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283287 Los(e)/Seite
Los 1
P. C. FONTENAY, XIXe SIECLE (FRANCAIS)Portrait de dame à la couronne signé et daté 'P. C. Fontenay 1831' (au centre à droite)Pierre noire et aquarelle sur papier17 x 13cm (6 11/16 x 5 1/8in).Footnotes:P. C. FONTENAY, XIXe SIECLE (FRANCAIS)A crowned ladysigned et dated 'P. C. Fontenay 1831' (centre right)black chalk and watercolors on paperFor further information on this lot please visit Bonhams.com
Los 3
DANS LE GOUT DE JEAN-ETIENNE LIOTARDBuste de Marie Thérèse d'Autriche pastel sur papier marouflé sur toile67 x 51,5cm (26 3/8 x 20 1/16in).67.5 x 52cmFootnotes:IN THE MANNER OF JEAN-ETINNE LIOTARDPortrait of Marie Thérèse of Austria pastel on paper laid on canvasFor further information on this lot please visit Bonhams.com
Los 100
Confectionery.- Nutt (Frederick) The Complete Confectioner: or, the Whole Art of Confectionary Made Easy: also Receipts for Home-Made Wines, Cordials, French and Italian Liqueurs, &c., seventh edition, half-title, engraved frontispiece and 10 plates, of which 3 folding, 2 publisher's advertisement ff. at end, plate 9 torn and repaired, without loss, stained, some spotting, contemporary diced calf, gilt, sympathetically rebacked, spine in compartments and with double leather labels, head of spine chipped, upper cover detached, corners worn, rubbed, [Bitting p.347 (note); Simon BG 1109; cf. Cagle 906-909; Vicaire 634], Printed for Samuel Leigh, 1815 § Jarrin (William Alexis) The Italian confectioner; or complete economy of desserts, according to the most modern and approved practice, new edition, engraved portrait frontispiece and 2 folding plates, 6 full-page bills of fare, endpapers foxed, some spotting or light foxing, occasional staining, contemporary burgundy half straight-grain morocco, spine gilt, spine faded, corners worn, rubbed, [Simon BG 884; cf. Bitting pp.244-245; Cagle 776 & Oxford p.149], E.S. Ebers, 1844; and 17 others, Confectionery & Baking, v.s. (19)
Los 120
Soyer (Alexis) The Gastronomic Regenerator: a simplified and entirely new system of cookery, first edition, engraved portrait frontispiece of the author after Emma Soyer, engraved self-portrait of Emma Soyer, 13 steel- or wood-engraved plates, of which 2 folding, offsetting, 'My table at home' plate trimmed at foot, affecting caption, 2 folding plates with short neat tear in fold, occasional spotting, lightly browned, contemporary polished calf, sympathetically rebacked, gilt spine in compartments and with red morocco label, [Bitting p.443 (note); Cagle 1003; Oxford pp.176-177; Vicaire 798; cf. Simon BG 1401], a good copy, Simpkin, Marshall & Co., 1846; The Pantropheon Or, History of food, and its preparation, from the earliest ages of the world, first edition, half-title, engraved portrait frontispiece of the author after Emma Soyer, title printed in gold and black, 41 engraved plates, 6pp. advertisements for Soyer's publications at end, occasional spotting, new endpapers, original pictorial cloth, richly gilt, rebacked, preserving original backstrip, this little darkened, rubbed and marked, [Bitting p.443; Cagle 1005; Simon BG 1405; Vicaire 798], Simpkin, Marshall, and Co., 1853; and 9 others, by the same, v.s. (11) ⁂ A good selection of works by this celebrated French chef, who worked to alleviate the suffering of the poor (including in the Great Irish Famine of 1845-1849), and to improve the quality of food offered to British soldiers in the Crimean War.
Los 19
Carême (Antonin) L'Art de la cuisine française au XIXe siècle, 3 vol., mixed set, vol.3 first edition, half-titles, engraved portrait frontispiece of the author, additional pictorial titles to each vol. (vol.3 with explanation f.), and 21 folding plates (12 of which in vol.3), vol.1 half-title neat marginal repair at head, vol.3 water-stained and with a few ff. browned, all vol. the odd marginal repair, some spotting or foxing, occasional staining, Paris, vol.1&2 Renouard, Tresse [& others], vol.3 The Editor, Rue Neuve-Des-Petits-Champs, vol.1&2 n.d. [c.1833] and vol.3 1835 § Plumerey (Armand) L'Art de la cuisine française au XIXe siècle, 2 vol. (forming the continuation of the above work, and numbered on titles as such), half-titles, 2 engraved pictorial half-titles 'Traite des entrées chaudes' by Daubigny, 4 engraved portraits (Appert, Grimod de la Reynière, Talleyrand and the Marquis de Cussy), errata f. at end of each vol., 8pp. advertisements at end of vol.1, ?lacking 'Le cordon bleu' engraved frontispiece, some water-staining and foxing, lightly browned, Paris, Dentu, Tresse [& others], 1843-1844, together 5 vol., near uniformly bound in contemporary or modern burgundy morocco-backed marbled boards (vol.1&2 contemporary), spines gilt, numbered 1-5, vol.1 and 2 some fading to spines, little rubbed, [cf. Bitting p.75 & 374; Cagle 118 & 394; Simon BG 283 and Vicaire 146-147], 8vo (5)⁂ 'De tous les ouvrages de l'ancien chef du prince de Talleyrand-Périgord, L'Art de la Cuisine française au XIXe siècle est sinon le plus important...' (Vicaire).
Los 28
NO RESERVE Herbals.- Culpeper (Nicholas) The Complete Herbal, engraved portrait frontispiece and 20 hand-coloured botanical plates, water-stained, heavy to portrait and title and occasionally elsewhere, majority of plates mostly marginal water-stained, occasional spotting, modern half calf, gilt spine in compartments and with burgundy leather label, Thomas Kelly, 1842; and Hill's Herbal, Bungay, 1812, with colour plates (not collated), 4to & 8vo (2) sold not subject to return.
Los 30
David (Elizabeth).- Photographic portrait of Violet Gordon-Woodhouse, signed by Elizabeth David verso, name of sitter pencilled at head of image, window-mounted, image 201 x 130mm., [?c.1930]; and a small quantity of others, David ephemera and photographs, including 9 'Gerard. Proofs of Leicester photographs', with autograph captions or notes, a scrap album relating to restaurants, and a manuscript menu for a remembrance picnic, v.s. (Sm.Qty.)
Los 43
Dubois (Urbain François) Artistic Cookery. A Practical System suited for the use of the Nobility and Gentry and for Public Entertainments, half-title, title in red and black and with signature of author verso for copyright, engraved double portrait frontispiece of Wilhelm and Augusta, of Prussia, additional pictorial title and 78 plates, advertisement f. at end, water-staining, mostly marginal, but within text of last few ff., occasional spotting or staining, modern green half crushed morocco, gilt spine in compartments, [Bitting p.131], 4to, Longmans, Green & Co., 1870.
Los 46
Trees.- Evelyn (John) Silva, or A discourse of forest-trees, and the propagation of timber in His Majesty's dominions, fourth edition, engraved portrait frontispiece, title printed in red and black, engraved illustrations, a few full-page, short tear to upper inner margin of C1, little worming to lower margins at start, occasional spotting or staining, lightly browned, contemporary panelled calf, gilt spine in compartments and lacking label, joints split, but holding firm, spine ends and corners (especially the upper of lower cover) worn, rubbed and scuffed, [Goldsmiths', 4287; Keynes 43], a wide-margined copy, folio, Printed for Robert Scott in Little-Britain; Richard Chiswell in St. Paul's Church-yard; George Sawbridge in Little-Britain; and Benj. Tooke in Fleetstreet, 1706.⁂ Includes cider and salads.
Los 47
Crahan copy.- Farley (John) The London art of cookery, and housekeeper's complete assistant. On a new plan. Made plain and easy to the Understanding of every Housekeeper, Cook, and Servant in the Kingdom, first edition, engraved portrait frontispiece of the author and 12 bills of fare, some spotting or mostly light staining, lightly browned, new endpapers, contemporary sheep, rebacked in modern pale calf in compartments with double red morocco labels, corners worn, covers rubbed and little marked, [Bitting pp.152-153; Cagle 675; Maclean p.50-52; Oxford p.114; cf. Simon BG 661 and Vicaire 355-356 (eighth edition)], 8vo, Printed for John Fielding, No. 23, Pater-Noster Row; and J. Scatcherd and J. Whitaker, No. 12, Ave Maria Lane, 1783.⁂ Farley was 'principal cook at the London Tavern' (title), which was renowned for its good food, and apparently generous portions. Provenance: 'Wm. Jordan Jun., High Street, Sandwich, 10th Nov.1783' (ink inscription to verso of portrait and head of A1&2); Marcus Crahan, sold Sotheby's 9 & 10th October, 1984, lot 310, and again as the Crahan-Keck Day copy, Sotheby's, 25th November, 1986, lot 192 (Crahan bookplate to front pastedown).
Los 60
Gouffé (Jules) Le Livre de cuisine, first edition, half-title, title in red and black, chromolithographed frontispiece and 24 plates, tissue guards, numerous steel-engraved illustrations, foxed, original red morocco-backed blind-stamped cloth, gilt spine in compartments, corners worn, rubbed, [Bitting p.195; Cagle 218; Oberlé Fastes 226; Vicaire 417-418], Paris, Hachette, 1867; Le Livre des Conserves, ou Recettes Pour Preparer et Conserver, first edition, half-title, title in red and black, steel-engraved portrait frontispiece and numerous illustrations, foxed, early 20th century cloth-backed marbled boards (?from a notebook, or similar), spine ends little frayed, corners worn, rubbed, [Bitting p.196 (note); Cagle 220; Oberlé Fastes 229; Vicaire 418], Paris, Hachette, 1869; and 4 others, by the same, including a duplicate of first mentioned in original cloth, v.s. (6)
Los 68
Henderson (William Augustus) The Housekeeper's instructor; or, universal family cook, engraved frontispiece and 11 plates or bills of fare, 2 of which folding, list of subscribers at end, tear to 2M2, mostly marginal, but with loss of 1 letter, some offsetting, occasional spotting, contemporary speckled calf, spine gilt, joints split, but holding, corners worn, the lower of upper cover particularly so, rubbed, [Cagle 738 (dating it as 1791); Maclean pp.68-69; cf. Oxford pp.133-134 & Simon BG 832], Printed and sold by W. and J. Stratford, Holborn-Hill, [c.1790] § Farley (John) The London art of cookery, and housekeeper's complete assistant. On a New Plan, seventh edition, engraved portrait frontispiece and 12 bills of fare, 5pp. advertisements at end, X7 short tear within text at foot, but without loss, X8 small piece from outer margin, some spotting and light staining, lightly browned, contemporary mottled sheep, rebacked, preserving original backstrip with red morocco label, upper cover detached, corners repaired, rubbed, [Bitting pp.152-153 (note); Cagle 677; Maclean pp.50-51; Oxford p.114 (note); cf. Simon BG 661], Printed for J. Scatcherd and J. Whitaker, 1792; and 3 others, 18th century English cookery, 8vo & 4to (5).
Los 72
Johnson (Mary) Madam Johnson's present: or, the best instructions for young women, in useful and universal knowledge, engraved portrait frontispiece of the author, title printed in red and black, woodcut head- and tail-pieces and decorative initials, final contents f., portrait working loose, edges of portrait and title browned, some spotting or light foxing, occasional staining, lightly browned, contemporary blind-stamped and blind-ruled sheep, spine in compartments, head of spine with short neat split, foot of spine with small chip, upper joint splitting, but holding firm, rubbed and little scuffed, [Maclean pp.75-77; cf. Bitting p.247, Cagle 782; Oxford p.83 & Vicaire 465], large 12mo, Printed for M. Cooper, Pater-noster-row; and C. Sympson, at the Bible, Chancery-Lane, 1754.⁂ Rare first edition under this title. It was originally published in 1753 as The Young Woman's Companion. ESTC records only four copies of this edition (all in America or Canada), and Library Hub adds a copy at Leeds University. Includes carving, pickling, and pastry & confectionery. As with another copy consulted the pagination of the preliminaries is as follows: [2], ii, [1], vi-xiii [i.e xiv, the recto of final f. thus numbered].Provenance: 'E. Guertz, 1754' (ink inscription to verso of portrait); loosely inserted letter from Sub-Librarian of Brotherton, Leeds to bookseller Mike McKirdy regarding their copy of the work. It is interesting to note that in the preliminaries of their copy the pagination also skips from ii to vi.
Los 76
Kent (Elizabeth Grey, Countess of) A Choice manual, or, Rare and select secrets in physick and chirurgery...as also most exquisite waies of preserving, conserving, candying, &c., 'The Seventeenth edition', engraved portrait frontispiece of the author, A9 contemporary ink receipt verso, lacking E5&6, preliminaries frayed and repaired, with loss to image and text, B1 lower corner torn and crudely repaired (with loss of a few letters), D9 & G1 lower corner torn (the former repaired), with loss of text, outer margins trimmed, sometimes just within text, a few short tears, some spotting and staining, lightly browned, antique style calf, spine gilt, [cf. Bitting p.201; Cagle 785-787; Notaker 530; and Oxford pp.22-23], 12mo, Printed for Henry Mortlock, at the Phoenix in St. Paul's Church-Yard, 1676. sold not subject to return. ⁂ This edition unrecorded. The second part is 'A true Gentlewomans delight. Wherein is contained all manner of Cookery'.
Los 58
A Georgian rose gold garnet set portrait miniature pendant. The oval ivory miniature painted with a head and shoulders portrait of a young gentleman, surrounded by square cut stones, the enclosed back inscribed 1725, the pendant measuring 32mm x 27mm, 8.42g, ivory exemption ref. AS3Z66QSOne stone is chipped. There are minor edge chips to some stones, not noticeable with the naked eye. The miniature is good, though there is dust and dirt underneath the glass or crystal. The glass has some minor surface scratches. Generally good antique condition.
Los 335
AFTER SIR ANTHONY VAN DYCK "Charles I" a portrait study, half length wearing armour and the badge of the Order of the Garter, oil on canvas, unsigned 39.5 cm x 32 cm CONDITION REPORTS The piece has been re-lined and visually appears to have had some restoration though there is still craquelure to the surface in several areas but over all, visual appearance is good. The stretchers and canvas appear to be 20th Century, due to the re-lining it is a little difficult to be precise about the age of the piece but has the appearance of being 19th Century, though looking at the very edge of the canvas exposed in one area, it is possible that it could be earlier. Under ultra-violet light there are several areas of the face that have clearly been over painted where crazing has occurs. There are several areas, particularly to the edges, where heavy over painting has also occurred. Much of the dark area around the shoulders and above also appears to have had some re-painting. The whole piece has been varnished which of course has secured the paint but makes it very difficult to photograph due to reflection. The frame has a lacquered surface to simulate tortoiseshell/ebonised, a slightly red tinge underneath but certainly of a period style though, in all likelihood again 19th Century - see images for further detail
Los 103
VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003)."Family portrait", 1991.Mixed media on canvas.Signed, dated and titled on the back.Size: 116 x 148 x 5 cm.Sculptor, painter, engraver and writer, his training was basically self-taught. At the age of eighteen he held his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.
Los 279
Scottish school (early 19th century) portrait of Dr. James Perry, unsigned, oil on canvas, label to the back reads 'Dr Perry Bilbo Park Logibuchan, died August 24th 1824 age 63', framed, 49cm x 59cm Some slight craquelure, some slight surface damage, frame with small chips. Condition photos uploaded.
Los 40
A family group of five 19th century wax portraits on glass depicting Mr Charles King, Mr George King, Mr Bushel King, Benjamin Bushel King and Mr John King, all of London, four mounted in period gilded portrait frames and a further mounted in a rosewood frame, the group of four 11cm high x 9cm wide excluding the frame and mount, further 10cm high x 7.5cm wide excluding the mount and frameIn good condition, good colour, some small surface scratches some minor marks to the frames see extra images
Los 432
Pote, Joseph. History of Windsor Castle dedicated to H.R.H. Frederick Prince of Wales. Red printed title page and portrait engraving by Parr, Eton 1749. Original boards rebacked. 4to. (245 x 185mm) plus Tighe, R.R. and Davis, J.E. Annals of Windsor. 2 vols. Longmans et all, 1858 with folding maps and plates, 1/2 calf and marbled boards. 8vo. All bumped, tears etc. Used condition (3)
Los 582
Darwin, (Charles). 'The Descent of Man and Selection in Relation to Sex'. 2nd Ed. Nineteenth Thousand. John Murray, 1885. b/p for Aldershot Manor. Green cloth. 8vo. plus 'A Naturalists Voyage Journal of Researches into Natural History and Geology (HMS Beagle). With portrait frontispiece 1889. Tooled green cloth plus 'Journal of Researches' with frontispiece engraving of The Beagle, T Nelson, London 1891 with plates. Blue cloth (split), joints loose, bumps etc. Owners signature, some foxing (3)
Los 583
Wallace, (Alfred Russell) (1823-1913) Welsh Naturalist. 'Darwinism An Exposition of the Theory of Natural Selection...' 2nd Ed. Macmillan, London 1890 with portrait frontispiece. 8vo. Green cloth, much stained and split plus Darwin, (Charles). 'Variation of Animals and Plants...'. 2 vols. John Murray 1905. Popular ed. green cloth plus Darwin. 'On the Structure and Distribution of Coral Reefs'. Ward Lock, London. Minerva Library with folding maps, half calf and marbled boards loose (4)
Los 605
Lockhart, (J.G.) 'Memoirs of the Life of Sir Walter Scott, Bart'. 7 vols with frontispiece engraved portrait after Raeburn, 1st edition(?), Cadell Edinburgh, Murray, London 1837. 8vo red cloth (faded) in outer half calf bound book boxes with marbled edges plus 'The Letters of Sir Walter Scott' Centenary Edition, Constable London 1932. 8vo 12 vols, blue cloth (19)
Los 695
Crayon, (Geoffrey aka Irving), Washington (1783-1859) American Writer. 'The Sketch Book of Geoffrey Crayon Gent'. 4th Ed. 2 vols. John Murray, London 1821. b/p for de Spon and Richard Mansergh. Full tooled calf (185 x 115mm) (splits) plus Trollope, (Frances). 'Domestic Manners of the Americans'. Richard Bentley, London 1839. 5th Ed. with portrait frontispiece. Faded cloth with splits (170 x 110mm) (3)
Los 436
Grouping of Items Belonging to Lieutenant Colonel A C Taylor D.S.O Queen Mary’s Own The Baluch Regiment, Indian Army, consisting of an original 1944 oil on canvas portrait painting of Taylor in North Africa wearing tropical pattern uniform etc. Pewter tankard engraved with regimental badge and his signature engraved into the bottom section; Indian made wooden cigar / cigarette case finely carved with foliage and interior of the lid with the regimental badge; officers travelling case housing a number of original items of paperwork and photographs from his military and civilian life; Regimental history of the 3rd battalion of the regiment by Lieutenant-Colonel W E Maxwell, Taylor being mentioned in the history a number of times. A fine grouping of items which was given to the wife of the current vendor after the death of Lieutenant Colonels Taylor, by his wife.
Los 136
Y A LATE GEORGIAN PORTRAIT MINIATURE OF A GENTLEMAN IN A GOLD SETTING CIRCA 1810 The oval ivory panel painted with a gentleman with a black double breasted jacket, a white cravat with bow detail, unsigned, with a glazed domed panel within a gold setting, the reverse with engine turned decoration Size/dimensions: 9.9cm long Gross weight: 49.9 grams Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: L7LFWLJC Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Condition Report: The miniature has some slight warping, no major damage to the painting or noticeable restoration, there is a slight patch to the left had side back ground, but it appears to be from the period it was painted. There is no visible signature, the setting has some light wear, no major damage, no major scuffs or scratches or chips to the glazed panel. Condition Report Disclaimer
Los 286
AN EARLY VICTORIAN DOUBLE SIDED GLAZED LOCKET CIRCA 1840 The locket with a painted portrait of a man wearing a black jacket and cravat over a white shirt and cream waistcoat, his dark hair parted to one side, the reverse with woven two tones of brown hair, beneath domed glazed panels, in a floral gilt metal setting Size/dimensions: 6cm long Gross weight: 16.9 grams Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: 4UHFBJED Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Condition Report: The miniature has some scratches and rubbing to the left hand side, the setting has some light wear, gilding is still bright. There is some hair escaping from the reverse compartment on one side. Some scuffs and scratches to the glazed panels. Condition Report Disclaimer
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283287 Los(e)/Seite