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Preisdatenbank abonnierenEUGÈNE DELÂTRE (1864-1938) Portrait of the novelist Joris-Karl Huysmans (1848-1907), author of À Rebours, 1884. Etching and aquatint in colours, signed in blue crayon and numbered from the edition of 100 published by André Marty in L'Estampe originale, Album VI, 1894. With the blindstamp of L'Estampe originale, lower left. Plate 320 x 239mm; the sheet 595 x 427mm. The image area somewhat light-stained from framing
SIX 19TH CENTURY PORTRAIT ENGRAVINGS AND MEZZOTINTS TO INCLUDE: George Phillips after William Owen 'Captain Sir Christopher Cole R.N.'; 54 x 41cm; and other subjects comprising: 'Thomas Grimston Bucknall Estcourt'; Dr Martin Luther; William Hart Coleridge; Viscount Curzon and Humphredus Gower, all unframed (6)
ATTRIBUTED TO GEORGE VERTUE AFTER SIR PETER CETY (1684-1756) Portrait of Lady Margaret Parker, pencil, pen and brown ink, 16 x 12.5cm; and one further attributed to the same hand - Portrait of Annie Hyde, Duchess of York (1637-71), pencil and brown inks, 23.5 x 17.5cm (2) Ex. Colln John Bernard (Lugt 1419) L.G. Duke Esq. CBE
HENRY HOLIDAY (1839-1927) Head and shoulders portrait of a lady, signed with initials, pencil drawing, 31 x 28cm (im), 56 x 39cm (sh), unframed Note: The drawing is inscribed 'Christabel' perhaps directing one towards the suffragette Christabel Pankhurst however it has also been suggested that the sitter could be Eleanor Butcher who Holiday records using as a model for the head of Beatrice in his autobiography of 1914
A George II oak longcase clock, 33cm arched brass dial with silvered chapter ring, inscribed Andrew Dickie, Edinburgh, the arch now with a portrait profile roundel, subsidiary seconds dial, date aperture, twin-winding holes, 8-day movement striking on a bell, the hood with outswept pediment and reeded columns, arched rectangular door to waist, plinth base, 215cm high
1853 (1 Nov) 1d blue, clear impression on soft yellowish paper, from pos. 15 in sheet (SG 2), margins rather close at left but good to large elsewhere, used by two neat part '62' numerals of Hobart which leave portrait largely visible, an attractive example of this scarce stamp, BPA cert (2017), cat £1,500
James Tassie (Scottish, 1735-1799) A small portrait plaque of Alexander Waugh, facing left and mounted in a black wood frame, inscribed 'A Waugh MA 1791', 7cm overall. The Reverend Alexander Waugh (1754-1827) was Minister of the Secession Church and a noted missionary. Tassie executed two portraits during his lifetime, one of which was distributed as a cameo throughout branches of his family.
A good Battersea enamel oval portrait plaque, c.1760, of the Countess of Coventry, Maria Gunning, wearing a yellow patterned dress, her chin resting on one hand, mounted in a metal frame, copied from Jean-Etienne Liotard's 1749 painting of her in Turkish costume, 10.5cm overall. Maria Gunning as a celebrated beauty of the 18th century, so much so that she was once mobbed in Hyde Park. Against her husband's advice, she wore heavy make up despite her young age, which contributed to her death at the age of 27 from lead and mercury poisoning.
Two miniature biscuit porcelain models of baskets, early 19th century, one inscribed 'Cocker Derby' for George Cocker, a small Jasperware plaque modelled with the profile portrait of a woman, and a glass medallion decorated to the reverse with the portrait of a Chinaman, 6cm max. (4) The Jasperware plaque with paper collection labels for the Rose-Ellis Collection and for E Montagu.
A Birmingham or South Staffordshire enamel bonbonnière, c.1760-70, naturalistically modelled as the head of a wild boar, the fur finely detailed, with protruding tusks, the hinged lid painted with the portrait of of a lady in a slipping yellow dress, some restoration, 7.6cm. Provenance: from the collection of Dr Venetia Newall. Cf. Susan Benjamin, English Enamel Boxes, p 26 for a similar example.
A Flight Barr and Barr Worcester vase, c.1825, of squat campana shape with large twisted twig handles, the body painted with a panel of roses and other flowers reserved on a blue ground with gilt foliate motifs, painted script mark, and an unusual English porcelain vase, probably Derby, finely decorated in tooled gilt with two lovers embracing, titled 'Susan's Interview with William', the reverse with a full length portrait of Susan, raised on a cylindrical stand above paw feet, 28cm max. (2)
A tall glass flute, 1st half 19th century, the slender drawn bowl engraved with a portrait of the Prussian Field Marshal Gebhard Leberecht von Blücher between the initials GB, 26.2cm. Blücher rose to fame after leading his army against Napoleon I at the battle of the Nations at Leipzig in 1813, and then at the battle of Waterloo in 1815.
A German porcelain double-ended snuff box, 2nd half 18th century, perhaps Meissen, the exterior moulded with rococo scrolls around purpurmalerei flowers, the interior covers similarly painted with the portrait of a young lady wearing a flower necklace, and an old man holding an infant who tugs at his beard, gold mounted, some good restoration, 9.5cm.
A Worcester slop bowl, c.1760, printed in black with three figures, one holding a banner titled 'Marine Society' one side of Britannia who points towards women with families beneath a banner inscribed 'For the Service of our Country', a naval battle scene to the reverse, the interior with a portrait of George II, a chip to the inside of the rim, 16.5cm. The source for this print is an engraving by Thomas Major after a drawing by Samuel Wale from Motives for the Establishment of the Marine Society, London 1757. The society, the world's first maritime charity, had been set up the previous year to supply seafarers to support the navy at the start of the Seven Year's War.
A Continental boxed nest of four graduated glass beakers, 18th century, the glasses vertically fluted and of slightly flared form, with gilded rims, the card box sewn together and decorated in a band of foliate scrolls and putti, the top with a portrait of a corpulent man in a neck ruff, inscribed to the base 'Verres provenant l'Abbaye d'Echternach', 11.8cm overall. (4) The Abbey of Echternach is a Benedictine monastery in Luxembourg. This set is believed to have been a gift from a priest at the Abbey.
A Worcester teabowl and saucer, c.1760, printed in black with the King of Prussia (version 3), titled to the banner beneath the portrait, the saucer signed RH Worcester in the print for Robert Hancock, and with an anchor rebus for Richard Holdship, the teabowl with an additional print of trophies, 12.2cm. (2)
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