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A REGENCY 18CT GOLD FRAMED MINIATURE PORTRAIT ON IVORY depicting a young woman in classical dress in glazed rococo style frame, woven lockets of hair on reverse, makers initials stamped on back of case 'JL' total weight 24.2gUK Ivory Act 2018 Exemption Submission Reference - XQ5JP3PK65mm high, 56mm wide
A FINE 19TH CENTURY RUSSIAN ROCOCO STYLE SILVER GILT, GUILLOCHE ENAMEL AND SEED PEARL SET PORTRAIT FRAME with easel back - hallmarked and makers stamp11cm high 6.5cm wideIn very good undamaged condition, with no missing pearls, no damage to the enamel, no damage or bends to the easel - difficult to tell if it is silver or gold, unable to identify the maker, please see close-up of hallmarks uploaded.
AN EDWARD VII COMBINED SILVER VESTA/MINIATURE PORTRAIT FRAME the hinged top and fold down side with gilt interior and oval aperture - hallmarked Birmingham 19024.5cm high 3.5cm wide in good overall condition, no dents to the case, light surface scratches throughout, the lid snaps shut but the hinge is dirty and would benefit from a clean/oil, the body hinge work correctly.
A FINE LARGE 19TH CENTURY KPM BERLIN PORCELAIN PLAQUE portrait of a young Italian lady, impressed mark to verso, also bearing original copyright details for Braun, Clement et Cie, Paris; The original painting by Angelo Asti, born Milano in 1847 - in decorative gilt moulded frame30.5cm high 25cm wide
MARGARET LINDSAY WILLIAMS (1888 - 1960). AN EARLY 20TH CENTURY PORTRAIT OF A LADY seated at a table - signed and dated 1914, mounted in a gilt swept frame.121cm high 106cm wide The painting is in unrestored original condition. It has not been relined. There is crazing to the surface but it is stable and there are two small areas of damage to the right side of the face which are clearly visible on the image. There is no other damage and the frame is also in good condition.
17TH/18TH CENTURY OIL ON CANVAS portrait of a lady, unsigned - in decorative gilt moulded frame73cm high 60cm wideThe painting has been professionally cleaned and relined having a small area of restoration to the bottom left-hand corner visible under black light. The frame is in good condition.
A 19TH CENTURY OIL ON CANVAS. FULL LENGTH PORTRAIT OF A YOUNG SCOTTISH LADY resting on a cannon with whiskey barrel - mounted with leaf moulded frame.45cm high 37cm wide The painting has been relined and there is a repair in the sky on the left-hand side and a small touched-up scratch to the right (see extra images), otherwise it is in good original condition.
A 17TH/18TH CENTURY OIL ON CANVAS. Portrait of a gentleman, unsigned - in decorative gilt moulded frame75cm high 82cm wideIt has been relined and reframed, no signs of restoration under a UV light, small puncture mark from behind in the canvas, see extra images, the picture has been cleaned and revarnished.
ATTRIBUTED TO ROGER ELLIOT FRY A LATE 19TH/EARLY 20TH CENTURY OIL ON CANVAS working portrait of a young lady, labelled on reverse and inscribed on canvas, in later gilt frame.39cm high 28.5cm wide The painting has been viewed under a black light and has no signed of restoration, there's is no tears or crazing. In very good undamaged condition.
ATT. ARTHUR DEVIS (1712 – 1787) A MID 18TH CENTURY OIL ON CANVAS - HALF LENGTH PORTRAIT OF TOWNSEND ANDREWS BRITISH POLITICIAN with applied name plaque dated 1750, mounted in a later moulded gilt frame - Townsend Andrews of Coulston, Wiltshire was a British official and Whig politician who sat in the House of Commons from 1727 to 1737 he was the eldest son of Thomas Andrews of Highgate Middlesex126cm high 100cm wide In good untouched condition, been relined, later frame, looked under a black light and one small area of damage to the top left corner, small area of blistering and the painting has damp marks under the varnish, would benefit from been cleaned and re varnished.
A LARGE ART NOUVEAU LIMOGES ENAMEL PLAQUE SIGNED JULES SARLANDIE A semi-nude portrait of a young lady with purple dress and floral red background, gilt signature lower right - The original painting by Angelo Asti, born Milano in 1847 - in walnut and leafwork gilt moulded framePlaque measures 32cm high 23.5cm wide
A PAIR OF 19TH CENTURY SCOTTISH NIAVE COCK FIGHTING PORTRAIT OILS ON CANVAS titled "Crooky" Herton Hero and "Nasty" Dulleen Hero - with further inscriptions on reverse, one signed DARVEY, distressed and un-framed63.5cm high 51cm wide Both in need of restoration having old repairs and tares in the canvas, loses to the paint throughout, they have not been relined and have there original frames.
Madeleine Coll (Lemaire) (1845-1928)Portrait of a lady wearing a blue dress standing in an interior holding a small bunch of roses, signed lower left, oil on canvas, 33cm x 22cm*Madeleine Lemaire was taught first by her aunt. She was a pupil in Paris of the artists Madame Herbelin and Charles Chaplin. Lemaire was a painter in watercolour and oils of still lives with flowers, especially roses, genre scenes and portraits. She exhibited at the Paris salon and the Societe des Aquarellistes from 1879. Lemaire illustrated many books notably those of Marcel ProustShe was a great Belle-Epoque period hostess and entertained amongst others Dumas fils, Anatole France etcLemaire enjoyed enormous success during her lifetime as a painter-so much so that she was known as the Empress of Roses
Rembrandt Harmensz. van Rijn -- Bildnis des Mennonitenpredigers Cornelis Claesz Anslo. Radierung und Kaltnadel. 18,7 x 15,7 cm. 1641. B. 271, White/Boon (Hollstein) 271, Nowell-Usticke 271 IV (von VI), Hinterding/Rutgers (New Hollstein) 197 IV (von V).Nowell-Usticke: "R- A scarce portrait." Vor der Hinzufügung der Adresse. Ganz ausgezeichneter Druck mit Rändchen um die Plattenkante. Etwas angestaubt, geringfügig fleckig, ganz schwach lichtrandig, schwache Bleistift- und Federannotationen im weißen Schriftrand unten, verso Montierungsreste, sonst schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Dyck, Anthony van -- Das Bildnis des Erasmus von Rotterdam. Radierung. 24,3 x 15,6 cm. Hollstein 5 II (von IV), Turner (New Hollstein) 4 III (von V). Wz. Siebenzackige Schellenkappe mit drei Kugeln. Aus der Folge der "Icones Principum Virorum", vor dem Monogramm G.H. und den gelöschten Ätzfehlern. Nach einem ehemals Hans Holbein zugeschrieben Portrait in Parma. Ganz ausgezeichneter, experimentell wirkender Druck mit zahlreichen leichten Wischspuren, leichtem Ton und breitem, oben etwas unregelmäßigem Rand. Kleine ausgebesserte Randeinrisse unten und links im sehr breiten Rand, rechts im weißen Rand zwei kleine und ein längerer Randeinriss, minimal lichtrandig, unscheinbare, geglättete Mittelfalte, partiell etwas gewellt, sonst sehr schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
With rear inscription on the canvas that reads: "Portrait of Don Juli‡n Sanz Polanco, born in Villa de Campo Real on July 28, 1761, elected Bishop of Segorbe on January 11, 1827. He died in that city on April 1 of 1831. Don Vicente L—pez Painted it". Oil on canvas, canvas measures: 56 x 43, framed measures: 81 x 66 cm. Provenance: important Catalan private collection.
ATTRIBUTED TO JOHN OBRISSET (ENGLISH, ACTIVE 1705-1728): A RARE PRESSED HORN OVAL PORTRAIT RELIEF, HISTORICALLY BELIEVED TO DEPICT SIR OLIVER LEADER OF STOUGHTON MAGNA (ALIAS GREAT STOUGHTON/ STAUGHTON), COUNTY HUNTINGDON BUT PROBABLY DEPICTING CHARLES IMounted within a white metal oval snuff boxThe portrait depicting a bearded male sitter, with flowing locks, clad in an armoured breastplate and flowing drapery set within the hinged lid of the oval box with reeded foot, the underside of the base with an engraved coat of arms including three downturned shells, two boars and one lion head within a scrolling border, the interior with a handwritten ink label reading The arms on the base are registered to Sir Oliver Leader of Stoughton Magna Co. Huntingdon; (Temp? Elizabeth) and his descendants. Rec..St Search F66 (?). July 24, 1895, W.E.G, 7.7cm long, 5.8cm wideFootnotes:ProvenanceThe collection of Sir Michael and Lady Oppenheimer DD (3rd Baronet, British, 1924-2020), Jersey, thence by family decent. Sir Michael Oppenheimer's maternal grandparents were Sir Robert Grenville Harvey, 2nd Baronet (1856-1931) and Lady Emily Blanche Harvey (1872-1935) of Langley Park, Buckinghamshire which was the Harvey Baronet's main family seat from 1788 until 1945.Sir Michael's paternal family wealth was derived from mining interests in South Africa and his father Bernard Oppenheimer, as Chairman of the South African Diamond Corporation, received a baronetcy from George V in 1921 for setting up diamond sorting factories to employ wounded ex-servicemen after the First World War. The Oppenheimer family was involved with the prestigious De Beers brand over the subsequent decades of the 20th century and Lady Oppenheimer DD (1926-2022) was a distinguished moral and philosophical theologian, with a particular interest in the ethics pertaining to personal relationships.Obrisset was a British sculptor, medallist, goldsmith and metalworker of huguenot descent, the son of Jean Aubrisset of Dieppe, who was a noted ivory carver.LiteratureSee P.A.S Phillips review 'John Obrisset and his works in horn and tortoiseshell 1705-28', London, 1931 by WK (William King, of the British Museum), Burlington Magazine, vo. 60, no. 347, February 1932, p. 120.R. Fedden,'John Obrisset a notable Huguenot craftsman', The Connoisseur, vol. 180, May 1872, pp. 13-17.For further information on this lot please visit Bonhams.com
Formerly the Property of Her Royal Highness The Princess Margaret, Countess of Snowdon A Victorian gold demi-parure, circa 1840, comprising a hinged bangle, brooch and ear pendants, of hollow form, designed as textured entwined knots suspending twin tassel pendant drops, contained in fitted case, ear pendants adapted with later screw back fittings, bangle inner diameter 5.7cm, brooch width 4.6cm, ear pendants length 4cm. Accompanied by the Certificate of Provenance from Kensington Palace, dated 13 June 2006, in original embossed brown leather folder. £4,000-£6,000 --- Princess Margaret was photographed on numerous occasions wearing individual pieces from this early Victorian gold suite as well as wearing the whole set together. One photograph with Mick Jagger taken after a Rolling Stones concert in the 1960s shows the Princess wearing the brooch to the centre of her dress. Unlike her sister, the late Queen Elizabeth II, who favoured wearing brooches on the traditional left, Princess Margaret followed her grandmother’s style and regularly wore them to the centre front of her neckline. In all photographs depicting the Princess wearing this suite, such as in the series of Snowdon family portraits from 1974, Princess Margaret wears the brooch to the centre of her outfit. In a slightly later and better known portrait taken by the photographer Norman Parkinson in 1978, Princess Margaret wears the tassel earrings from this suite together with the diamond and blue enamel bracelet she had received for her 21st birthday.
Of Royal Interest: Garrard. A gold commemorative coin watch, commemorating the 80th birthday of Her Majesty Queen Elizabeth The Queen Mother, No. 80/80, circa 1980. Movement: manual winding. Dial: gilt, Roman numerals. Case: 18ct, snap-on back, concealed within the gold coin, hinged cover finely engraved with Her Majesty’s portrait, the reserve with her personal Coat of Arms, cover opened by depressing a concealed thumbpiece in the band, no. 80/80. Signed: dial. Dimensions: diameter 34mm, depth 4mm. Accessories: certificate, presentation case, original packaging, correspondence with Garrard, invoice & original newspaper advertisement. £2,000-£3,000
DOUGLAS KIRK: (1916-2020) American actor, the recipient of an Honorary Academy Award. Signed and inscribed 8 x 10 photograph, an original publicity portrait of Douglas in a head and shoulders pose in costume as 'Jiggs' Casey from the American political thriller film Seven Days in May (1964). Signed in bold black ink to a clear area of the background. Together with a second signed and inscribed 8 x 10 photograph of Douglas in a three-quarter length pose, with a deck of playing cards in his hands, in costume as Randle Patrick McMurphy from the Broadway production of One Flew Over the Cuckoo's Nest (1963-64). Signed by Douglas in bold black ink to a clear area of the image. VG, 2 Kirk Douglas retained the rights to make a film version of One Flew Over the Cuckoo's Nest, although was unable to find a studio willing to make it with him. Eventually he gave the rights to his son Michael, who succeeded in turning it into an Oscar winning film starring Jack Nicholson and Louise Fletcher.
MOUNTBATTEN LOUIS: (1900-1979) British Admiral of World War II, later serving as the last Viceroy of India of British India (1947) and as the first Governor-General of the Dominion of India (1947-48). Signed First Day of Issue cover commemorating Winston Churchill and featuring his portrait and also bearing a postage stamp with his image, cancelled at Fulton, Missouri, 13th May 1965. Signed ('Mountbatten of Burma AF') by Mountbatten in fountain pen ink to a clear area of the cover. Together with Edwina Mountbatten (1901-1960) English heiress & socialite, the last Vicereine of India as wife of Viscount Mountbatten of Burma. Fountain pen ink signature ('Edwina Mountbatten') on a 12mo feint ruled piece. Accompanied by a T.L.S. by Nancie Lees, her Private Secretary, one page, 4to, Chester Street, London, 19th August 1946, to Wilson Barratt, apologising for the delay in responding to his letter and forwarding the signature of Lady Mountbatten. Some light age wear and minor staining, G to VG, 2
NEIL TOM: (1920-2018) British fighter pilot and flying ace with the Royal Air Force who participated in the Battle of Britain during World War II. T.L.S., Tom Neil, one page, 4to, Bungay, Suffolk, 14th April 2007, to Mr. Terry. Neil thanks his correspondent for their interesting letter and photographs and continues 'I knew Mungo-Park, though only distantly and very briefly. He was at Biggin Hill when I was flying from North Weald. I believe we first met at Hornchurch on Boxing Day, 1940, during a meeting with AVM Leigh-Mallory to discuss tactics in the New Year. I am surprised to learn that he was associated with Bolton as I understood he was born in Wallasey…..I believe the family was of Scottish descent and that he was related to a famous forebear who explored the Niger in West Africa around 1800. I well remember him being shot down and killed', further making reference to his new book Flight into Darkness and adding that he will be attending some print and book signings in London and Duxford, concluding 'As you will understand there are only a few of us left now who took part in the Battle of Britain'. Together with a 4 x 5.5 photocopy of a portrait of Neil by Cuthbert Orde signed by Neil in blue ink to a light area at the head of the image, and also including an 8.5 x 5.5 printed image neatly removed from a book showing various pilots of 249 Squadron standing together in full-length poses, individually signed by both Tom Neil and John Beazley (neatly mounted to card). Generally VG, 3 John Mungo-Park (1918-1941) British fighter pilot and flying ace with the Royal Air Force who participated in the Battle of Britain during World War II. Mungo-Park was killed in action in June 1941 at the young age of 23.
[MUSSOLINI BENITO]: (1883-1945) Italian Fascist Dictator of World War II. CARELL GHITTA (1899-1972) Hungarian-born Italian photographer of Jewish heritage, a favoured photographer among the aristocracy who helped build the imagery used in Fascist propaganda. A fine original vintage 9 x 11.5 portrait photograph by Carell, the soft-focus image depicting Benito Mussolini in a semi-profile head and shoulders pose wearing a light suit with two lapel pins and a dark tie. With the copyright blind stamp of Carell to the lower left corner, dated 20th January 1934, and also signed ('Ghitta Carell') by her in dark fountain pen ink to the lower right corner, adding the place, Rome, and words 'Reprod. violata' in her hand. Some very light, extremely minor traces of former mounting to the verso and a couple of small, minor corner creases, VG
GUDERIAN HEINZ: (1888-1954) German General of World War II, Knight's Cross winner with Oak Leaves. Guderian served as Chief of the General Staff of the German High Army Command 1944-45 following the 20 July plot to assassinate Adolf Hitler. Vintage signed colour 4 x 6 postcard, the image being a reproduction of Wolfgang Willrich's portrait of Guderian in a head and shoulders pose wearing his uniform and Knight's Cross. Signed ('Guderian') in fountain pen ink with his name alone to a largely clear area at the base of the image. VG
THATCHER MARGARET: (1925-2013) British Prime Minister 1979-90. Signed 6 x 5 commemorative postcard, issued on the Twenty-first anniversary of the election of Thatcher as a Member of Parliament for Finchley in 1959, featuring an oval inset portrait of Thatcher in a head and shoulders pose. Signed by Thatcher in blue ink with her name alone to a clear area beneath printed text. EX
AMERICANA: Small selection of signed cards, T.Ls.S., signed 8 x 10 photograph (1) etc., by various American politicians, all of whom served as Vice-Presidents of the United States, comprising Alben W. Barkley (Vice-President 1949-53) T.L.S., Alben W. Barkley, one page, 4to, Washington, 26th January 1949, to Miss. Rae Robins, on the printed stationery of the Office of the Vice President. Barkley thanks his correspondent for their letter and for having sent a copy of her poem Inaugural Day in Washington, continuing to remark 'I have read the poem with great pleasure and congratulate you upon its composition…' , together with a fountain pen ink signature ('Alben W. Barkley') on an oblong 12mo card; Hubert h. Humphrey (Vice-President 1965-69) T.L.S., Hubert H. Humphrey, one page, small 4to, Washington, 23rd August 1968, to Karl-Heinz Fleitmann, on the printed stationery of the Vice President, informing him that he cannot comply with a request for a handwritten manuscript, adding 'However, I hope you will enjoy the enclosed copy of the speech I gave when I announced my candidacy for President along with the official portrait I have autographed for you as requested', together with the official printed copy of the speech referred to, delivered in Washington on 27th April 1968, and accompanied by a signed and inscribed 8 x 10 photograph of Humphrey seated in a three-quarter length pose, signed in bold black ink to the lower white border, 'To Karl-Heinz Fleitmann, with best wishes, Hubert H Humphrey'; Nelson A. Rockefeller (Vice President 1974-77) Large portion of a D.S., Nelson A Rockefeller, one page, small 4to, Albany, 1st December 1964, convening a Legislature in Extraordinary Session for the 15th December 1964 'for the purpose of considering legislation enacting a new State legislative apportionment and districting plan', countersigned by the Secretary to the Governor and with a gold circular blind embossed seal affixed. Some light staining and minor age wear, G to generally VG, 6
PORTMAN NATALIE: (1981- ) Israeli-American Actress, Academy Award winner. Very attractive signed colour 8 x 10 photograph of Portman, the colourful image depicting the awarded actress in a close-up portrait pose, wearing a red beret. Signed by Portman in bold blue ink with her name alone to a clear area of the image. EX

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