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283287 Los(e)/Seite
Los 769
CONTINENTAL SCHOOL (19th century) Portrait of a Mother and Child with Songbird Oil on canvas laid on board Inscribed to verso Jean August en Dominique Ingres (1780-1867) 32 x 40.5 cms, framed CONDITION REPORTS: Generally in good condition, expected wear, some crazing, over cleaned, frame re-gilded.
Los 31
A 19th century watercolour portrait miniature of a gentleman In profile, the reverse with applied paper label inscribed George Blancowe, taken in London 1822, aged 24, housed in an ebonised frame with a brass suspension loop; together with a 19th century silhouette portrait miniature. The former 13 cms high. (2) CONDITION REPORTS: Some paint wear, paper slightly torn, chipping and wear to frame, wear to frame and mount of silhouette.
Los 24
Aloysius C. OÂ’Kelly (1853-1936) UN VERRE DE VIN oil on canvas signed lower right 26 by 21.5in., 65 by 53.75cm. P Family of the artist An Exhibition of 17th - 20th Century Irish Paintings`, Gorry Gallery, Dublin, 19 May to 2 June 2010, catalogue no. 30 (illustrated p.28) O`Sullivan, Niamh, Aloysius O`Kelly: Art Nation, Empire, Dublin 2010, catalogue no. 81 O`Kelly executed a number of portraits of elderly men and women to exude character. These demonstrate his vigorous prowess as a portrait painter. What these portraits show is a progressively fluid and impressionistic treatment, as the handling becomes looser and livelier. The fisherman is dressed in his working clothes, smock and sabots. Pannier at his feet, he is smiling and at ease. Although verging on the monochromatic he seems to be full of the joys of life. Somewhat unusually or O`Kelly - who tends towards solemn when treating the fishermen and farmers, the labourers of the western seaboards of France and Ireland - this one has the air of a bon viveur. Sitting by the rustic table, bottle to hand, traces of Bonnat`s influence, specifically his rugged naturalism, can clearly be discerned. In the virtuosity of draughtsmanship, these portraits are a tribute to Gérôme while the loose yet controlled brushwork, broad values, and the use of dramatic light and shade are a testimony to Bonnat`s realist teaching. But, ultimately, O`Kelly`s portraits are his own. From the late 1870s through to his old age, he produced a range of rural portraits of considerable power. Although psychologically penetrative, in many respects these portraits are less about the individual than the human condition. We are grateful to the Gorry Gallery and Prof. Niamh O`Sullivan for their permission to reproduce this note.
Los 26
Eileen Reid (1894-1981) AN OFFICER, 1923 and THE RED WAISTCOAT (A PAIR) oil on canvas; (2) the first, signed Oulton"" (artist`s maiden name), inscribed and dated on reverse; second, signed and with exhibition label on reverse "" 27.5 by 21in., 68.75 by 52.5cm. P Both by descent from the artist to the present owner The studio of Eileen Reid, 1894-1981`, Cynthia O`Connor Gallery, Dublin, 3-21 December 1984, catalogue nos. 30 and 18, respectively Dimensions of The Red Waistcoat, 24 by 16ins.Re: An Officer, 1923Submitted for the annual exam at the Royal Academy Schools, 1924. This is possibly a portrait of the artist`s husband Hugh C. Reid, who served in the Colonial Office in Nigeria. The pair married in June 1923 in St Stephen`s Church, Dublin. Reid returned to Nigeria immediately after, only to contract black water fever and die in February 1924.Born Eileen Oulton, she lived most of her life at 19 Upper Mount St., Dublin. Interested in both art and music, she studied first at the Royal Irish Academy of Music and later at the RA School of Art London. Her early paintings show the influence of William Orpen who was a friend of the family. She married in 1923 but was widowed within a year, and soon afterwards abandoned oil painting in favour of watercolours. She was secretary for the WCSI for over 30 years , allowing administrative work to come before her own art. A retrospective was held at the Cynthia O`Connor Gallery in 1984. See Snoddy, p. 555-556.
![Mildred Anne Butler RWS (1858-1941) AN OLD SONG"" [PORTRAIT OF THE ARTIST`S SISTER ESSIE BUTLER], 1886""](http://lot-images.atgmedia.com/SR/10092/2903219/27-201456221839_468x382.jpg)
Los 27
Mildred Anne Butler RWS (1858-1941) AN OLD SONG"" [PORTRAIT OF THE ARTIST`S SISTER ESSIE BUTLER], 1886"" watercolour signed with initials lower right; with various exhibition labels on reverse; also with Oriel Gallery label on reverse 10 by 6.5in., 25 by 16.25cm. P Christie`s, Glasgow, 28 October 1988, lot 297;with Oriel Gallery, Dublin;Private collection The Butler Society, Kilkenny, 1982 (illustrated on front cover of catalogue);`Mildred Anne Butler (1858-1941): An Irish Edwardian Watercolour Collection`, Crawford Municipal Art Gallery, Cork, 25 August to 30 September 1987, catalogue no. 5 (illustrated on cover of catalogue);`Mildred Anne Butler (1858-1941)`, Ulster Museum Belfast, 29 April to 12 June, 1988 and Royal Hospital, Kilmainham, Dublin, July to October 1988, catalogue no. 3
![Sir William Orpen RA RI RHA (1878-1931) AN ONLOOKER IN FRANCE [1924] ILLUSTRATED WITHIN BY THE ARTIST book illustrated, sign](http://lot-images.atgmedia.com/SR/10092/2903219/28-201456221841_468x382.jpg)
Los 28
Sir William Orpen RA RI RHA (1878-1931) AN ONLOOKER IN FRANCE [1924] ILLUSTRATED WITHIN BY THE ARTIST book illustrated, signed, inscribed and dated 9.75 by 7in., 24.375 by 17.5cm. P Illustrated with a humorous self-portrait of Orpen holding a glass of whiskey on the front free-endpaper of his book An Onlooker in France 1917-1919, published by Williams and Norgate, London, 1924. Illustration is dedicated and signed, London, 1930.
Los 798
An oil on canvas portrait laid on board in a gilt frame of a 17th century gentleman with red hair and bear looking over his left shoulder, wearing a black coat and white lace collar - Original canvas 47 cm x 36 cm - surrounding edges matched in overall size - 63 cm x 49 cm Condition report: Restorations, crazing and flaking
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283287 Los(e)/Seite