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283284 Los(e)/Seite
Folio Society, a collection of volumes, each housed in slipcase, to include James, T.G.H.: Egypt Revealed, Runyon, Damon: Dream Street, Joyce, James: A Portrait Of The Artist As A Young Man, Stewart, Charles W (Illus): Ghost Stories, Eliot, George: Middlemarch, Wodehouse, P.G.: Leave It To Psmith and Short Stories, Orwell, George: Animal Farm, Wells, H.G.: Short Stories and Chesterton, G.K.: Father Brown Stories etc. (24)
Two yellow metal mounted and painted porcelain portrait brooches, one featuring a classical lady within a scalloped border, 48 x 37mm, the other depicting a child with an apple with a scalloped border, 48 x 35mm, gross weight 17.7g, neither hallmarked but stamped and tested as 18ct goldPainting of woman has several scratches.
A set of three Vienna porcelain tea cups and two saucers, 19th century, the cups decorated with a portrait of Marie Antoinette, Madame Le Brum and H A Heppburg, underglaze blue beehive mark to the underside, saucers dia.13.5cm (5)Turquoise cup – chip to footrim, grubby to interior.Yellow Brum cup – grubby to interior.All with minor age/handling wear.
Folio Society, a collection of volumes all housed in slip-cases to include Williams, Dr Ann & Martin, Professor G.H. (ed): Domesday Book vols I-III, Martin, Gregory (introd): Canaletto, Toulouse-Lautrec, Henri: Paris Album, Thorpe, Lewis (trans): The Bayeux Tapestry And The Norman Invasion, Troutman, Philip (introd): Francisco Goya Paintings, Drawings And Prints, Thirlwell, Angela (introd): The Pre-Raphaelites & Their World, Hudson, Roger (comp): The Jubilee Years & London Portrait Of A City, Grigson, Geoffrey: The Englishman's Flora and Edward Gibbons Atlas Of The World etc. (20)
A half-length portrait miniature of the Countess of Mornington, 19th century, watercolour on ivory, 9 x 7cm, housed in a brass frame, together with a Dutch miniature coastal landscape, after Allaert van Everdingen, oil on card, dia.7.5cm, a print of the Thames tunnel, dia.8cm, and a pair of plaster profile portraits, 19th century, largest h.6.5cm (5)Ivory submission ref (portrait): 9WNH4B2D Thames Tunnel example appears to be a print on papier-mâché.
An Edwardian porcelain scent bottle, of flattened heart shape with a silver screw cap, A Bromet & Co, Birmingham, 1902, h.6cm, together with one other porcelain scent bottle with lustre glaze printed with a portrait of a maiden, having a gilt metal hinged cover and inner glass stopper, h.5.5cm. (2)
Keil, Peter Robert (geboren 1942) "Junge aus New York", Öl/Acryl auf Leinwand, 1963.Portrait eines Jungen mit schwarzer Hautfarbe, mit Zigarre im Mund. Vermutlich eine Hommage an den New Yorker Bezirk Harlem, was als eines der Hauptzentren afroamerikanischer Kultur in den USA gilt. Rückseitig signiert, bezeichnet, sowie verortet "Berlin".Dicker, pastoser Farbauftrag, an einigen Stellen Craquelé.Leinwand 60 x 40 cm, gerahmt in schlichtem Rahmen 70 x 50 cm.
PORTRÄTIST AUS DER MITTE DES XIX JAHRHUNDERTS "Repräsentatives Porträt einer vornehmen Dame mit Saphirschmuck" Öl auf Leinwand, HxB: 73/56 cm. Rest. und doubl. Rahmen, HxB: 90/72 cm. | PORTRAITIST FROM THE MIDDLE OF THE XIX CENTURY ‘Representative portrait of a distinguished lady with sapphire jewellery’Oil on canvas, hxw: 73/56 cm. Rest. and doubl. Frame, hxw: 90/72 cm.
DEUTSCHER PORTRÄTMALER DES BIEDERMEIER "Hüftbildnis eines am Stuhl angelehnten Herrn in schwarzer Jacke" 1820-1830 Öl auf Leinwand, Verso, verschiedene Details zu früheren Restaurierungen des Gemäldes und persönliche Angaben zum Dargestellten, HxB: 68/61 cm. Rest. und teilw. doubliert, im Bereich des Gesichts ein Kratzer im Firnes. Rahmen, HxB: 87/80 cm. | GERMAN PORTRAIT PAINTER DES BIEDERMEIER ‘Hip portrait of a gentleman in a black jacket leaning against a chair’ 1820-1830Oil on canvas, verso, various details of earlier restorations of the painting and personal details of the sitter, HxW: 68/61 cm. Rest. and partially relined, a scratch in the firn in the area of the face. Frame, hxw: 87/80 cm.
A George III silver Old English Pattern table spoon - London 1787, maker's mark indistinct, 52.5g; together with a set of six military-interest Birks EPNS tea spoons, each with a cast portrait of a General or other military leader, the stems inscribed 'The Navy'; 'South Africa'; 'Russia'; 'France; 'The Army'; and 'India', 15cm long. (7)
D B (British, early 20th century) Two hand-painted Christmas cards, one depicting a bandaged Jack Russell terrier, inscribed 'A Merry Xmas', the other a profile portrait of a Rough Collie dog, inscribed 'Xmas 09' oil on board, both signed with initials 'DB' lower right (one indistinctly) 6½ x 4½ in (16.5 x 11.4 cm), swept gilt frames * The Jack Russell with a bandaged eye and front leg is a copy of a well-known photographic postcard by Raphael Tuck & Sons from the early 20th century
Attributed to Alfred Wheeler (British, 1852-1932) Portrait of an English Bulldog, wearing a red collar oil on board, unsigned 9 1/8 x 7½ in (23.2 x 19 cm), gilt and composition frame (34.5 x 30.25 cm) * Surface dirt and nicotine staining to surface of the paint - would respond well to cleaning. Paint flakes to very top edge of upper margin at left corner. Appears to be very original, with no retouches or restoration visible under UV. Losses to beaded edge of frame.
G. Price (British, late 19th century) Portrait of a Jack Russell terrier oil on board, signed and dated (18)87 lower right 8¾ x 12 in (22.2 x 30.5 cm), oak frame with gilt slip (31.5 x 39.5 cm) * Surface dirt and nicotine staining to the paint surface - will respond well to cleaning. The board has warped a little, creating a slight bulge to the lower centre below the dog. A few small scattered retouches visible under UV and a small retouched patch below the signature.
English School (late 19th century) Portrait of a Jack Russell terrier oil on canvas, signed with initials WB and dated (18)'99', inscribed 'Vic II' 11½ x 9½ in (29.2 x 24.2 cm), gilt egg-and-dart frame (52.5 x 47.5 cm), losses * The canvas surface is dirty and has nicotine staining - should clean well. Not relined. A small number of scattered retouches visible under UV from old cleaning and restoration but nothing significant. Frame has some losses to the inside moulding which edges the slip.
A portrait miniature of a gentleman - English School (c.1825), watercolour on ivory, oval, inscribed 'Daniel Readhead Esq of Marks.....ll Cambridge' verso, wearing a black double breasted coat and white waistcoat and stock, 6 x 4.8cm, in an ebonised papier-mache frame, the miniature warped, some wear to paint. Ivory Registration 4CAAEFKX.
W. V. Long (British, late 19th century) Portrait of a red setter in a landscape oil on board, signed and dated 1891 lower right 8¾ x 12½ in (22.2 x 31.75 cm), bird's eye maple frame (30.5 x 39.5 cm) * Surface dirt across surface and discolouration to varnish. Retouched paint flake to upper right margin, another just behind the dog's head (which has a paler patch to the varnish surrounding it, from cleaning before the retouch was carried out), and a smaller paint flake to lower right margin. Evidence of old cleaning and restoration under UV, with scattered retouches. Some 'pooling' of varnish visible under UV and to the naked eye above the dog's back, where it was heavily applied.
English School (early 19th century): a portrait miniature of a naval officer - painted on ivory, oval, wearing a blue greatcoat, white waistcoat and tied white stock, 6.7 x 5.5cm, the reverse centred by a gilt monogram on an opaque glass guilloche oval, with hair border, in a rose metal frame (ivory registration no GSD1M4JH)

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283284 Los(e)/Seite