A late Georgian portrait miniature, circa 1830, watercolour on ivory, painted to depict a young girl wearing a white smock dress with blue bows, within an oval gilt metal foliate frame, length including surmount 6cm, total weight 22.6g, Ivory Act Exemption Certificate Number 4AMUTRM5Condition- Overall good condition- Miniature measures approximately 4.3 by 3.6cm- Miniature appears to be in good condition, with minor marks only- Glazing shows mostly small scratches and marks- Slight discolouration and tarnishing to reverse, in keeping with age- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
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283284 Los(e)/Seite
Studio of Andrew Plimer (1763-1837), a late Georgian portrait miniature, circa 1805, watercolour on ivory, painted to depict a young boy wearing a brown jacket with a cream shirt, within an oval gilt frame with vacant glazed reverse, length including surmount 7.2cm, total weight 29.7g, Ivory Act Exemption Certificate Number 5QU6BF1XCondition- Overall good condition- Miniature measures approximately 5.2 by 4.2cm- Miniature appears to be in good condition, with minor marks only- Glazing shows some scratches and marks- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A late Georgian portrait miniature, circa 1810, watercolour on ivory, painted to depict a young gentleman wearing a blue jacket and white shirt, within an oval gilt frame, with elaborate glazed hair work and split pearl reverse, length including surmount 8.3cm, total weight 49.2g, Ivory Act Exemption Certificate Number 9WFHPQGHCondition- Overall good condition- Miniature measures approximately 7.1 by 5.7cm- Miniature appears to be in good condition, with some marks and surface dirt, would probably benefit from professional cleaning- Glazing shows mostly small scratches and marks- Some pieces of the elaborate decoration to the reverse became loose under the glazing - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An early 19th century portrait miniature, signed Pasquier, dated 1823, watercolour on ivory, painted to depict a young girl in a white dress with pink sash, wearing corals, within an oval rose gold coloured frame, with vacant glazed reverse, jump ring stamped 9ct, length including surmount 10.7cm, total weight 70.9g, Ivory Act Exemption Certificate Number A4KHNHHECondition- Overall good condition- Miniature measures approximately 6.5 by 5.2cm- Miniature appears to be in good condition, with minor marks only- Glazing shows light scratches and marks only- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An early 19th century French portrait miniature, circa 1815, watercolour on ivory, painted to depict a young lady in a blue dress, within a gilt metal edged pink velvet frame, length including surmount 12cm, total weight 57.7g, Ivory Act Exemption Certificate Number RA4WQU97Condition- Overall good condition- Miniature measures approximately 6.5 by 5.3cm- Miniature appears to be in good condition, with minor marks only- Glazing shows light scratches and marks only- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A late Georgian portrait miniature, circa 1830, watercolour on card, painted to depict a young girl wearing a white dress and holding a rose, within an oval gilt metal frame, length 11.8cm, total weight 85.8gCondition- Overall good condition- Miniature measures approximately 10.5 by 8.5cm- Miniature appears to be in good condition, with minor marks only, very slight discolouration of the card to a few areas- Glazing shows light scratches and marks only- Frame has a few scratches and small dents to reverse- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A mid 19th century portrait miniature, circa 1855, watercolour on ivory, painted to depict a young girl holding a bunch of flowers, possibly Isabella Charlton (b. 1854) according to a label affixed to the reverse, within an oval ormolu frame, length including surmount 9.1cm, total weight 48.7g, Ivory Act Exemption Certificate Number ZN2H2S19Condition- Overall good to fair condition- Miniature measures approximately 7.4 by 6cm- Miniature appears to be in good condition, with minor marks only- Glazing shows mostly light scratches and marks only- Some wear and discolouration to reverse, some of the claws deficient, surmount later addition- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A late 19th century portrait miniature, circa 1895, watercolour on ivory, painted to depict a young lady in a white dress, within an oval white metal frame, length including surmount 9cm, total weight 38.3g, Ivory Act Exemption Certificate Number NZ1817T4Condition- Overall good to fair condition- Miniature measures approximately 7.8 by 5.9cm- Miniature appears to be in good to fair condition, with some marks and discolouration- Glazing shows some scratches, marks and a few nicks along the edge- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Evelyn Mason, an early 20th century portrait miniature, dated 1900, watercolour on ivory, painted to depict a young girl in a white smock dress, signed and dated centre right, within an oval gilt frame with glazed green guilloche enamel and hair work reverse, length including surmount 10.3cm, total weight 59.2g, Ivory Act Exemption Certificate Number EVDLE6S4Condition- Overall good condition- Miniature measures approximately 7.8 by 6cm- Miniature appears to be in good condition, with minor marks only- Miniature slightly loose within the frame- Glazing shows some scratches and marks throughout- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Mabel Lee Hankey (1867-1943), an Edwardian portrait miniature, circa 1905, watercolour on ivory, painted to depict a baby wearing a white dress with blue sash, within an oval gilt frame with vacant glazed reverse, length including surmount 9cm, total weight 63.3g, Ivory Act Exemption Certificate Number 4MRUVUHVCondition- Overall good condition- Miniature measures approximately 7 by 6cm- Miniature appears to be in good condition, with light marks only- Glazing shows light marks only- Some scratches and tarnishing to frame, in keeping with age, a few nails are protruding- Glazing to reverse has some deeper scratches - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Elsie M Mackrow Harvey R.M.S. (b. 1893), an Edwardian double sided portrait miniature, circa 1900, watercolour on ivory, painted to depict a young boy holding a toy pig and two young brothers, signed, within a 15ct gold oval glazed frame, stamped 15c, length including surmount 8cm, total weight 39.4g, Ivory Act Exemption Certificate Number 4SWELVDCCondition- Overall good condition- Miniatures measure approximately 5.2 by 4.2cm- Miniatures appear to be in good condition, with minor marks only- Glazings show some scratches and marks- Signature visible to both sides- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Annie Dixon (1817-1901), a portrait miniature, watercolour on ivory, believed to depict Greville John Massey Bagot-Chester in a blue jacket, signed to reverse, within a gilt oval frame with fitted leather case, length including surmount 13cm, total weight 157.8g, Ivory Act Exemption Certificate Number BTAWFKJ3 Note: examples of Annie Dixon's work can be found in the Victoria & Albert Museum and the National Portrait GalleryCondition- Overall good to fair condition- Miniature measures approximately 9 by 7.3cm- Miniature appears to be in good condition, ivory very slightly warped, with some foxing stains- Gilding evenly worn, discolouration and heavy tarnishing to side of frame- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A portrait of Yogini, India, Mughal or Deccan, circa 1730, opaque pigments on paper heightened with gold, the yogini standing in profile against a pale green ground holding a staff and peacock fan and dressed in pink robes with a dark green mantle, her hair tied up and with an orange scarf wrapped around her head, scattered flowers at her slippered feet, within a pink border decorated with gold flowers, on a blue probably Safavid album page decorated with gold lotus flowers and acanthus leaves and applied pink lobed cartouches, painting 14.8 x 7cm.; folio 29 x 18.6cm. Condition Report: Borders trimmed, glued down on mount
A female musician with garland of flowers, Garhwal, North India, mid-19th century, opaque pigments on paper heightened with gold, the oval portrait depicting the lady kneeling and wearing a purple sari and diaphanous scarf over her long hair, a large red bolster cushion behind her and two smaller rectangular cushions to her side, her stringed instrument rests on the yellow floral patterned floor spread, a single tree to the right frames the blue sky behind, 20 x 9.7cm. Condition Report: Borders trimmed to the border of the painting, glued down on paper, glued down on mount, light water staining
Portrait of a lady, Kishangarh, North India, early 19th century, opaque pigments on paper heightened with gold and silver, depicted in profile and reclining against a silver and floral bolster cushion, her arm raised, she rests her head against one hand, and smells a pink blossom, her clothes are heavily adorned with gold and she wears multiple strings of pearls and gems around her neck, her gold patterned turban is embellished with further jewels, a white marble wall is behind her with blue sky and green floor spread, within pink border with gold flowers, 14 x 10cm. The elongated head and stylized eye are typical of a figural type that emerged in the Kishangarh court in the late eighteenth centuryCondition Report: Borders trimmed; glued down on backing and glued down on mount
Portrait of a Lady and falcon, Oudh, North India, circa 1770, opaque pigments on paper heightened with gold, depicted standing on a grassy mound and wearing crimson jama and diaphanous skirt and shirt, with one arm outstretched and the bird perched upon her finger, she wears her long hair loose under a yellow and gold turban with feather, against a blue ground, within a narrow border of gold flowers on yellow ground, painting 10.8 x 7cm., with borders 13.7 x 9.7cm. Condition Report: Borders trimmed; glued down on mount
A portrait of a courtesan feeding birds, Kangra or Guler, North India, late 19th century, opaque pigments on paper heightened with gold; depicted seated and holding out one hand, wearing a lime green robe with darker green veil trimmed with gold, bejeweled and her feet and hands hennaed, 17.6 x 10.4cm. Provenance: Private collection, LondonCondition Report: Borders trimmed, glued down on card
Portrait of a courtesan, Lucknow, North India, circa 1770, opaque pigments heightened with gold on paper, depicted with her arms raised above her head and looking down, wearing lavish jewellery and wearing brightly coloured red and gold striped pyjama and diaphanous jama with gold stripes, seated on a floral patterned carpet and leaning against a patterned cushion, a darkening sky behind her, within a pink border, 13.5 x 8.3cm. Condition Report: Borders trimmed, glued down on card
Three portraits of the Mughal Emperor Aurangzeb (1658-1707), Mughal India, circa 1700, opaque pigments on paper heightened with gold, the top portrait of Aurangzeb as an older man with white beard and appearing in a window, the lower two portraits depicting the emperor standing on a green ground against a pale blue sky, one as a young man and the other as a middle-aged man with sword, shield, staff, and dagger, with note to the reverse stating the portraits were acquired at Christie's and had some overpainting which was removed by the vendor, mounted, glazed and framed together, portraits 10 x 6.5cm., 15 x 9cm. and 16.2 x 9.2cm.Provenance: The Estate of the late designer Anthony Powell (1935-2021); acquired at Christie's in the 1970s-80s.Powell won three Academy Awards, for Travels with My Aunt (1972), Death on the Nile (1978) and Tess (1979).Condition Report: With pigment losses and light staining to all three
Portrait of a prince on a terrace, Jaipur, Rajasthan, India, circa 1850, opaque pigments heightened with gold on paper, depicted standing on a brightly coloured orange floral carpet, with flowers and blue sky behind, wearing white and carrying a shield, sword and dagger, mounted, glazed and framed, painting 28 x 21.5cm.Provenance: The Estate of the late costume designer Anthony Powell (1935-2021). Powell won three Academy Awards, for Travels with My Aunt (1972), Death on the Nile (1978) and Tess (1979).Condition Report: Very good overall
The Sisodia Dynasty of Mewar, Udaipur, North India, 19th century, ink on paper heighted with opaque pigments, depicting the lineage of the rulers of Mewar in 21 oval portrait frames, each with identifying inscription above, 31.5 x 26.4cm. Provenance: Private collection, Germany formed in the late 1960s
A portrait of the Maharaja of Mewar and his family, India, circa 1800, opaque pigments heightened with applied gold, the ruler depicted seated on an elaborate gold throne with gold feline arm rests and legs, his son upon his lap, a female attendant offers the child a baby elephant while two female attendants stand behind with peacock feather fly whisks, a richly dressed courtesan kneels before him on a floral gold embroidered floorspread, on an olive green background with clouds in the sky, within outer red border, the reverse with 4 lines of black devanagari text, 25 x 35 cmProvenance: Private collection Germany acquired in India in the late 1960sCondition Report: Tears to borders, flaking to paint throughout,
To be Sold without ReserveA Mughal portrait of a bearded nobleman with bow and arrow, India,18th century, opaque pigments on paper heightened with gold, depicted standing, elaborately dressed in gold robes with floral detail, with orange turban and red trousers and sash, on a green ground, with pale green background and sunset in the sky above, 16.4 x 7cm.
To be Sold without ReserveA standing portrait of a Mughal nobleman, possibly Dara Shikoh, Provincial Mughal, 18th century, opaque pigments on paper heightened with gold, depicted haloed and wearing green robes with boteh design, a katar and tulwar tucked in to the embroidered gold sash at his waist, gold boots, a shield at his side, on a green landscape with setting sun behind, within a gold flecked border (trimmed), reverse plain, 20.5 x 13.6cm. Provenance: ex. Me Boigirard, Vente Drouot, 24 mars 1980, lot 31
To be Sold without ReserveA Mughal portrait of Emperor Aurangzeb (r. 1658-1707), India, 18th century, opaque pigments heightened with gold on paper, signed indistinctly lower left, depicted haloed, wearing pale yellow flowered robes, and gold trimmed lavender jama with red shoes, his left hand rests on his tulwar, his right holds a fine bejewelled feather fan, his face with slightly greying beard, on a pale green ground, within a border of scrolling flowers on a dark blue ground, outer trimmed gold floral border, 24.7 x 15.7cm.
A Group of Important Works - To be sold Without ReserveA Qajar enamelled and gilt-decorated portrait of a youth, Persia, 19th century, set in a silver open backed mount, the young man depicted three quarters bust length, wearing striped blue and red garments and hat, his face tilted slightly, the reverse blue and green enamel, attachment loop above, 7.8cm. high
![19th century watercolour portrait of a young man of some importance. Fitted within a gilt oval form frame. [35x29.5cm]](https://cdn.globalauctionplatform.com/639648c1-8f4f-44b4-997c-afeb00d527a6/2ad54cb5-e89f-4957-a91b-afeb012af94c/468x382.jpg)
English school, early 19th century, Sir William Harvey portrait, unsigned, oil on canvas laid onto board, label verso " Portrait of Sir William Harvey, Blood Specialist, Born 1578- Died 1657" 40 x 30cm.Harvey was an English physician who made influential contributions in anatomy and physiology. He was the first known physician to describe completely, and in detail, the systemic circulation and properties of blood being pumped to the brain and the rest of the body by the heart.
§ Wendy Ramshaw C.B.E. R.D.I. (British 1939-2018) Twelve Hair Ornaments, 1989 silver, yellow metal, paper and gold leaf, from Ornaments for Woman With The Hair Net from the Picasso Series, ten hallmarked for London and stamped 925Dimensions:the largest 9cm wideProvenance:ProvenanceThe artist, where acquired from by the present owner circa 2006.Private Collection, UK.Note: LiteraturePicasso's Ladies: Jewellery by Wendy Ramshaw, Arnoldsche Art Publishers, 1998, cat. no. 9, seven of the hair ornaments illustrated. Ramshaw's inspiration for the hair ornaments was taken from Picasso's Woman with the Hair Net lithograph (1949-56) that depicts the young painter, Francoise Gilot, who Picasso met in April 1943. Ramshaw noted 'Soon after this meeting, her features appear in several drawings. This lithograph was made in 1949 in the same year their daughter, Paloma, was born. The portrait shows a beautiful pale face, large eyes and, to either side of the head, dark loops of hair clearly contained within a hair net'. In the publication Picasso Ladies it states that 12 works were made, but two of the works illustrated are not in this selection. It is likely that Ramshaw would have made more individual elements than would be required for her to make a final selection or further elements might have had to be made because of damage or further refinement of the composition over time (especially given that the full collection would have been exhibited on three separate occasions in London, New York and Germany). This might account for this anomaly with the work illustrated in the literature.
Postcards; Bamforth's Seaside Humour, photographic, portrait, sentimental, topographical, oilette, Megill early XX Century photographic of Spring Gardens Carlsheaton, Aire Street Knottingley, the Butts Avenue Norton, Lees Hall Road, Thornhill Cres. St Peg Mill, Cleckheaton, Whitsuntide procession, Heckmondwike 1913, etc. A Large Quantity.:- One Box
Bing Crosby typed letter 1948 regarding Emperor Waltz with Joan Fontaine and 10 x 8 unsigned sepia portrait photo. Note letter has blue STAMPED signature, on his personal stationary. With original mailing envelope. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Ian Phenna (British b. 1967)Mirrored2011Oil and spray paint on canvasSigned, titled and dated to the verso91 x 123 cm (36" x 48")Ian Phenna is a portrait artist from Liverpool, England. After travelling and painting around the world, he has exhibited on streets and in galleries across the UK, Europe and Sydney and has work in private collections worldwide. Phenna's ability to migrate between different mediums is his real talent. With a love of street art gained from his early days, Ian has always had incredible skills with a brush or a spray can in his hand and originally started by daubing paint on walls. Known mostly for his portrait and figurative work, he brings significant elements of street style to his contemporary based approach. Ian has for years produced thoughtful and provocative work via a variety of mediums, he now creates paintings, drawings and mixed media artworks if not painting on the street.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Ruskin Spear CBE RA'After Hanging'Printed 1990, Published 1990Lithograph on Bockingford paperSigned & titled in pencilNumbered 1/150 - 150/150 AP 1/XV - AP XV/XVImage size 77.5 x 60cm (30" x 23.5")Paper size 84 x 66.5cmPublished by Art Image Ltd. With certificate of Authenticity. Born in Hammersmith, Spear attended the local art school before going on to the Royal College of Art in 1930. He began his teaching career at Croydon School of Art, going on to teach at the Royal College of Art from 1948 to 1975.Initially influenced by Sickert and the Camden Town Group, and the portraiture of the Euston Road School, his work often has a narrative quality, with elements of humour and gentle satire. Because he used a wheelchair due to childhood polio, much of his work focused on his immediate surroundings. He rendered the citizens of Hammersmith relaxing in and around the local pubs, theatres and shops. A retrospective of Spear’s work was held at the Royal Academy in 1980. His work is represented in the Tate Gallery Collection. A large number of Spear’s paintings are held in important public collecions, including the Government Art Collection, Arts Council England, National Portrait Gallery, Imperial War Museum and the Royal Academy of Arts.He was appointed a Commander of the Order of the British Empire (CBE) in 1979.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Danny O'Connor (British, b. 1981)Exhaustion2008Mixed media on canvas Signed in black pen to the verso and initialled in white to the front101 x 76 cm (40" x 30")Danny O’Connor is an artist based in Liverpool, he graduated from Liverpool John Moores Art School where he studied graphic arts. Predominately a figurative and portrait artist who has a strong graphic element in his work. His expressive mixed media works incorporate; acrylics, spray paint, ink, paint markers and household gloss and emulsions. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Anton Wierix, Portrait of Philip Willem, Prince of Orange, / Description: Portrait of Philip Willem, Prince of Orange, engraving made by Anton Wierix (1555-1604) ca 1586-1604. References: Hollstein Dutch 2141, Van Someren 836. In excellent condition. Very good dark strong early impression printed on thin laid paper, on the margins. Collectors mark: not known by lugt. / Dimensions: 5,6 cm x 7,8 cm / Condition: In excellent condition. Very good dark strong early impression printed on thin laid paper, on the margins. Hollstein Dutch 2141, Van Someren 836 / Medium: engraving /Circa: 1586-1604
Johannes Wierix (1549-1620) - William I Prince of Orange, Count of Nassau / Description: This delicately refined engraving in a rare first state depicts the portrait of William I, Prince of Orange, Count of Nassau (Dillenburg 1533 - Delft 1584). He was the main leader of the Dutch Revolt against the Spanish Habsburgs that set off the Eighty Years' War (1568–1648) and resulted in the formal independence of the United Provinces in 1648. He was assassinated at the Prinsenhof on 10 July 1584 by the Burgundian Catholic Balthasar Gérard, subject and supporter of Philip II, who regarded William of Orange as a threat to his king and to the Catholic faith. This print is striking in its depiction of the intricate lace and minutiae on his armour. On the ruler's neck we recognize the chain of the Order of the Golden Fleece. Rare in this first state of five before title, cartouche and all later additions. / Dimensions: 19,40 x 13,80 cm - oval 9,50 x 7,40 cm / Condition: Very good early impression of the first state with all detail. On a full sheet of dense laid paper with the plate borders of the square plate and small margins at three sides, narrow just inside plate border at the bottom. Slight paler printed area on the breastplate of the armour. Mauquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (1899- I/V) First State ——- Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (1995) / Medium: Engraving /Circa: 1600
Hieronymus Wierix, Portrait of Alexander Farnese / Description: Portrait of Alexander Farnese, engraving made by Hieronymus Wierix (1553-1619) ca 1586-1596. References: Hollstein Dutch 2131-1(3), first state of three. In excellent condition. Very good dark strong early impression printed on thin laid paper, with 4-5 mm margins. / Dimensions: 7,1 cm x 5,9 cm / Condition: In excellent condition. Very good dark strong early impression printed on thin laid paper, with 4-5 mm margins. Hollstein Dutch 2131-1(3), first state of three / Medium: engraving /Circa: 1586-1596
Portrait of emperor Maximilian II , Eduard van Hoeswinckel / Description: Portrait of emperor Maximilian II, published in Antwerp by Eduard Van Hoeswinckel ca 1570-1583. In good condition. Good dark impression on laid paper on the margins. Rare portrait. / Dimensions: 18,2 cm x 11,5 cm / Condition: In good condition. Good dark impression on laid paper on the margins. Rare portrait / Medium: engraving /Circa: 1570-1583
Anton Wierix, Portrait of Philippus III King of Spain, Duc of Brabant / Description: Portrait of Philippus III King of Spain, Duc of Brabant. Very rare engraving made by Anton Wierix (1555-1604). he engraving is perforated at the top with very small needle pricks in the Renaissance scroll work. To transfer the engraving to a painting or drawing. Important Collectors mark L151: Alfred Morrison (1821-1897). Very good watermark: Antwerp hand. In excellent condition. Very good dark strong early impression on thin laid paper on the margins complete. In the middle printers crease nearly visible, not disturbing. Very rare with the very thin perforations of a needle for a transfer. The proof that engravings were used in painters ateliers. / Dimensions: 21,6 cm x 15,7 cm / Condition: The engraving is perforated at the top with very small needle pricks in the Renaissance scroll work. To transfer the engraving to a painting or drawing. In the middle right printers crease nearly visible. Very good watermark: Antwerp hand. In excellent condition. Very good dark strong early impression on thin laid paper on the margins complete. Very rare with the very thin perforations of a needle for a transfer. The proof that engravings were used in painters ateliers. / Medium: engraving /Circa: 1570-1604
Jacob Matham (1571-1631) - Maurits, Prince of Orange / Description: Portrait of Maurits, Prince of Orange, bust to left, wearing armour and a sash in a decorated surround surmounted by allegorical winged figures (Faith and Fortitude) with military trappings below. c.1608 Engraving made by Jacob Matham. This portrait is after the painting by the studio of Michiel van Mierevelt in the Rijksmuseum, Amsterdam, inv. nos. SK-A-2731. / Dimensions: 22,50 x 16,10 cm / Condition: Silvery impression tipped with borders on a support sheet. No tekst on the backside. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (246) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (389) --- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (123) / Medium: Engraving /Circa: 1608
Hans Holbein II, Pieter van der Gunst, Portrait of Desiderius Erasmus / Description: Large portrait of Desiderius Erasmus (1466-1536), engraving after a painting of Hans Holbein II (1497-1543), engraving made by Pieter van der Gunst (1659-1731) with the help of the drawing of Abraham van der Eyck. Published in Amsterdam by Pieter Van der AA ca 1659-1731. References: collection Rijksmuseum 2(2). Good impression on laid paper with narrow margins. A small restored tear at the left, not visible. / Dimensions: 40,7 cm x 29,8 cm / Condition: Good impression on laid paper with narrow margins. A small restored tear at the left, not visible. collection Rijksmuseum 2(2). / Medium: engraving /Circa: 1659-1731
Lucas Vorsterman I (1595-1675), Self-portrait of Anthony van Dyck / Description: Portrait of Anthony van Dyck, half-length turned away but looking over his right shoulder towards the viewer, wearing a large lace collar, doublet with buttoned shoulders, cloak, and chain, his left hand holding the cloak at the level of his right shoulder, sixth state with initials of Gillis Hendricx burnished; after Anthony van Dyck's self-portrait / Dimensions: 24,50 x 15,50 cm / Condition: Good impression on fools head watermarked laid paper trimmed on/just inside plate border, narrow at bottom with signature of Vorsterman partly cut of. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (59.VI) -- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (152) -- Mauquoy-Hendrickx 1991 / L'Iconographie d'Antoine Van Dyck, Catalogue raisonné (79.VI) / Medium: Engraving /Circa: 1630-1645
Anthony van Dyck, Cornelis Galle, Portrait of Artus Wolfart / Description: From Icones Principum Virorum, after Anthony van Dyck who prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. Portrait of the Antwerp painter Artus Wolfaert, half-length turned to right but looking towards the viewer, with short hair, a moustache and beard, wearing a layered ruff and buttoned coat, his right hand holding up the coat at the level of his stomach; seventh state with initials of Gillis Hendricx. / Dimensions: 24,80 x 17,00 cm / Condition: A very fine impression on watermarked laid paper with the guide lines for the text still visible. Watermarked laid paper. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (103. VIII /IX) ----- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (283) ---- Mauquoy-Hendrickx 1991 / L'Iconographie d'Antoine Van Dyck, Catalogue raisonné (27VII / VIII) ---- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (6226) / Medium: Engraving /Circa: 1630-1645
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