with family history inscribed to backing, 17cm x 15cm overall, small chip to right side, see images for signs of slight wear
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283284 Los(e)/Seite