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283287 Los(e)/Seite
Los 1418
Late 18th century, English School, portrait of James and Molly Pobjay, oil on canvas, 57cm x 47cm Local interest, Frome, Somerset - James Pobjay was brewer/maltster who married Molly Perry at Badcox Lane Baptist Church on 19th November 1771. Molly died on 1st May 1794 and James 1806. They had no children and these portraits were passed to his sister Tryphena Newport, n'ee Pobjay, thence via the Newport family to Dorothy Abigail Pobjoy Newport
Los 155
Edmund J Sullivan, portrait of John Galsworthy, uncoloured etching signed in pencil by the artist and the subject. 26 x 20cm approx. Together with Percy Robertson, village street scene, farm cart outside a pub, signed in pencil, uncoloured etching. 19 x 26.5cm approx, framed. (2)(B.P. 21% + VAT)
Los 78
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938)."Flower vase".Oil on canvas. Relined.Presents craquelure and lifting of the pictorial layer.Attached certificate issued by Dr. Gerardo Pérez Calero.Needs restoration.Signed in the lower right corner.Measurements: 81 x 46 cm.Scene that has as protagonist a vase with flowers where the loose and sketchy brushstroke is combined with a masterful treatment of the light, very thought and studied, that models the volumes reinforcing the three-dimensional sensation. Everything in the composition is rational, balanced and symmetrical except for the flowers themselves, which are arranged randomly.Gonzalo Bilbao started drawing as a child and in 1880 he began his pictorial career. During these years he made a trip to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and traveled through the different Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, traveled through Spain and also went to Morocco, Paris and Munich. In Spain he worked as a professor of painting, at first as a private individual and, from 1903, as successor to Jiménez de Aranda at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he participated in numerous exhibitions of fine arts, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also participated in the National Fine Arts, obtaining second medal in 1887 and 1892, first in 1899 and 1901 and honor in 1915. A traditional painter, representative of Spanish costumbrismo, he expressed in his paintings colorful pictures of Andalusian life and its most popular characters, and also practiced the landscape, the figure and the portrait, painting prominent figures of the time as King Alfonso XIII and the actress Carmen Diaz. The light and vitality of his compositions bring his language closer to impressionist aesthetics, focusing on the essential representation of environments and landscapes. Gonzalo Bilbao is represented in the Museum of Fine Arts in Seville, where he has a room entirely dedicated to his work, the Prado Museum, the Jaume Morera Museum in Lleida and the Museum of Fine Arts in Cordoba, among others, as well as in private collections both in Spain and abroad.
Los 70
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938).Untitled.Oil on canvasIt has slight losses on the paint layer and craquelure.Attached certificate issued by Don Gerardo Pérez Calero.Signed in the lower left corner.Measurements: 66,5 x 85 cm.Landscape composed by an architectural group located on a mound. According to Pérez Calero, it could be an old hermitage, or monastery that seems abandoned and of which stands out in a side what should be a sort of chapel with a semicircular arch, near the cemetery, from where a cypress tree can be seen. It is surrounded by a palisade closing the perimeter to which it is acceded by a rustic wooden door. Intramurals, a thing that could belong to the domestic complex, as well as some trees. The piece reflects solitude and silence, tinged by the absence of human presence.Gonzalo Bilbao started drawing as a child and in 1880 he began his pictorial career. During these years he traveled to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and traveled through the different Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, traveled through Spain and also went to Morocco, Paris and Munich. In Spain he worked as a professor of painting, at first as a private individual and, from 1903, as successor to Jiménez de Aranda at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he participated in numerous exhibitions of fine arts, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also participated in the National Fine Arts, obtaining second medal in 1887 and 1892, first in 1899 and 1901 and honor in 1915. A traditional painter, representative of Spanish costumbrismo, he expressed in his paintings colorful pictures of Andalusian life and its most popular characters, and also practiced the landscape, the figure and the portrait, painting prominent figures of the time as King Alfonso XIII and the actress Carmen Diaz. The light and vitality of his compositions bring his language closer to impressionist aesthetics, focusing on the essential representation of environments and landscapes. Gonzalo Bilbao is represented in the Museum of Fine Arts in Seville, where he has a room entirely dedicated to his work, the Prado Museum, the Jaume Morera Museum in Lleida and the Museum of Fine Arts in Cordoba, among others, as well as in private collections both in Spain and abroad.
Los 145
Follower of Willem Wissing (Amsterdam 1656-1687 Burghley)Portrait of a gentleman, said to be the Duke of Monmouth, three-quarter-length, standing before a red curtain oil on canvas125.2 x 102cm (49 5/16 x 40 3/16in).Footnotes:ProvenanceThe Nickel Collection, Ashton House, Beetham, Cumbria (according to a label on the reverse)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 8
Flemish School, 17th CenturyPortrait of a gentleman, said to be Paul de Vos, half-length, in blackoil on canvas 83.8 x 62.5cm (33 x 24 5/8in).Footnotes:ProvenanceSale, Philips, London, 25 October 1994, lot 129The present portrait is loosely derived from an engraving of Paul de Vos by Adriaen Lommelin after a portrait by van Dyck.For further information on this lot please visit Bonhams.com
Los 158
Enoch Seeman (Danzig circa 1694-1745 London)Portrait of a gentleman, half-length, in a green coat, within a painted oval signed and dated 'Enoch Seeman fec/ 1734' (lower left)oil on canvas76.7 x 63.5cm (30 3/16 x 25in).Footnotes:ProvenanceA private members' club, LondonFor further information on this lot please visit Bonhams.com
Los 112
English School, 18th CenturyPortrait of a pugilist, possibly John Slack, within a painted oval oil on canvas76 x 63.5cm (29 15/16 x 25in).Footnotes:ProvenanceThe Savile Family, Rufford Abbey, Nottinghamshire, by whom soldSale Christie's, London, 18 November 1938, lot 60 (bt. Percy M. Turner)Sale, Sotheby's, London, 4 June 1980, lot 232 (as English School, early 19th Century)For further information on this lot please visit Bonhams.com
Los 155
French School, 1570Portrait of a lady, half-length, in a red dressdated '1570' (upper left) oil on panel, let in 48.9 x 38.5cm (19 1/4 x 15 3/16in).Footnotes:ProvenanceCollection of James Gurney, before 1884His sale, Christie's, London, 12 March 1898, lot 23 (as 'Portrait of Queen Mary by Zuccaro dated 1570)With Duveen Brothers, New York (stock no. 30407), before 1965The Collection of Norton Simon, USA, before 1966 Property from the Estate of Angelina Boaz, USAExhibitionOn loan to Los Angeles County Museum of Art, USA, 1965-1966A similar portrait, also dated 1570 but with differences to the costume, was offered at Sotheby's, New York, 11 January 1996, lot 14.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 168
Circle of Lemuel Francis Abbott (Leicestershire circa 1760-1803 London)Portrait of a gentleman, traditionally identified as Joseph Price, bust-length, in a green coat, before a red curtain oil on canvas76.8 x 62.5cm (30 1/4 x 24 5/8in).together with a Portrait of a lady, bust-length, in a white dress before a landscape (2)Footnotes:ProvenanceSale, Sotheby's, New York, 26 January 2008, lot 91AFor further information on this lot please visit Bonhams.com
Los 223
Circle of Michael Dahl (Stockholm 1659-1743 London)Portrait of a gentleman, said to be Sir Robert Godstone half-length, in a brown velvet coat oil on canvas95 x 73.8cm (37 1/4 x 29in).Footnotes:ProvenanceAshton House, Beetham, Cumbria and thence by family descentFor further information on this lot please visit Bonhams.com
Los 91
English School, 19th CenturyPortrait of William of Wykeham, half-length holding a bishop's crozier oil on canvas92 x 71.5 cm (36 1/4 x 28 1/8in).Footnotes:The present composition is most likely to be after a painting described in 1738 as at Winchester College which was engraved by Jacob Houbraken (1698-1780).For further information on this lot please visit Bonhams.com
Los 6
Follower of Jacob Gerritsz. Cuyp (Dordrecht 1594-circa 1651)Portrait of a girl, traditionally identified as Miss Elizabeth Morrison, three-quarter-length, as a shepherdess oil on canvas101.8 x 63.5cm (40 1/16 x 25in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 184
Joseph Highmore (London 1692-1780 Canterbury)Portrait of a gentleman, half-length, in a blue coat, within a painted oval signed and dated 'Jos Highmore Pi*/ 17*2' (lower left)oil on canvas76.3 x 63.3cm (30 1/16 x 24 15/16in).Footnotes:ProvenanceA private members' club, LondonFor further information on this lot please visit Bonhams.com
Los 154
Circle of Theodore Russell (London 1614-1689)Portrait of a young girl, said to be Princess Elizabeth Stuart while imprisoned at Carisbrooke Castle , half-length, within a painted ovaloil on panel36.5 x 29.2cm (14 3/8 x 11 1/2in).Footnotes:ProvenanceSale, Bonhams, London, 13 April 2011, lot 130Sale, Cheffins, Cambridge, 11 March 2020, lot 142, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Los 164
Circle of Charles d'Agar (Paris 1669-1723 London)Portrait of a boy, full-length, in classical dress and holding a bow in a landscape oil on canvas126.5 x 103cm (49 13/16 x 40 1/2in).Footnotes:ProvenanceA private members' club, LondonThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 62
Attributed to Joachim Rupalley (Bayeux 1713-1780)Portrait of the Chevalier Michel de Baudre charged with the sitter's coat-of-arms (upper left) and possible remains of signature (on reverse, upper centre)oil on canvas128.2 x 96.6cm (50 1/2 x 38 1/16in).Footnotes:ProvenanceSale, Dorotheum, Vienna, 18 October 2016, lot 119With Paul Garner Antiques, Rutland, where acquired by the late ownerThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 87
Sir Nathaniel Dance Holland, Bt. (London 1734-1811 Winchester)Portrait of Peter Delmé of Earlstoke, half-length, in an embroidered russet coat oil on canvas91.5 x 71cm (36 x 27 15/16in).Footnotes:ProvenanceThe Collection of Col. E. P. Awdry M.C.Sale, Christie's, London 24 November 1978, lot 76For further information on this lot please visit Bonhams.com
Los 9
After Sir Anthony van Dyck, 19th CenturyPortrait of Prince Tommaso Francesco of Savoy-Carignano, three-quarter-length, in armour and a white lace collar, holding a baton, his hand on his helmet oil on canvas105.4 x 83.4cm (41 1/2 x 32 13/16in).Footnotes:The present composition is after the portrait of 1634 previously in the collection of King Charles I at Hampton Court and now in the Gemäldegalerie, Staatliche Museen, Berlin (acc. no. 782).For further information on this lot please visit Bonhams.com
Los 113
Circle of Arthur William Devis (London 1763-1822)Portrait of a gentleman, possibly Judge James Ball, and his dog, seated before a landscape oil on canvas88.8 x 70.8cm (34 15/16 x 27 7/8in).Footnotes:ProvenancePossibly the Ball Collection, 46 Merrion Square, Dublin, 1903 (according to an inscription on the stretcher)With Leggatt's, London, July 1972Exhibited Southampton Art Gallery, Landscapes. An anthology, Southampton, 1979, no. 14For further information on this lot please visit Bonhams.com
Los 49
Attributed to Pieter Borselaer (Middelburg circa 1640-1731)Portrait of a lady, half-length, in a black dress with red and white trim oil on canvas76.5 x 63.4cm (30 1/8 x 24 15/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 79
Follower of Thomas Hudson (Devon 1701-1779 Twickenham)Portrait of Richard Ellison, three-quarter-length, in a claret coat; and Portrait of Esther Ellison, nee Walker, three-quarter-length, in a blue dress the former inscribed 'Richard Ellis/ -of-/ Sudbrooke Holme/ born 1722- died 1797' (upper right) and the latter inscribed 'Esther, Wife of Richard Ellison./Dau:& Co-heiress of/ Henry Walker of Whitby./ born, 1726.- died, 1813' (upper right)a pair, oil on canvas128.1 x 102.2cm (50 7/16 x 40 1/4in). (2)Footnotes:ProvenanceA private members' club, LondonThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 119
Antonio Mercurio Amorosi (Communanza 1660-1738)Portrait of a girl, half-length, holding a cat oil on canvas40.4 x 33.1cm (15 7/8 x 13 1/16in).Footnotes:ProvenanceSale, Philip's, London, 7 April 1981, lot 81, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Los 185
Simon Pietersz. Verelst (undefined, The Hague 1644-1721 London)Portrait of a gentleman, said to be Anthony Horsmanden, bust-length, in a red coat signed and dated 'S. verelst/ F.t 1697' (lower left) bears inscriptions '-HORSMANDEN ESQ./ Eldest son of Warham Horsmanden Esq/ of Purleigh, Essex.' (lower centre)oil on canvas, oval74.7 x 62.2cm (29 7/16 x 24 1/2in).For further information on this lot please visit Bonhams.com
Los 146
Follower of Sir Peter Lely (Soest 1618-1680 London)Portrait of King Charles II, three-quarter-length, seated in a blue and gold robe, before a pillar oil on canvas127.2 x 102.2cm (50 1/16 x 40 1/4in).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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283287 Los(e)/Seite