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******PLEASE NOTE, NOT DAGUERREOTYPE, TINTYPE***** A mid-19th century oval Daguerreotype portrait of three ladies with gilt mount in a decorative double sided hinged resin case moulded in relief depicting woman on horseback with a dog and a similar example containing an oval portrait of a bearded gentleman (2)
Emilio Sobrero 1890 - 1964 Halflength self-portrait Oil on canvas 55 x 56 cm Signed upper left side, E. Sobrero 1924 Exhibited: (Turin, 1996), at Garda e Canavese Museum (Ivrea 1997), at Vittoria Colonna Museum, (Pescara, 2009) and at Ricerca d`Arte Gallery (Rome, from December 2011 to January 2012)
Alessandro Milesi 1856 - 1945 Portrait of a woman in green Oil on canvas 81 x 104 cm Signed, date lower left side 1928 Gilded and carved wooden Venice style frame; according to the inscription, the portrait has been executed at Villa Vicentina; from the private collection of Ciardi family (Villa Baciocchi, Villa Vicentina); from the private collection of Villa Baciocchi, Villa Vicentina.
Callisto Piazza ( attr. ) 1500- 1561 Christ at the column oil on board 48,5 x 34,5 cm expertise autographed by emilio negro This small board is to consider an important discovery within the Lombard painting of the first half of the 16th century. According to Emilio Negro several contacts with artists of the period including Giovanni Agostino da Lodi, Dosso Dossi, Ludovico Mazzolino and Romanino. The combination of Piazza follows a precise stylistic path starting from a base of Leonardo clearly all three figures (the mist of the physiognomy of the Christ that remains well-defined, caricatured and traits of the two flagellatori) is filtered by the language of Romanino from which the Square was heavily influenced, together with that of Pordenone. This results in a Mannerist style painting calm but energetic tones in pictorial composition and use of light.Very interesting comparisons proposed by Emilio Negro (Visitation in the Church of Santa Maria in Calchera in Brescia, polyptych with stories of San Giovanni Battista in the Church of the Incoronata in Lodi), while reporting above all for smooth and firm strokes of the face of Christ, a strict comparison with a portrait of a gentleman, oil on canvas, cm. 96 x 86 conserved at the Metropolitan Museum of Art in New York. The board is in excellent condition both for the conditions that support for the pictorial film, with veils sol body of Christ largely intact.
Paolo Borroni 1749-1819 Portrait of the painter with the Red turban oil on canvas 84 x 69 cm expertise written by prof. Giancarlo Sestieri, Rome 2008 The painting is to be placed, as Districts, within the realist painting lombarda of late eighteenth century where the taste for portraiture joins a strong attention to details such as evidenced by dressed richly described this young painter whose identity is unknown. The painting is in excellent condition and has only a slight paint oxidized on the painted surface, characterized the latter by a dense craquelè.
* Shaw (Rupert A., 20th century). A collection of pencil drawings, 1970s/80s, forty-seven pencil drawings, one portrait and a drawing of a studio, but mostly landscapes and seascapes, incorporating boats, trees, buildings, etc., including London, the Thames, Surrey, Cornwall, Kent, Bath, France, Spain, Italy, all signed and dated, the majority titled, e.g. `Old Dutch Barge at Isleworth`, `The Thames at Twickenham`, `The Valley near Bath`, `Fishing boat in Mevagissey harbour Cornwall`, `A Spanish workman at Cassares`, sheet size approximately 30 x 42cm (12 x 16.5ins), contained in a plastic folder (47)
Bayle (Pierre). The Dictionary Historical and Critical of Mr Peter Bayle. The Second Edition, Carefully collated with the several Editions of the Original; in which many Passages are restored, and the whole greatly augmented, particularly with a Translation of the Quotations from eminent Writers in various Languages. To which is prefixed, the Life of the Author, revised, corrected, and enlarged, by Mr Des Maizeaux, Fellow of the Royal Society, 5 vols., 1734-38, engraved portrait frontispiece to volume one, titles printed in red and black, occasional woodcut printer`s device to text, endpapers renewed, contemporary calf, neatly rebacked, contrasting gilt-lettered spine labels, large thick folio. A handsome set. (5)
Bindings. The Journal of Sir Walter Scott from the Original Manuscript at Abbotsford, 2 vols., Edinburgh: David Douglas, 1891, b & w portrait frontispieces, bookplates of James Stevenson Bart. and Sir Malcolm Fraser Bart. to upper pastedowns, t.e.g., remainder untrimmed, near contemporary dark green half morocco by Hatchards, gilt decorated spines, 8vo, together with The Life and Times of Sir Thomas Gresham..., by John William Burgon, 2 vols., 1839, few engraved plates and folding facsimile manuscript, some spotting, contemporary calf, gilt decorated spines with contrasting labels, 8vo, with The LIfe of Josiah Wedgwood from His Private Correspondence and Family Papers..., with an Introductory Sketch of the Art of Pottery in England by Eliza Meteyard, 2 vols., 1865, engraved portrait frontispieces, two chromo plates and numerous wood engraved illustrations, a.e.g., contemporary red morocco gilt, 8vo, and Diary and Letters of Madame d`Arblay, Edited by her niece Charlotte Barrett, 4 vols., new ed., revised, London: Bickers & Son, [1876], numerous engraved portrait plates, folding facsimile letter, t.e.g., contemporary green half morocco gilt, 8vo, plus Lives of the Queens of England..., 6 vols., new ed., 1864, engraved portrait frontispieces, contemporary dark green half morocco, gilt decorated spines, 8vo, plus The Works of William Robertson, D.D. to which is Prefixed, and Account of the Life and Writings of the Author, by Dugald Stewart, 8 vols., 1840, engraved portrait frontispiece to vol. 1, few folding engraved maps, occasional spotting, contemporary calf, gilt decorated spines with contrasting labels, rubbed and slight wear, 8vo (24)
Book of Common Prayer, and Administration of the Sacraments..., Together with the Psalter or Psalms of David..., London: Printed by John Baskett, 1741, engraved portrait frontispiece (contemporary ownership John Woodyear, April 19th, 1778 to verso), additional engraved title and numerous plates, one plate torn to lower blank margin, occasional spotting and one gathering slightly loose, a.e.g., contemporary gilt decorated black morroco, joints cracked and some wear, 12mo, together with Bible [English], The Holy Bible, Containing the Old Testament, and the New..., Stereotype Edition, London: Printed by George Eyre & Andrew Strahan, 1823, upper pastedown with contemporary engraved paper label for `Stratford, Public Library, Cross, Worcester`, a.e.g., contemporary straight-grain purple morocco, elaborate gilt decoration (possibly by Thomas Stratford of The Cross, Worcester, fl.1840), 12mo, with The Book of Common Prayer..., pub. Samuel Bagster & Sons, c.1860s, a.e.g., with gauffered edges, contemporary blind decorated brown morocco by Bagster, brass corners and clasp, 8vo, plus four other 19th c. theology, including decorative bindings (7)
Evans (J. Gwenogvrwn). The Black Book of Carmarthen, limited 41/600 (of which the first 130 are on japanese vellum paper), Pwllheli: privately printed, 1906, author`s initials to limitation, half title, black and white engraved portrait, a little spotting to endpapers, original half morocco, gilt, tall 8vo, together with Dyer (G.), A Restoration of the Ancient Modes of Bestowing Names on the Rivers, Hills, Vallies, Plains, and Settlements of Britain, Exeter: printed for the author, 1805, some offsetting, edges untrimmed, early 20th century cloth-backed boards, worn, 8vo, plus other Welsh titles (4)
Anderson (George William). A New, Authentic, and Complete Collection of Voyages Round the World, Undertaken and Performed by Royal Authority. Containing an Authentic, Entertaining, Full, and Complete History of Captain Cook`s First, Second, Third and Last Voyages..., 1784, engraved frontispiece portrait of James Cook (repaired), folding engraved general chart, 151 engraved maps, plates and charts only (of 155?), some spotting, tears and repairs, contemporary calf, upper cover detached, rubbed and scuffed, folio. Sold as a collection of plates, not subject to return. (1)
Scott (Sir Walter). Waverley Novels, 48 volumes, Edinburgh: Cadell & Company, 1829-1833, engraved frontispieces, engraved titles, scattered spotting, contemporary half calf, blind-stamped and gilt decorated spines, contrasting morocco labels, lightly rubbed, 12mo, together with The Life of Napoleon Buonaparte, Emperor of the French, 9 volumes, Edinburgh: Cadell & Co., 1827, marginal worming to volume one, some light spotting, contemporary half calf, blind-stamped and gilt decorated spines with green morocco labels, a little worn and scuffed, 8vo, plus Memoirs of the Life of Sir Walter Scott, 7 volumes, Edinburgh: Robert Cadell, 1832-1833, engraved portrait frontispiece, facsimile letter, some offsetting and scattered spotting, contemporary half calf, blind stamped decoration to spine, a little rubbed and slightly scuffed, 8vo (63)
Bacon (Francis, Viscount Verulam). Opera Omnia, Frankfurt, 1665, title printed in red and black with engraved vignette, Latin text in double-column, lacking portrait frontispiece, some underlining and marginalia, title with marginal repair, scattered spotting, recent mottled calf, folio, together with Stewart (Dugald), Elements of the Philosophy of the Human Mind, 3 vols., 1792-1827, half title to vol. I (lacking in vols. II & III), vol. II title laid down, a few other leaves with marginal repairs, some spotting and soiling, previous owner inscriptions to vol. I, modern tan calf-backed boards, 4to (4)
Bassi (Giulio). Dell Arimmetica Practica..., Libri VII, 1st ed., Piacenza, 1645, engraved additional title (with closed tear), engraved portrait (detached), one plate with woodcut geometrical illustrations, some waterstains and wormtracks, oval inkstamps, previous owner signatures, endpapers renewed with bookplate relaid, contemporary vellum, repaired with some soiling, folio, together with Disquisitio Mathematica in Caussam Physicam Figurae, et Magnitudinis Telluris Nostrae, by Paullus Frisius, Milan, 1751, half title, folding diagramatic tables, wood-engraved tailpieces, light waterstain, later calf-backed boards, 4to, plus Claude Dechales` Cursus seu Mundus Mathematicus, vols. I-III only (of 4), Lyon, 1690 (5)
Hobbes (Thomas). Elementa Philosophica de Cive.., [4th ed.], Amsterdam: Danielem Elzevirium, 1669, engraved title with 18th c. signature to lower blank margin, occasional underscoring to initial leaves of text, bound with Epistolica Dissertatio de Principiis justi et Decori, Continens Apologiam pro tractatu Hobbaei De cive [by L. van Velthuysen], Amsterdam: Ludovicum Elzevirium, 1651, woodcut printer`s device to title and repaired short closed tear to fore-edge margin, bound with Thomae Hobbes Angli Malmesburiensis Philosophi Vita..., Carolopoli [London]: Eleutherium Anglicum, 1681, engraved portrait frontispiece, some light toning, contemp full vellum, spine slightly soiled, later paper title label, 12mo. Willems 1406, 1126, & Wing H2268. (1)
Hobbes (Thomas). Tracts of Mr. Thomas Hobbs of Malmsbury, Containing I. Behemoth, The History of the Causes of the Civil Wars of England, from 1640 to 1660... , II. An Answer to Arch-Bishop Bramhall`s Book, Called the Catching of the Leviathan: Never Printed Before, III. An Historical Narration of Heresy and the Punishment Thereof: Corrected by the True Copy, IV. Philosophical Problems, Dedicated to the King in 1662, but Never Printed Before, 3 parts in 1, London: W. Crooke, 1682, engraved portrait frontispiece, repaired closed tear to upper outer corner of title, single worm hole to initial 130 pages, lacking first and last blanks, some dust soiling throughout and damp staining to last few leaves, modern full calf with morocco title label to spine, 8vo. Wing H2265. (1)
Huxley (Thomas Henry). Collected Essays, Macmillan and Co., 1893-1894, bookplates and blindstamps, original publisher`s cloth gilt, a little rubbed and frayed, small 8vo, together with Life and Letters of Thomas Henry Huxley, 2 vols., Macmillan and Co., 1900, black and white portrait frontispieces, black and white plates, original publisher`s cloth, a little rubbed and frayed, upper board of volume two creased, 8vo (11)

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