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283284 Los(e)/Seite
The Great War: Circa 1917, A Wood Brisé Fan, applied with seventeen printed portraits of the important German/Austrian figures in WWI, including Royalty in the centre. Underneath each portrait are printed copies of their signatures. Guard length 6.5/8 inches or 16.5cm See the Fan Museum Greenwich catalogue ''Fans: War and Peace'' page 40 for a similar example, this being stamped for the Red Cross on the upper guard. In good order generally. A slight split near the top of the upper guard at the ribbon slot. Otherwise clean. Ribbon strong , needs re-recruing to correctly space the sticks.
The Marriage of George, Prince Of Wales, And Caroline of Brunswick, 1795. An Intriguing 18th Century Stipple Engraving and Hand-Coloured English Fan, the double paper leaf mounted on simple shaped wood sticks. Marked as Publish'd at Sudlow's Fan Warehouse 197 Strand. Centrally, a portrait of the couple, under the Prince of Wales feathers and motto ''Ich Dien'' in German, meaning ''I serve''. The upper border of the leaf is printed with caricatures of men and women of the period. This section has a particular feature in that if the fan is half closed, part of a face from another fold joins with half a face from a previous fold to form a completely different expression. The advertisement to the right can be read in two different ways using the same principle, as ''Harpsicord properly taught on the best principles by Paul Thrumbini'' or ''Harpsicord Improperly taught & on the worst principles by C.Thrumbini''. The leaf has other interesting vignettes, with a couple, the man in uniform, admiring a cannon whilst an older couple look at an encampment; a marriage ceremony with winged cherub above; a traveller falling from a collapsing horse with signs reading ''XII miles from'', ''Hyde Park Corner'', and ''In 1794.'' The remaining texts are riddles and answers. The verso is plain. Guard length 9.75 inches or 25.5cm See Schreiber ''Fans and fan Leaves'' no14, English Historical Fans . Some foxing, mainly visible on the plain verso and to the lower right on the recto. Some leaf restoration as seen on the left on the verso but well done and sound.
Madonna and Child: A Mid-19th Century Mother-of-Pearl Fan, with elaborate monture, being carved and gilded with overlaid swags of flowers in shades of gold, the gorge backed with mother-of-pearl. The double paper leaf shows a detailed scene of the Madonna and Child seated for Raphael to paint their portrait, in the presence of the French king Francis I and his courtiers. Other servants provide refreshments, a small dog is laid in the foreground and a large window in the background shows a tower and rooves of adjoining buildings. A lady with small child is watching the proceedings. To either side the reserves are richly decorated with scrolling in gold and pink roses, the background of mid green, within which there is a trompe l'oeil of meandering white bobbin lace. The verso depicts a two-arched bridge over a river. Contained in a card fan box for Haywards of Oxford Street and an additional label for J. Duvelleroy 167 Regent Street W, London. Guard length 10.5 inches or 26.5cm Raphael's Madonna and Child as seen in the National Gallery Collection, also has the tower in the left background. Raphael (1483 - 1520) is thought to have created that work around 1509 - 1511. Raphael does appear to have painted many versions of the Madonna, from around 1503. The leaf has good colour and appears sound. One gorge stick is broken but present, detached at the rivet and the shoulder Some of the overlaid MOP is lacking, notably on both guards, as is the backing MOP on one gorge stick. The lower guard has been repaired by means of a silver metal panel. The leaf is generally in good order save for a minute piece of paper top left corner.
Cherubs and Black Lace: A Late 19th Century Printed Fan, the double paper leaf mounted on pale wood, the upper guard gilded with the name Marie Brizard & Roger, who have produced cognac in Bordeaux, from 1755. Based in Ivry-sur-Seine in France. The recto, with a pale green background, is printed with a border of black bobbin lace, surrounding two charming groups of winged cherubs, some holding white doves, others having gathered blousy peach roses, all wearing flimsy stoles with decorative ribbons, and flowers in their hair. The verso, a paler green, advertises the products, being Champagne, Cognac, superfine liqueurs of various flavours and Anisette. A tiny scroll at the tope centre says ''offert par la restauration de Vichy''. Printed by J. Ganné.Guard length 9.5 inches or 24cm; and Villa des Fleurs, Vichy: A French Advertising Fan, the double paper leaf mounted n plain wood sticks, printed with an attractive portrait of a Belle Epoque lady, dressed for evening in velvet and pearls, surrounded by ruby coloured flowers which complement the red shield surmounted by a crown that represents the Spa town of Vichy. A banner promotes the Villa des Fleurs. Signature for Guiclo Gormin and a printer's attribution for the Papeterie Universelle, Lyon. The verso is printed en grisaille with a scene of the Casino, Villa Des Fleurs, on the lakeside at Aix-Les-Bains. To the far right, printed in script, Louis Gue???, Annecy. Guard length 9.75 inches or 25cm. Villa Des fleurs has been a hotel in Vichy since the 1880's. Aix-Les-Bains appears to have had a building of this name at approximately the same time (2). Fan 1 - In very good order, and clean. Fan 2 - Very good, firm, good colour.
•SIR GERALD FESTUS KELLY, PRA (1879-1972) PORTRAIT OF A LADY Standing, full length, wearing an off-white dress, emerald and diamond jewellery, oil and pencil on canvas, unfinished, unstretched, unframed 202 x 94cm approx. Provenance: The artist's studio ++ A little ragged at the edges; some creases where formerly rolled
MANNER OF JOHN GREENHILL (c.1649-1676) PORTRAIT OF A LADY Bust length, wearing a robe and a pearl necklace, coloured chalks on paper, wrapped onto board, unframed 40 x 32.5cm. Provenance: By descent in the family of Dr. Mary Whittaker and Professor Derrick Style, both descendants of Horatio Nelson. ++ Grazd upper left; slight rubbed lower left corner
•SIR GERALD FESTUS KELLY, PRA (1879-1972) NEAC THUL V, CAMBODIAN DANCER, c.1936 Inscribed with title on canvas edge and on the stretcher, oil on canvas 67 x 79cm. * Kelly's Oriental subjects were hugely popular amongst collectors of popular prints. He first painted these themes on a visit to Burma in 1908-1909, where he was `sponsored` by W. Somerset Maugham (who used Kelly as a character in various novels and stories). Kelly returned to the region in 1936. Kenneth Clark described Kelly as `the most reliable portrait painter of his time` and Clive Bell rated him as `about the best President of the Royal Academy since Sir Joshua Reynolds.` ++ Retouching over craquelure
FOLLOWER OF JAMES MILLAR (Fl.1763-1805) PORTRAIT OF RICHARD DAWSON CRAWFORD Seated half length, wearing a dark coat, buff breeches , a letter to his right, oil on canvas, in a period Carlo Maratta style frame 89 x 68.5cm. Provenance: By descent in the family of the sitter ++ Lined; bitumen damage; craquelure; some surafce grazes etc; needs a clean
FOLLOWER OF CHRISTOPHER STEELE (1733-c.1767) PORTRAIT OF A YOUNG LADY, POSSIBLY A MEMBER OF THE HERBERT FAMILY Half length, wearing a russet and white dress and a blue mantle, oil on canvas, carved wood frame 62 x 47cm. Provenance: By descent in the family of Brigadier General Edwin Sidney Herbert (1866-1936) ++ Lined; retouching; needs a clean
CIRCLE OF SIR FRANCIS GRANT, PRA (1803-1878) PORTRAIT OF A YOUNG LADY Seated, three quarter length, wearing a white lace dress, a bonnet over her arm, sketching in a woodland setting, oil on canvas 125 x 99.5cm. ++ Lined; some retouching; some craquelure, paint separation and slight bitumen damage; needs a light clean; period gilt frame
OCTAVIUS OAKLEY, RWS (1800-1867) STUDY OF A BEARDED MAN (POSSIBLY A SELF PORTRAIT?) Signed and date 1863, watercolour 27.5 x 19cm. Provenance: In January 1863, thirty one members of the Society of Painters in Water Colours presented a green leather brass-bound folio of their own works to Edwin Wilkins Field (1804-1871) upon his retirement as solicitor and administrator for the Society. Fellow donors included William Callow, Myles Birket Foster and Samuel Palmer. The accompanying card recorded their `sincere regard for him as a friend and also an acknowledgment of his earnest activity in furthering the general interests of the Society.` The whole collection was kept together until it was sold by a descendant of Field in the 1970s. ++ Good condition
WILLIAM BARRAUD (1810-1850) PORTRAIT OF WILLIAM BENT (1798-1859) UPON A GREY HUNTER Signed and dated 1836, oil on canvas, in a gilt frame with fox mask and stag head motifs 85 x 110.5cm. Provenance: By descent in the family of the sitter ++ Lined; evident craquelure; scattered retouching; some abraded areas; refurbished 2003
ENGLISH SCHOOL, 1840 PORTRAIT OF JAMES BINGLEY (b.AUGUST 23rd 1795) Half length, wearing a dark coat and cream waistcoat, holding a copy of Bell's Life (Sunday March 8th 1840), oil on canvas 75 x 62.5cm. * A later inscribed label on the stretcher states that `this likeness [was] taken August 17th 1840`. ++ Lined; areas of scattered retouching; craquelure; some flaked losses; period gilt frame
•ALFRED HAYWARD (1875-1971) HONEYMOON PORTRAIT OF CICELY CONSTANCE HAYWARD (nee KETTLE) Signed and inscribed on the backboard, oil on canvas 26.5 x 20.5cm. * Painted in June 1912 at Montreuil sur Mer. Cicely had been James Bolivar Manson's secretary prior to her marriage and she later left Hayward to live with Manson. Hayward's initial stoicism about the separation became more embittered and he omitted any mention of Cicely from his 1942 entry in Who's Who. Provenance: The artist's estate; Irving Grose Exhibited: St Ives, Belgrave Gallery, 1975, Centenary Exhibition: Alfred Hayward (this picture was the cover illustration for the accompanying catalogue) ++ Scattered retouching; needs a light clean
MARY BUCHANAN (1876-1958) ALFRED, LORD TENNYSON Bronze with a rich dark patina, relief profile portrait, signed and dated 1911, inscribed Tennyson 47.5 x 39cm. Provenance: Private collection since 1980 * Alfred Tennyson, 1st Baron Tennyson, FRS (1809 - 1892) was Poet Laureate of Great Britain and Ireland during much of Queen Victoria's reign and remains one of the most popular British poets
SIR WILLIAM BEECHEY (1753-1839) PORTRAIT OF CHARLES SMALL PYBUS (1766-1810) Quarter length, wearing a dark coat and white stock, signed with initials and dated 1803, bears contemporary inscription Charles Small Pybus Esqr./ painted by/ Sir William Beechey/ 1803 verso, oil on panel 73 x 60.5cm. * The sitter was born in the East Indies, the second son of a banker. He was educated at Harrow and at St. John's College, Cambridge. Pybus initially pursued a career in the law, having been called to the bar in 1789 and he then impressed William Pitt the Younger as an orator soon after becoming MP for Dover in the same year. He rose to become Lord of the Admiralty (1791), then Lord of the Treasury in 1797 and he held his seat until 1802. Pybus died, unmarried, in 1810. He had a reputation for pomposity and Beechey was not charmed by his sitter: `He was very vain of His knowledge of pictures, but in reality knew nothing abt. them.` (The Diary of Joseph Farington, XI, New Haven and London, 1983, p.3882). Nonetheless, Beechey painted him at least once more, apparently in later life (Dulwich Picture Gallery). That portrait has been dated to the 1790s but is more probably c.1810 Provenance: Acquired by the vendor's father c.1975 ++ Scattered retouching, principally in the background and coat; surface good
Pair of Tiffany and Co. Fine Painted Cobalt and Gold Cabinet Plates. Signed C.J. Weaver and signed Tiffany and Co. New York on obverse side. Each features a portrait of exotic birds. Measures 8-1/4" Dia. Condition: Condition: Light rubbing to gold, minor touch marks from plate holders to base otherwise good condition Estimate: $400.00 - $600.00 Domestic Shipping: $62.00

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