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283284 Los(e)/Seite
Los 1005
*Grenadier Guards. A group of items relating to Colonel Pasley John Dirom, Grenadier Guards, including a letter to Dirom from Sir Henry Raeburn, R.A., dated 29 November 1819, detailing a portrait of the recipient, presented in a glazed frame with a copy print of the portrait plus a copy of an auction catalogue for Messrs. M. Knockler & Co., 28 July 1928 (lot 126) with description of letter, together with a powder horn engraved 'Capt. Dirom, Grenadier Guards, Lisbon 1827', 50 cm long (2)
Los 1011
*Third Reich. A signed photograph postcard of Field Marshal Erwin Rommel, head and shoulders portrait photograph in full military uniform signed in ink, reverse printed Photo, Hoffmann, Munchen, creased and with glue marks to rear corners, 14 x 9cm, together with a miniature Mothers Cross plus two related tie pins (4)
Los 888
Wood (Raymond). Passed by the Censor, 1916, 30 mostly tinted lithographic portraits of army personnel including Lieutenant General Sir John Asser, Brigadier General M.H.E. Welch, Major H.F. Whinney, Lieutenant Colonel H.E.M. Douglas, VC, and others, loosely contained as issued in original portfolio with separate leaf of text for each portrait, title, contents and preface leaves at front, lacks final two text leaves, cloth portfolio with spine tie, rubbed and soiled, folio Uncommon. (1)
Los 962
Tomlinson (H.M). All Our Yesterdays, 1st edition, 1930, portrait frontispiece, top edge gilt, remainder untrimmed, original cloth gilt, some minor soiling, large 8vo, limited signed edition 271/1025, together with Orpen (Sir William), An Onlooker in France 1917-1919, revised and enlarged edition, 1924, monochrome plates, original cloth, rubbed and some soiling, large 8vo, plus Bishop (Cliff T.), Fortresses of the Big Triangle First, a history of the aircraft assigned to the ... Eighth Air Force from August 1942 to 31st March 1944, 1st edition, East Anglia Books, 1986, numerous monochrome illustrations after photos, original cloth in dust jacket, 4to, VG, and Austen (Michael), The British Civil Aircraft Resisters 1919-1999, 1st edition, Air-Britain, 1999, original pictorial boards, thick 4to, VG, plus other various aviation history including the First and Second World Wars, many pre-second world war and mid-20th century publications, but including some recent publications, mostly original cloth, some in dust jackets, and including a number of paperback editions, 8vo/4to (approximately 175 volumes) (6 shelves)
Los 986
James (Lieut-Col. F.H.). History of the 1st Battalion 6th Rajputana Rifles (Wellesley's), 1st ed., 1938, colour portrait frontispiece, folding maps, illustrations, a little light spotting, bookplate of 1st Battalion Rajputana Rifles, original green cloth, 4to, with another copy of the same (2)
Los 993
Richardson (Alex.). Vickers Sons and Maxim Limited. Their Works and Manufactures, Offices of "Engineering" London 1902, 70 engraved plates including portrait photograph of Edward Vickers, with tissue guards, vignette to frontispiece, original gilt and maroon cloth, folio, some minor wear but generally a good copy (1)
Los 994
Tomkinson (William). The Diary of a Cavalry Officer in the Peninsular and Waterloo Campaigns, 1809-1815, Swan Sonnenschein & Co., 1894, engraved portrait frontispiece, folding maps, slight slcattered spotting, bookplate for Sir Geoffrey Clarke to upper pastedown, contemporary red half morocco, rubbed and lightly scuffed, 8vo, together with Lloyd (Henry), Memoires militaires et politiques du General Lloyd..., Paris: Magimel, 1801, half-title, booksellers label to foot of title, folding maps, scattered spotting, contemporary quarter calf, 8vo, plus Southey (Robert), The Life of Nelson, Bickers & Son, 1887, black and white portrait frontispiece, eleven black and white plates, scattered spotting, contemporary calf, gilt decorated spine, gilt armorial for Saint Dunstan's College, Catford to upper board, a lirrlt erubbed and scuffed, 8vo (3)
Los 52
Of Louis Mountbatten interest - a silver photograph frame, London 1924, of arched rectangular form, inscribed "Presented to S. T. Lord Louis Mountbatten", 35 x 25 cm, containing a photographic print of a half length portrait, after Lazlo, signed on the mount Louis Mountbatten and dated 1925, stamped verso "Paul Laib, Fine Art Photographer, 3 Thistle Grove, Drayton Gardens, S. Kensington".
![[Collier (John)] The Miscellaneous Works of Tim Bobbin, Esq; Containing his View of the Lancashire Dialect … Also his Poem o](https://cdn.globalauctionplatform.com/21591be3-f127-46d3-8641-a5f500b48623/2233beb4-64c7-4d0c-ac66-cfd3e0309368/468x382.jpg)
Los 299
[Collier (John)] The Miscellaneous Works of Tim Bobbin, Esq; Containing his View of the Lancashire Dialect … Also his Poem of the Flying Dragon and the Man of Heaton …, 1775, Manchester, printed for the Author, and Mr Haslingden, portrait frontis and 10 plates, xiv, 15-69, (70-114), 115-203 (1) viii, 9-33, (1) pages, (some foxing, one plate with slight marginal loss), [bound with]; Wheeler (A.) The Westmorland Dialect ..., 1802, (possible lacking a half title or blank) [bound with]; De Worfat (William) A Bran New Wark, [1784], worn calf binding, the upper central panel with the faint remains of a portrait of a pig-faced man; [Hooke (N.) Remarks upon the Account of the Conduct of a Certain Dutchess ..., 1742, T Cooper, 50 pages, disbound (2)
Los 654
A pair of miniature portraits after J Hoppner, painted on ovals in gilded frames, bears paper label to verso, height 8.5cm; continental school framed portrait miniature of a gentleman, height 10cm, the verso inscribed in ink; a portrait miniature on ivory depicting a gentleman, height 6.5cm; a 19th century portrait miniature of a lady mounted in a 9c case; an early 19th century portrait miniature worked in silk (6)
Los 721
^ Stark (Freya) Space, Time & Movement in Landscape, nd, 'Her Godson', numbered limited edition of 500, signed by Freya Stark, oblong 4to., quarter morocco by Zaehnsdorf, slipcase; Bossi (Giuseppe), Del Cenacolo di Leonardo da Vinci Libri Quattro, 1810, folio, with six plates but lacking portrait frontis; with a small quantity of others. Provenance: Westow Hall
Los 338
§ Adrian George (British, b.1944) Chinese Acrobat signed lower right "Adrian George 1983" and numbered numbered 56/100 lithograph 109 x 78cm (43 x 30in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: Adrian George was born in Cirencester in 1944 and educated at the Royal College of Art. Since 1988 he has lived in Paris. Adrian George studied at the Royal College of Art between 1961-64 and was taught by Peter Blake at Harrow Art School. He has exhibited extensively around the world and most recently at Chris Beetles Gallery in 2005. He was represented by Francis Kyle Gallery, 1978 -2000, with eleven one-man exhibitions, including Drawings (1978 and 1980); The Costume Party: works in pastel (1982); Works in oil and pastel (1984); In Arcadia (1985); Nuits blanches (1988); The South Seas (1990), Martinique (1992); Paris in August (1994); The Drawings (1996) and Paintings (1998). He has also participated in numerous theme exhibitions at Francis Kyle Gallery from Women Washing (1981) to Goethe's Italian Journey (1987), Charleston Revisited (1993) and The Art of Memory: Contemporary Painters in search of Marcel Proust (2000). In 1983 George showed oil paintings at the Museo Municipal, Madrid in Pintura Britannica Contemporanea. In 1984 he held his first exhibition in New York, showing there again in Mozart's Travels (1991) at the Lincoln Centre. Adrian George's drawings on subjects from the world of theatre and pantomime have twice been used by the British Post Office for series of postage stamps. In 1994 Paris in August; a diary with text and drawings by Adrian George was published by Peter Owen. Works by the artist are in the collections of the Victoria and Albert Museum and the National Portrait Gallery, London. Condition is fine - one small chip to the black frame.
Los 342
§ John Glashan (Brtish, 1927-1999) Why ME? signed lower left "John Glashan '79" and numbered 95/150 lithograph 58 x 77cm (23 x 30in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: John Glashan was born in Glasgow on December 24th 1927. He was educated at Woodside School and studied drawing and painting at the Glasgow School of Art. He moved to London in the 1950s and began as a portrait and landscape painter, supplementing this with cartoon work. Some of his first cartoons appeared in Punch magazine in the 1950s and in Lilliput from 1959, followed by regular features in Queen magazine and Private Eye from 1961. He was a founder member of the British Cartoonist's Association in 1966. From the 1960s to 1990s John Glashan contributed to many magazines and newspapers including Harpers & Queen, The New Yorker, The Spectator, Town and Country, Tatler, Radio Times, The Observer and The Sunday Times. The longest running was his weekly cartoon for The Spectator from 1988 to 1998, printed half page colour. He continued to paint throughout this time and his cartoons become painterly in quality and some of his watercolour paintings contain a cartoon. The first exhibitions of his paintings and cartoons were held at the Francis Kyle Gallery in 1979 and 1983. He subsequently showed at the Cartoon Gallery in 1991, The Fine Arts Society in 1991 and 1994 and at the Grosvenor Gallery in 1995. John Glashan died in 1999. Glashan illustrated several books including Tonight and Other Nights, Sweet & Sour, Small Parts in History and Journal of a collector, and collections of his work were published in The Eye of the Needle, Speak up you Tiny Fool, The Penguin John Glashan and John Glashan's World. Condition is fine.
Los 383
§ Alfred Aaron Wolmark (British, 1877-1961) Portrait of a lady, believed to be the artist's wife signed lower right "Wolmark" oil on canvas, in a painted and gilded frame designed and painted by the artist 49 x 39cm (19 x 15in) Other Notes: Alfred Aaron Wolmark was born in Warsaw, Poland in 1961. He later moved to London in 1883 with his family, settling in the East End. He studied at the Royal Academy Schools from 1894, where he won an award in drawing in 1897. His early works depicted life in the Jewish communities of the East End along with portraits, some of which were featured in his first one man exhibition at the Bruton Gallery in 1905. From 1910 his work moved away from these themes, taking influence from Post-Impressionism and using strong colour and bold paint applications. His use of bold colour can be seen in his paintings of Breton, where he spent his honeymoon in 1911, which were shown in his exhibition at the Grafton Gallery that year. This time in France greatly influenced his artistic style Wolamark was a great friend of the scupltor Henri Gaudier-Brzeska (they met circa 1913) and the two artists made numerous portraits of one another. After a visit to New York in 1919 Wolmark exhibited the cityscapes he painted there at the Kervorkian Gallery, new York, 1920. He co-founded the JAAS (Jewish Association of Arts and Sciences) with Adrian Alfred Woolfstein (Adrian Wolfe) in 1915. As well as painting, Wolmark also worked with pottery and stain glass designs, such as the abstract stained glass window for St Mary’s Church in Slough. He was also known to design his own picture frames, sometimes using samples of wallpaper to decorate them. He created ballet stage designs for Diaghilev during the 1920's, and illustrated 'The Completed Works of Israel Zangwill's'. Retrospective exhibitions of his work were held at the Leicester Galleries 1947, the Ben Uri Gallery 1948 and 1952, and the Woodstock Gallery 1959. After his death the Ben Uri Gallery held a Memorial exhibition in 1961. On coarse canvas. Scuffed edges. Colours good. May be the frame from another Wolmark picture.
Los 384
§ Anastasia Pollard (British, 20th/21st Century) Portrait of Valentina oil on board 47 x 37cm (18 x 14in) Provenance: The Mall Galleries, London. Exhibited: Mall Galleries label verso Other Notes: Anastasia Pollard's portraits have been seen at shown at the Royal Society of Portrait Painters’ Annual Exhibition (2005, 2006 and 2007), winning the Ondaatje Prize for Portraiture, 2009. Pollard’s work has been included in the BP Portrait Award Exhibition in 2006, 2007 and 2008 Condition is fine.
Los 386
Arts & Crafts School (early 20th Century) Portrait of a youth in a bejewelled crown and richly embroidered jacket watercolour with jewelled collage in a maple frame 26 x 20cm (10 x 8in) After Botticelli Collage is stuck down - some discolouraton to the beige background. A little wear and tear to some of the edges of the collage
Los 407
Filipp Andreevich Malyavin (Russian, 1869-1940) Portrait of Fekla Ivanovna Miroszniczenko signed lower right "Malyavin" pencil on buff paper 39 x 25cm (15 x 10in) Provenance: Acquired from Semyon Belits collection in Paris, and thence by descent. Other Notes: Filipp Andreevich Malyavin was born into a peasant family in Russia. At the age of sixteen his entire village helped fund him to travel to Mount Athos in Greece to study iconic painting. On arrival he was disappointed to discover they only made copies of Russian icons. Without any money left, he was unable to return to Russia and so entered the monastery as a novice where he continued to study iconic painting. A visiting professor discovered him and arranged for him to study at the Imperial Academy in St Petersburg. He became a successful artist and managed to continue working with the rise of Stalin, possibly due to his humble origins and focus on depicting peasants in his art. However in 1922, when travelling through Europe to attend solo exhibitions, he decided to emigrate. In 1940 he was arrested by the Gestapo in Brussels and accused of espionage. He was eventually released and forced to return to Nice by foot, where he died later that year. He is noted for changing the portrayal of peasants in Russian painting and for his brilliant use of colour. The present drawing is a study of the young and pregnant Fekla Miroszniczewnko
Los 408
Alexander Aleksandrovich Osmerkin (Ukrainian, 1892-1953) Portrait of the artist's wife Nadezada Gregorilich Navrotskaya Osmerkina (1913-1996) signed on the reverse oil on board, unframed 85 x 62cm (33 x 24in) Provenance: From the collection of Tamara Yudina, who was the heiress of Nadida Osmerkin, and by descent; With a letter of provenance: "By this letter, I can confirm that this is a portrait of my cousin, who was married to Alexander Osmyorkin. It was painted in 1946, 85 x 62cm, oil on canvas, fixed to card without a frame, the signature is on the reverse". Literature: The portrait is mentioned in the book on Osmyorkin as an unfinished portrait of the artist's wife, Nadezada Navrotskaya Osmyorkin (1913-1996). Other Notes: Nadezada Osmyorkin was an artist and architect and before the Second World War she graduated from the Repin Academy of Arts in St Petersburg (now Leningrad). She survived the Siege of Leningrad and after the war became Director of the Department of Historical Memorial Protection in Moscow. Unframed and the board is bowing slightly. Surface a bit bumpy.
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283284 Los(e)/Seite