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Los 1

* Karsh (Yousuf, 1908-2002). His Royal Highness the Duke of Windsor, 1971, gelatin silver print portrait of the seated Duke facing left, with hands clapsed in front, typescript copyright title label on reverse, 30 x 23 cm, card mount (1)

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* Rhodes of Africa, 1936. A plaster cast relief portrait of Walter Huston as 'Rhodes of Africa', by D.J. Landi, approx. 22 x 15 cm., together with a related original Gaumont-British Picture Corporation Limited press book (2)

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* Postcards. My Film Favourites (so titled on upper cover), two albums, c. 1940s/50s, containing approx. 375 sepia portrait postcards of film stars, pub. Picturegoer, all in fine condition, postally unused, orig. cloth gilt, contained in orig. cardboard boxes (some wear), 4to (2)

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* Photos. A large group of b&w portrait photographs of actors, c. 1910s and later, including numerous signed studio portraits, including France Dhelia "The Butterfly of Paris" (with accompanying souvenir programme), Gladden James, Ned Finley, Harry T. Morey, Wally Van, George Cooper, Sidney Bracey, Gale Henry, Anita King, Marguerite Clark, Elisabeth Risdon, etc (a carton)

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Lauritzen (Einar & Lundquist, Gunnar). American Film-Index, 2 vols., 1908-1915 & 1916-1920, pub. University of Stockholm, 1976/84 respectively, numerous portrait illusts., printed in tone, orig. col. printed boards in d.j.s, a little rubbed and frayed to extrems., large thick 4to, together with Library of Congress. Catalog of Copyright Entries, Cumulative Series. Motion Pictures 1940-1949, 1950-1959, & 1960-1969, together 3 vols., pub. 1953/60/71 respect., orig. cloth, a little rubbed, 4to, plus Niver (Kemp R.), Motion Pictures from the Library of Congress Paper Print Collection, 1894-1912, pub. University of California Press, 1967, orig. green cloth, 4to, and three others related (Wonderful Inventions, Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress, ed. Iris Newsom, 1985, The New York Times Directory of the Film, intro. Arthur Knight, 1971 & Biograph Bulletins, 1896-1908, by Kemp R. Niver, 1971, limited ed. 252/1000), all in d.j.s, 4to (9)

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Spelter plaque, a portrait study of a warrior wearing a helmet with twin pegasus surmount, c1900

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Miniature portrait of a lady, painted by Johnson for Speaight of New Bond Street London, brass frame

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18thC portrait miniature on ivory of a gentleman (some paint loss)

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An 18thC portrait miniature in ivory of 'Lucy', the leather back up to the ivory, signed Montesson, decorative brass frame with bow surmount

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A 19thC circular portrait miniature on ivory of a girl seated at a table

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An early 19thC portrait miniature of a gentleman in blue coat

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Classical portrait study of a Grecian lady, oil, contemporary gilt frame

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C.R Gerrard, oils on canvas and sandbag, c.1940, portrait studies of WWII fighter pilots and an Indian gentleman

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Portrait after Salvador Dali of a semi nude female, oil painting, studio frame

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Oil on panel, portrait of "Madonna", gilt and ebonised frame (in the classical style)

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Portrait study of a lady wearing a red dress, a oval mount, gilt frame

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Camden (William). Camden's Britannia, Newly Translated into English, 1st Gibson edition, 1695, engraved portrait, 50 engraved double page maps by Morden and nine other plates of coins and antiquities, Shropshire with a little loss to corner, a few maps close-trimmed into border, two text leaves with marginal loss, modern panelled calf, folio Chubb CXIII. (1)

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Camden (William). Britannia: or a Chorographical Desctiption of the Flourishing Kingdoms of England, Scotland and Ireland, vols. 1 & 4 only (of 4), 2nd Gough edition, 1806, engraved portrait frontis., 19 engraved maps only (of 57), some leaves loose with minor marginal fraying, orig. boards with paper lables to spines, folio Sold as a collection of maps. Not subject to return. (2)

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Drayton (Michael), Poly-Olbion. or a Chorographicall Description of Tracts, Rivers, Mountains, Forests, and other Parts of this Renowned Isle of Great Britaine, with Intermixture of the most Remarquable Stories, Antiquities, Wonders, Rarityes, Pleasures, and Commodities of the Same: Digested in a Poem, 1st edition, 2nd issue, 1613, frontis. leaf with verses, additional engraved title and portrait of Prince Henry by William Hole, 18 uncoloured engraved double-page maps, each trimmed to engraved border and laid down onto 18th century paper (with some lifting), woodcut head and tail pieces, 18th century sprinkled calf, rubbed with some reapirs to extrems., folio Skelton 9. (1)

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Malvern. A manuscript account of a visit to Malvern in 1868, entitled 'A Fortnight's Sojourn in Malvern', 207 pp., handwritten in ink, in a neat hand, 38 leaves with eng. vign. views of Malvern and its surroundings, pub. Rock & Co., c. 1853-62, and fourteen eng. vign. illusts. of The Water Cure, by T. O., pub. Rock & Co., 1855-57, carte-de-viste portrait photograph of the author loosely inserted at front, contemp. half red morocco, modern reback, contained in modern purpose-made drop-over maroon morocco book box, 8vo, together with The Water Cure, pub. H. Barnard, Post Office, Matlock Bank, n.d., c. 1870s, twelve b&w cartoon illusts., bound concertina-style in orig. printed blue stiff wrappers, one or two folds, partly torn without loss, one fold restrengthened with clear archival tape,small chip to fore-margin of rear cover, and spine with some wear, slim square 12mo An attractive diary account of a visit to Malvern by R. B. (and his family) in 1868, a member of the Plymouth Brethren, resident in Guernsey. The diary gives interesting accounts of the scenery and topography of the region, as well as social encounters with friends and local people. (2)

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Nash (Treadway Russell). Collections for the History of Worcestershire, 2 vols., [1781-82], engraved vignette titles, folding map frontis. to volume one, 75 full page engraved plates only (of 76), lacking one plate only (mezzotint portrait of John Hough), numerous smaller engravings to text pages, untrimmed, later half calf and marbled boards, sl. rubbed, folio Internally a very good copy. Upcott pp. 1330-37. (2)

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A pair of Ludwigsburg flower pots and covers last quarter 18th century the first decorated on both sides with a profile portrait after the antique against a purple background the other painted with the portraits of gentlemen dressed in Renaissance style attire flanked by moulded swags tied together with ribbons the covers with leaf finial crowned interlaced C's in underglaze-blue impressed IP 11cm. 4.25in. (4)

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Three Vienna-style cabinet plates mid 19th century each painted with a portrait of a young lady in costume set against a soft pastel background the rims with different jewelled gilt scrollwork on a deep underglaze-blue ground two with titled scenes 'Good Morning' and 'Quellennymphe nach C. Kiesel' one with lobed rim pseudo shield mark in underglaze-blue and CH in circle in overglaze-blue 26cm. 10.25in.; 24cm. 9.5in.

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Property of a Family Two Wedgwood black basalt portrait busts of Shakespeare and Cicero early 19th century each raised on a socle base impressed WEDGWOOD marks Cicero with impressed title to reverse each approx. 37cm. 14.25in. (2)

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Two Wedgwood black basalt portrait busts of Locke and Joseph Addison early 19th century each raised on a socle base impressed WEDGWOOD marks Locke with impressed title to reverse each approx. 38cm. 15in. (2)

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A pair of Derby two-handled vases and a cover circa 1775 each oviform body painted with a head and shoulders portrait of a young woman the reverse painted with figures in landscapes inside oval gilt frames flanked by moulded laurel swags 25cm. 9.75in. one cover lacking some losses to applied beads; also a Derby figure of a young woman representing Peace small chips; and a Derby figure of a putto restored (5)

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An assorted collection of Varnish glass circa 1850 comprising seven vases of cased light green glass one silver and two ruby cased vases together with a cream and white opaline epergne in several detachable sections with a clear glass fitting supporting one central and three outer trumpets with three stylised leaves edged and trailed in ruby together with a miniature sulphide portrait of Robert Burns by John Ford and Co. signed J. Moor possibly part of a bottle or a vase the first group inset with inscribed discs for Hale Thomason's Patent and E.Varnish and Co. the epergne 56.5cm. 22.25in. the sulphide 6.5cm. 2.5in. (20)

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A St Louis faceted sulphide and a blue-ground sulphide paperweight circa 1850 one set with a cristallo-cŽramie portrait of Louis Napoleon in profile to sinister inscribed in blue on the shoulder encircled by a torsade of spiralling red and latticinio threads cut with one top window and three rows of circular printies the other with a portrait of a gentleman in profile to sinister on a cobalt-blue ground 7cm. diameter by 5.4cm. high 3.25in. by 2.125in. and 7.8cm by 5.3cm. 3.25in. by 2.125in. (2)

Los 1

A pearl-set tortoiseshell portrait snuff box the miniature of a lady by Louis-Ami Arlaud-Jurine (1751-1829) signed: Arlaud pinx. circa 1785 a blue ribbon in her powdered hair wearing a loose blue dress over a cross-draped white chemise pearl-set frame set into the lid of a circular tortoiseshell snuff box height of miniature 5.5cm 2.125in diameter of box 8.2cm 3.125in

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VICTORIAN SCHOOL, BLACK AND WHITE MEZZOTINT, Portrait of Lord Raglan, 26” x 16”, (A/F)

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LATE VICTORIAN SCHOOL, WATERCOLOUR, head and shoulders portrait of a young lady in white lace dress with flowers in her hair, 13” x 11”

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JOHN DOWNMAN, SIGNED AND DATED 1793, WATERCOLOUR, half length portrait of a lady in white silk dress, 8” x 6” (laid down and repaired)

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PIERO SANSALVADORE, SIGNED AND DATED 1947, INSCRIBED VERSO, OIL, ‘Homesick’, (portrait of a man seated) and a further UNSIGNED, DOUBLE SIDED OIL, portraits, 18” x 13”, (2)

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PIERO SANSALVADORE, OIL, self portrait, 17” x 13”

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18TH CENTURY ENGLISH SCHOOL, OIL, head and shoulders portrait of a Georgian gentleman in red velvet coat with white ruff, 29” x 23”, unframed

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19TH CENTURY ENGLISH SCHOOL, OIL, head and shoulders portrait of a gent in mourning coat, 23” x 19”

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LATE 19TH CENTURY SCOTTISH SCHOOL, OIL, portrait of a lady in garden setting, 21” x 17”

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JOSEPH HERMAN, CHARCOAL DRAWING, portrait of a young boy, 9” x 7”

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DOROTHY COLLES, OIL, portrait of a young girl with blond hair (see Artist’s label verso), 8” x 6”

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HANNAH CHROMINSKIA, SIGNED AND DATED 1986, OIL, portrait of a young lady, 26” x 19”

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CAROLINE F J ARMSTRONG, RMS, SIGNED (TOP LEFT) AND DATED 1890 (UNDER MOUNT), WATERCOLOUR, head and shoulders portrait of a young lady, 17” x 12”

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EARLY VICTORIAN SCHOOL, WATERCOLOUR, portrait of a gent seated looking left, 4” x 3”

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UNSIGNED, OIL MINIATURE, portrait of Sir Francis Drake, 2 ¼” x 1 ¾”

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UNSIGNED, OIL MINIATURE, portrait of King George IV, 1” x 1”

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18TH/19TH CENTURY FRENCH SCHOOL, OIL, head and shoulders portrait of a young child, 10” x 8”, unframed, A/F

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S WOOLSLEY, SIGNED, WATERCOLOUR, portrait of a Victorian gentleman seated holding a book, 12” x 10”

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SIR ALFRED JOHN MUNNINGS, SIGNED, PENCIL DRAWING, portrait of ‘Fred’, (an early drawing – see further information verso), 9” x 8”

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CIRCLE OF SIR GODFREY KNELLER, (18TH CENTURY ENGLISH SCHOOL), OIL, three quarter length portrait of a young lady in white silk dress with purple sash, holding a flower in her right hand, 29” x 24” within a carved wood frame

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EARLY/MID 20TH CENTURY AMERICAN SCHOOL, OIL, portrait of a Bohemian lady seated, 34” x 26”

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INDISTINCTLY SIGNED (MIDDLE LEFT), OIL, portrait of a young girl seated holding a black cat, 34” x 26”

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MISS MARY BRIANT (OF CHINSFORD HALL), OIL, three quarter length portrait of a young lady in white silk ball gown with red velvet wrap, dog in attendance, 35” x 26”

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EARLY 19TH CENTURY ENGLISH SCHOOL, PAIR OF OILS, portrait of father and daughter and mother and daughter, 19” x 16”, unframed, (2)

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VICTORIAN SCHOOL, OIL, head and shoulders portrait of a young gentleman in formal dress by a window, 17” x 13”

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EDWARDIAN SCHOOL, OIL, head and shoulders portrait of a gentleman, 9” x 7”

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VICTORIAN SCHOOL, PASTEL, head and shoulders portrait of a gentleman, 9” x 8”, A/F

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