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283287 Los(e)/Seite
A collection of six Bank of England one-pound notes: Series 'A' Britannia issue (blue) Peppiatt (x2), A98E 906099 & K02D 209880, (green) Beale K25B 134849, Series 'C' Portrait issue, Page, HZ12 608956, Series 'D' Pictorial issue, Somerset (x2) CS31 024991 & DY05 568746, a ten-shilling note, Series 'C' Portrait issue Fforde 2ZY1 48487, together with a framed set of notes and coins including a five-pound note Series 'B' helmeted-Britannia O'Brien J16 091287, one-pound note Series 'A' Britannia Beale L23B 877851, ten-shilling note Series 'A' Beale Y13Z 924578 and ten 1953 coins, crown to farthing, seven British Armed Forces Special Vouchers and a Reserve Bank of Zimbabwe fifty-trillion dollars bank note AA3167113.
A Collection of Various 19th Century and Later Glassware to Comprise Continental Cranberry Glass Pedestal Vase with Applied Porcelain Oval Having Full Length Portrait of Young Girl (Chip to Rim), Fenton Type Cranberry and Opalescent Jug with Foliate Design (Chip to Rim), Bristol Blue Type Bowl and Small Bottle Vase
Nineteenth Cetury School : Head and Shoulder Study of a Gentleman Sitter, pencil, 12 cm x 19 cm, together with a portrait miniature depicting a lady in blue dress, in similar frame, as well as a pair of steel engraved portraits showing male subjects, the latter two in matching Hogarth-style frames. (4)
The photographic archive of Sir Harold Dudley Clayton,(1877-1951). Four boxes of early 20th century three quarter plate glass negatives of sailing, portrait and topography: three boxed title in pencil 'Kiddies at Penart & Fyfield 1903-1907, ', ...April1906' and 'Bristol Channel Yachts' the fourth box untitled.
A 19th century manuscript and watercolour launch commemorative card for HMS 'Agamemnon': with watercolour ship portrait flying white ensign and Royal Coat of Arms over illuminated text with launch date 'Chatham Yard Sept 17th 1879' with anthemion embossed border, 18 x 23.5cm (holed to wear and pinholes to corners) together with a copy of Baylis, Lt. Col. T, H 'The True Account of Nelson's Famous Signal', George Allen, London 1905 inscribed to frontispiece 'Author's Copy T Henry Baylis 20/12/1906' (2)
Circle of Gerrit van Honthorst (Dutch, 1590 - 1656) Portrait of Philip, Prince of Orange, half bust length, in an embroidered doublet, lace collar and wearing the Order of the Golden Fleece Oil on panel, 53.5cm x 47cm. Old label verso, 'This painting belongs to The Baron of Plean'.CONDITION REPORT: Cracks to the oil on both sides from top to bottom, coming through from back boards.Minor age-related surface marks to the oil also.Age-related staining, marks and colour fading to frame. Restored area to the right side of the oil and some indentations to the right side of the oil. There is a area of grain on neck coming through from the back board.
Follower of Sir John Baptist Medina (British, 1659 - 1710) Portrait of a General, half bust length, wearing a white collar and suit of armour Oil on canvas, 57.5cm x 66cm, in a floral decorated gilt frame.CONDITION REPORT: Age-related paint losses, cracking and crazing to the oil. Repair patches to the reverse of the oil.
Curios and collectables to include an Art Nouveau pewter dish decorated with a maiden, 29cm diameter, a Victorian rummer etched with floral panels to the bowl on an air twist stem, 19th century portrait miniature of a female wearing an orange sash, in ebonised slip, and two oriental cast bronze plaques, modelled as grotesque figures. (5)
9ct gold oval mounted locket (dented and worn) with engraved decoration, early to mid-twentieth century circular gold coloured pendant, silver mounted cameo, circular silver brooch with engraved decoration, diamond shaped window with portrait photograph of a young woman and silver circular mourning brooch (5)
English school - Portrait of the Reverend Frederick Hookey Bond (1820-1897) as a young man, oil on canvas, 68 x 57 cm Note - Bond was headmaster of the Marlborough Royal Free Grammar School 1845-1875 - his son Frederick Bligh Bond was famous for his excavations at Glastonbury Abbey. Sold by the family of Major General Sir Francis Bond Cleaned and relined; surface scuffing and paint-loss in places
An oval portrait of Victorian gentleman, together with one other oil of woodland scene on panel CONDITION REPORTsome damage to both frames, as few cracks to the portraitCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
signed and inscribed 'Trial Proof' in pencil and embossed with the Artist's Proof Studio chopmark in the marginaquatint etchingsheet size: 67 by 86cm; 81,5 by 99,5cm including framing While discussing his lifelong association with printmaking at a conference held in Cape Town in 2003, William Kentridge related a nostalgic account about a print of a cat from his childhood. This was a print gifted to him by renowned artist, Cecil Skotnes. Kentridge detailed how this print hung on his wall, and in many ways, the moustache-like whiskers and cat-like eyes looked to him like a self-portrait of Skotnes. This ignited a spark and interest in the way an animal or object could take on human qualities, and anthropomorphism is a theme seen throughout Kentridge’s extensive and prolific oeuvre. Cats, in particular, are an important and recurring motif in Kentridge’s work, and metal cats even stand guard at the artist’s front gate and above his studio door. Kentridge maintains that this recognisable and meaningful symbol is indebted to that gifted Skotnes cat. Lot 528, titled Another Cat, is an energetic and dynamic work, where subtle postural nuances, such as the arch in the cat’s back, make the work come alive with a taught yet playful feline energy. Berman states, “The origin of this powerful image is derived from an etching plate begun with Malcolm Christian at Caversham Press over 15 years ago and reminiscent of the famous “Scribble Cat” published by David Krut Studio in 2010. The Kentridge studio found the plate stored away on a shelf, with a single state proof. Interested in breathing it back to life, Kentridge suggested it be continued as a collaboration with APS [Artist Proof Studio]. In response to seeing the trial proof of two plates printed in two different densities of etching ink, Kentridge has added two more layers to each plate; one with energetic drypoint lines and the second with his painterly wash strokes characteristic of the more experimental use of coffee lift. The resulting image embodies both the creative energy of the artist and poised tension of a cat.” (Berman 2020).- A.C Berman, K. 2020. Notes on another cat, Creative Feel [O]: https://creativefeel.co.za/2020/02/notes-on-another-cat/ Accessed 7 May 2022Williamson, S. 2003. Artthrob [O]: https://artthrob.co.za/03sept/diary.html Accessed 7 May 2022

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283287 Los(e)/Seite