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Preisdatenbank abonnierenAlbum: mit 50 eingesteckten Portrait-Photos in versch. Formaten, (ca. 1900). 4°. Lwd. d. Zt. mit Metall-Beschlägen (unkompl.) u. Schließe. Der hintere Teil des Buchblocks enthält eine eingebaute Spieluhr, die beim Öffnen der Mittelschließe eine Melodie spielt. Schlüssel liegt bei (Aufzug durch den Rückendeckel). - Gebrauchsspuren. D
Zwei Alben: mit zus. 114 (64; 50) eingesteckten Photos (davon 103 Portrait) in versch. Formaten, auf Photokart. aufgez., um 1880-1910. 4°. Ldr. d. Zt. über Holzdeckeln mit Metallbeschlägen u. -Schließe bzw. Ldr. d. Zt. mit Metall-Schließe, farb. Wappen auf Vdeckel u. Goldschn. Darunter mehrere Studentika-Aufnahmen, einige Kinder-Portraits, etc. Mit Atelier-Werbung von u.a. Wunder Hannover, Festge Erfurt, Boltenhagen Braunschweig, Schiewek Nordhausen, Hornung Tübingen, etc. - Tls. etw. Gebrauchsspuren, 1 Kart.-Bl. eingerissen. D
Sammlung: von 14 Alben mit zahlr. eingesteckten bzw. mont. od. eingeklebten Photogr. Versch. Formate u. Einbde. Enthält 1 Album mit Portrait-Photos um 1900, 1 Album mit Familien-Aufnahmen 1. H. 20. Jh., Rest Urlaubsbilder 1950-er Jahre u. später. - Gebrauchsspuren, nicht eingehend kollat. D
Polius,J.: Historia Sanctorum Joachim et Annae Geneseos, Vitae, Transitus et Connexorum. Nec non Quaestiones Pro Tuenda Veritate Asceticae. Partes Duae. Würzburg, Zinck 1652. (9) Bl., 334 S., (1) Bl. Prgt. d. Zt. mit Bibl.-Rsch. (Fleckig, fehlen die Schließbänder). VD17 7:682961A. - Seltene Hagiographie der Heiligen Joachim und Anna. - Ehemaliges Bibliotheksexemplar mit Stempel innen und Rückensignatur. Einband berieben. Bindung fest. Altersübliche Papierdunkelung. Satzspiegel meist gut erhalten, jedoch mit großen Wurmstichen auf den ersten 9 Blättern (samt Titelblatt) und ungefähr 10 Seiten. - ╔Dabei: Bonanni,P.╗ Verzeichnuß der geistlichen Ordens-Personen in der Streitenden Kirchen... Teil 1: Von den Ordens-Männern. Nbg. 1711. Mit zahlr. Portrait-Kupfern. - (70, 118)
Boissieu, Jean Jacques: (1736 Lyon 1810). 4 Portraits. Radierungen auf aufgewalztem China . Blgr. je 59 x 43 cm. 3 Bl. mit dem Monogr. u. Datum i.d. Platte. ╔Selbstbildnis.╗ 1796. 28,7 x 23 cm. - ╔Portrait eines Mannes╗ nach van Dyck. 1770. 18 x 17 cm. - ╔Pius III.╗ Aquatintarad. 1803. 19,8 x 16,4 cm. - ╔Mann mit Perücke╗ im Profil. 13 x 8 cm. - W. Ränder stellenw. etw. stockfl. R
Boissieu, Jean Jacques: (1736 Lyon 1810). Le Père Cotrot, garçon teinturier à Lyon Vater Cotrot, Färber aus Lyon. Radierung auf aufgewalztem China 1770. Ca. 16,5 x 15,5, Blgr. 59 x 42 cm. Mit Monogr. u. Datum i.d. Platte. ╔Ders.:╗ Portrait zum hundertjährigen Jubiläum Lyons. Radierung u. Roulette auf aufgewalztem China 1780. 24,5 x 33, Blgr. 42 x 60 cm. - Überwieg. im w. Rd. etw. stockfl., tls. stärker randrissig. - ╔Ders.:╗ Brustbild eines älteren Mannes mit langem Haar. Radierung auf aufgewalztem China 1770. 18,5 x 16,5, Blgr. 60 x 42 cm. - W. Rand. etw. - vereinz. innerhalb der Darstellung. - stockfl. Zus. 3 Bl. R
(Gude,H.L.).: Sammelband mit 3 Schriften zur deutschen Genealogie. (Halle um 1700). Ldr. d. Zt. (Gebrauchsspuren). ADB X, 87. - "Gab in einer langen Reihe kleine Oktavbändchen, deren jedes mit einem Kupfer geschmückt ist, Beschreibungen der meisten europäischen Staaten... heraus. Es sind genealogische u. topographische Abhandlungen von bemerkenswerter Präcision und Übersichtlichkeit...". - ╔Enthält:╗ Staat der Hertzoge von Würtenberg. 2 Teile. Mit gest. Portrait-Front. (Eberhard Ludwig) u. einigen (davon 4 gefalt.) Stammtaf. 60 S., 2 Bl., S. 61-151. - Staat der Marck-Graffen von Baden-Baden und Baden-Durlach. Mit gest. Portrait-Front. (Ludwig Wilhelm) u. 4 gefalt. Stammtaf. 82 S. - Staat von Hessen-Cassel und Darmstadt. 2 Teile. Mit gest. Front. (Doppel-Portrait Carl u. Ernst Ludwig) u. 7 gefalt. Stammtaf. 1 Bl., 65 S., 1 Bl., S. 67-139. - Etw. fleckig, vereinzelt kl. Randläs. durch Blattweiser. - Exlibris.
Marx,K.: Le Capital (Livre premier: Développement de la production capitaliste). Traduction de J. Roy, entièrement revisée par l'auteur. Paris, M.Lachatre & Cie. 1872-75. 4°. Mit 2 Holzst. auf Vor- und Haupttitel, Holzst.-Portrait u. Brief-Faksimile, beide blattgroß, sowie zahlr. Holzstich-Vign. im Text. 351 S. Spät. Hldr. mit goldgepr. Rückentit. (Restauriert, Bezug über dem Vordergelenk angerissen). Erste französische Ausgabe des ersten Bandes von "Das Kapital". - Marx/Engels Erstdrucke 33. - In zehn Lieferungen erschienen, an deren Übersetzung und Redaktion Marx persönlich mitwirkte. Im "Avis au lecteur" vom 28.IV.1875 schreibt er: "Cette édition francaise ... possède une valeur scientifique indépendante de l'original et doit être consultée même par les lecteurs familiers avec la langue allemande" (S. 348). Die französische Übertragung der Bände II und III erschien erst 1900-1902. - Gebräunt, stellenweise etw. fleckig, S. 11-14 mit Spannungsrissen im Bund, etwa ab S. 270 schwacher Wasserrand in der oberen Außenecke.
Hollar, Wenzel: (1607 Prag - London 1677). Portrait des Künstlers Stefano della Bella. Radierung n. Stockade bei J.Meyssens. Plgr. 16,3 x 11,2 cm. Unter Passep., daneben 4 weitere Rad. auf Passep. geklebt. Parthey 1360. Pennington 1360 II (v. IV). Zustand II mit den geänderten letzten 2 Wörten "par tout" (st. per tout). - Rechts daneben: ╔Stefano della Bella╗ (1610-1664). Agreable diversité de figures. Titel u. 3 (v. 12) Landschaften mit Personen. Radierungen 1642. Blgr. je ca. 7,3 x 9,4 cm. Knapp auf Darst. geschn. Mit Namensz. u. Titel, 1 BL. mit "Israel ex." i.d. Platte. - Aus de De Vesme 117-127.
Biblia germanica.: Biblia, Das ist: Die gantze Heilige Schrift Alten und Neuen Testaments, nach der Übersetzung und mit den Vorreden und Randglossen D. Martin Luthers, mit neuen Vorreden, Summarien, weitläuffigen Parallelen, Anmerckungen und geistlichen Anwendungen, auch Gebeten auf jedes Capitel: Wobey zugleich nöthige Register und eine Harmonie des neuen Testaments beygefügt sind. Ausgefertigt unter der Aufsicht Christoph Matthai Pfaffen (AT; NT von Johann Christian Klemm). 3 in 1 Bd. Tbg., Cotta 1730. Fol. Mit 2 gest. Front., 2 gest. Titelbl., 2 gest. Kopfvign., 1 dplblgr. gest. Plan von Jerusalem, 2 dplblgr. Kupferstichkarten (Heiliges Land u. Apostelreisen) u. 60 (von ?) Kupfertaf. 12 Bl., 1248 S., 4 Bl., 582 S., 80 S., 38 Register-Bl. Blindgepräg. Schweinsldr. d. Zt. über Holzdeckeln mit 2 Metall-Schließen. (Restaur.). Darlow-M. 4231: "This copy contains a series of plates, apparently prepared for this edition and published by J.G. Cotta". - Reich illustr. Cotta'sche Foliobibel. Die Tafeln meist mit 3 Abb. Tafelanzahl variiert in Vergleichsexemplaren. - Es fehlen 6 Textseiten (41-44 u. 209/210) im AT, sowie das gest. Portrait von Pfaff. Einige Fehlpag. Gebrauchsspuren, tls. etw. wasserrandig, mehrere Tafeln u. einige Bl. mit tls. größeren Einrissen u. Randfehlst., Kupfertitel u. Front. aufgez.
Biblia germanica.: Biblia, Das ist: Die gantze Heilige Schrifft deß Alten und Neuen Testaments. Wie solche von Doctor Martin Luther (etc.). Mit den Summarien J.Sauberti. Samt einer Vorrede J.M.Dilherrns. Nbg., Endter 1755. Fol. Mit 2 gest. Front., 12 ganzs. Portraitkupfern, 6 num. Kupfertafeln von Nunzer u. zahlr. Textholzschn. von Sandrart u.a. 46 Bl., 1181 S., 11 Bl. sowie 6 nn. Bll. zwischengebunden. Blindgepr. Schweinsldr. d. Zt. über Holzdeckeln mit 1 (v.2) Schließe u. 8 Eckbeschlägen. (Gebräunt, tls. wurmstichig). Bibelslg. Württ. LB, E 1473. Jahn 131. - 25. Ausgabe der Endterbibel. Mit den Portraits der Kurfürsten und der sächsischen Herzöge sowie Portrait von Luther, außerdem mit den 6 Tafeln von Nunzer, die jeweils mehrere Hauptgestalten und Autoren der Bibel zeigen; verso und auf den zwischengebundenen Bl. deren Lebensbeschreibungen. - Etw. gebräunt, tls. etw. fleckig (vereinzelt stärker), Anfang u. Ende etw. wurmstichig, Portr. u. die letzten beiden Tafeln nur von wenigen Wurmlöchern betroffen. Vord. Vors. mit hs. Eintragung.
Biblia germanica.: Catholische Bibel, das ist die ganze Heilige Schrift alten und neuen Testaments, nach der uralten gemeinen Lateinischen, und von der Heil. Catholischen Kirch bewährten Uebersetzung. Auch einem Biblischen Catechismo... 4 Tle. in 1 Bd. Nbg., Fleischmann (Tle. 3-4: de Launoy) 1763. Fol. Mit 1 gest. Front., 1 gest. Portrait u. 212 Textkupfern. 16 Bl., 664, 272, 315 S., 19 Bl., 98 S. Ldr. d. Zt. über Holzdeckeln mit 8 Metall-Eckbeschlägen. (Fehlen die Schließen, Gebrauchsspuren). Darlow-Moule 4248. Graesse I, 380. - Reich illustr. deutsche Bibelausgabe, auch als "Lotterie-Bibel" bekannt. "Said to have been printed for a lottery, and often called the Lottery-Bible" (Darlow-M.). Das Front. mit einer Ansicht v. Nürnberg. - Gebrauchsspuren, Front. angerändert.
Bodoni,G.B.: Manuale Tipografico 1788. Facsimile a cura di Giovanni Mardersteig. Verona, (Officina Bodoni) 1968. 4°. Mit Portrait in Heliogravüre. XLVI, 374 S. Opbd. mit OU. in Opp.-Schuber. Mardersteig 156. - Eines von 180 Ex. (GA 206) mit dem broschierten Text (XX S.) der Einführung in englischer Sprache. - Neuwertiges Ex. - ╔Dabei: Cluss,U.╗ Giovanni Battista Bodoni. Mchn. 1991.
Henel von Hennenfeld,N.: Burghausio-mnema hoc est laudatio posthuma Domini Dn. Nicolai Lib. Baronis de Burckhaus et Stoltz Hereditarii in Jonsdorf... Rudolfi II. et Matthiae Impp. consiliari... Brieg an der Oder, August Gründer 1632. 4°. Mit 2 Kupfertaf. 55 Bl. Ohne Einband, ausgebunden. VD 17, 14:018367 D. - Seltener und früher Druck aus Brieg, der erste Drucker der Stadt war Kaspar Siegfried (1615). Die Tafeln (gest. v. Lucas Kilian) zeigen Portrait und Wappen des Freiherrn Nicolaus von Burghauß und Stoltz. - Tls. wasserrandig u. etw. gebräunt, einige Randläs., Titelbl. mit hs. Eintr.
Full title: Indian school: 'Portrait of princess Mumtaz Mahal holding a hookah', gouache on paper, 19th C.Description:Dim.: 56 x 48 cm (the frame)Dim.: 42 x 34 cm (the work) Provenance: A Belgian private collection.Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com
Full title: An exceptionally fine pewter-lidded stoneware bellarmine jug with portrait medallions, Cologne, Germany, 2nd quarter 16th C.Description:H.: 20 cmH.: 25 cm (incl. the lid) Provenance:- Excavated from a cesspool in Gorinchem, The Netherlands, on Aug. 3, 1978, with a label on the base indicating this.- A Dutch private collection. Published:- Ostkamp & Snip: 'Baardmankruiken', p. 576, no. C. 203. (see added images)Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com
Full title: A large pewter-lidded armorial stoneware bellarmine jug with portrait medallions, Frechen, Germany, dated 1603 and 1605Description:H.: 32 cm The coat of arms on the front is that of the 'von der Leyen' family.Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com
James Bond actress Madeline Smith signed sexy 10 x 8 b/w portrait photo pointing a gun. She is perhaps best known for playing Bond girl Miss Caruso in Live and Let Die (1973), but also had larger roles in the Hammer horror films The Vampire Lovers (1970), Taste the Blood of Dracula (1970), Tam-Lin (1970), Theatre of Blood (1973) and Frankenstein and the Monster from Hell (1974) and comedy films including Up Pompeii (1971), Up the Front (1972) and Carry On Matron (1972) amongst others. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
CHARLES GIFFORD DYER (AMERICAN 1845 - 1911), VENICE 1867 oil on board, signed, titled and datedframed image size 17cm x 31cm, overall size 35cm x 49cm Note: Charles Gifford Dyer was an American painter, known mostly for his architectural scenes of Venice and Greece. He and his wife, Mary Anthony Dyer, were part of an expatriate community of American artists which included their friend, John Singer Sargent who painted a portrait of her during one of their visits to Venice; now in the collection of the Art Institure of Chicago. Their daughter, Stella, was a piano prodigy but at the age of seven she moved to the violin and performed throughout Europe as a young woman. He was an art professor in Munich at the time of his death. His cremated remains were returned to America and interred in the Dyer family plot at the Oakwood cemetry in Chicago, Illinois. A series of thirty paintings of the ruins of Greece, commissioned by J. Pierpoint Morgan were left uncompleted.
JAMES WHITELAW HAMILTON RSA RSW (SCOTTISH 1860 - 1932), WESTMORLAND oil on canvas, signed, titled label versoframedimage size 56cm x 69cm, overall size 78cm x 92cm Labels verso: T. &. R. Annan & Sons, Ltd., Glasgow.Note: James Whitelaw Hamilton was born on 26 November 1860, the eldest child to wood turner James Hamilton and his wife Mary Stevenson of 1 Morris Place Glasgow. His parents moved the family to Helensburgh and lived at Thornton Lodge, 107 Sinclair Street, Helensburgh. Whitelaw Hamilton displayed an aptitude for painting at an early age, and after studying in Glasgow, he moved to Paris and studied at the studios of Pascal-Adolphe-Jean Dagnan-Bouveret and Aimé Morot, both considered leading lights of the 19th Century French Movement - specialising in landscapes and portraiture. Whitelaw Hamilton's landscapes have a rugged and raw quality but he did not limit his work to one medium being equally successful using oils, pastels and watercolours. Not surprisingly, given Helensburgh's reputation as a centre for artists, Whitelaw Hamilton became friends with the Glasgow Boys. In 1884, he joined Guthrie, Henry, Crawhall and Melville at Cockburnspath. EA Walton, who spent his winters at Thornton Lodge, and James Guthrie were to remain friends with Whitelaw Hamilton throughout their lives. They shared similar ideals and spent many years in Helensburgh recording the urban lifestyle of the wealthy residents in the town. Whitelaw Hamilton married Lillian Millar Shaw of 12 Lynedoch Place, Glasgow at St Mary's Episcopal Church on 9 September 1891. He and Lillian took residence in the Grange, 23 Suffolk Street, Helensburgh, the home that he was to remain in for the rest of his life. Whitelaw Hamilton exhibited abroad as often as he did at home. He became a member of the Munich Secession and won a gold medal at the Munich International Exhibition in 1897. He became a member of the New English Art Club in 1887, a member of the Royal Scottish Academy in 1922 and a member of the Royal Scottish Society of Painters in Watercolours in 1895. He also held the position of Hon. Secretary, Royal Glasgow Institute of the Fine Arts. He suffered personal loss in 1918, when his son Lt. Arthur Leslie Hamilton was killed in action in Mesopotamia on 25 October, serving with the 1st Highland Light Infantry. A portrait of his son was completed by James Guthrie and is held within the collection of the Glasgow Art Gallery. James Whitelaw Hamilton died in Helensburgh on 16 September 1932 aged 71. His work is represented in Glasgow Art Gallery, Perth Art Gallery, City of Edinburgh Collection, Lillie Art Gallery, The Hunterian, Perth & Kinross Council, Kirkcaldy Museums & Galleries, Paisley Museum & Art Galleries, Dundee Art Gallery, Kelvingrove, The Royal Scottish Academy, Walker Art Gallery, Weimar Art Gallery in Germany and other public collections.
* AUGUSTUS EDWIN JOHN RA (WELSH 1878 - 1961), PORTRAIT OF A GENTLEMAN IN A BOW TIE oil on canvas, signedframedimage size 45cm x 35cm, overall size 66cm x 56cm Note: Augustus Edwin John OM RA was a Welsh painter, draughtsman, and etcher. For a time he was considered the most important artist at work in Britain: Virginia Woolf remarked that by 1908 the era of John Singer Sargent and Charles Wellington Furse "was over. The age of Augustus John was dawning."
* JOHN BULLOCH SOUTER (SCOTTISH 1890 - 1972), GRAN VIA watercolour on papermounted, framed and under glass. image size 24cm x 33cm, overall size 40cm x 49cmLabel verso: The Late John Bulloch Souter Archive, Rendezvous Gallery, Aberdeen.Note: John Bulloch Souter, was born in Aberdeen and studied at Gray`s School of Art. After serving in the Royal Medical Corps during World War I, JBS became a highly successful and celebrated portrait painter. Sitters included Gladys Cooper, Ivor Novello, Fay Compton, entertainers and celebrities of the era, academics, military officers and society figures. He exhibited at The Redfern Gallery, the Fine Art Society, Royal Scottish Academy and the Royal Academy. During World War II he worked in the Censorship Department as a translator. He also restored paintings from The Royal Collection at Windsor Castle. In 1926 his painting "The Breakdown" caused an international media storm and it was eventually withdrawn from the Royal Academy. The original painting was destroyed by Souter but he repainted a copy from the original sketches in 1962 which he amusingly dated 1926 - 62 and which was sold in Edinburgh in 2018 for £60.000. Souter married Christian Grace Reid in February 1926 at St Paul's Parish Church, Hammersmith. The couple were Jazz enthusiasts and were also regular visitors to the Opera. London was, and is, one of the most vibrant cities in the world and the diversity of entertainment appealed to the young Aberdonian and his beautiful wife. After 26 years of married life in London, Jack (as he was known to his friends and family) and Christian moved back to Aberdeen (1952) when JBS inherited "Kinnoull" 19, Anderson Drive in the city, from his sister Anne. Souter was a remarkably talented artist who painted an extraordinarily diverse range of subject matter in a variety of styles and mediums. He painted one of the most controversial British pictures of the 20th century and in so doing, possibly inadvertently, highlighted prejudices virulent in the 1920s and still resonant and acutely "current" almost a century later.
M RAMSAY (BRITISH 20TH CENTURY), PORTRAIT OF AN AFRICAN MAN oil on canvas, signed and dated '95framed image size 53cm x 43cm, overall size 58cm x 48cm Note: Little is known of Ramsays African wildlife work, however two paintings were sold by Christies in 2006 in their Sporting Art, Wildlife and Dogs sale. Lot 215 “The Head of the Pride” 60cm x 90cm canvas (£1920) and Lot 217, 23rd November 2006 “A Proud Mother” 60cm x 90cm (£1320)
STEPHEN WARD (BRITISH 1912-1963) STUDY OF CHRISTINE KEELERsigned Stephen Ward lower right pencil and coloured crayon on paper 56.5 x 44cm; 22 1/4 x 17 1/4in74 x 61.5cm; 29 x 24 1/4in (framed)Please note this work is sold as 'probably a sketch of Christine Keeler.' Provenance The John and Mary Goodyear CollectionStephen Ward, notorious for his role in the Profumo affair, was a talented portrait artist as well as a 'society' osteopath. Ward met Christine Keeler in Soho and introduced her to John Profumo at a party at Lord Astor's home, Cliveden, in 1961. The encounter would lead to one of the biggest scandals in British politics of the last century and to the untimely death of Ward in 1963 by his own hand.
ROSSI (BRITISH 19TH CENTURY) OLIVIA, LADY SEBRIGHTsigned Rossi lower rightpencil and watercolour25.5 x 20cm/ 10 x 8in (oval) 36.5 x 32cm/ 14 1/4 x 12 1/2in (framed oval)Property of a LadyInscribed on a label on the back of the frame: This portrait of Olivia Henry, Lady Sebright belongs to my daughter Florence, Lady Higginson of Guildernscroft, Marlow. At my death she is to have it. Olivia Sebright was my earliest and best friend and took much interest in my child Florence. This is to be kept with the portrait which is very like Augusta Castleton of *** of M***ny / 22nd Oct / 1895.'ProvenanceLady Florence Higginson, Marlow*offered for sale without reserve
WALTER JOHN NEWSTUB (BRITISH 1831-1906) (i) PORTRAIT OF A GIRL; (ii) HEAD OF A WOMAN IN PROFILE(i) pencil; (ii) black crayon(i) 23 x 27cm; 9 x 10 1/2in36.5 x 39cm; 14 1/4 x 15 1/2in (framed)(ii) 17 x 13cm; 6 3/4 x 5 1/4in (oval)(unframed)(2)Property from an English Private CollectionThere is the sketch of the head and shoulders of a young child on the reverse of Head of a woman in profile *offered for sale without reserve
LUDWIG VON HOFMANN (GERMAN 1861-1945) LA NATURE D'UN OEIL SIMPLE ET DECORATIF - RECTO; GRAVE DIGGERS WITH WOMEN IN PROCESSION - VERSOtitled; inscribed with the tribute to William Rothenstein portrait de cher maitre W.R enseignant à M de H de regarder upper centre - rectocharcoal and coloured chalks - recto & verso 22.5 x 36cm; 8 3/4 x 14 1/4in45 x 57.5cm; 17 3/4 x 22 1/2in (framed)Property from an English Private Collection M de H is the gallicised initials of the artist.*offered for sale without reserve
ENGLISH SCHOOL (EARLY 19TH CENTURY) PORTRAIT OF A LADYoil on canvas77 x 64cm; 30 1/4 X 25 1/4in103.5 x 86.5cm; 40 3/4 x 34in (framed)Property of a GentlemanProvenance Sale, Bonhams London, 26th February 1987, lot 35Purchased at the above sale by the present owner*offered for sale without reserve
Andrew Reid (British, 1887-circa 1975)Portrait of a Lady signed and dated 'And. Reid 1921' (lower right)oil on canvas49.5 x 29cm (19 1/2 x 11 7/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir James Guthrie PRSA HRA RSW LLD (British, 1859-1930)Portrait of Miss Wilson signed 'J. Guthrie' (upper left)oil on canvas106 x 108cm (41 3/4 x 42 1/2in).Footnotes:ProvenanceWith The Fine Art Society, December 1984, no. 9969.ExhibitedLondon, Royal Academy, Pioneering Painters: The Glasgow Boys, 1880-1900, 30 October 2010 - 23 January 2011, no. 87.For further information on this lot please visit Bonhams.com
John Duncan Fergusson RBA (British, 1874-1961)Portrait of a Lady Wearing a Necklace pencil23 x 17.5cm (9 1/16 x 6 7/8in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Napoleon Sarony (Canadian, 1821-1896)Portrait d'Oscar Wilde par Napoléon Sarony, ca. 1882. Tirage argentique contretypé par Molinier et annoté '5T.D 75' au dos, accompagné du négatif monté par lui sous passe-partout noir.Unique tirage par Molinier connu.Silver print countertyped by Molinier and annotated '5T.D 75' on the back, accompanied by the negative mounted by him under black passe-partout.Unique print by Molinier known. Image : 13,8 x 8,6 cm ; feuille : 17,5 x 12,8 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Script du film 'Pierre Molinier' réalisé par Raymond Borde Images de Pierre Marty, texte d'André Breton dit par Charles Chaboud, 1964 : Générique, synopsis, séquences, reproductions des tableaux de Pierre Molinier, photographies de la Poupée, Autoportrait, le toit avec silhouette dessinée de Molinier-Sorcier, textes, schémas, plan de la chambre.2 classeurs comprenant respectivement 20 et 14 tirages argentiques d'époque de Pierre Molinier, 20 et 19 feuilles manuscrites de Raymond Borde et 2 pages dactylographiées. Titres de certains tableaux reproduits avec les noms des propriétaires dont André Breton, Joyce Mansour, Lo Duca : - Holocauste oui, Holocauste non- Les amoureuses angoissées- La fleur du paradis- Les seins étoilés- Le pas de quatre- Les jumelles continuent d'être amoureuses- Cosmac- L'étoile scellée- Succube- Comtesse Midralgar- Enanus- Les Trois Grâces- Les dames voilées- Les curieuse- Le Christ puni- L'angoisse révoltée- Culminante- La flèche amoureuse- Les dames au pistolet- Le temps de la mort- Succube 2- Susinella- Le réveil de l'angeImages by Pierre Marty, text by André Breton said by Charles Chaboud, 1964: Credits, synopsis, sequences, reproductions of Pierre Molinier's paintings, photographs of the Doll, Self-portrait, the roof with a drawn silhouette of Molinier-Sorcerer, texts, diagrams, plan of the room.2 binders comprising respectively 20 and 14 vintage silver prints by Pierre Molinier, 20 and 19 handwritten sheets by Raymond Borde and 2 typed pages.Formats tirages : 6,5 x 7,5 cm à 18 x 13 cm ; feuilles : 27 x 21 cm ; classeurs : 32 x 26 cm.Footnotes:ProvenanceCollection particulière, FranceBibliographieJean-Luc Mercié 'Pierre Molinier', Les presses du réel Kamel Mennour, 2010, p.268 à 275This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)La main de la repasseuse : création composée en 3 parties - La main ornée d'une bague et de trois bracelets- Repose-fer XlXème ayant appartenu à la tante de Molinier, repasseuse professionnelle à Agen au début du siècle dernier.- Polissoir de Molinier qui l'utilisait pour lisser les feuilles d'or de certains de ses tableaux (comme le portrait de Magda resté inachevé).Cette main a été exposée à L'IVAM et reproduite au catalogue, p. 64.- The hand adorned with a ring and three bracelets- XlXth iron rest that belonged to Molinier's aunt, a professional ironer in Agen at the beginning of the last century.- Polisher by Molinier who used it to smooth the gold leaves of some of his paintings (such as the unfinished portrait of Magda).This hand was exhibited at the IVAM and reproduced in the catalog, p. 64.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Autoportrait nu allongé Photomontage avec portrait jeune.Tirage argentique d'époque, avec indications de prise de vue au crayon au dos.Photomontage with young portrait.Gelatin silver print, with pencil shooting instructions on the back.12,5 x 18 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Autoportraits avec tête issue du portrait de jeunesse de Pierre Molinier et Hanel et double portrait avec 1 visage prélevé. 7 tirages argentiques d'époque, certains avec indications de prise de vue au crayon au dos.7 gelatin silver prints, some with pencil shooting instructions on verso.11,5 x 5,5 cm à 18 x 12,5 cmFootnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Autoportrait debout, collage de la tête de la poupée Autoportrait debout, collage de la tête de la poupée.Tirage argentique d'époque avec collage, retouche sur le sexe à la mine de plomb, annoté '6' au crayon par l'auteur au dos.Standing self-portrait, collage of the doll's head.Gelatin silver print with collage, retouching on the sex with graphite, annotated '6' in pencil by the author on verso.Image : 17 x 6,5 cm ; feuille : 18 x 6,5 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)'La Communion d'amour', Bangkok, ca. 1971 MARAYAT ROLLET-ANDRIANE dit EMMANUELLE ARSAN (1932-2005) - PIERRE MOLINIER (1900-1976) - LOUIS-JACQUES ROLLET-ANDRIANE (1923-2009)Chez Emmanuelle Arsan, deux jeunes femmes s'embrassent sur la bouche. L'une à genoux est Marayat, l'autre, blonde, complète le ménage à trois, avec Louis-Jacques. Cette scène se déroule sous le regard de Molinier dont l'autoportrait peint orne le mur.Tirage couleur d'époque annotée 'Les amoureuses sous le regard de Pierre. Tendrement, Emmanuelle'. 'The Communion of Love', Bangkok, ca. 1971. At Emmanuelle Arsan's, two young women kiss on the mouth. One on her knees is Marayat, the other, blonde, completes the threesome, with Louis-Jacques. This scene takes place under the gaze of Molinier whose painted self-portrait adorns the wall.Annotated period color print 'The lovers under the gaze of Pierre. Tenderly, Emmanuelle'.12.5 x 9 cm.On joint : Oeuvre inspirée de cette scène : Tirage argentique d'époque, tampons titrés 'P. Molinier 'La Communion d'amour' 1968-1971. Créer n'est pas se répéter sans cesse, mais bien se renouveler indéfiniment' au dos. D'origine thaïlandaise, Marayat Bibidh (1932-2005) est une romancière connue sous le pseudonyme d'Emmanuelle Arsan. Elle est l'auteur du roman érotique « Emmanuelle » édité clandestinement en 1959 par Éric Losfeld et rapidement interdit de publicité. Actrice dans le film de Robert Wise « la Canonnière du Yang-Tse » aux côtés de Steve McQueen en 1966, elle joue sous le nom de Marayat Andriane du nom de son mari le diplomate et écrivain Louis-Jacques Rollet-Andriane. Tous deux ont entretenu une correspondance riche et longue avec Pierre Molinier. Les échanges de cadeaux, de photographies et de pensées montrent la complicité qui existait entre eux sans qu'il soit confirmé qu'ils se soient rencontrés.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Autoportrait nu couché sur le ventre. Tirage argentique d'époque, annoté '4 nichons' au crayon par l'auteur au dos.Dispositif de miroir qu'on retrouve dans la photographie d'autosodomie 'Explication' : à gauche une glace sert de rétroviseur et permet de s'admirer dans le grand miroir placé au pied du lit. Naked self-portrait lying on his stomach.Gelatin silver print, annotated '4 titties' in pencil by the author on verso.Mirror device that we find in the autosodomy photograph 'Explanation': on the left a glass serves as a rearview mirror and allows us to admire ourselves in the large mirror placed at the foot of the bed.10,9 x 9 cm.Footnotes:ProvenanceArchives Roland VilleneuveCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Lettres de Pierre Molinier à Roland Villeneuve retraçant la genèse du 'Chaman et ses Créatures'. Lettres de Pierre Molinier à Roland Villeneuve retraçant la genèse du 'Chaman et ses Créatures'.- 1967. 3 lettres manuscrites dont 1 en partie dactylographiée, signées.Lettre du 22 novembre avec portrait d'Hanel, tirage argentique d'époque collée. 5,8 x 4,2 cm- 1968. 10 lettres dont 6 manuscrites et 2 dactylographiées, signées.- 1969. 7 lettres dont 5 manuscrites et 2 dactylographiées, signées, une carte postale de Roland Villeneuve adressée à Molinier, une copie d'une lettre de Régine Deforges adressée à Molinier. - 1970. 12 lettres dont 1 manuscrite et 11 dactylographiées par Michel Brunet et signées par Molinier.Le 7 janvier, Molinier remercie Roland Villeneuve pour sa préface :'Après avoir lu et relu votre texte, je le trouve absolument parfait... Je vais le porter ce matin même à la frappe, et après votre correction définitive je le ferai photocopier en quinze exemplaires, afin de pouvoir en user largement, il ne nous restera plus qu'à soumettre la maquette aux éditeurs, maquette que je vous ferai passer, mais il me reste encore à mettre de l'ordre de ce côté'.Aucun éditeur ne trouvera grâce aux yeux de Molinier. 'Le Chaman et ses Créatures' paraîtra finalement 19 ans après sa mort grâce à sa fille Françoise en 1995.Letters from Pierre Molinier to Roland Villeneuve retracing the genesis of 'Shaman and his Creatures'.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pierre Molinier (1900-1976)Important ensemble sur la relation entre Molinier, Marayat et son mari MARAYAT ROLLET-ANDRIANE dit EMMANUELLE ARSAN (1932-2005) - PIERRE MOLINIER (1900-1976) - LOUIS-JACQUES ROLLET-ANDRIANE (1923-2009)- Portrait de Marayat, Emmanuelle Arsan. Page en couleur découpée dans un magazine français et intégré par Pierre Molinier dans un savant montage à l'albuplast. Image : 18,5 x 13 cm ; montage : 21 x 15,5 cm- Emmanuelle Arsan dans son appartement à Bangkok, Rez de chaussée, terrasse, studio du premier étage, juillet et août 1965.9 tirages couleur d'époque sur papier Kodak réalisés par Louis-Jacques Rollet-Andriane, datés sous l'image, annotés. Images : 8 x 8 cm ; feuilles : 9 x 9 cm- Marayat en danseuse Apsara avec ses griffes. Tirage argentique d'époque anonyme. 18 x 13 cm- Marayat et son mari Louis-Jacques Rollet-Andriane chez eux. Tirage argentique d'époque anonyme, annoté 'Avec L.J' au crayon par Rollet-Andriane au dos. 23 x 16,7 cm- Marayat nue chez elle. Tirage argentique d'époque anonyme. 18,8 x 127 cm- Marayat nue les bras en croix, comme pour illustrer le tableau 'Oh ! Marie'. Tirage argentique d'époque anonyme, annotation manuscrite de Rollet-Andriane au dos. 17,7 x 12,7 cm- Louis-Jacques Rollet-Andriane, Marayat et l'autre compagne du mari pratiquant sur ce dernier une double fellation. Triolisme. Tirage argentique d'époque anonyme. 9 x 13 cm- Marayat nue, en cuissarde dans la neige. Tirage argentique d'époque. 19 x 12,8 m- Marayat en Italie. 'Devant un tombeau étrusque de Tarquinia, devant une fresque érotique vieille de 2000 ans !'.Tirage argentique d'époque anonyme, annoté à l'encre par Rollet-Andriane au dos. Image : 8,5 x 11,5 cm ; feuille : 9 x 12 cm- Marayat assise, nue, chez elle. Tirage argentique d'époque anonyme, annoté au crayon par Rollet-Andriane au dos. Dans une chemise annotée au crayon 'pour Pierre. Louis-Jacques'. 17,8 x 12,8 cm- Marayat nue chez elle. Tirage argentique d'époque anonyme rehaussé et monté sur isorel par Molinier.Image : 11,5 x 17,5 cm ; montage : 16,5 x 25,5 cm- Marayat nue allongée, images miroir. 2 tirages argentiques d'époque anonymes, dont 1 annoté au crayon par Molinier au dos. 12,5 x 17,5 cm- Marayat nue à genoux devant un tableau de Molinier par photomontage. Tirage argentique d'époque, annoté au crayon par Molinier au dos. 17,7 x 12,5 cm- Marayat nue allongée sur les coussins. Tirage argentique d'époque, annoté au crayon par Molinier au dos. 11 x 16,5cm. On joint : 2 négatifs retouchés à la mine de plomb par Molinier.Marayat n'a jamais posé devant l'objectif de Molinier. Les tirages envoyés par Marayat sont utilisés par Molinier dans des photomontages.Important lot on the relationship between Molinier, Marayat and her husband.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) SELF-PORTRAIT, HEAD AND SHOULDERSsigned with initials HF and dated 1932 lower right brush, pen and ink and black chalk 27.5 x 22cm; 10 3/4 x 8 3/4in 43 x 36.5cm; 17 x 14 1/4in (framed)ExhibitedHans Feibusch, The Heat of Vision, 1995-96, no. 16, illustrated in the catalogueARR may apply
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