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283287 Los(e)/Seite
^ Marjorie Cox (1915-2003) ''Whispy'', portrait of a recumbent whippet, signed, inscribed and dated 1970, pastel, together with a further work by the same artist ''Cindy'', portrait of a seated pekingese, an oil painting framed within a horseshoe ''Windswept'', and a further oil on canvas depicting a Zebra and foal signed Jack Green, 42.5cm by 34cm, 11cm by 13cm and 60cm by 50cm respectively (4)
* French School (mid 19th century) Portrait of a military gentleman standing in a landscape in profile resting on his rifle and bayonet, watercolour, together with a pencil sketch attributable to Cornelius Varley depicting Goodrich castle, reputedly 1803, and a further pencil sketch ''S.E. View of Whittingham Church'', signed, G. Nattes and dated 1793, 29cm by 21cm, 26cm by 46cm and 25cm by 34.5cm respectively (3)
Joseph Oppenheimer (1876-1966), portrait of Marion McFadyean (nee Guttmann), head and shoulders, signed, charcoal, together with a further oil on board, portrait of Marion Guttmann (aged about five) 41cm by 26.5cm and 44cm by 41.5cm respectively (2) Provenance : wedding present from the artist to John and Marion (nee Gutmann) Whitehorn and thence by descent to the vendor.
Attributed to Sir Henry Raeburn RA PRSA (1756-1823) Portrait of Master William Erskine (B. 1805) of Kinnedder, Fife, oil on canvas, 74cm by 62cm Provenance:Mr Alfred Cave, London Christie's for appraisal 2 June 1955 Sotheby's, British Paintings 1500-1850, 13 November 1996, Lot 66 (£3450) Private English Collection. William Erskine was the eldest son of William Erskine, Lord Kinnedder (1768-1822) who was a close friend and confident of Sir Walter Scott - both Lord Kinnedder and Sir Walter Scott were painted by Sir Henry RaeburnIn fully restored condition relined, cleaned and re-varnished, the surface is somewhat flattened from the process and the paint is thin in places particularly within the background of the left hand side. Repair/ over painting to top right hand corner, approximately 5cm by 6cm with consistent re-touching and in-filling throughout the entire background of the right hand side to a lesser extent on the left hand side. The gentlemen's face, neck tie and lapel has had the old widely spaced cracquelure in-filled, some of this re-touching is discoloured and the varnish is collecting within the cracks which has become visible with the naked eye. There are two further patches within the fold of his waistcoat which have been over painted with further finer relatively consistent re-touching within the garment. Otherwise in sound order.
~ T. L. Atkinson after Frederick Tayler, A stag hunting party returning home with the kill, engraving, together with a head and shoulders portrait of Rev. Arthur, founding member of the Durham County Club, signed ''The Monochrome Boy'', pencil and wash on milk glass, 63cm by 90cm & 59cm by 44cm (2)

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283287 Los(e)/Seite