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Three signed boxing print canvases,comprising Leon Spinks signed image of the bout v Muhammad Ali, New Orleans, 15th September 1978, the b & w print on canvas depicting Leon Spinks hitting Muhammad Ali with his right, signed in silver marker pen, 51 by 60cm; Sugar Ray Leonard signed boxing portrait image, signed in black marker pen, 60 by 45cm.; Joe Calzaghe signed image of him after defeating Mikkel Kesslar in the bout for the WBO, WBC and WBA World Super Middleweight titles at Millennium Stadium, 3rd November 2007, signed in silver marker pen, 80 by 47cm.; the lot also including a yellow Lonsdale boxing glove signed by Frank Bruno (4)Muhammad Ali defeated Leon Spinks in the 15th round unanimous decision.
Muhammad Ali signed photograph,14 by 11in., signed in blue marker pen, b & w head portrait of Ali in training sweats, mounted, framed & glazed, overall 59 by 49cm.; sold together with an impressive looking 16 by 20in., b & w action photograph from the Cassius Clay v Floyd Patterson fight in 1965, mounted with title plaque, framed & glazed 67 by 68cm. (2) All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Collection of Cricket Ephemera,including West Indies cricket tour of England 1933 souvenir brochure, signed inside by players over their portrait picture, including Griffith, Headley, Valentine, GC Grant, etc.; a Australian board of control for international cricket programme for the Australian tour of England in 1956, the pre-printed page to the back cover fully autographed including Johnson, Miller, Benaud, Harvey, Lindwall, etc.; a 1974 dinner menu in honour of Sir Don Bradman signed in blue ink; two small pre-war autograph albums, bearing some cricketers autographs most notably Sutcliffe, Verity, and Larwood; the lot also including tour booklets form the 1930s and 1940s for Australia and South Africa; various cigarette cards, some being full sets, other incomplete; Playfair cricket annuals, scorecards and other items, (qty)All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Arthur Alfred Mailey (Australian, 1886-1967) signed self portrait cricket caricature, circa 1948,pen and ink self portrait drawing on an album page, signed lower margin, mounted above a typed legend, glazed and framed, overall 46 by 31cm. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Original b & w studio portrait of England's young test Captain A.P.F. Chapman, taken by Jean Bowes, Scarborough, featuring the young cricketer in formal dress, titled in white on lower margin "England's young Captain" A.P.F. Chapman and signed lower right margin by photographer, 17 by 13in., mounted, glazed and framed, overall 67 by 56.5cm. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Selection of cricketing prints and magazine supplement print,including The Cricket match Australia v England at Kennington Oval, glazed and framed, overall 53 by 67cm.; The Australian Cricketers, featuring Jones, Bannerman, Bonner, Spofforth, Blaclore, Murdoch, palmer, Giffen, Boyle, Garrett, Massic, McDonnell and Horan, glazed and framed, overall 57 by 67cm.; two cricket team photographs mounted back to back, one featuring Hampstead, Sussex tour 1891, the other un-named, glazed and framed, overall 42 by 48cm.; sold with six Vanity Fair cricket prints, mostly poor condition with colour bleaching, Chaevallier Taylor portrait of Tyldesley, framed and gazed, Cricket match published 1824; reprint of Cricket at Knowles Hill; two smaller magazine supplement prints, one by Arthur Hopkins and the other by WH Overend, and another of an early Australian cricket team, all framed and glazed, (15)All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Three horse racing jockey portraits, comprising Stephen Donaghue signed colour portrait, mounted, glazed and framed, overall 27 by 22cm.; another portrait of a jockey wearing blue cap and two toned jacket, mounted and framed, unglazed, 58 by 50cm. and a framed Spy cartoon of "The Demon", September 2nd 1882, mounted, glazed and framed, 47 by 32cm., (3)All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Roman Imperial Coinage, Carausius, Denarius, 286-93, imp carausius p ag, diademed and draped bust right, rev. felicita avg, galley right with four rowers, rsr in exergue, 3.20g (RIC 560; Shiel 51; RSC 51). Striking crack at 1 o’clock, some light marks and scratches, otherwise very fine, good portrait£1,500-£1,800 --- Provenance: Found near Tisbury (Wiltshire), March 2022 (PAS WILT-B83595)
Kings of East Anglia, Æthelstan (825-40), Penny, [Ipswich], Eadnoth, edelztan re+, draped bust right, breaking inner circle, rev. +eadnod monet around cross-crosslet, 1.28g/8h (Naismith E30a, same dies; SCBI BM 833, same dies; Pagan BNJ 1982, p. 58; N 434; S 948). Nearly extremely fine, struck on a full round flan, free from the usual porosity and retaining a light earthen patina consistent with being a field find; the third and finest known example of this excessively rare and attractive issue £8,000-£10,000 --- Provenance: Found near Amesbury (Wiltshire), 6 March 2022 (EMC 2022.0109) Naismith’s corpus records just two examples of Æthelstan portrait pennies struck by Eadnoth, from two obverse and two reverse dies. The present coin, which is seemingly only the third known example, was struck from the same dies as the coin now housed within the British Museum. It is the finest in terms of preservation. Æthelstan was a king of the independent Kingdom of East Anglia which emerged following the end of Mercian Supremacy in 825. Unfortunately, the paucity of contemporary written sources means that we know little about events in the region during the first half of the ninth century. The Anglo-Saxon Chronicle relates that in 825 the Mercian King Beornwulf, after his disastrous defeat at the battle of Ellendum against King Ecgberht of Wessex, was slain by an anonymous king of the East Angles. Beyond this, little interest was shown by the Chronicle’s compiler towards the East Anglian kings or their activities. This fact, coupled with a complete absence of surviving charters from the area, means that we must turn to the numismatic evidence for answers. The identity of the first independent king of East Anglia is made clear from the hoard record, with the Middle Temple hoard being particularly informative. The large group, deposited at some point during the 840s, contained 243 early ninth century coins produced under various kings across England. Included within were some 39 pieces of Æthelstan. No coins of any other independent East Anglian ruler were present, making Æthelstan’s primacy clear. The name Eadnoth, the moneyer responsible for the striking of the coin offered for sale here, first appears on pennies of the Mercian king Offa in the 780s and then on coins of the obscure local king Eadwald who usurped power in East Anglia for a brief period during the late eighth century. Following this Eadnoth signed no coins during the first two decades of the ninth century, despite the productive nature of the East Anglian mint under the supervision of the Mercian Kings Coenwulf and Ceolwulf. Finally the name reappears in c.824 on the coins of the last Mercian rulers to exercise power within the region, Beornwulf and Ludica, before continuing onto the coinage of the independent king Æthelstan. Given that several decades lapsed between these episodes of the minting activity we ought to consider the possibility that these are two different moneyers by the same name. Elsewhere, attempts have been made to detect familial connections between successive moneyers operating within the same area who share similar names. The case of Eadnoth may provide another good candidate for such a scenario, and it is possible that the Eadnoth who struck our coin was a relative, perhaps even a son, of Offa’s moneyer. In common with all of Æthelstan’s portrait coins, the present specimen was struck at the beginning of the monarch’s reign, as part of an issue that probably lasted until c. 830. Æthelstan portrait pennies were completely absent from the Middle Temple Hoard. From this some have inferred that these early coins must had dropped out of circulation by this point. However, the same hoard contained numerous pennies struck under Æthelstan’s Mercian predecessors, Coenwulf, Ceolwulf and Beornwulf. It is difficult to believe that all of Æthelstan’s portrait pennies ceased to circulate on account of wear, damage and loss whereas those of earlier rulers consistently did not. We should not dismiss the possibility that Æthelstan’s Portrait coinage was officially called in and deliberately withdrawn from circulation in a renovation monetae. Such a policy was seemingly employed by the Kings of Wessex during the second half of the Ninth century to help bring uniformity to their currency and led to a total absence of earlier coins in hoards deposited after the reform’s instigation. It is notable that following the short episode of iconographical variation early in Æthelstan’s reign all of the East Anglian coinage, continuing throughout the reigns of his successors Æthelweard and Eadmund, was of a generally consistent design. If such a reform was implemented it would help to explain why the portrait pennies of Æthelstan remain so excessively rare, despite the general increase in ninth century coins discovered and excavated over the previous two decades. Works cited Blunt, C.E., Lyon, C.S.S., and Stewart, B.H.I.H., 1963. ‘The coinage of southern England, 796–840’, BNJ 32, 1–74. Pagan, H.E., 1982. ‘The Coinage of the East Anglian Kingdom from 825 to 870’, BNJ 52, 41-83. Pagan, H.E., 1986. ‘Coinage in southern England, 796-874’ in M.A.S. Blackburn (ed), Anglo-Saxon Monetary History: Essays in memory of Michael Dolley (London), 45-66. Naismith, R., 2011. The Coinage of Southern England 796–865, BNS Special Publication 8, 2 vols. (London). Naismith, R., 2012. Money and Power in Anglo-Saxon England: the Southern English Kingdom 757-865 (Cambridge). Stenton, F., 1971. Anglo-Saxon England. Third Edition (Oxford).
Henry VII (1485-1509), Profile issue, Groat, Tentative type IIa/IIb, mm. lis on rev. only, reads henric vi·i di gra rex agli’ z fr’, saltire stops, rev. cross-end 11, legend ends mev’, 3.05g/2h (P & W –; SCBI Ashmolean –; N 1743; S 2254). Some very minor obverse surface marks, minimal bend in flan, otherwise good very fine and neatly struck, the variety excessively rare £1,200-£1,500 --- Neatly struck on a carefully prepared planchet, this specimen has all the appearance of an early trial for the new portrait - an idea supported by Potter and Winstanley who state “[the coins] must be in the nature of trial pieces, as they do not bear marks in the regular series” (BNJ vol. 31, 1962, p.110). They are conventionally dated c. 1504
English School, mid 19th Century/Portrait Miniature of a Gentleman/wearing a blue stock and red coat/oil, 6cm x 5cm/and a Victorian photographic portrait of a lady, the dress heightened in white CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
T B Ford after Landseer/Dignity and Impudence/a portrait of Impudence/enamel on porcelain as a gold stock pin, signed and dated TB Ford, 1852, 2cm diameter/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
English School, late 18th Century/Portrait Miniature of a Naval Commander/looking left, wearing a blue uniform, gilt lined and with white stock/oil on card, 6.5cm x 5cm/in a verre eglomise surround within an ebonised rectangular frame/see illustration CONDITION REPORT: Gilt surround to mount with minor blemishes. Portrait subject of very good colour. Gilt metal frame badly rubbed. Frame chipped, particularly at border. Inscribed on reverse 'From the Cassiobecky Collection'
French School, 18th Century/A Girl Kneeling beneath a Tree/a memoriam gold locket/sepia on ivory, 2.5cm x 0.5cm/see illustration CONDITION REPORT: Gold border slightly blemished on left hand side. Sepia portrait good. Reverse with brooch mountLot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions
M E Hawkley/Portrait Miniature of a Gentleman/signed and dated, 1899/oil on ivory/see illustration CONDITION REPORT: The Miniature is slightly warped and shows some signs of paint loss owing to the glass sticking to the image. The size is 7x6 cms.Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions
English School, mid 19th Century/Portrait Miniature of a Girl/bust length, wearing a white lace and red dress/oval/oil on ivory, 6.5cm x 5.5cm/see illustration CONDITION REPORT: Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictionsCondition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
English School, early 19th Century/Portrait Miniature of a Young Man/bust length, wearing a brown cloak/oil on ivory, 8cm x 8cm/see illustration CONDITION REPORT: Ivory is slightly warped. The painting fine and very detailed. Slight loss of paint to borders.Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions
Attributed to Christian Zincke (1683-1767)/Portrait Miniature in enamel of a Young Gentleman/bust length, wearing a blue coat/oval/enamel, 4.5cm x 4cm/with a silver gilt support for the frame/see illustration CONDITION REPORT: No noticeable chips to enamel, border not examined. Close fitting to silver gilt oval frame, which is detachable from the rectangular mount. Silver gilt tarnished.
English School, mid 18th Century/Portrait Miniature of a Gentleman/bust length, wearing a red coat/oval/oil on ivory, 3.5cm x 3cm/the gold frame with jewelled border/see illustration CONDITION REPORT: This miniature is in very good condition. The glass has some minor scratching. Jewelled border complete. Bracelet clasp incomplete. One bracelet mount missing.Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions
English School, mid 19th Century/Portrait Miniatures of a Lady and a Gentleman/bust length, the lady wearing a white lace veil, the gentleman in a black cravat and coat/a pair/oval/oil on ivory, 4cm x 3cm/both in gilt frames mounted as brooches/see illustration CONDITION REPORT: Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
English School, 18th Century/Portrait of William Lenthall/the Master of the Rolls, Commissioner of the Great Seal and Speaker of The House of Commons/half-length/black and white etching, 44cm x 30cm/and other 18th Century portraits CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
Anthony Buckley & Constantine Ltd/Her Majesty Queen Elizabeth II/three-quarter length photographic portrait/signed by Her Majesty and dated 1991/photograph, 60cm x 50cm/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
Chinese School, 20th Century/Portrait of a Mandarin Woman/signed/print, 47cm x 32cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
Denis Aldridge (1898-1985)/Portrait of a Hunter at Grass/signed/watercolour, 34cm x 52cm and/Study of a Horse 'Yes Sir'/indistinctly signed G Falkner and dated 1957/graphite on paper, 41cm x 49cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
'Spy' Leslie Matthew Ward (1851-1922)/'Judicial Politeness' Portrait of The Rt Hon Sir C S C Bowen/watercolour, 28cm x 20.5cm and three Spy prints CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
Karel Collens (1869-1901)/Portrait of a Bearded Man/signed lower left/oil on canvas laid to board, 39cm x 29cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
A silver picture frame, a silver trinket box and six gilded studs each with a portrait of a dog CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
A set of twelve Coalport plates, each painted with a central sepia portrait and botanical study, named, dated and monogrammed EMB to reverse, 24cm diameter CONDITION REPORT: One broken through and glued Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Portrait of a Tibetan Servant/half-length, wearing a coat with hookah tucked into his lapel/mounted silver gelatin print, 19.5cm x 14.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection
Montre de gousset a cadran ouvert en argent (925) avec portrait emaille au verso remontoir a clef, realisee pour le marche chinoisA silver key wind open face pocket watch with enamel portrait to reverse made for the Chinese market Date: Circa 1850Movement: Finely engraved Swiss lever, compensated balanceDial: White, black Roman numerals, black outer 1/5th second divisions, blued steel spade hands, centre secondsCase: Polished round hinged, blue enamel decoration to reverse with polychrome portrait of a lady, No.803Size: 57mm - Weight: 118,30grFor further information on this lot please visit Bonhams.com
Montre de gousset a cadran ouvert en metal argente avec portrait emaille remontoir a clef, realisee pour le marche chinoisA silver gilt key wind open face pocket watch with enamel portrait made for the Chinese market Date: London Hallmark for 1844Movement: Finely engraved gilt Swiss lever, compensated balanceDial: White, black Roman numerals, black outer 1/5th second divisions, blued steel hands, centre secondsCase: Hinged with polychrome enamel portrait to back of a lady, seed pearl set bezels, No.2477Size: 56mm - Weight: 119,90grFor further information on this lot please visit Bonhams.com
Eugene Bornand. Montre de gousset à cadran ouvert en or jaune 18K (750) avec portrait au verso remontoir au pendantEugene Bornand. An 18K gold keyless wind open face pocket watch with portrait to reverseDate: Circa 1850Movement: Gilt cylinder, 3-arm balanceDial: White, black Roman numerals, black outer minute track, blued steel spade handsCase: Polished hinged with portrait of a lady to reverse set with 4 stones, No.14104Signed: CuvetteSize: 33mm - Gross Weight: 25,80g Accompaniments: Box, keyFor further information on this lot please visit Bonhams.com
PORTRAIT, an Edwardian 14ct gold mounted portrait, originally made as a mourning pendant, the centre with a hand painted portrait of a young child, the surround set with approximately 40 individually claw set diamonds, stamped to back with initials and inscription ?April 19th 1905, Toronto?, 7.75 grams; condition; pendant hook removed

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