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Preisdatenbank abonnierenHarold H. Jones (possibly) FRSA (British 1904-1992) oil on board, portrait of a Mavis Rogerson, bearing signature lower left, within a fluted stained wood frame 49.5cm x 39.5cm & 58.5cm x 48.5cm overall. Mavis Rogerson was an actress and played Edna Gee in Coronation Street 1971-1975. The ribbon worn in the painting appears to be attached within a plastic bag verso.
CLIVE BARKER (BRITISH B.1940) ⊕ PORTRAIT OF SIR ANTHONY CAROsigned and dated Clive Barker 86 lower right; inscribed Tony Caro lower leftoil pastel and pencil on paper56 x 38cm; 22 x 15in73 x 53.5cm; 28 3/4 x 21in (framed)ProvenanceAcquired from the artist by the present owner circa 2010 ExhibitedLondon, National Portrait Gallery, Clive Barker Portraits, 1987, no. 15Sculptor Anthony Caro (1924-2013) studied at the Royal Academy Schools, London, and then as assistant to Henry Moore at his studio in Much Hadham, Hertfordshire. His breakthrough came in 1963 when his work was exhibited to great acclaim at the Whitechapel Art Gallery where he showed large scale brightly painted abstract works which, in a radical dispensing of the plinth, stood directly on the ground. He explored a wide range of media in his work, and taught at St Martins School of Art from 1953-1981.
DAVID REMFRY RA (BRITISH B.1942) ⊕ CARNIVAL TRIOsigned and dated David Remfry 1989 lower right; annotated Diane's B...upper leftgouache and watercolour on paper59 x 69.5cm; 23 1/4 x 27 1/2in82 x 95.5cm; 32 1/4 x 37 1/2in (framed)Property from a London Collection Provenance Mercury Gallery, LondonAcquired by the present owner in the late 1990sBorn in Worthing on the Sussex coast, Remfry is best known for his large-scale figurative watercolours such as the present work, his New York landscapes, and portraits of residents and friends made while living in Hotel Chelsea in Manhattan from 1995-2016. Remfry studied at the Hull College of Art 1959-1964 and held his first solo exhibition in London in 1973. His first show in the USA was at the Ankrum Gallery in Los Angeles, California in 1980. In 2002 he had a solo exhibition at MoMA PS1 Contemporary Center, Queens on Long Island. In the UK his work has been shown at the Fitzwilliam Museum, Cambridge; the Ferens Art Gallery, Hull; the National Portrait Gallery and the Victoria and Albert Museum, London. Other projects include designs for the launch of Stella McCartney’s fashion house, watercolours for Fortnum & Mason in London, and a portrait of Sir John Gielgud for the National Portrait Gallery. Remfry was elected to the Royal Watercolour Society in 1987. He was awarded an MBE in 2001 for his commitment to British Art in America. In 2008 he was elected a Member of the Royal Academy. This work is in a mount and hinged across top edge. It is also in an unglazed framed. Examined under UV, no signs of restoration.
GILES HUSSEY (BRITISH 1710-1788) PORTRAIT OF THE HON. JULIANA ARUNDEL IN PROFILE FACING LEFT, WEARING A DRESS WITH BODICE AND SASH TIED IN A BOW AND FRILLED CAP signed and dated G. Hussey 1746 lower rightpencil on laid paper21.5 x 13.5cm; 8 1/2 x 5 1/2in42 x 32cm; 16 1/2 x 12 3/4in (framed)offered for sale without reserve
ENGLISH SCHOOL (19TH CENTURY) PORTRAIT OF A CHILD WITH A DOGoil on canvas90 x 75cm; 35 1/2in x 29 1/2in104 x 90cm; 41 x 35 1/2in (framed)Property from a Private Collector, East SussexNot examined out of frame. Canvas has been relined. Some retouching apparent under ultraviolet light throughout, most noticeably to the right sky, to the child's hand, and to the outer edges. This work is in good condition.
GERMAN SCHOOL (17TH CENTURY) PORTRAIT OF LUDWIG ALEXANDER VON REDWITZinscribed with the identity of the sitter and dated 1683 upper rightoil on canvas84 x 67cm; 33 x 26 1/2in104 x 90cm; 41 x 35 1/2in (framed)Property of a Private CollectorProvenancePurchased by the husband of the present owner in the 1980s offered for sale without reserve
ENGLISH SCHOOL (19TH CENTURY) PORTRAIT OF A MAN, TRADITIONALLY IDENTIFIED AS JOHN PADBURY oil on canvas76.2 x 63.5 cm; 30 x 25in99.5 x 87.5 cm; 39 x 34 1/2in (framed)Offered together with a silver medal awarded by the Duke of Norfolk in 1813 to John Padbury, who was a carriage maker from Speenhamland, Berkshire. The medal was earned for the invention of the carriage-wheel guard which retains the wheel safely on the axis to prevent the linch-pin coming out.offered for sale without reserve The canvas is not relined. There is a small puncture to the canvas in the lower right part of the waistcoat. And a small paint loss in the lower left corner. There is no retouching evident under ultra-violet light, but there is a fine web of craquelure evident on close examination in the dark background around the figure. The painting would benefit from being cleaned.
AFTER GIACOMO ANTONIO MELCHIORRE CERUTI (ITALIAN 1698-1767) PORTRAIT OF A LADY SPINNINGoil on canvas128 x 92cm; 50 1/2 x 36 1/4in 145 x 109cm; 57 X 42 3/4in (framed)Property from a Private Collection, North LondonProvenanceAcquired by the parents of the present owner in the late 1960soffered for sale without reserve
ARCHIBALD ROSS-THOMAS (BRITISH 1904-1974) AND AFTER PIERRE EUGENE CLAIRIN (FRENCH 1897-1980) ⊕ PRINTS OF NORTHERN IRAQnumbered individually B1-14 lower centre (i)each lithograph on papereach 29.5 x 22.5cm; 11 3/4 x 9inoffered together with a lithograph by Pierre Eugene Clarin (French 1897-1980) Family Portrait, numbered 50/500 all unframed(15)Property from a Private Collector, Londonoffered for sale without reserve
JOHANN FRIEDRICH BAUSE (GERMAN 1738-1814) PORTRAIT OF JOHANN JOACHIM WINCKELMANN (1776)engraving on laid paper30 x 23cm; 11 3/4 x 9in (sheet)Meyer, vol. 3, p. 164, no. 205; Apell, p. 45, no. 78 third (final) stateunframed ProvenanceCharles M. Lea, Philadelphia (Lugt 1662a)Philadelphia Museum of Art (de-accessioned in 2017)Bause's print is based on the portrait painted by Anton von Maron (1733-1808) in Rome in 1768.offered for sale without reserve
A CHINESE POLITICAL POSTER PORTRAIT OF ZHOU ENLAI Published in 1976 by Ren min mei shu chu ban she, Zhou Enlai was the first Premier of the People's Republic of China, framed 72 x 53cm Condition Information: Minor toning to lower margin Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CHINESE POLITICAL POSTER PORTRAIT OF MAO ZEDONG Dated 1965 and inscribed to lower right, framed 72 x 53cm Condition Information: Has some minor toning Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Late 19th/early 20th century German Hanau silver basket, modelled in George II style, of shaped openwork lattice form with twin handles, the body decorated with two portrait roundels and husk and ribbon swags, upon four scroll feet, with unattributed pseudo Hanau marks, and hallmarked John George Piddington, London import 1901, including handles H7cm W15cmCondition Report: Approximate weight 146.5 grams (4.71 ozt)
Early 20th century Minton porcelain twin handled pedestal cup, decorated with two reserve painted with birds against a blue ground, upon a square plinth painted with pink roses, the whole heighted with gilt, with puce printed mark beneath, H11.5cm, together with an early 20th century Minton twin handled vase, of ovoid form decorated with two painted portrait medallions, surrounded by gilt foliate scrolls, upon a blue ground, the neck painted with a band of pink roses, with gilt printed mark beneath, H11.5cm, and an early 20th century Minton twin handled pedestal vase and cover, painted with pink rose and vine swags upon a white ground, with puce printed mark beneath, H18.5cm, (3)
20th century- 8-day cloisonne styled rotunda clock, with six decorative enamel pillars and floral decoration to the base and top, visible pendulum with a portrait depiction of a young lady, four inch enamel dial with Roman numerals, minute markers and trefoil steel hands, twin train spring driven rack striking movement sounding the hours and half hours on a coiled gong. Dimensions: Height: 50cm Depth/Diameter: 25cm
A portrait miniature of a professional gentleman in a "physical" wig, attributed to George Place. With a dealers label reading: "George Place (d. 1805) portrait of a professional gentleman in a "physical" wig. £600. Dublin born and trained, Place moved to London in about 1791. He also worked in York before travelling to work in India". Please note there is some mold damage to the portrait. Ivory Certificate: JJMGUKKP
A portrait miniature of a young man, identified as Midshipman Richard Thorold, by Mary Ann Knight, in a gilded and glazed frame. With a dealer label from Wigs on the Green of York, which reads thus: "Mary Ann Knight (1776-1851), portrait of a midshipman, Richard Thorold, wearing a blue coat with a standing collar, white waistcoat and black stock. The Thorolds were a Lincolnshire family of great antiquity. Richard (1789-1864) was the eldest son of Rev. William Thorold and his first wife Frances. He married heiress Frances Tunnard and served as High Sheriff of Lincolnshire. £2,250. Mary Ann Knight took up painting to help with the family finances. She was a pupil of Andrew Plimer who later married her sister Joanna Louisa. She exhibited at at the RA 1803-1836. Her work is always described as resembling that of her teacher and brother-in-law. The Thorolds are listed in the artist's account book as having sat for their portraits in 1804, at a cost of £3 3/- for each miniature." Ivory Certificate: GV5Z2NBK
A portrait miniature on ivory of a gentleman in a red jacket, attributed to Edward Burch c 1790. The gentleman wears a red jacket with a green collar and a white stock. In a glazed and yellow metal frame (surface testing as 14ct) with a lock of hair to a glazed compartment on the verso, with a blue guilloche enamel surround. Ivory Certificate: 4PS6YV8K
A coin set gentlemen’s signet rings, featuring the Arnold Machin portrait of Queen Elizabeth II and “Isle of Man”. The coin appears to be a Pobjoy mint Manx half sovereign but this cannot be verified due to the setting. The mount is stamped “9ct” and tests accordingly. The surface of the coin tests as 22 ct gold. Size T. Gross approximate weight: 13.6 grams.
A portrait miniature of an infantry officer, identified as Brooks Bennett. The officer is wearing a red coat with a silver gorget, white cross band with regimental badge and gold tasselled epaulettes. In a glazed gilded case with a woven lock of hair to the verso with the initials "BB" picked out in seed pearls and beads. With a sales receipt from Cynthia Walmsley Ltd for purchase for the sum of £976 in 2016. Ivory Certificate: ZM8QFPRE
An early 19th century portrait miniature of a gentleman. In an ornate gilded, glazed mount, with an opalescent scalloped glass panel to the verso adorned with a hair flourish held together with a seed pearl and bead band. With a dealer label reading: "English School, a strongly modelled portrait of a gentleman wearing a black coat, white waistcoat and frilled chemise; ornate hairwork on opalescent glass reverse, circa 1815. £900." With a receipt from Wigs on the Green, dated 19/11/2015 for sale at £720. Ivory Certificate: 3HECBTNZ
2 large Framed Sir William Russell Flint signed prints (1880-1969 ) Signed lower right, watermark lower left Portrait print is of a sea side scene, with a lighthouse in the background Inside mount measures:- 31cm x 27cm The Landscape print is of a Romanesque household Inside mount measures:- 29cm x 36cm Both in good condition View all pictures
An early 19th century portrait miniature of an officer of the Coldstream Guards in a glazed and gilded frame. The officer wears a scarlet jacket with blue facings and fringed gold epaulettes and white crossbelt with badge. With a woven hair locket to the verso. With a purchase receipt for £1,900 and a dealer label priced at £2,650. Ivory Certificate: 2U25EG77
A pair of miniature silhouettes, both signed by the artist and painted on the glass of a lady and gentleman in 18th century dress in black on an enamel tile and framed in a glazed black frame. With a collectors label identifying them as being the work of T. Rider. Each portrait measures approximately 9cm by 6.5cm, the frames approximately 15cm by 13cm. The label, to the verso of the gentleman, reads: “LIKENESSE Taken in Miniature, profile and finished in a rich and elegant Stile on enamel, also on Glafs with a Gold Ground, in a Manner entirely new. Coats of Arms, Crefts, Cyphers, Writing, or any Device, wrought in gold on glafs. “*indecipherable*… having Likenefles in Shade of their deceafed Friends, *indecipherable*have them reduced *indecipherable* copied and emblematically reprefented in a curious manner. Large shades reduced within the Compass to be worn in a *indecipherable*, Pin, locket or Bracelet, on Enamel, Ivory or Paper, and the Likeness carefully *indescipherable*,and dreffed in the prefent tafte by T. RIDER, Profilest No, 8, Charles Stret, Coren Garden. “NB He preferves the original Shades, and can fúpply thofe *indecipherable* has once taken with any number of profiles, and have them carefully conveyed either by letter or packet to any part of England or elfewhere.”- Condition report: In overall good condition, although there is limited crazing to the edge of the left hand side of the gentleman's portrait. Some abrasions to each frame.
A portrait miniature of Major General John Murray Belshes, in the uniform of the 3rd Prince of Wales's Dragoon Guards. In a gilt and glazed frame, with name plate reading "GenL Belshes". By Nathaniel Plimer. With a plaited glazed hair panel surrounded by a deep guilloche enamel frame in royal blue. Accompanied by a purchase receipt from Wigs on the Green for a sale of £1,900. Together with a dealer note reading: "Nathaniel Plimer (1757-1822), portrait of John Murray Belshes in the uniform of the 3rd Prince of Wales's Dragoon Guards. John Murray Belshes (1782-1863) was the second son of Col. John Belsches [Sic] of Invermay and heiress Mary Murray. He served in the Peninsula War and rose to the rank of Major-General in 1855. Described as a "stately, pompous but very gentlemanly man", Major Belsches was instrumental in attaining royal patronage for St Andrews Golf Club. Provenance; Invermay House by family descent. £2,400. Nathan Plimer was the eldest son of a Shropshire clockmaker, a trade he and his brother were expected to assume to. Instead the two brothers chose to run away, reaching London in 1781 where Nathaniel worked for enamellist Henry Bone and took lessons with Cosway. He exhibited at the RA 1787-1815. Only his very early work was signed. Ivory Certificate: A9UXG2ET
A portrait miniature of a gentleman, in a gilded and glazed mount, with a locket of hair on an opalescent panel to the verso. With a dealer note that reads: "English School, portrait of a gentleman wearing a blue coat with a velvet collar, and a white stock, circa 1820; a lock of brown hair with seed pearls on the reverse." Ivory Certificate: QD14Y58K
A portrait miniature of a young boy in a blue coat, cream waistcoat and white stock. On ivory, in a glazed and rose-yellow metal mount, with a glazed plaited hair panel, bearing the initals JL, and framed with a dark blue guilloche enamel ground. The frame surface tests as 9ct gold. English school. Ivory Certificate: EYRCPQJG
A portrait miniature of a lady in a white dress with ropes of pearls in her hair, in a rose-yellow metal frame, by Charles Jagger. The portrait is signed "Jagger". Woven locket of brown hair to the verso. Accompanied by purchase receipt for Wigs on the Green, from 2017 for £1,300 and a dealer notice reading as follows: "Charles Jagger (c.1770-1827), portrait of a lady in a white dress and pearl necklace, ropes of pearls in her curled hair, signed. £1,600. Jagger mainly worked in Bath. His miniatures are critically well acclaimed." As found due to missing glass. Ivory Certificate: EJX8WBT3
A late 18th portrait miniature of a gentleman, initialled for artist Charles Bestland. The gentleman wears a blue coat with a red collar and white stock and appears before a red curtain drawing back to reveal a landscape. Signed CB '96. (1796) by Charles Bestland (1763-1837). In a glazed yellow metal frame, surface testing as 14ct gold, with an inscribed paper to the verso reading: "Painted by C Bestland 1796, West End." Ivory Certificate: 6C8P74KK
A late 18th century portrait miniature on ivory of a gentleman in a Staff officer's red coat with royal blue facings and gold epaulettes. Signed Arnold, believed to be for Reginald Edward Arnold. In a closed back yellow metal case with fob bale. Metal surface tests as high carat gold. Measurements approximately 8cm by 5cms. Gross weight approximately 33.20 grams. With purchase receipt from Wigs on the Green, York for £1,000. Ivory certificate: Q5YSK4WM
A late 18th century portrait miniature of a woman with powdered natural curls dressed in a pink and white gown. In a gilt glazed frame. Labelled to the verso as follows: "Mary Ann Knight 1776-1861 Sister in law of Andrew Plimer in the collection of Ernest Salaman, Esq. With a dealer's price tag reading: "English School, portrait of a lady with long powdered curls wearing a white cross over gown trimmed with pink, circa 1790. £850." and a receipt detailing the purchase of a similarly described miniature from Wigs on the Green, York, in 2011. Ivory Certificate: EBVRQ5HF
A portrait miniature of Arthur Wellesley, the first Duke of Wellington, in his military uniform in a yellow metal frame. With a dealer notice reading: "Circle of William Grimaldi, portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852) showing him at the time of the Napoleonic Wars. £1,600. William Grimaldi (1751-1830) was descended from the family of Grimaldi of Genoa, the Merovingian Kings of France and the Princes of Monaco. He was therefore well placed to be appointed Miniature Painter to the Duke of York and George IV. He was trained by his uncle and worked for several years in Paris, exhibiting regularly in London." Ivory Certificate: AFK7DZ9X
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