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Preisdatenbank abonnieren(Collection of Miniatures relating to the Hawkes Family) - Good quality late 18th century bust length portrait miniature of a military officer in scarlet jacket with blue facings and white sash with badge bearing the number 60, the sitter probably of the Hawkes family, watercolour on card? no visible signature, 6cm oval approx max, in oval gilt metal mount with hair insert to the reverse, with gilt scrolling initials
Sir Edwin Landseer, RA (British, 1802-1873) - Scene with reluctant donkey and foal, black and white engraving on paper by Alfred Lucas, published 1877 by G P McQueen, 58 x 66cm approx visible sheet size, together with further 19th century and later pictures and prints including photographic portrait of a young girl, late 18th century coloured engraving of a classical scene, bust length study of a young girl in red and white chalk, 23cm oval max approx, and a late 18th century engraved plan of the canal from the Trent to the Mersey, published by I Stockdale, 29 x21.5cm approx, mostly framed (collection)
(Collection of miniatures relating to the Hawkes family) A good quality early 19th century double sided portrait miniature, one side showing a gentleman, probably of the Hawkes family in scarlet military uniform with tartan sash, the other a lady in white dress, watercolour on ivory?, no visible signature (not removed from frame), oval, 6cm max approx, in gilt metal oval frame, together with associated red leather case from Robinson & Co Ltd Shrewsbury
Eugene Bemelmans (19th century Belgian) - Pair of three quarter length portrait studies of siblings, watercolour and bodycolour on paper, indistinctly signed, dated 1838, with label verso Eugene Francois Bemelmans, Brussels, with dates relating to life of sitter, the other with label verso Henri Joseph Martin, Bemelmans, Brussels, etc, 13 x 9.5cm approx, framed (2)
* PETER HOWSON OBE (SCOTTISH b 1958), HENRIK oil on canvas, signed image size 80cm x 95cm, overall size 85cm x 100cm Framed. Note: The portrait of legendary Celtic striker Henrik Larsson with his signature celebration pose after scoring a goal. Henrik Larsson was one of the most successful Celtic strikers of all time. He played for Celtic between 1997 and 2004 and scored 242 goals in 315 matches, including 15 against Old Firm rivals Rangers. He played in the team which reached the 2003 UEFA Cup Final against FC Porto and earned the nickname “The King of Kings” amongst Celtic supporters. This painting was offered by Sotheby’s in 2017 with an estimate of £10,000 - 15,000.
MID 18TH CENTURY BRITISH SCHOOL oil on canvas - portrait of Mrs Catherine Allix in lace cap, inscribed verso 'Mrs Allix, Daughter of Dr. Green, Bishop of Ely, 1720. Great, Great Grandmother of Noel Charles Allix, who was born 1846', oval 28 x 23.5cms Provenance: Private collection (West Wales) Auctioneer's Note : Rt. Rev. Dr. Thomas Green was Master of Corpus Christi College, Cambridge (1698-1716), Bishop of Norwich (1708-1721) and Bishop of Ely (1723-1738). He had two daughters, Catherine Allix (1707-1792)and Anne Clarke. Comments: laid down, some areas of flaked paint, board warped, frame with some losses
ITALIAN IVORY PORTRAIT MEDALLION OF POPE CLEMENT XI (1649-1721), 18th Century, carved in low relief facing to sinister, the orphreys of his cope lavishly embroidered, soft skull cap over curly hair, 8.4cms high, in carved giltwood oval frame Provenance: Sotheby's 5 May 1972. Auctioneer's Note: Cf. Victoria & Albert Museum collection (A.57-1923) for a related oval ivory portrait medallion of Clement XI (Giovanni Francesco Albani, 1649-1721; Pope: 1700-21) thought to have been made in Rome during his papacy c. 1707-21. This design, with the triple tiered tiara, is derived from a medallic portrait by Charles Claude Dubut of 1707. Comments: one edge broken away.
A portrait of an Edwardian lady, looking to her left, wearing a brown dress, inscription to the back of the board 'To Snip Vera Cair & her friend, S. E. Whitehead', framed 36 by 30.5cm, glazed 26 by 20cm, together with a photographic profile portrait of woman, signed 'W. Hanson Lawson', 'St Ives, Cornwall', framed 29.7 by 20cm. (2)
Jean Shepeard (British, 1904-1989): A collection of pencil sketches of Ronald Ossory Dunlop (Irish, 1894-1973), a charcoal portrait, signed with a monogram 'JS', 26.5 by 18cm, mounted, 40 by 30cm together with fifteen other mounted and unmounted portrait sketches, all signed, two small photographs of Dunlop (one partially torn, a/f), a copy of his autobiography 'Struggling with Paint' (London, 1956) with handwritten dedication to Jean Shepeard 'To Jean darling R O Dunlop', the book references Shepeard and the Emotionist movement which Dunlop, Shepeard and others founded, Shepeard and Dunlop were also lovers, together with a 1931 Redfern Gallery exhibition programme for Dunlop's work. (1 bag) Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): nine sketch books, containing over one hundred drawings, mostly portraits and figure studies, including a portrait of a young lady in a hat, pencil and pastel, 23 by 18.5cm, most signed, a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British 1904-1989): charcoal portrait of Michael Denison (1915-1998), signed with a monogram, with label referencing Peter Cotes and Frith Banbury, who possibly assisted with the identification of the sitter, 33 by 23cm, mounted, 50 by 40cm, together with two other signed but unmounted charcoal portraits, Robert Morley (1908-1992) as identified by Dominic Lefoe, with imprint of another portrait verso, Jean St. Clair (1920-1973), sketch of a female figure with her arm outstretched verso, both 22.5 by 17.5cm. (3)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
British School (19th century): a portrait of an Elizabethan lady, possibly Mary Queen of Scots, wearing a white veil with double pearl pendant, a lace ruff centered by a ruby brooch, a black dress with puffed and slashed sleeves, and a gold chain around her neck with large gold cross pendant, apparently unsigned, oil on board, 22 by 17.5cm, in a modern gilt frame, 27.5 by 23cm.
Jean Shepeard (British, 1904-1989): charcoal portrait of Dame Sybil Thorndike (1882-1976), signed with a monogram, 23.5 by 16.5cm, mounted, 35 by 28cm, together with two signed but unmounted charcoal portraits, Dame May Whitty (1865-1948), 22.5 by 17.5cm, Nuna Davey (1902-1977), 27.5 by 21.5cm, both with the imprints of other portraits verso. (3)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): a charcoal portrait of actor Clive Brook (1887-1974), signed with a monogram, with label referencing Peter Coates [sic] and Roy Boulting who may well have identified the sitter, 24 by 19cm, mounted, 30.5 by 25.5cm, together with two other signed but unmounted charcoal portraits, Eileen Peel (1903-1981) 28 by 20.5cm, and another Adrian Noeleman, 33 by 22.5cm, a/f. (3)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): A sketchbook containing a possible charcoal portrait of the artist Francis Bacon (1909-1992), 22.5 by 17.5cm, together with other portraits, most are signed, also including indistinct handwritten notes, a/f.Jean Shepeard was the only woman to ever exhibit with Bacon, the 1929 exhibition, was Bacon's second and it also included works by the Australian artist Roy de Meistre. Although Bacon's name is the most prominent on the exhibition flyer, Shepeard contributed to 'well over half the listed items in the show' (Richard Shone, 'The Burlington Magazine' Vol. 138, No. 1117, Apr. 1996, pp. 253-255). Bacon is believed to have destroyed the artworks from this early period and details are scant on his activities in the 1920s/30s.Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): pencil portrait of the sculptor Frank Dobson (1886-1963), signed with later title, with facsimile copy of a Picture Lending Society advertisement of Dobson's, Shepeard's, Ben and Hilary Nicholson's, and other artists' work, 22.5 by 17.5cm, glazed and framed, 43 by 31cm.Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): a collection of over forty sketches, including a charcoal portrait of a young woman, 28 by 21.5cm, signed, together with other portraits and figural studies in charcoal, pastel and ink, most signed, a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): charcoal portrait of the actor Rosemary Harris (b. 1927), unsigned, with a label referencing Frith Banbury who most likely assisted identifying the sitter, 24 by 19cm, mounted, 30.5 by 25.5cm, together with two other signed but unmounted charcoal portraits, Francis Lister (1899-1951) as identified by Rachel Redgrave, with imprint of another sketch verso, 22.5 by 17.5cm, and Robert Eddison (1908-1991), with imprint of another portrait verso, 27.5 by 21.5cm. (3)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British 1904-1989): a charcoal portrait portrait of the actress Dame Peggy Ashcroft (1907-1991), signed with a monogram, Shepeard shared a flat with Ashcroft in the 1920s, with label referencing 'Rachel Kempson/Redgrave', who might have aided with identification of the sitter, as well as facsimile copies of press cuttings verso, 27.5 by 20.5cm, mounted, glazed and framed, 50.5 by 40.5cm.Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British 1904-1989): a charcoal portrait of actor Victor McLagen (American/British 1886-1959), signed with a monogram, with label verso referencing Roy Boulting who might have identified the sitter, 22 by 17, glazed and framed, 40 by 30cm, together with three other portraits, Mary Hinton (1896-1979), pencil, signed and unmounted, 29 by 20.5cm, and two of Muriel Aked (1883-1955), unsigned but mounted 24 by 19cm, 30.5 25.5cm, signed and unmounted, 22.5 by 17.5cm, a/f. (4)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): a collection of over thirty sketches, mostly portraits of women, most signed, a/f, including 'Woman at the window', red pastel, signed, 22.5 by 16.5cm, 35 by 28cm, a portrait of woman, charcoal, 25 by 20cm, mounted on cardboard, 45.5 by 33.5cm. (1 bag) Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
An assortment of aviation themed ephemera and photographic prints and assorted ephemera and prints, including some relics, a fragment of canvas from a Me 110c, found in Washington Sussex June 1965, 33 by 21cm, a lens believed to have come from a WWII Mosquito bomber, which crashed in 1945 in Sudbury, found in the 1990s, 4 by 5cm, a .303 bullet head believed to have come from 'Bogle' Bodie's crashed spitfire from july 1940, two pieces from a TSR 2 aircraft, a stiffening bracket for the airbrake compartment and a cam for the airbrake doors, together with a selection of books and reference materials, as well as portrait of an RFC, possibly RFC Observer Robert Burns, 25 by 19.5cm, mounted, glazed and framed, 46 by 38cm, together an assortment of other collectables. (3 boxes and 7 pictures)Provenance - From the Christopher Elliott collection
Jean Shepeard (British, 1904-1989): a charcoal portrait of actor Sir Gerald du Maurier (1873-1934), du Maurier father to the famous novelist Daphne and two other daughters who were also writers, signed with a monogram, with facsimile photographic portrait verso, 24 by 19.5cm, mounted, 30.5 by 25.5cm, together with three signed but unmounted charcoal portraits, George Bernard Shaw (1856-1950), with imprint of another portrait verso, 28 by 21.5cm, Philip Brandon (1898-1952), as identified by Peter Cotes, with incomplete portrait verso, 22.5 by 16.5cm, and a portrait of a lady with cigarette in her mouth, with the imprint of a still live sketch verso, 22.5 by 17.5cm, a/f. (4)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): six charcoal drawings, including a half turned lady's face, charcoal with ink washes, signed, 23 by 18, 'Portrait of a Girl', charcoal and pastel, signed, 33.5 by 21.5cm, mounted, 50 by 40.5cm, a/f. (6)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): ten sketch books, containing over one hundred pencil, pastel and charcoal drawings, including a possible portrait of Ronald Ossory Dunlop, in red pastel, 22.5 by 17.5cm, and other portraits, most signed with a monogram, together written notes and musings, a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
John Frederick Herring, Sr. (British, 1795-1865): equine double portrait, depicting a mare and her foal in a landscape, the black mare with white speckles to her back, standing facing away looking over to the left, and the chestnut foal with white socks grazing, a low vertical cliff to the right and a sweeping woodland away to the left, signed 'J. F. Herring. Snr. 1834', oil on board, label verso 'Alfred J. Mucklow, Picture Frame Maker & Dealer in Works of Art, Carver & Gilder, 35 Cranbourn St, Leicester Square, London, W', the board stamped 'Roberson & Co, 51 Long Acre, London', 24 by 29cm, in a modern gilt frame, 31 by 36.5cm.
Jean Shepeard (British, 1904-1989): seven sketch books, containing over one hundred drawings, including a possible pencil portrait of Roy de Maistre (1894-1968), 22.5 by 17.5cm, de Maistre acted as an early mentor for Francis Bacon, both of whom exhibited with Jean Shepeard, together with other portraits, including a possible self portrait, all signed, some pages of indistinct handwritten notes. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): a collection of eight sketchbooks, with over one hundred drawings, including a possible portrait of the artist Duncan Grant (1885-1978), 22.5 by 17.5cm, together with other portraits, some set designs, all signed, and written musings, a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (1904-1989): eleven sketch books with over one hundred drawings, including a charcoal and chalk portrait of a lady possibly the actress Lillian Braithwaite (1873-1948), 22.5 by 17.5cm, together with other figural studies and some set designs, a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Items relating to Sir John Ferguson KBE (1870-1932), conservative member of parliament for Twickenham (1929-32), including his KBE neck badge and star, presented in 1918 and housed in original fitted case with associated paperwork, along with signed letters from Lloyd George, Stanley Baldwin, Lord Inverforth, and other correspondence from his war time and political career, along with a selection of portrait photographs CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
A World War I Princess Mary 'Gift Fund' tobacco brass tin, with original contents and presentation card, embossed with a portrait of Princess Mary within a border of trophies, inscribed 'Christmas 1914', together with a packet of tobacco and a carton of cigarettes in original packing, 13 cm wide,
Continental school, 19th century, three-quarter portrait of a gentleman in lace ruff and armour, oil on porcelain panel, of canted rectangular form, within a further ivory and ebony surround, miniature dimensions 4 x 3.4cm, max dimensions 9 x 6.5cm; together with a painted porcelain(?) panel depicting a figure before buildings, mounted as a brooch within a gilt metal surround, 3.7 x 5cm (2)
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