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283287 Los(e)/Seite
Los 394
Antiquarian literature. A large collection of antiquarian literature, including: 1) Cervantes Saavedra (Miguel de). The History and Adventures of the Renowned Don Quixote. Translated from the Spanish. To which is prefixed, some Account of the Author's Life. By T. Smollett. A New Edition, Edinburgh: Archibald Allardice and Co., 1825. 4 volumes, 8vo, uncut in original boards, joints cracked, volume 1 with loss to head of spine, 2) Duncan (Archibald). The British Trident: or, Register of Naval Actions, London: James Cundee, 1809. 6 volumes, 8vo, contemporary half calf, wear to spines, 3) Temple (William). The Works, London: for J. Brotherton [and others], 1770. 4 volumes, contemporary calf (volumes 1-2 rebacked), engraved portrait frontispiece, ownership inscription 'Charles Bathurst, Winchester College 1805' to front pastedown, 4) Lytton (Edward Bulwer-Lytton, Lord). [The Works], London: George Routledge & Sons, c.1870. 23 volumes, small 8vo, contemporary half calf, 5) Bible. The Christian's New and Complete Universal Family Bible, London: Alex. Hogg, c.1790. Folio, contemporary reversed calf, engraved frontispiece, additional title-page and plates, together with numerous similar works, nearly all leather-bound (qty: six boxes) Sold as seen, not subject to return. Provenance: John Harold Fawcett CMG (1929-2019), British diplomat (armorial bookplates).
Los 125
RANDOLPH BEZZANT HOLMES (1888-1973) Bromoil, with Experimental Colour Painted Photographs,10 photographs, all early 20th century, Randolph Bezzant Holmes, bromoil, the India-Afgan frontier; others illustrating different techniques of hand colouring, a portrait by Vivienne. London; Catherine Bell, a dog in a dress; several other portraits, a 'Flight' Photograph of the 1932 air display Hendon; The Boat Inn, Cissinstan; a study of water lilies, largest 36cm x 50cm (air display), smallest 21cm x 16cm (dog)
Los 136
Four Victorian Photographs, Nude Studiesc.1890, half-plate matt gelatin silver prints, two numbered in the negative, each 16cm x 11cm, with a half-plate toned gelatin silver portrait of a nude woman, c.1930, mounted on thin card, titled 'The Model' with photographer's initials R V H in pencil recto (5)
Los 150
FURLEY LEWIS (1867-1935) Un Maitre d'Armes,a framed platinum print of a fencer, dated 1901, print 28cm x 20cm, on olive green mount with photographer's blind stamp and ink dedication 'To my friend Felix Grave with sincere regards Furley Lewis 1901' framed and glazed in original thin black wood frame 55cm x 37cm overall. Note: John Furley Lewis was a Pictorialist photographer and Royal Photographic Society judge. This photograph was exhibited in the 1901 RPS exhibition as number 166: Un Maitre d'Armes - Portrait of Monsieur Felix Grave. It was illustrated in the catalogue.
Los 155
ELMER FRYER, GEORGE HURRELL, RUSSELL BALL, Hollywood Portraits,17 large studio portraits and film stills, all late 1920's or early 1930's; nine portraits of Inez Courtney by Elmer Fryer, each with his blindstamp; three film stills by Elite Studio New York, Inez Courtney and others; one portrait by DeBarron Studios New York, signed on negative and wetstamp verso; one portrait by Russell Ball signed in green pencil recto and wetstamp verso; one portrait of Inez Courtney by Al Forrest, San Francisco, one portrait Madge Evans by George Hurrell with blindstamp and others, all images approx 33cm x 26cm (17)
Los 164
LI OSBOURNE (1883-1968), Portrait Photographs,13 warm-toned gelatin silver prints, all photographed and printed c.1930-1935, most mounted on card with photographers name in pencil beneath image, portraits of members of the intellectual and artistic community in Munich, sitters include Norwegian playwright Bjorn Bjornson, artist Olaf Gulbransson, actors Frau Binder and Herr Framer in the production 'Chastelare', photographs 24cm x 17cm and smaller,
Los 92
A Collection of Pictorialist Style Photographs,CHARLES J KING (1861-1937), Scilly Island Waves, c. 1900, a large green-toned carbon print, signed in the negative, 38cm x 50cm; ALFRED KRAUTH (1878-1956), seven whole plate late salt print portraits, c.1910, each with photographer's blind stamp, 20cm x 15.5cm and smaller; PAUL MARTIN (1864-1942)(att), Whitby Harbour, c.1885, a small blue-green carbon print on textured Whatman paper, image 6.7cm x 9.2cm, mount 20.4cm x 25.5cm, 'Whitby' in pencil recto, with a sheet of notes; a platinum print of a seated woman in period costume, German or Dutch, signed and dated 1907, image 12.5cm x 9cm, mounted on grey card 18cm x 12cm; DOUGLAS McNEILLE (1853-1935)river View Stratford-on-Avon, platinum print, signed and titled verso, 15cm x 20cm; JOHN H COATH (1856-1935), Milking Time, gelatin silver print, c.1903, wetstamps verso, 15cm x 20cm; a study of Hastings, carbon print, titled 'Glory' by Judges Ltd, Hastings, 17.8cm x 26.3cm; RICHARD POLAK (1870-1957), a group portrait, platinum print, signed and dated 1900 verso; BERTRAM PARK (1883-1972), two soft-focus studio portraits of society women, signed in pencil on mounts, images 20cm x 16cm (16)
Los 127
NO RESERVE Various (Artists) Collection of over 80 wood-engravings, including a self-portrait by Conrad Felixmüller from 1972, Alex Buckels 'Devils Dyke', and others by Valerie Baines, Reynolds Stone, Richard Shirley Smith, Michael Renton, Geri Waddington, Ronald Salmand, Alfred Hackney, and others similar, wood-engravings, various sizes, most hinged into mounts, unframed, 20th century (Sm. Qty.)Provenance:From the collection of the late Mr. Laurence Lee
Los 132
NO RESERVE Whatman (Susanna) Her Housekeeping Book, introduced by Thomas Balston, one of 250 copies, portrait, engraved title, engraved illustrations by Lawrence Josset, tissue guards, with A.L.s. from Josset to Laurence Lee loosely inserted, original cloth with label to upper cover, Cambridge, Christmas 1952 § Palmer (Samuel) A Vision Recaptured: The complete Etchings and the Paintings for Milton and for Virgil, limited edition with 5 facsimiles of etchings, illustrations, some colour, erratum slip loosely inserted, original wrappers, facsimiles loose in folder, together in original cloth folder with ties, Trianon Press, 1978 § Rinder (Frank) D.Y.Cameron's Etchings...and a complete list of the artist's etchings, number 25 of 150 de luxe copies signed by Cameron, tipped-in plates, original vellum, t.e.g., very slightly soiled, Edinburgh, 1908; and another edition of the first with wood-engravings by Frank Martin, 4to (4)
![[Burton (Robert)], "Democritus Junior". The Anatomy of Melancholy, 2 vol., one of 750 copies, portrait frontispiece, decorati](https://cdn.globalauctionplatform.com/3f8c6976-2fb4-402c-bc15-ad9000bc6ce2/df54e2b4-a224-4336-9b93-ad9000be029d/468x382.jpg)
Los 164
[Burton (Robert)], "Democritus Junior". The Anatomy of Melancholy, 2 vol., one of 750 copies, portrait frontispiece, decorative titles and illustrations by E. McKnight Kauffer, original vellum-backed patterned-paper boards, uncut, extremities scuffed, Nonesuch Press, 1925 § Aristophanes. Women in Parliament, translated by Jack Lindsay, one of 500 copies signed by translator, illustrations by Norman Lindsay, some whole page, original half blue morocco over pictorial gilt boards, t.e.g., uncut, a little scuffed, Fanfrolico Press, 1929; and another, private press, v.s. (3)
Los 17
Drury (Paul) Portrait of Mrs Douglas James, whose father was constructional engineer to the Eddystone Lighthouse, etching with drypoint, on cream wove paper, signed in pencil, 205 x 205 mm (8 x 8 1/8 in), good margins, unframed, 1936; together with a good group of six landscapes by various hands, including David Strang, Harold Sayer, Sydney Lee, George Tute, John Farleigh, and another, etchings and wood-engravings, various sizes, all hinged into mounts, unframed, 20th century (7)Provenance:From the collection of the late Mr. Laurence Lee
Los 181
NO RESERVE Nonesuch Press.- Burton (Robert), "Democritus Junior". The Anatomy of Melancholy, 2 vol., number 222 of 750 copies, portrait, allegorical titles and illustrations by E.McKnight Kauffer, original vellum-backed patterned-paper boards, uncut, slightly rubbed and marked, small folio, 1925.
Los 187
Pear Tree Press.- Guthrie (James) The Wild Garden. Verses for Children, first edition, signed presentation copy, woodcut frontispiece by James Guthrie, spotted, original boards, backstrip faded, chipped and with upper joint split, corners little worn, rubbed, Selwyn & Blount, 1922 § Whittington Press.- Bagnold (Enid) Letters to Frank Harris, & other Friends. Edited & with an Introduction by R.P. Lister, one of 370 copies signed by the author, tipped-in frontispiece and plates, original floral cloth with oval photographic portrait of the author mounted on upper cover, board slip-case, Andoversford, Heinemann & Whittington Press, 1980; and 11 others, miscellaneous, including some reference and a Matrix 14 (one of 880 copies), v.s. (13)⁂ The first mentioned is inscribed 'To Jimmie, from Jim, June 1927', this being the husband of Janie Legge, whose work was printed at Guthrie's Pear Tree Press and whose bookplate is facing. Guthrie reprinted his verse collection two years later at the press.
Los 203
Carpenter (Edward).- Whitman (Walt) Song Of Myself, one of a hundred copies printed on Japan vellum and signed by Elbert Hubbard, portrait frontispiece, with finger soiling to verso, tipped-in presentation leaf signed by Hubbard and others, half morocco, gilt spine, small stain upper cover, t.e.g., 4to, 1904.⁂ The presentation leaf reads, 'This little book is a token of regard to Edward Carpenter'. It is probable that it is Carpenter (1844-1929), the English utopian socialist, philosopher and early activist for sexual liberation, to whom this presentation is addressed since he was not only a lover of Walt Whitman's work, whose poetry he claimed had had a profound impact on him, but also a friend of Whitman having visited him in the 1880s. He also published two of his own works on Whitman. Signatures on the page include: Elbert Hubbard (founder of the Roycroft artisan community in East Aurora, New York, writer and publisher), Charles H Kerr (founder of the eponymous publishing company and socialist), Oscar Lovell Triggs (Chicago professor and author of works on Whitman), Jane Addams (key leader in US women's suffrage movement, political activist, social worker and author) and 3 others.
Los 236
Gill (Eric) Engravings..., number 328 of 400 copies, from an edition limited to 490, lacking self-portrait frontispiece and with 81 plates only (of 102), original pictorial cloth, gilt, t.e.g., rubbed, corners and edges worn, 4to, Bristol, printed by Ernest Ingham at the Fanfare Press for Douglas Cleverdon, 1929; and 2 other defective copies of the same plus loose text leaves, prospectus and slip-case for Engravings, 1928-1933, 4to (sm. qty)
Los 265
NO RESERVE Boxer (Mark "Marc" ) The column, pen and ink with collage, signed lower right, 170 x 115 mm (6 3/4 x 4 1/2 in), under glass, framed, [20th century]; together with 3 further original artworks, including William Papas's The Pram, a portrait of the English satirist Malcolm Muggeridge by "Martin", and an original cartoon by Mel Calman, various sizes, all framed, 20th century (4)Provenance:[Papas] The Stone Gallery, Newcastle upon TyneAll with Abbott & Holder, London
Los 270
NO RESERVE Jullian (Philippe, French illustrator, aesthete, novelist and dandy, 1919-1977) The Family Portrait, pen and ink, brush and watercolour, signed and dated lower right, sheet 360 x 230 mm (14 1/4 x 9 in), under glass, minor surface dirt, framed, 1952Provenance:Abbott & Holder, London
Los 274
NO RESERVE Rutherston (Albert Daniel, formerly Rothenstein, brother of William, 1881-1953) Study of a seated girl, black chalk on cream wove paper, signed and dated 'Albert Rothenstein 05' lower left, 305 x 225 mm (12 x 8 7/8 in), under glass, some surface dirt and browning, framed, 1905; together with a pen and ink study of a town, possibly Italian, by Rutherston, some touches of watercolour, signed and dated 'Albert R. 10', 245 x 345 mm (9 5/8 x 13 1/2 in), under glass, some toning and surface dirt, framed, 1910; together with four pen and ink satirical sketches by Rutherston, one a possible self-portrait, all with labels verso inscribed ex-collection of Michael Salaman, each approx. 140 x 110 mm (5 1/2 x 4 1/4 in), all under glass (one cracked), some surface dirt and browning, framed, [circa 1905-1910] (6)
Los 495
A SOUTH ITALIAN ALABASTER BUST OF A ROMAN EMPEROR POSSIBLY 17TH CENTURY Believed to be a portrait of Constantine The Great (C.272-337 AD), with carved breast plate, on a Siena marble socle 36cm high Provenance: The Simon Neal Collection The combination of the classical subject matter, yet the slightly distorted, non-classical proportions and the polychrome marble and alabaster material it is made from, suggests a 17th century date for this Italian bust. The style of carving suggests the work may have been executed in one of Italy's southern provincial centres of baroque artistic production, such as Sicily. In the early 17th century, the island became associated with coloured marbles, after numerous agates and jaspers were found there, as well as richly coloured and lively patterned marbles that took a very high polish. It is believed the word 'Baroque' derived from the French translation of the Portuguese word 'borrocco' - meaning misshapen pearl - which indeed appears to be an appropriate description of the character of this bust. The subject of the work is a Roman emperor, the closest likeness perhaps being provided by portraits of Constantine the Great (c.272 - 337 AD), who was proclaimed emperor in 306 AD, in the English city of York. His recognition of his Christian subjects and his own conversion to the Faith, laid the religious foundations of Western Christendom. Condition Report: Marks, knocks, scratches and abrasions consistent with age. Some small chips, knocks and losses in places throughout - see images. Some old cracks. The laurels appear to have the remnants of a dark painted surface. The pedestal with some filler applied in places. Adhesive visible between the neck and the body. This has age but is likely later. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 515
AN ITALIAN PORTRAIT RELIEF ROUNDEL OF THE EMPEROR HADRIAN (76-138 AD) IN RED IMPERIAL PORPHYRY POSSIBLY 17TH CENTURYWith gilt bronze laurel wreath mount inscribed 'HADRIANVS' and a later brass easel23cm diameter Provenance: The Simon Neal Collection The subject of this profile relief portrait is the Emperor Hadrian (76 AD - 138 AD), which is highly appropriate given the significance of the stone it is carved from. The ancient Romans referred to the deep red and purple stone extracted from Mons Igneus (Mountain of Fire), now Gebel Dokhan in Egypt as Porphyry - which means purple. The use of 'Imperial porphyry' - as it is often called, was to a large extent controlled by the emperors, who had taken great pains and expense to extract it and towards the end of the Empire it became associated with the sacred power and imperial authority of the emperor, from cradle to grave. They were born in a chamber of porphyry and were buried in tombs of the same material, whilst in the intervening years in power, were draped in purple cloth of a similar hue. Therefore, even after the Roman Empire fell, the stone retained a special prestige, and the use of this beautiful deep red and speckled stone was revived during the 17th century. However, since the Egyptian quarries closed in the 5th century, the only way of obtaining the material was to reuse ancient pieces that remained in Rome.
Los 566
AN ITALIAN STONE HERALDIC LION WITH SHIELD 16TH CENTURY 94cm high, 80cm deep, 31cm wideProvenance: The Simon Neal Collection, formerly at Kirtlington Park, OxfordshireThis vibrant rampant lion would have likely guarded the entrance of a grand, English residence in the 16th century and would have no doubt borne the heraldic arms of its owners. More recently, it was purchased from Kirtlington Park in Oxfordshire, the Grade I listed, 18th century Palladian mansion, built for Sir James Dashwood (1715 - 1779), with its parkland designed by the great Capability Brown. There is portrait of Sir James Dashwood in the collection of the Metropolitan Museum of Art, New York, by Enoch Seeman the Younger, that has Kirtlington Park visible in the background. Dashwood himself went on the Grand Tour from 1732 and 1736 and devoted his fortune to the building and furnishing of Kirtlington Park. He became high sheriff for Oxfordshire in 1738 and was high steward at the University of Oxford from 1759 until his death in 1779.Condition Report: As main images show- weathered and with losses from age, handling. Repairs and restorations to all limbs- more modern abrasion to left flank, surface is quite powdery in areas but generally fairly clean- presumably from when it had restoration made.Please see additional images which form part of this condition reportCondition Report Disclaimer
Los 119
CHARLES DARWIN: ON THE ORIGIN OF SPECIES, 1991, original decorative leather gilt, aeg + OSCAR WILDE: THE PICTURE OF DORIAN GRAY, 2004, original decorative leather gilt, aeg + JAMES JOYCE: A PORTRAIT OF THE ARTIST AS A YOUNG MAN, 1977, original decorative leather gilt, aeg + MIGUEL DE CERVANTES SAAVEDRA: DON QUIXOTE, 1979, original decorative leather gilt, aeg + FRANCOIS MARIE AROUETE DE VOLTAIRE: CANDIDE, 1977, original decorative leather gilt, aeg + JOHN MILTON: PARADISE LOST, 1976, original decorative leather gilt, aeg + JOHN BUNYAN: THE PILGRIMS PROGRESS, 1979, original decorative leather gilt, aeg + DANTE ALIGHERI: THE DIVINE COMEDY, 1978, original decorative leather gilt, aeg + J G PILKINGTON (TRANS): THE CONFESSIONS OF ST AUGUSTINE, 1979, original decorative leather gilt, aeg + JEAN-JACQUES ROUSSEAU: THE CONFESSIONS OF, 1980, original decorative leather gilt, aeg + ANTON CHEKHOV: TWO PLAYS OF ANTON CHECKHOV, THE CHERRY ORCHARD, THREE SISTERS, 1977, original decorative leather gilt, aeg + GUY DE MAUPASSANT: THE TALES, 1977, original decorative leather gilt, aeg + NATHANIEL HAWTHORNE: THE SCARLET LETTER, 1975, original decorative leather gilt, aeg + WASHINGTON IRVING: RIP VAN WINKLE, THE LEGEND OF SLEEPY HOLLOW AND OTHER STORIES, 2002, original decorative leather gilt, aeg, all titles published Norwalk, Connecticut, Easton Press, The Hundred Greatest Books Ever Written Series, Collectors editions (14)
Los 65
BERESFORD EGAN: THE SINK OF SOLITUDE, London, The Hermes Press, 1928, (250) numbered (126), inscription on limitation leaf, 4to, original paper covered boards, browned with losses + D H LAWRENCE: 2 titles: THE ADVENTURES OF THE BLACK GIRL IN HER SEARCH FOR GOD, ill John Farleigh, 1932, 1st edition, original pictorial boards; THE MAN WHO DIED, ill John Farleigh, London, William Heinemann, 1935, 1st edition, 2 copies, 4to, original cloth backed marbled boards + FRANCIS BRETT YOUNG: PORTRAIT OF A VILLAGE, ill Joan Hassall, London, William Heinemann, 1937, 1st edition, original cloth gilt + DAVID CHAMBERS: JOAN HASSALL ENGRAVINGS AND DRAWINGS, Pinner Private Libraries Association, 1985 (2500) (1250), original cloth gilt + BRIAN ALDERSON: EDWARD ARDIZZONE, A BIBLIOGRAPHIC COMMENTARY, Pinner Private Libraries Association, 2003, 1st edition, original cloth gilt + ALEC DAVIS: THE GRAPHIC WORK OF ERIC FRASER, London, The Uffculme Press, 1974, 1st edition, original cloth gilt, d/w + JOSEPH DARRACOTT: THE WORLD OF CHARLES RICKETTS, London, Eyre Methuen, 1980, 1st edition, original cloth, d/w + STEPHEN CALLOWAY: CHARLES RICKETTS..., London, Thames & Hudson, 1979, 1st edition, 4to, original pictorial wraps + VICTOR ARWAS: ALISTAIR ILLUSTRATOR OF DECADENCE, London, Thames & Hudson, 1979, 1st edition, 4to, original pictorial wraps, all titles from the collection of Derek Cottam (11)
Los 1003
Full title: French school: Portrait of a gentleman and a lady, oil on canvas, dated 1744Description: Work: 85,2 x 72,5 cm The man depicted at the age of 43, the lady at the age of 35. The man can be identified as a lawyer on the basis of the library. On the basis of the coats of arms, the portraits may have been painted on the occasion of their marriage.
Los 1036
Full title: Flemish school: A portrait of Hans Behaghel, oil on panel, 16th/17th C.Description: Work: 22 x 19 cm Frame: 30,7 x 27 cm Hans/Joannes Behaghel, son of Robert Behaghel and Peronne Tomare, was born ca. 1560 in Antwerp. He registered as 'burgher' in Lille on 9 August 1585 (Jehan Behagle). In 1591, he was military governor in Hulst, later captain of the Antwerp civic guard. His motto was 'Bon Guet Chasse Malaventure' (see also the paper on the back of the panel). This painting is more than likely a replication of a larger portrait, painted in 1592, at the age of 32 (for the portrait, see: link). His daughter was most probably Catharina Behaghel. The portraits of Rogier Le Witer, his mother Magdalena de Cuyper and his wife Catharina Behaghel painted by Jacob Jordaens in 1635, are nowadays part of the Rijksmuseum Collection (link).
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283287 Los(e)/Seite