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Los 168

ANATOLY KRYNSKY (UKRAINIAN B. 1937) Portrait of Schopenhauer, 1984 oil on canvas 71.3 x 61 cm (28 1/8 x 24 in.) signed and dated lower right; signed, dated and titled on verso

Los 47

SIMKHA SIMKHOVITCH (RUSSIAN 1893-1949) Girl in Pink (Portrait of the Artist's Daughter), circa 1941 oil on canvas board 50.8 x 40.5 cm (20 x 15 7/8 in.) signed lower left PROVENANCEJanet Marqusee Fine Arts Ltd., New YorkDoyle, New York, May 9, 2012, lot 85LOT NOTESThis painting was used as the cover illustration for the 1990 publication of the novel Allegra Maud Goldman, written by Edith Konecky.

Los 188

20TH CENTURY RUSSIAN ARTIST Portrait of a Woman, oil on canvas 44.6 x 37.1 cm (17 1/2 x 14 5/8 in.) inscribed to Nikolskaya Z.K. on verso

Los 200

20TH CENTURY RUSSIAN ARTIST Portrait of Woman in Red Shawl, oil on canvas 66.3 x 47 cm (26 1/8 x 18 1/2 in.)

Los 230

ANDREY BELLOLI (RUSSIAN 1821-1881) The Young Countesses Novosiltsev (Apraksine) oil on canvas 42 x 32 cm (16 9/16 x 12 5/8 in.) signed lower right PROVENANCECollection of a St. Petersburg family, prior to 1917Thence by descent to the parents of the present owner on the occasion of their marriage, 1950LOT NOTESFor a portrait of the countesses with their siblings and mother, Ekaterina Ivanovna Novosilteva-Apraksine, see the painting by celebrated portraitist Karl Wilhelm Bardou (Russian-German 1757-1867), executed circa 1830, in the collection of the Orlov Museum of Fine Arts (ref. image 1)

Los 144

LEONID SOKOV (RUSSIAN 1941-2018) Portrait of Edouard Shevardnadze, 2007 oil on canvas 126.5 x 92.5 cm (49 3/4 x 36 3/8 in.) signed and dated lower right PROVENANCEAcquired directly from the artist by the current owner

Los 21

Ex-retail - Collection of silver-plate by L R Watson: Tankard, double portrait folding photo frame, pierced coaster, Pheasant mounted pin dish, folding quartz clock with photo frame, trumpet vase, Celtic design hip flask and octagonal vase, with original boxes (8) Condition Report Click here for further images, condition, auction times & delivery costs

Los 238

Victorian tooled gilt album 'Sunny Memories' containing some photographs captioned 'With the Renfrewshire County Fox-Hounds 1900', ships, wooded landscapes, houses and other scenes, collection of Victorian and later portrait cabinet cards, collection of Morropaque slides, folding plate camera with tripod and related instruments Condition Report Click here for further images, condition, auction times & delivery costs

Los 1052

French School (20th century): Portrait of a Chicken, oil on paper indistinctly signed 70cm x 51cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 1039

English School (19th/early 20th century): Portrait of a Gentleman, oil on canvas signed with initials J.E.W 59cm x 49cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 1094

Portrait of a Flamingo, Hares and Lemon Tree, four contemporary prints on canvas max 110cm x 80cm (4) Condition Report Click here for further images, condition, auction times & delivery costs

Los 1054

Portrait of a King Charles Spaniel, 20th century oil on canvas indistinctly signed 22.5cm x 28cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 1044

Seated Portrait of a Lady Holding a Fan, 20th century oil on board signed S. White 90cm x 60cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 156

SIR KYFFIN WILLIAMS RA colour artist proof print - full standing portrait of Hugh Rowlands with stick, signed fully in pencil, 67 x 50cms Condition Report: slight blemish in margin

Los 169

DAVID CARPANINI limited edition (2/10) etching - portrait of Sir Kyffin Williams RA working en plein air, signed, 42 x 33cms

Los 179

LLEWELLYN E MORGAN black and white still photograph - portrait of Josef Herman, entitled verso 'Herman's First Day Underground, August 1944', 23 x 30cms

Los 196

SIR KYFFIN WILLIAMS RA handwritten duplex letter on the artist's headed paper - personal letter from 1993 addressed 'Dear Margaret....' and expressing his delight at knowing she enjoyed the biography 'A Wider Sky' but typically being dismissive of the book, later in the letter Sir Kyffin explains his schedule and reveals that ''….I always feel I am a bit of an outsider in the R.A. John Ward, Bernard Dunstan & Anthony Green are old friends but otherwise, apart from Diana, I am an academic loner….' together with a two-fold card with printed portrait, inscribed 'Happy Christmas - Kyffin'

Los 217

CLIVE HICKS-JENKINS Indian ink, wash and silver paint - half-portrait of a lady with poetry by Richard Barnfield's 'The Affectionate Shepherd', entitled verso 'A Guilded Nutmeg and a Race of Ginger', signed and dated 1998, 27 x 27cms

Los 266

WILL ROBERTS charcoal - self portrait, entitled verso and dated 1989, signed, 40 x 28cms

Los 268

ANDREW VICARI mixed media with pencil - three quarter portrait of a female model, entitled verso 'Vigonade Anne Marie', signed and dated 2002, 39 x 28cms Condition Report: 1 x slight blemish

Los 272

WILL ROWLANDS pencil - half-portrait of R S Thomas from a portrait sitting, signed, 49 x 36cms

Los 282

ANDREW VICARI mixed media with pencil - head and shoulders portrait of Tennessee Williams, entitled verso on label with artist's Monaco address, signed and dated 2006, 70 x 54cms

Los 283

ANDREW VICARI mixed media with pencil - head and shoulders portrait of W H Auden, entitled verso on label with artist's Monaco address, signed and dated 2006, 72 x 52cms

Los 290

ELVET THOMAS mixed media - head and shoulders portrait, entitled verso 'Cernunnos God of the Celts', dated 1949, 58 x 50cms

Los 30

HISTORICAL NINETEENTH CENTURY ALBUM OF WATERCOLOURS & PRINTS RELATING TO THE VIVIAN FAMILY & SWANSEA AREA in gilded Morocco binding and titled 'Swansea Bay', most pictures with explanatory notes and dates, many comprising Vivian residences including watercolours of 'Marino 1816' and '...after alterations 1820', 'Singleton (Marino) 2nd Alteration', 'Lodges at Singleton', also noted 'A days fishing in Black Pill' and many sketches signed by Pitman (possibly John Pitman - fl.1814-1841) including 'Tricksy, Little Foxhound Terrier from Truro Kennel' a portrait of a standing greyhound named 'Venus' another of a horse and drawings of other animals, also signed Pitman 'Mumbles Light House - Bracelet Bay' and other local scenes to Swansea. Also noted, a watercolour of the Ladies of Llangollen riding side-saddle, signed M Lindsay, watercolours and drawings of local scenes by pioneering photographer and painter Rev Calvert Richard Jones, original pencil drawings by Singleton architect P F Robinson, sketch of local scene signed Townley, various portraits of ships, fine watercolour botanical study signed Mrs Withers etc Provenance: consigned directly from a member of the Vivian familyThere are approximately thirty to forty, most are watercolours, most of the book is full and most are titled. 

Los 31

AN ASSORTMENT OF VIVIAN FAMILY PORTRAIT PRINTS & FRAMED PORTRAIT PRINT OF WELLINGTON AFTER SIR THOMAS LAWRENCE together with a framed sepia photograph of a large group of standing gentleman, believed to be at the City Hall, Cardiff and entitled 'Monmouthshire and South Wales Coal Owners Association', dated August 1922, 51 x 71cms etc Provenance: consigned directly from a member of the Vivian family

Los 310

JOSEF HERMAN RA oil on canvas - head and shoulders portrait of an unknown female sitter, unsigned, 66 x 50cms Provenance: authenticated by the artist's son in correspondence with the vendor, '...I am quite sure it isn't Nini, but I'm afraid I don't know who else it could be. However, I do think it is by Josef. Do you have an idea of the date? If it was painted in South Wales (Josef was in Ystradgynlais from 1944-55) then it can't possibly be Nini since they met in London in 1955...'

Los 314

MICHAEL GUSTAVIUS PAYNE oil on board - head portrait, entitled verso 'Red Hood', signed with initials, 30 x 21cms

Los 318

JOSH BOWE acrylic on vinyl sheet - semi-abstract portrait, entitled verso 'I've Always Found the Notion of False Dichotomy Compelling', signed verso, 59 x 50cms

Los 34

NINETEENTH CENTURY BRITISH SCHOOL oil on canvases, a pair - half portrait of Betsy Vivian (nee Cranch) and husband John Vivian within oval outlines, unsigned, 74 x 61cms Provenance: consigned directly from a member of the Vivian family

Los 35

BRITISH SCHOOL mixed media - head and shoulders portrait of a lady with landscape and house behind, entitled verso 'Ursula Margaret Vivian (1911-1963) eldest daughter of Odo Richard Vivian, 3rd Lord Swansea...', unsigned, 43 x 28cms Provenance: consigned directly from a member of the Vivian family

Los 36

NINETEENTH CENTURY BRITISH SCHOOL oil on canvases, a pair - head and shoulders portrait of a young man and young lady, labels verso inscribed 'One of a pair of portraits, the other being that of Betsy Vivian, daughter of J H Vivian. Possibly Betsy's brother, Henry Hussey Vivian as a young man', and 'Betsy Vivian, eldest daughter of J H Vivian', unsigned, 56 x 51cms and 60 x 51cms Provenance: consigned directly from a member of the Vivian family

Los 37

NINETEENTH CENTURY BRITISH SCHOOL oil on canvas, a pair - half portrait of Henry Hussey Vivian Bart MP, inscribed verso with title and 'created' 'Swansea of Singleton, 9 June 1893', and portrait of 'The Lady Swansea', titled verso, dated 1893, 75 x 61cms Auctioneer's Note: Averil nee Beaumont, third wife of Henry Hussey 1st Lord Swansea Provenance: consigned directly from a member of the Vivian family

Los 389

SHANI RHYS JAMES oil on panel - flowers in a jug with self portrait, entitled verso 'Yellow Tulips 2012', 18 x 12.5cms                                                                                                                                                                        Provenance: 2013 purchase receipt from Martin Tinney Gallery.

Los 418

PETER NICHOLAS (1934 - 2015) bronze sculpture - head portrait of Aneurin Bevan, mounted to a stepped mottled marble base, signed and dated 1985, 23cms high

Los 56

THREE ITEMS RELATING TO MRS SUSAN EVA WILLIAMS MBE JP D.St.J (1915-2011) being a head and shoulders oil painting portrait in High Sheriff's dress by Lincoln Tabor, 68 x 48cms, together with a pastel portrait of two hunting hounds with label verso 'Nero and Nelson - Tredegar Hunt', 34 x 60cms and Susan Williams' ceremonial High Sheriff hat by Hillhouse and Co, London in original retailer's box and initialled hat-case. Auctioneer's Note: Mrs Williams was the first female High Sheriff in Wales and from 1968 the first female Lord Lieutenant in Wales. She was also Lord Lieutenant of South Glamorgan 1985-1990 and the last chatelaine of Llanrumney hall before the house was compulsorily purchased by Cardiff Council in 1952, she was the first female to be made a steward at Chepstow Racecourse in the 1970s Provenance: by direct family descent

Los 57

ITEMS RELATING TO LT COL SIR HARRY LLEWELLYN CBE comprising a silver commemorative easel plaque with portrait of 'Foxhunter' and inscribed 'Horse and Hound - 21st July 1953 White City Lt. Col. H M LLewellyn's 'Foxhunter'', a cast-metal medallion inscribed 'Chio Roma 1954', a hardback volume of 'Passports to Life - An Autobiography' and a John Board inkwash painting of Llewellyn in action at an arena. Auctioneer's Note: Sir Harry Llewellyn, 1911-99, 3rd Baronet, was a British equestrian champion, initially riding as a steeplechaser, he finished second in the 1936 Grand National and 4th on the same horse in 1937, before war intervened and in 1948 he and his horse Foxhunter competed at the Olympic Games in London, where they finished 3rd in the team event, claiming the bronze medal. Shortly afterwards they won the King George V Gold Cup at the International Horse Show and again in 1950 and 1953. Sir Harry remains the only rider to score a hat-trick of victories with the same horse in this prestigious competition. However, it was the gold medal they won at the 1952 Olympic Games held in Helsinki, Britain's only gold at the games, that would cement their reputation. Over the next decade, Harry Llewellyn and Foxhunter won 78 international competitions and Harry went on to become active in the administration of British show-jumping. In 1977 he was knighted and succeeded to the Llewellyn Baronetcy after the death of his elder brother. Provenance: by direct family descent

Los 2

A Yorkshire Slipware Dairy Bowl, dated 1877, inscribed MRS ENSEN LUCAS CASTLEFORD 1877 and incised with a bust portrait of a lady and flowersprigs within foliate borders, 42cm diameter See illustration. Typical minor glaze flakes to rim. 120220

Los 170

Follower of Sir Peter Lely (1618-1680) Portrait of a child seated on a red cushion Oil on canvas, 73.5cm by 60cm

Los 169

Circle of Hyacinthe Rigaud (1659-1743) French Portrait of James Sarsfield, 2nd Earl of Lucan Oil on canvas, 72.5cm by 61.5cm See illustration

Los 167

Follower of Sir Peter Lely (1618-1680) Portrait of a lady, three quarter length seated, historically known as Mary Kirke, wearing an olive green satin dress with white chemise, before a landscape decorated with Classical statuary Oil on canvas, 99cm by 76.5cm See illustration

Los 173

Follower of Jean-Marc Nattier (1685-1766) French Portrait of a lady wearing a powdered wig, silk dress with lace decolletage, half length and wearing a garland of flowers Oil on canvas, 68.5cm by 57.5cm

Los 164

Circle of Nathaniel Dance RA (1735-1811) Portrait of Mrs General Mayne, seated, three quarter length at her writing desk and holding a letter addressed to Ms Violet Tarndale of Tivietdale Oil on canvas, 20.5 dia. (oval) Extensive inscription to the reverse detailing the sitter and family etc. See illustration

Los 28

A Caltageroni Majolica Drug Jar, 17th century, of ovoid form, painted with a bust portrait of a bearded man on a foliate background, 23.5cm high See illustration. Broken into several pieces and restuck and with associated minor losses. 050220

Los 165

Circle of John Hoppner RA (1758-1810) Portrait of a lady in a white dress with blue sash and cap, half length Oil on panel, 20.5cm dia. (oval) See illustration

Los 162

Attributed to Francesco Albani (1578-1660) Italian Self portrait Oil on canvas, 46.5cm by 37cm Provenance: (Probably) Richard Boyle, 3rd Earl of Burlington (1694-1753); and by descent to William Cavendish, 4th Duke of Devonshire (1720-1764), Chatsworth House, Derbyshire; Thence by descent. Chatsworth: The Attic sale; Sotheby's, London, 5-7 Oct. 2010, lot 68 (as 'After Andrea Sacchi') This portrait work was long considered a version of Andrea Sacchi's unfinished portrait of Francesco Albani, now in the Museo del Prado, Madrid. Sacchi was a pupil of Albani's and it was suggested that Sacchi likely painted the Prado portrait during a visit to Bologna in 1635. This theory, which is in keeping with the apparent age of the sitter (57), is widely accepted by scholars. It appears that the Prado work remained in Sacchi's possession until his death (Inventory of the contents of Sacchi's House, June 1661, no. 210) at which point it was bought by Carlo Maratta. It passed subsequently into the collection of Philip V of Spain (1683-1746), before entering the Prado. There is a slightly later copy of this portrait (dated 1664) in the Accademia di San Luca in Rome, possibly commissioned by Maratta when the original was in his possession. The present work is distinctly closer in manner to a Self Portrait by Albani in the Pinacoteca Nazionale, Bologna. Portraits by Albani are rare, with only three other examples identified as having been painted in the 1630s. The one most closely approaching the Self Portrait is the Portrait of Andrea Calvi of 1636 (National Museum of Wales, Cardiff). There are a number of versions recorded, including a copy in the Uffizi of slightly smaller dimensions, and one offered at Sotheby's (31 Jan. 2013, lot 58, as 'Attributed to Francesco Albani'). This picture is additionally significant for having been in the Devonshire Collection at Chatsworth, one of the most important private art collections in Britain. Lord Burlington visited Italy twice, first in 1714-15 and later in 1719. It seems likely that it may have been one of the twelve paintings that he bought in Rome on 5th February 1715. This purchase included works by Pasqualini, Pietro da Cortona, Viviani and Carlo Maratta. Burlington was an avid collector of Italian paintings and drawings, and the Albani Self Portrait may equally well have been acquired later, perhaps through one of his agents such as William Kent.

Los 163

Circle of John Hoppner RA (1758-1810) Portrait of Thomas Dawson (c.1728-1813), half length, turning to sinister, wearing a green robe trimmed with fur Oil on metal, 19.5 dia. (oval) Provenance: According to a label affixed to the reverse, the picture was never out of the sitter's possession until death, when it devolved to his widow, who left it to her great nephew Charles W Rawdon and he subsequently left it to his widow, Emma Rawdon. Thomas Dawson was elevated to the peerage of Ireland as May 28th 1770 as Baron Dartrey; elevated to dignity of Viscount June 9th 1785. See illustration

Los 176

Attributed to Cornelius Johnson (1593-1661) Dutch Portrait of the Hon. Penelope Noel (1610-1633) Oil on panel in a feigned oval, 77.5cm by 64cm

Los 234

A Pair of Limoges Porcelain Portrait Plaques, depicting bust portraits of Gui du Faur de Pibrac (1529-1584), Marguerite de Lenoncourt (neé de Broges) (1510-1557), titled in gilt, 15.5cm by 11cm (a pair) See illustration Provenance: Christie's Sale of the Sir Andrew Lloyd Webber Collecton, lot 204

Los 161

Circle of Antonio Verrio (c.1636-1707) Portrait of Brigadier General Robert Killigrew Inscribed, oil on canvas, 60.5cm diam. (oval) See illustration

Los 1100

An early 19th century pearlware head and shoulders portrait bust of John Wesley, in clerical dress, on a shaped plinth, having hexagonal tablet verso, h.30cm

Los 1323

Albin Roberts Burt (1783-1842) - Sleeping baby with bonnet, miniature watercolour on ivory, signed and further inscribed 'painted by A.R. Bert, Bath, May 1812' verso, 5 x 6.8cm, all housed in probably original red leather case. Note: According to family legend, Burt's brother Henry Frederick was Secretary to Lord Nelson, and they were family friends with Emma Hamilton. Albin's first two children were therefore named Emma Hamilton Burt and Nelson Burt in their honour. This portrait may be of daughter Emma, who was born in Bath in March 1812. Sadly, her brother Nelson was drowned during the River Mersey hurricane of 1822 and is now commemorated at their old holiday home in Parkgate, Merseyside.

Los 1322

Adolphe Henri Dubasty (1814-1884) - a cased pair of portrait miniatures, being half-length studies of a lady and gentleman, him with black tunic and her with black shoulderless dress and gold earrings, watercolour on ivory, each signed Dubasty Palais Royal 148, 8.5 x 7cm, in fitted leather case

Los 1400

Erskine Nicol (1825-1904) - Self-portrait , watercolour, signed and dated 1855 lower right, 23 x 19cm

Los 1200

A Geo III rose gold hand-painted miniature portrait ring, depicting a gentleman within a rope edge border, portrait dimensions 25 x 20mm, gross weight 8.4g, not marked but tested as 14-15ct, finger size JCondition report: Glass top is slightly scratched.

Los 1325

Attributed to Thomas H. Hull (act.1775-1827) - Half-length portrait of a gentleman wearing a blue tunic and silk neck-scarf, miniature watercolour on ivory, signed Hull, in yellow metal pendant mount, unmarked but tests as approx 14ct, the reverse set with a central plait of hair, within a blue enamel surround, 6.5 x 5.4cm

Los 1101

An early 19th century Staffordshire pearlware head and shoulders portrait bust of the poet Matthew Prior, on a faux marble socle base, h.19cm

Los 1326

Early 19th century English school - Half-length portrait of a young man wearing a blue tunic, miniature watercolour on ivory, framed as a circle, in unmarked yellow metal mount which tests as approx 14ct, dia.6cm

Los 1505

A Sheraton Revival painted satinwood dressing table mirror, the serpentine three drawer boxbase polychrome with a portrait reserve, ribbons and floral sprays, w.46cm, d.21.5cm, h.57cm

Los 1399

Louisa Sharpe (1800-1843) - Full-length interior portrait of a seated lady with guitar, watercolour with body colour, signed upper right, 56 x 40.5cm

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