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283287 Los(e)/Seite
Los 37
A quantity of books on public schools incl:- "The Public and Preparatory Schools Yearbook 1939" Newsome, David "A History of Wellington College", John Murray (1959) Fergusson, Bernard "Eton Portrait", John Miles (1938) "Floreat, a Photographic Impression of Cheltenham College", pub. The Practical Photographic Society at Cheltenham College (1970) and numerous other vols (1 box)
Los 45
A quantity of books on woodcut and wood engravings incl:- Bliss, Douglas Percy "A History of Wood-Engraving", Spring Books (1964), numerous ills, red cloth, dj O'Connor, John "The Technique of Wood Engraving", B T Batsford (1971), black cloth, dj, not pc Cundall, Joseph "A Brief History of Wood-Engraving...", Sampson Lowe (1895), numerous ills, green cloth, gilt titles, blindstamped image in black on front board and another similar copy Cole, Alphaeus P and Cole, Margaret Ward "Timothy Cole Wood Engraver", Pioneer Associates, New York (1935), No.493/750, numbered and autographed copies by both authors, blue cloth, gilt titles, dj Keane, Laurence "William Barnes, The Somerset Engravings", "William Barnes, The Dorset Engravings", limp covers Thorpe, Joseph "Eric Gill", Jonathan Cape (1929), photographic frontis, various plates, half-leather, raised bands, gilt title Brewer, Roy "Eric Gill, The Man Who Loved Letters", Frederick Muller Ltd (1973), blue cloth with silver titles and portrait to front board, dj and various other related vols.
Los 66
Nottingham Interest Bailey, Thomas "Annals of Nottinghamshire, History of the County of Nottingham including the Borough", 2 vol, Simpkin Marshall & Co (1853), ills, folding map to vol 1, frontis portrait to vol 2, rebound, half-leather, gilt titles and rules to backstrips Blackner, John [The History of Nottingham Embracing its Antiquities, Trade and Manufacturers from the Earliest Authentic Records to the Present Period...], lacking all plates and covers (3)
Los 78
Roberts, George "Historic Towns of the Connecticut River Valley", Robson & Adee (1906), photographic ills, red cloth, gilt titles, water damage to front bd McClellan, Elisabeth "Historic Dress in America 1607-1800", George W Jacobs & Co (1904), ills, colour plates, together with "An Idea Sheet of Authentic Fabric and Accessory Deals from Butterick Patterns" and "A Simplicity Pattern" Bookplate for Boughner inside fb, blue cloth, blindstamped Fountain, Paul "The Great North-West and the Great Lake Region of America", Longmans Green & Co (1904) ex-libris "The Great Deserts and Forests of North Amercia", Longmans & Green (1901), ex-libris with Ollier, Edmund "History of the United States", Cassell Petter & Galpin, 3 vols and "The Pennsylvania Archives", 8th series, vols 1-8 Jennings, William Henry "A Genealogical History of the Jennings Families in England and America - Volume 2 'The American Families'", Columbus, Ohio (1899), vol 100, signed by W H Jennings of 600 copies, frontis portrait, various photographic plates, backstrip loose, hinges cracked, red cloth
![Corbet, John
"Historical Relation of the Military Government of Gloucester"
[Bibliothca Gloucestrensis], Washbourn & Son, Glo](https://cdn.globalauctionplatform.com/2daacd59-7ebd-491d-8292-a5f6010d88f6/de570d2b-8e63-4526-ab89-933d5fd15892/468x382.jpg)
Los 8
Corbet, John "Historical Relation of the Military Government of Gloucester" [Bibliothca Gloucestrensis], Washbourn & Son, Gloucester and Charles Baldwyn, London (1823), 2 vols, frontis portrait to vol 1 but bad staining, the frontis to vol 2 has been pastedown onto inside front bd, rebound blue cloth, red pastedown with titles to spine
Los 89
Various books relating to India including Blumhardt, the late James Fuller "Catalogue of the Gujarati and Rajasthani Manuscripts in the India Office Library", Oxford University Press (1954), bookplate of the City of Liverpool, blue cloth Hutt, Michael "Catalogue of Nepali printed books in the India Office Library", the British Library (1985) Holland, Henry "Frontier Doctor and Autobiography", Hodder & Stoughton (1959), frontis portrait, blue cloth Ashraf Husain, M Muhammad "An Historical Guide to the Aaghra Fort", Delhi (1937), Radhakrishnan, S "Eastern Religions and Western Thought", 2nd ed., Oxford University Press (1940) and other vols (1 box)
Los 196
An interesting collection of black and white re-printed photographs from a slide show probably commissioned by Rupert Curtis DSC including images of WW2 air and other battles with type written descriptions, a copy of D DAY ' We landed the commandos', an account of D DAY by Rupert Curtis, hand written letters and illustrations to his wifecirca 1940's and black and white portrait photographs of Commander Curtis.
Los 1075
FRANK S. OGILVIE (19th/20th century) British Portrait of Lieutenant Harold Kenyon Temperley Oil on canvas Signed, inscribed to verso with biographical details 50 x 60 cm, framed Note: Lieutenant Harold Kenyon Temperley was killed in action 26th October 1917, aged 21, at Houlthurst Forest, Belgium. CONDITION REPORTS: Generally in good condition, expected wear, could do with a clean, one small hole and associated slight losses, some surface wear, losses to frame.
Los 1084
ENGLISH SCHOOL (18th century) Portrait of a Young Lady Oil on canvas 52.5 x 67.5 cm, framed CONDITION REPORTS: Generally in good condition, expected wear, canvas a little loose, stretcher marks to canvas, some crazing and paint loss, paint a little thin in places, small hole and associated paint loss.
Los 26
Fables of Aesop and Other Eminent Mythologists with Morals and Reflections by Sir Roger L'Estrange, Kt. Printed for R. Sare, T. Sawbridge, B. Took, M. Gillyflower, A. & J. Churchil and J. Hindmarsh, 1692, with engraved portrait frontispiece by Robert White (1645-1703) English, After Sir Godfrey Kneller (1646-1723) English, leather bound with printed bookplate label for Henry Mannerton Esq and signed by Reverend Edward Aislabie Ommanney (1806-1884) British (grandson of Rear Admiral Cornthwaite Ommanney) and his son Brigadier Albert Edward Ommanney (1849-1930) British. CONDITION REPORTS: Scuffing and loss to binding, spine damaged, front cover almost detached, frontispiece portrait loose, re cover almost detached.
Los 39
ENGLISH SCHOOL (18th/19th century) Portrait miniature of Katherine Rose, wife of Major Dugald Gilchrist, of Ospisdale, Sutherland, 1800 Watercolour on ivory, opposing a glazed hair work panel, in yellow metal frame with suspension loop, in original red leather case with hand written provenance. 7 x 9.5 cm overall. CONDITION REPORTS: Generally in good condition, expected wear, slight scuffing to case, case a little tired.
Los 40
ENGLISH SCHOOL (early 19th century) Portrait miniature of Miss Margaret Gilchrist, eldest child of Major Dugald Gilchrist of Ospisdale Watercolour and bodycolour, oval framed and glazed; together with a portrait miniature of Miss Jane Gilchrist, oval framed and glazed. 17 x 21 and 9.5 x 11.5 cm overall respectively. (2) CONDITION REPORTS: Both generally in good condition, expected wear, some fading/staining, some slight losses to frame, hand written labels to verso.
Los 915
SIR LAWRENCE ALMA-TADEMA (1836-1912) Anglo-Dutch Self Portrait Print Signed in pencil to margin; together with another, similarly signed The former 13 x 15 cm, both loose (2) CONDITION REPORTS: Both generally in good condition, expected wear, some slight staining, nibbles and creases to edges.
Los 996
CONTINENTAL SCHOOL (19th century) Portrait of a Mother and Child with Songbird Oil on canvas laid on board Inscribed to verso Jean August en Dominique Ingres (1780-1867) 32 x 40.5 cm, framed CONDITION REPORTS: Generally in good condition, expected wear, some crazing, over cleaned, frame re-gilded.
Los 122
A mid 19th Century Baxter print, 'The Princess Royal', framed, a Coventry silk portrait of the Rt Hon W E Gladstone MP, by W H Grant, woven in the Dundee exhibition 1888, framed, a 20th Century Mughal painted double panel picture, depicting warriors on horseback, framed and a small but decorative still life, framed (4).
Los 135
Seven various antique engravings depicting topographical views, including Nerbudda by J Shury, Our Coffee Shop by R M Bryson for Day & Son after Captain G F Atkinson, other similar, together with a photographic sepia portrait print of an Edwardian lady, an antique map of Calcutta, and a signed portrait painting of a dog, all framed (10).
Los 305
M A Mathers/Girl Dressing/He Went on Saying Things in a Very Low Voice/Self Portrait/Girl Bathing/signed/four pencil drawings/Note: Walter Sickert wrote in The Complete Writings on Art 'M A Mathers is a revelation of a brilliant talent'. An illustration of hers entitled 'Lil' appears in The New Age, vol VI no 10
Los 354
Early 19th Century English School/Portrait of a Young Man/with white stock and black coat/pastel, 58.5cm x 46cm Condition Report: The white appearance on the image is mostly the dirt on the outside of the glass. There is some water damage to the bottom of the picture with a waterline across around where his hand his.
Los 1914
1702-1714 AD. A shallow dished ceramic plate with borders of blue concentric rings, the centre with a half-length portrait of Queen Anne, with initials A - R at sides; paper reinforcements pasted to reverse, with typed label 'DELFT PLATE / probably Bristol / With Contemporary Portrait / of / QUEEN ANNE / 1702 - 1714' in six lines. 305 grams, 22.5cm (9"). Fair condition; cracked at centre and edges chipped. Rare. [No Reserve] Property of a Kent collector; by inheritance 1970; formerly property of Jack Smith, antiquarian and collector of Hebden Bridge, Yorkshire, UK, acquired 1920s-1960s. See Archer, Michael, Delftware - The Tin-Glazed Earthenware of the British Isles, Victoria and Albert Museum, 1997. The style suggests this plate was made in the Bristol area.
Los 195
Late 4th-late 3rd century BC. A gold diadem consisting of a twisted rope border with a series of heart shaped scrolls with applied acanthus leaves and flowers with gold wire detail and tear drop shaped settings with blue enamel, flowers recessed for red enamel inlay; central wire motif in the form of a Hercules knot with applied flowers and acanthus leaves with tear drop shaped setting with blue enamel; in the centre a amethyst cameo with the bust of a woman wearing a diadem and robes held at the shoulder by a brooch; one small flower element present but detached. 84 grams, 16cm (6 1/4"). Fine condition. Property of a Mayfair, London, UK, businessman; previously in an important South German collection since the beginning of the 20th century. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Cf. for another diadem of similar design and construction see an example in the Athens National Archaeological Museum, ex Helene Stathatos collection and said to be from Thessaly. Ref. Aikaterini Despini, Greek Art: Ancient Gold Jewellery, Athens, 2006 (text in English), pl.29-30, dated to the last quarter of the 4th century BC, and with further bibliography. There is a diadem of similar technique from Canosa, Southern Italy in the Tarentum Museo Archelogico Nationale, inventory number: 22.437, ref. Despini, Op. Cit. No.38, dated to circa 200 BC, and with further bibliography; for another example of similar design and construction refer to the example of a fragment of a diadem (about a third) from the Erotes Tomb, Eretria, Northern Greece, dated to the late 3d century BC, now in the Museum of Fine Arts, Boston (Inv. No. 98.798), ref. Herbert Hoffmann & Patricia F. Davidson, Greek Gold: Jewellery from the Age of Alexander, Brooklyn, 1965, p.60, no.3. Accompanied by an Art Loss Register certificate. Ancient Greek colonisation began at an early date, during the so-called Geometric period of about 900 to 700 BC, when many seminal elements of ancient Greek society were also established, such as city-states, major sanctuaries, and the Panhellenic festivals. The ancient Greeks were active seafarers seeking opportunities for trade and founding new independent cities at coastal sites across the Mediterranean Sea. By the seventh and sixth centuries BC, Greek colonies and settlements stretched all the way from western Asia Minor to southern Italy, Sicily, North Africa, and even to the coasts of southern France and Spain. Regional schools of artists exhibited a rich variety of styles and preferences at this time. Trading stations played an important role as the furthest outposts of Greek culture. Here, Greek goods, such as pottery, bronze, silver and gold vessels, olive oil, wine, and textiles, were exchanged for luxury items and exotic raw materials that were in turn worked by Greek craftsmen. After the unprecedented military campaign of Alexander the Great, more extensive trade routes were opened across Asia, extending as far as Afghanistan and the Indus River Valley. These new trade routes introduced Greek art to cultures in the East, and also exposed Greek artists to a host of artistic styles and techniques, as well as precious stones. Garnets, emeralds, rubies, and amethysts were incorporated into new types of Hellenistic jewellery, more stunning than ever before. The most important of the Black Sea colonies were Kyzikos, Sinope, Pantikapaion, and Olbia. The colonies along the shores of the northern Black Sea interacted with the local Scythian and Sarmatian peoples who prized the workmanship of the Greek goldsmiths with many examples having been found in the kurgans, or burial mounds, of the aristocracy. This diadem shows many similarities to work found in the Pontic region, as well as the diadem found with the female buried in the tomb of Philip II, father of Alexander the Great, at Vergina in Greece. The gold pectoral from Thick Barrow, Dnipropetrovsk Region, Ukraine, now in the Hermitage Museum, shares many similarities in style and technique with this diadem, particularly the use of fine wires and the scrolling flowers. The closest parallel to this piece is a gold diadem from Thessaly and dating to the fourth century BC, which is now in the Getty Museum, Malibu. The use of cameos on the front of diadems seems to be particularly associated with the eastern Greek craftsmen and their patrons, with the best known example being the Sarmatian crown from Khokhlach kurgan, now in the Hermitage. The image on this cameo could well be a portrait of the original owner, a highly important individual of the Pontic aristocracy.
Los 2597
1003-1009 AD. BMC type VIII variant. Obv: profile bust with radiate crown and +ÆDELRÆD REX A legend. Rev: long voided cross with +STEGNCTEL M'O LINC: legend for the moneyer Stegncil at Lincoln mint. Ex Pecunia MM HB, Sweden, before 2000. 1.41 grams. S. 1152 variant; N. 775 variant; Hild. - (but see 1891-1892 for normal Helmet type); See Smart, Veronica, A Subsidiary Issue of Æthelred II's Long Cross Type, BNJ XXXIV (1965), pp.37-41 for discussion of similar portrait style in the preceding type. This moneyer is only otherwise recorded for three Helmet coins of Lincoln (in EMC, SCBI and Hildebrand), but none for this apparent subsidiary type; other moneyers at Lincoln are recorded (Aelfsige (4 coins), Colgrim (1) and Wulfsige (1)) for the Long Cross type with similar portrait style. Good very fine; small split to flan edge. Extremely rare; possibly unique as this variant.
Los 219
A small miscellaneous collection to include a silver plated six divisional toast rack, a pair of chromium silhouettes with incised detail in the form of sail boats, Trent Valley Sailing Club, a small silver plated jug, six Edinburgh Crystal wine glasses, a pair of miniature framed paintings, one the portrait of an infant, the other a study of three ducks
Los 737
A 20th century oil painting on canvas in the impasto technique, shoulder length study of male and female characters, he wearing a wide brimmed hat, painted in tones of green, blue, black and white, signed bottom right Svala P and dated 68, 50 x 60 cm approx in gilt frame with linen slip, together with an oil painting on canvas, bust length portrait of a young woman dressed in blue, with Hebrew? inscription, signature and date '92 verso, 42cm x 42cm unframed
Los 76
A Wedgwood tri-colour vase of cotton reel shaped form with checkerboard decoration in pale blue, white and yellow, fitted with a circular flower holder, with impressed mark to base numbers 191 HB together with a boxed limited edition Wedgwood blue ground plaque of oval form with profile portrait of the Queen Mother, a green ground Wedgwood biscuit barrel and cover of cylindrical form with classical figure decoration and acorn knop, and a Tunstall Jasper ware biscuit barrel with hunting scene decoration and plated mount and handle
Los 804
A 19th century oil painting on canvas, half length portrait of a seated gentleman in black jacket and white cravat holding a leather bound book with indistinct name to the spine of the book Henry Burch (?) (possibly related to the maker of the sampler in Lot 772), inscribed verso - T Rudland, Portrait Painter, Lynn, dated December 28th 1846, 20 x 24 cm approx in moulded gilt frame
Los 275
AN EDWARDIAN PAINTED SATINWOOD FOLDING TOP CARD TABLE, with painted oval portrait panel and spray of wild grasses within a band of painted garden flowers, the baize covered interior with circular corner candle stands above a frieze fitted single drawer and raised on slender cabriole legs and pad feet. 80.5 x 37cm
Los 398
A JAPANESE KUTANI WARE CIRCULAR BOWL, 19th century, decorated in the traditional palette with figures in an interior, picked out in burnt orange and gilt against a white ground. 18cm diamter; together with a 19th century Queen Victoria Jubilee dish (1887), transfer printed with portrait medallion and title, within a wreath of oak leaves. 22cm diameter. (2)
Los 94
A DUTCH SILVER NEEDLE CASE Marked for Cornelis Hoek, Amsterdam, 1791 The cylindrical body applied with a portrait medallion of Hendrik Hooft, the lid decorated with a hound and inscription IK BYT OP MYN TYD, marked to the underside. 16 grams, 9,2 cm high Hendrik Danielszn. Hooft 1716-1794 was a highly successful merchant, banker and several times mayor of Amsterdam. He was one of the oldest members of the Dutch Patriot movement that strove for a more democratic government in the United Provinces and was in uenced by the ideas of Rousseau. They were against the absolutist rule of stadtholder William V of Orange and his wife Wilhelmina of Prussia. Hooft was seen as the father gure of the movement.
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283287 Los(e)/Seite