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283284 Los(e)/Seite
Los 1714
AFTER SIR GODFREY KNELLER, Bt. (1646-1723) PORTRAIT OF KING GEORGE I Bust length, wearing armour, a blue sash, lace jabot, the crown to his right, oil on paper laid on canvas, oval 29.5 x 24cm. Provenance: The family of Mary Anne Russell; `Old Elvys`; Mrs or Lady Trian [sic] of Bath; George Beak, Shepton Mallet (this according to old handwritten inscriptions on label verso) ++ Unlined; 10 x 15mm hole on chest with associated tears adjacent; needs a clean
Los 1792
•ALBERT HENRY COLLINGS (1868-1947) A STUDY (ARTIFICIAL LIGHT) Signed, pastels 47.5 x 36.5cm.; with a portrait study, entitled `Colour`, signed, watercolour and pastel, 32.5 x 24cm. (2) Exhibited: (Study), London, The Royal Institute Galleries, The Pastel Society; (`Colour`) London, Royal Institute of Painters in Water Colours (labels verso on each) ++ The former with mildew spots
Los 1716
FOLLOWER OF DAVID ALLAN (1744-1796) PORTRAIT OF SAMUEL ATHAWES, SON OF EDWARD ATHAWES Quarter length, wearing a dark coat and striped satin waistcoat, oil on canvas 74.5 x 61.5cm. Provenance: By descent in the family of the sitter. ++ Old lining; scattered retouching; some craquelure; slight bitumen damage; needs a clean
Los 1718
ENGLISH SCHOOL, Circa 1770 PORTRAIT OF EDWIN SANDYS, LONDON MERCHANT (d.1814) Quarter length, wearing a dark coat and red waistcoat, oil on canvas laid on board 90 x 69cm. * The sitter was the son of Myles Sandys of Graythwaite, Cumbria. He married Catherine Athawes in 1770. Provenance: By descent in the family of the sitter. ++ Worn; some bitumen damage; craquelure; needs a clean etc
Los 1729
ARTHUR WILLIAM DEVIS (1762-1822) PORTRAIT OF CHARLOTTE SHORE, DAUGHTER OF THE 1ST LORD TEIGNMOUTH (1790-1864) Half length, wearing a white dress with a pale blue sash, oil on canvas, mounted oval 66.5 x 52cm. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52 * Charlotte was the second of at least nine (possibly ten) children born to John Shore and his wife Charlotte (nee Cornish, 1759-1834). She died unmarried in 1864. ++ Lined; a little associated retouching but generally good
Los 1717
FOLLOWER OF MICHAEL DAHL (c.1659-1743) PORTRAIT OF MARGARET BAIN Quarter length, wearing a blue/green mantle, oil on canvas 71 x 60cm.; with a portrait of her son, James Bain LLD (1748-1823), oil on canvas, 71.5 x 59.5cm. (2) * Margaret Bain was the only daughter of Michael Potter, Professor of Divinity, Glasgow University. Her son became the incumbent of the Episcopal Church, Alloa. Provenance: By descent in the family of the sitters. ++ She lined, with retouching and old restored faults; he with three patched repairs verso and a tear, needs a clean
Los 1728
JOHN RILEY (1646-1691) PORTRAIT OF A GENTLEMAN Quarter length, wearing a dark brown cape, white lace jabot and a long wig, oil on canvas 74.5 x 62cm. ++ Old lining; some associated retouching; some wear; needs a clean; carved wood gilt frame with oak leaf and acorn border, ribbon twist inner border with stylised leaf inner edge
Los 1763
FOUR SMALL OIL PAINTINGS to comprise a river scene with a rowing boat by Albert Goodwin, on board, 20.5 x 25.5cm.; a portrait head of a young lady, style of James Hayllar, 24.5. 20cm.; another of Venus and Cupid, style of William Edward Frost, on card, oval, 19.5 x 15cm.; and a recumbent female figure, follower of Edward A. Hornel, oil on panel, 21.5 x 31.5cm., all unframed (4) ++ First and last with craquelure; each needs a clean
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283284 Los(e)/Seite