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Los 77

A Circa 1830 Hand Painted on Ivory Oval Miniature Portrait, depicting a young lady, the young lady wearing a fine lace veil over a white lace and blue silk dress approx 7.1/2 x 6 cms In the original gilt period frame.

Los 145

English School, early 19th century, small portrait of a boy facing right, bust length, unsigned watercolour, later mount and frame, 18cm by 14.5cm

Los 155

Helen Mabel Trevor (1831-1900), Portrait of a gentleman in a red hat, facing left, bust length, oil on canvas, signed top right, 53cm by 43cm £200-300

Los 59

******PLEASE NOTE, NOT DAGUERREOTYPE, TINTYPE***** A mid-19th century oval Daguerreotype portrait of three ladies with gilt mount in a decorative double sided hinged resin case moulded in relief depicting woman on horseback with a dog and a similar example containing an oval portrait of a bearded gentleman (2)

Los 107

Alessandro Milesi 1856 - 1945 Portrait of Silvia Ciardi Blue pencil on paper 38 x 28 cm Signed lower left side From the private collection of Silvia Ciardi (Villa Baciocchi, Villa Vicentina); from the private collection of Villa Baciocchi, Villa Vicentina.

Los 110

Emilio Sobrero 1890 - 1964 Halflength self-portrait Oil on canvas 55 x 56 cm Signed upper left side, E. Sobrero 1924 Exhibited: (Turin, 1996), at Garda e Canavese Museum (Ivrea 1997), at Vittoria Colonna Museum, (Pescara, 2009) and at Ricerca d`Arte Gallery (Rome, from December 2011 to January 2012)

Los 113

Alessandro Milesi 1856 - 1945 Portrait of a woman in green Oil on canvas 81 x 104 cm Signed, date lower left side 1928 Gilded and carved wooden Venice style frame; according to the inscription, the portrait has been executed at Villa Vicentina; from the private collection of Ciardi family (Villa Baciocchi, Villa Vicentina); from the private collection of Villa Baciocchi, Villa Vicentina.

Los 115

Alessandro Milesi 1856 - 1945 Portrait of a woman Oil on canvas 62 x 50 cm Signed and dated upper left side 1930 From the private collection of Ciardi family (Villa Baciocchi, Villa Vicentina); from the private collection of Villa Baciocchi, Villa Vicentina.

Los 120

Ferruccio Ferrazzi 1891 - 1978 Portrait of the artist`s wife Horizia Oil on canvas 47 x 44 cm Signed and dated upper left side 1924 Archived at Ferruccio Ferrazzi Archive

Los 133

Alessandro Milesi 1856 - 1945 Portrait of a young woman with cat Oil on canvas 59 x 39 cm Signed lower right side 1910 From the private collection of Ciardi family (Villa Baciocchi, Villa Vicentina); from the private collection of Villa Baciocchi, Villa Vicentina.

Los 136

Ugo Carà 1908 - 2005 Portrait of a man White marble sculpture 26 x 20 x 20 cm Signed on the right side of the neck ca. 1935

Los 137

Alessandro Milesi 1856 - 1945 Portrait Oil on board 22 x 15 cm Signed lower right side with the inscription in the back ""Gift to Silvia Ciardi"" From the private collection of Ciardi family (Villa Baciocchi, Villa Vicentina); from the private collection of Villa Baciocchi, Villa Vicentina.

Los 150

Nino Bertoletti 1889 - 1971 Portrait of a hatted woman Oil on board 63 x 52 cm ca. 1940 From the Bertoletti family collection; Roman private collection

Los 20

circle of pier francesco cittadini portrait of a lady oil on canvas 130 x 93 cm second half of the seventeenth century

Los 214

George Gros 1893-1959 Berlin street scene material relief oil on canvas 62,6 x 48,7 cm Signature in the lower right side at the front and at the back Portrait of a woman on the back with the coat and hat

Los 30

Callisto Piazza ( attr. ) 1500- 1561 Christ at the column oil on board 48,5 x 34,5 cm expertise autographed by emilio negro This small board is to consider an important discovery within the Lombard painting of the first half of the 16th century. According to Emilio Negro several contacts with artists of the period including Giovanni Agostino da Lodi, Dosso Dossi, Ludovico Mazzolino and Romanino. The combination of Piazza follows a precise stylistic path starting from a base of Leonardo clearly all three figures (the mist of the physiognomy of the Christ that remains well-defined, caricatured and traits of the two flagellatori) is filtered by the language of Romanino from which the Square was heavily influenced, together with that of Pordenone. This results in a Mannerist style painting calm but energetic tones in pictorial composition and use of light.Very interesting comparisons proposed by Emilio Negro (Visitation in the Church of Santa Maria in Calchera in Brescia, polyptych with stories of San Giovanni Battista in the Church of the Incoronata in Lodi), while reporting above all for smooth and firm strokes of the face of Christ, a strict comparison with a portrait of a gentleman, oil on canvas, cm. 96 x 86 conserved at the Metropolitan Museum of Art in New York. The board is in excellent condition both for the conditions that support for the pictorial film, with veils sol body of Christ largely intact.

Los 34

Tuscan school Portrait of young woman with gloves and handkerchief oil on board 87 x 68 cm The second half of the sixteenth century

Los 4

venetian painter Portrait of a noblewoman with pearls oil on oval canvas 100 x 80 cm eighteenth century Provenance Collection Ciardi Villa Baciocchi, Villa Vicentina Private collection Villa Baciocchi, Villa Vicentina

Los 41

Venetian school Portrait of a man with a wig oil on canvas 45,5 x 61 cm The frist half of eighteenth century

Los 5

venetian painter Portrait of Cardinal oil on oval canvas 100 x 80 cm eighteenth century Provenance Collection Ciardi Villa Baciocchi, Villa Vicentina Private collection Villa Baciocchi, Villa Vicentina

Los 52

Circle of Giuseppe Cades Portrait of young woman oil on canvas 40 x 50 cm

Los 62

Tuscan school Male portrait oil on canvas 61,5 x 50 cm the first half of the nineteenth century

Los 64

French school Miniature portrait of the Queen of France Marie Lechinska oil on board diameter 13 cm Signed lower left on the sidelines: a. Plimer second half of the eighteenth century bronze frame inseveral degrees

Los 67

Pietro Facchetti 1535-1619 Portrait of a cardinal sitting oil on canvas 115 x 143 cm first half of the seventeenth century

Los 71

Paolo Borroni 1749-1819 Portrait of the painter with the Red turban oil on canvas 84 x 69 cm expertise written by prof. Giancarlo Sestieri, Rome 2008 The painting is to be placed, as Districts, within the realist painting lombarda of late eighteenth century where the taste for portraiture joins a strong attention to details such as evidenced by dressed richly described this young painter whose identity is unknown. The painting is in excellent condition and has only a slight paint oxidized on the painted surface, characterized the latter by a dense craquelè.

Los 76

Gustave Moreau 1826-1898 Portrait of Amos Cassioli oil on canvas 60 x47 cm Initials and date in upper left side; Written Amos Cassioli Aetatis sue 28TH, to right of Center 1860 Lack of clear paint and scattered

Los 96

Camillo bortoluzzi 1868-1933 Portrait of a woman with Venice in the background oil on canvas 65 x 50 cm Signature in the lower right side 1900 Provenance Collection silvia Ciardi Villa Baciocchi, Villa Vicentina Private collection Villa Baciocchi, Villa Vicentina

Los 131

Mary Browning coloured pastels, portrait of 2 dogs, signed and dated '86, 15" x 18", framed.

Los 132

Mary Browning coloured pastels, portrait of 2 dogs, signed and dated 1988, 14.5" x 18", framed.

Los 133

Mary Browning coloured pastels, portrait of 3 dogs, signed and dated '93, 20" x 16", framed.

Los 161

Oil on wood panel, head and shoulders portrait of a girl, signed with indistinct monogram, 10.5" x 8.5", framed.

Los 185

Charlotte Spiers watercolour, head and shoulders portrait of a man, signed, 17" x 14", framed.

Los 196

Roland Fiddy watercolour, modernist portrait, signed, 9" x 7", framed.

Los 242

Pietro Annigoni oil on board, portrait of a boy, inscribed verso, 23" x 18", unframed.

Los 262

19th century miniature watercolour, half length portrait of a woman, unsigned, 3.25" x 2.5", framed.

Los 307

Attributed to Sir Frank Dicksee watercolour, head portrait of a lady circa 1920, signed with monogram, 8" x 5.5", framed.

Los 316

Claude Rowbotham pair of coloured etchings, Thames scenes, and Hilda Goffey, colour aquatint, Classical portrait, all framed, (3).

Los 318

English School oil on canvas, head and shoulders portrait of a woman, signed with monogram, dated 1908, 22" x 18", framed.

Los 374

A cased silver and purple enamel hat pin and stud set; a cased part set of mother-of-pearl studs; a miniature hand painted pendant: half-length portrait of a young man in uniform

Los 326

Six 19th century Indian portrait miniatures, painted on oval and square ivory slips.

Los 355

A 19th Century patinated cast bronze roundel with head portrait Giuseppe Garibaldi, 11cm diameter.

Los 460

Twelve postcards of Scottish tartans, in three frames, together with an oil portrait of a cheerful old gentleman, five watercolours and a print, (10).

Los 461

After Tretchiko, head and shoulders portrait of an Oriental blue girl, coloured print, glazed and framed, 60 x 50cm, together with a head and shoulders portrait of a North African Nomad, printed on fabric, mounted glazed and framed, 44 x 35cm.

Los 473

A large portrait of a bearded man, looking at the viewer from darkness, signed with monogram ""MW,"" pastel on board, 73cm x 52cm

Los 487

Brian Coole, (20th Century British), a portrait of a mid Victorian three masted square rigged sailing ship, flying a British ensign with a gaff rigged schooner in the back ground and other shipping, signed, oil on board, in burr wood frame with gilt slip, 65 x 113cm.

Los 505

A 19th Century English School, oval portrait of a gentleman, unsigned, oil on canvas, in oval gilt frame, 30 x 38cm.

Los 84

A scarce Copeland subscribers copy retailed by T.E. Goode & Co, Queen Victoria pottery loving cup, commemorating the Transvaal War 1899 to 1900, printed with portrait of Queen Victoria, Britannia, Field Marshall Lord Roberts, and the Marquis of Salisbury, 14cm high.

Los 209

* Shaw (Rupert A., 20th century). A collection of pencil drawings, 1970s/80s, forty-seven pencil drawings, one portrait and a drawing of a studio, but mostly landscapes and seascapes, incorporating boats, trees, buildings, etc., including London, the Thames, Surrey, Cornwall, Kent, Bath, France, Spain, Italy, all signed and dated, the majority titled, e.g. `Old Dutch Barge at Isleworth`, `The Thames at Twickenham`, `The Valley near Bath`, `Fishing boat in Mevagissey harbour Cornwall`, `A Spanish workman at Cassares`, sheet size approximately 30 x 42cm (12 x 16.5ins), contained in a plastic folder (47)

Los 255

Bayle (Pierre). The Dictionary Historical and Critical of Mr Peter Bayle. The Second Edition, Carefully collated with the several Editions of the Original; in which many Passages are restored, and the whole greatly augmented, particularly with a Translation of the Quotations from eminent Writers in various Languages. To which is prefixed, the Life of the Author, revised, corrected, and enlarged, by Mr Des Maizeaux, Fellow of the Royal Society, 5 vols., 1734-38, engraved portrait frontispiece to volume one, titles printed in red and black, occasional woodcut printer`s device to text, endpapers renewed, contemporary calf, neatly rebacked, contrasting gilt-lettered spine labels, large thick folio. A handsome set. (5)

Los 263

Bindings. The Journal of Sir Walter Scott from the Original Manuscript at Abbotsford, 2 vols., Edinburgh: David Douglas, 1891, b & w portrait frontispieces, bookplates of James Stevenson Bart. and Sir Malcolm Fraser Bart. to upper pastedowns, t.e.g., remainder untrimmed, near contemporary dark green half morocco by Hatchards, gilt decorated spines, 8vo, together with The Life and Times of Sir Thomas Gresham..., by John William Burgon, 2 vols., 1839, few engraved plates and folding facsimile manuscript, some spotting, contemporary calf, gilt decorated spines with contrasting labels, 8vo, with The LIfe of Josiah Wedgwood from His Private Correspondence and Family Papers..., with an Introductory Sketch of the Art of Pottery in England by Eliza Meteyard, 2 vols., 1865, engraved portrait frontispieces, two chromo plates and numerous wood engraved illustrations, a.e.g., contemporary red morocco gilt, 8vo, and Diary and Letters of Madame d`Arblay, Edited by her niece Charlotte Barrett, 4 vols., new ed., revised, London: Bickers & Son, [1876], numerous engraved portrait plates, folding facsimile letter, t.e.g., contemporary green half morocco gilt, 8vo, plus Lives of the Queens of England..., 6 vols., new ed., 1864, engraved portrait frontispieces, contemporary dark green half morocco, gilt decorated spines, 8vo, plus The Works of William Robertson, D.D. to which is Prefixed, and Account of the Life and Writings of the Author, by Dugald Stewart, 8 vols., 1840, engraved portrait frontispiece to vol. 1, few folding engraved maps, occasional spotting, contemporary calf, gilt decorated spines with contrasting labels, rubbed and slight wear, 8vo (24)

Los 265

Book of Common Prayer, and Administration of the Sacraments..., Together with the Psalter or Psalms of David..., London: Printed by John Baskett, 1741, engraved portrait frontispiece (contemporary ownership John Woodyear, April 19th, 1778 to verso), additional engraved title and numerous plates, one plate torn to lower blank margin, occasional spotting and one gathering slightly loose, a.e.g., contemporary gilt decorated black morroco, joints cracked and some wear, 12mo, together with Bible [English], The Holy Bible, Containing the Old Testament, and the New..., Stereotype Edition, London: Printed by George Eyre & Andrew Strahan, 1823, upper pastedown with contemporary engraved paper label for `Stratford, Public Library, Cross, Worcester`, a.e.g., contemporary straight-grain purple morocco, elaborate gilt decoration (possibly by Thomas Stratford of The Cross, Worcester, fl.1840), 12mo, with The Book of Common Prayer..., pub. Samuel Bagster & Sons, c.1860s, a.e.g., with gauffered edges, contemporary blind decorated brown morocco by Bagster, brass corners and clasp, 8vo, plus four other 19th c. theology, including decorative bindings (7)

Los 280

Evans (J. Gwenogvrwn). The Black Book of Carmarthen, limited 41/600 (of which the first 130 are on japanese vellum paper), Pwllheli: privately printed, 1906, author`s initials to limitation, half title, black and white engraved portrait, a little spotting to endpapers, original half morocco, gilt, tall 8vo, together with Dyer (G.), A Restoration of the Ancient Modes of Bestowing Names on the Rivers, Hills, Vallies, Plains, and Settlements of Britain, Exeter: printed for the author, 1805, some offsetting, edges untrimmed, early 20th century cloth-backed boards, worn, 8vo, plus other Welsh titles (4)

Los 3

Anderson (George William). A New, Authentic, and Complete Collection of Voyages Round the World, Undertaken and Performed by Royal Authority. Containing an Authentic, Entertaining, Full, and Complete History of Captain Cook`s First, Second, Third and Last Voyages..., 1784, engraved frontispiece portrait of James Cook (repaired), folding engraved general chart, 151 engraved maps, plates and charts only (of 155?), some spotting, tears and repairs, contemporary calf, upper cover detached, rubbed and scuffed, folio. Sold as a collection of plates, not subject to return. (1)

Los 301

Scott (Sir Walter). Waverley Novels, 48 volumes, Edinburgh: Cadell & Company, 1829-1833, engraved frontispieces, engraved titles, scattered spotting, contemporary half calf, blind-stamped and gilt decorated spines, contrasting morocco labels, lightly rubbed, 12mo, together with The Life of Napoleon Buonaparte, Emperor of the French, 9 volumes, Edinburgh: Cadell & Co., 1827, marginal worming to volume one, some light spotting, contemporary half calf, blind-stamped and gilt decorated spines with green morocco labels, a little worn and scuffed, 8vo, plus Memoirs of the Life of Sir Walter Scott, 7 volumes, Edinburgh: Robert Cadell, 1832-1833, engraved portrait frontispiece, facsimile letter, some offsetting and scattered spotting, contemporary half calf, blind stamped decoration to spine, a little rubbed and slightly scuffed, 8vo (63)

Los 316

Bacon (Francis, Viscount Verulam). Opera Omnia, Frankfurt, 1665, title printed in red and black with engraved vignette, Latin text in double-column, lacking portrait frontispiece, some underlining and marginalia, title with marginal repair, scattered spotting, recent mottled calf, folio, together with Stewart (Dugald), Elements of the Philosophy of the Human Mind, 3 vols., 1792-1827, half title to vol. I (lacking in vols. II & III), vol. II title laid down, a few other leaves with marginal repairs, some spotting and soiling, previous owner inscriptions to vol. I, modern tan calf-backed boards, 4to (4)

Los 317

Bassi (Giulio). Dell Arimmetica Practica..., Libri VII, 1st ed., Piacenza, 1645, engraved additional title (with closed tear), engraved portrait (detached), one plate with woodcut geometrical illustrations, some waterstains and wormtracks, oval inkstamps, previous owner signatures, endpapers renewed with bookplate relaid, contemporary vellum, repaired with some soiling, folio, together with Disquisitio Mathematica in Caussam Physicam Figurae, et Magnitudinis Telluris Nostrae, by Paullus Frisius, Milan, 1751, half title, folding diagramatic tables, wood-engraved tailpieces, light waterstain, later calf-backed boards, 4to, plus Claude Dechales` Cursus seu Mundus Mathematicus, vols. I-III only (of 4), Lyon, 1690 (5)

Los 337

Hobbes (Thomas). Elementa Philosophica de Cive.., [4th ed.], Amsterdam: Danielem Elzevirium, 1669, engraved title with 18th c. signature to lower blank margin, occasional underscoring to initial leaves of text, bound with Epistolica Dissertatio de Principiis justi et Decori, Continens Apologiam pro tractatu Hobbaei De cive [by L. van Velthuysen], Amsterdam: Ludovicum Elzevirium, 1651, woodcut printer`s device to title and repaired short closed tear to fore-edge margin, bound with Thomae Hobbes Angli Malmesburiensis Philosophi Vita..., Carolopoli [London]: Eleutherium Anglicum, 1681, engraved portrait frontispiece, some light toning, contemp full vellum, spine slightly soiled, later paper title label, 12mo. Willems 1406, 1126, & Wing H2268. (1)

Los 338

Hobbes (Thomas). Tracts of Mr. Thomas Hobbs of Malmsbury, Containing I. Behemoth, The History of the Causes of the Civil Wars of England, from 1640 to 1660... , II. An Answer to Arch-Bishop Bramhall`s Book, Called the Catching of the Leviathan: Never Printed Before, III. An Historical Narration of Heresy and the Punishment Thereof: Corrected by the True Copy, IV. Philosophical Problems, Dedicated to the King in 1662, but Never Printed Before, 3 parts in 1, London: W. Crooke, 1682, engraved portrait frontispiece, repaired closed tear to upper outer corner of title, single worm hole to initial 130 pages, lacking first and last blanks, some dust soiling throughout and damp staining to last few leaves, modern full calf with morocco title label to spine, 8vo. Wing H2265. (1)

Los 342

Huxley (Thomas Henry). Collected Essays, Macmillan and Co., 1893-1894, bookplates and blindstamps, original publisher`s cloth gilt, a little rubbed and frayed, small 8vo, together with Life and Letters of Thomas Henry Huxley, 2 vols., Macmillan and Co., 1900, black and white portrait frontispieces, black and white plates, original publisher`s cloth, a little rubbed and frayed, upper board of volume two creased, 8vo (11)

Los 345

Kant (Immanuel). Werke, sorgfaltig revidirte Gesammtausgabe in zehn Banden, 10 vols. bound in five, Leipzig, 1838-39, engraved portrait frontispiece to first volume, folding facsimile letter, some spotting, small ink stamp to titles, spotting throughout, 20th c. quarter calf, 8vo (5)

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