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283287 Los(e)/Seite
Los 1194
CRICKET / SPORTING MISCELLANY Cricket: Wisden 1947 softback, The 1985 Cricketers' Who's Who by Iain Sproat, England v Australia 1964 Rothmans Test Almanack and a colour team group card with printed autographs underneath for the Australia 1964 Touring Team. Plus a First Day Cover for County Cricket 1873-1973, a W.G. Grace portrait postcard and a button badge for the England, New Zealand and India Test Series 1986. Tennis: Wimbledon programme 3/7/1991. Ice Hockey: New York Rangers magazine 1943/4 No. 5. Generally good
Los 759
BOBBY CHARLTON / MANCHESTER UNITED A 10.5" fine bone china limited edition plate issued by Crown of Staffordshire, Well Played Bobby On Your 100th Cap and his portrait in the centre, surrounded by all the countries he played against 19/4/1958 - 21/4/1970. No. 13 of 750 issued. Plus 7 Manchester United official magazines from 1990's. Good
Los 47
Geoff Tristram - Print, 29cm x 29cm. Framed and glazed. Geoff Tristram is a professional illustrator and cartoonist and has worked for hundreds of well-known companies, including Penguin Books, the BBC, Ravensburger Puzzles, Trivial Pursuit, Embassy World Snooker, Wedgwood and Royal Doulton. He has designed album sleeves for UB40 and other well known bands and postage stamps including for Prince Charles and Diana?s Wedding. In 2016 he was asked by Stratford upon Avon Council to paint the official 400th anniversary portrait of Shakespeare. Provenance: Acquired by Dorothy Claxton in February 2019.
Los 46
Geoff Tristram - Watercolour and pen, 17cm x 20cm. Framed and glazed. Geoff Tristram is a professional illustrator and cartoonist and has worked for hundreds of well-known companies, including Penguin Books, the BBC, Ravensburger Puzzles, Trivial Pursuit, Embassy World Snooker, Wedgwood and Royal Doulton. He has designed album sleeves for UB40 and other well known bands and postage stamps including for Prince Charles and Diana?s Wedding. In 2016 he was asked by Stratford upon Avon Council to paint the official 400th anniversary portrait of Shakespeare. Provenance: Acquired by Dorothy Claxton in February 2019.
![Auden (W.H.) Poems, first edition, [one of 1000 copies], original paper wrappers, detached, spotting, chipping to edges, 1930](https://cdn.globalauctionplatform.com/1d73193c-af02-477e-8a1f-aadc00fbb77a/eb5ba2c7-5044-4201-9cef-aae200a01b50/468x382.jpg)
Los 5
Auden (W.H.) Poems, first edition, [one of 1000 copies], original paper wrappers, detached, spotting, chipping to edges, 1930 § Blunden (Edmund) Retreat, first edition, faint spotting, original cloth, slight bumping to spine extremities, dust-jacket, rubbed, slight chipping and creasing to extremities, 1928 § Lewis (Alun) Ha! Ha! Among the Trumpets, first edition, portrait frontispiece, original cloth, faint spotting, price-clipped dust-jacket, rubbed and browned, 1945 § Graves (Robert) Lars Porsena, original cloth, dust-jacket, 1972; and others, poetry, 8vo (c.35)
Los 112
Tolstoy (Count Lev Nikolayevich "Leo") Anna Karenina, 2 vol., first Constance Garnett-translated edition, 'Presentation copy' blind stamps to titles, portrait frontispieces (a little foxed), ink ownership inscriptions to endpapers, original cloth, spines darkened, spine ends and corners a little bumped, 8vo, 1901.⁂ The rare first edition of Constance Garnett's translation (and the second English translation overall), which would become one of the most popular translations for much of the 20th century. We can trace no other copy online or at auction.
Los 176
ALMA-TADEMA LAWRENCE: (1836-1912) Dutch-born English Painter. Vintage signed and inscribed sepia cabinet photograph of the artist in a head and shoulders pose. Photograph by John Collier of New Street, Birmingham and bearing his imprint to the lower mount (his name crossed through in ink) and verso. Signed ('L Alma Tadema') in ink to a light area at the base of the image. The inscription, to a Dr. Williamson, is a little light although reasonably legible. Together with an A.L.S., L Alma Tadema, one page, 8vo, Grove End Road, St. John's Wood, 11th November 1891, to Dr. Williamson. The artist states that he has returned home and feels much better as a result of his correspondent's care and the rest he enjoyed at Ventnor, further adding 'I wish not to be quite forgotten in the Isle of Wight & send you therefore my portrait which please keep as a memento of one who is happy to have made the acquaintance of you & yours…..' With blank integral leaf. Some light foxing and age wear to the photograph, otherwise VG, 2
Los 145
EMIN TRACEY: (1963- ) English Artist. Signed colour 6 x 4 postcard, being a reproduction of her self-portrait entitled The Last Thing I Said to You is Don't Leave Me Here I (2000). Signed ('Tracey Emin') in blue ink with her name alone to a clear area of the background. Together with a second colour 6 x 4 postcard, being a slightly different reproduction of the same self-portrait, signed and inscribed in blue ink by Emin to the verso and dated 2009 in her hand. VG to EX, 2
Los 122
RENOIR PIERRE-AUGUSTE: (1841-1919) French Impressionist Painter. A fine, lighthearted A.L.S., Renoir, one page, 8vo, n.p. (Paris), n.d. (1892), to Paul Berard (‘Mon cher ami’), in French. Renoir announces ‘I just ran into the American in Graincourt, and suddenly I asked her if she wanted to come over for lunch tomorrow, and have some Wagremont hare. Aah! Aah! For real. This good Sir and this good Madam are well, how nice’ and further adds ‘We are going to have fun. Tomorrow will be a big celebration in Montmartre, and we’ll drink your health’. In a postscript, again signed by Renoir with his initial R, he informs Berard that he has arrived at his destination and that ‘rabbit and hare reunited’. With blank integral leaf. Accompanied by the original envelope hand addressed by Renoir to Berard at the Chateau de Wagremont. A letter of good association. VG Paul-Antoine Berard (1833-1905) French Banker and Renoir’s most important patron. After meeting in 1878 the two men became good friends and Berard commissioned several paintings from Renoir, including his own portrait completed in 1880. The artist was a frequent guest at Berard’s lavish family estate at Wagremont, near Dieppe in Normandy, during the 1880s where he was given the freedom to paint without interruption. Curiously Renoir writes ‘bonne Monsieur’ and ‘bon Madam’ in the present letter, confusing the masculine and feminine adjective agreements, perhaps as a private joke between himself and Berard to mock the way Anglophones (or the American referred to in the letter?) mix up the gender of nouns when speaking French.
Los 34
WHALE JAMES: (1889-1957) English Film Director of Frankenstein (1931) and other horror films. An excellent, rare original pencil and watercolour drawing signed (‘J. Whale’) by Whale, one page, small 4to, n.p., 1920. Whale has drawn a fine costume image of the actor Dirk Daniell wearing a tweed checked suit and purple cravat and waistcoat as he lumbers forwards with his long arms hanging before him, the sleeves of his suit jacket evidently too short. Annotated in pencil by Whale at the side ‘Dirk Daniell as “Mr. Hawkins”’ and signed and dated in pencil at the foot of the sketch. Autographs of James Whale are extremely rare in any form and this is a particularly desirable example. One minor crease to the upper left corner and with some extremely minor traces of former mounting to the verso, otherwise VG Dirk Daniell (d.1926) English Actor, son of Frank Daniell (1868-1932) English Portrait Painter who exhibited at the Royal Academy between 1889-1921. Following the end of World War I, Whale returned to England (having been a Prisoner of War) and tried to find work as a cartoonist. Unable to secure a permanent position, in 1919 he embarked on a stage career, working as an actor, set designer and stage director and it is from this period of Whale’s career that the present drawing dates. It has long been debated as to whether it was James Whale or make-up artist Jack P. Pierce who created actor Boris Karloff’s familiar on-screen appearance as Frankenstein’s monster, with his shortened coat sleeves and awkward, lumbering gait. These characteristics are certainly evident in the present drawing and would certainly indicate that it was in fact Whale who devised the monster’s look for his 1931 movie.
Los 274
FAMOUS MEN & WOMEN: A good miscellaneous selection of signed clipped pieces, cards, Free Front envelope panels, A.Ls.S., T.Ls.S. etc., by a wide variety of famous men and women including William Spooner (to Henry Acland), Hedy West (illustrated with a self-portrait), Bertrand Russell, Thomas Babington Macaulay, Annie Besant (2; one an A.L.S. stating, in full, 'I am as poor as most Socialists, having only what I earn & having my means of earning very much restricted by all the public work I am doing. What I can possibly give I give, but I can't go as far afield as a club in Norfolk while thousands of the children in my personal charge are wanting bread', 1890), E. Sylvia Pankhurst, Edward Pellew (signed as Viscount Exmouth), Eric Rosenthal, Berkeley Guise, Ellen Askwith, Viscount Combermere, Edward Ryan (Titanic survivor), Philip Stanhope, 5th Earl of Chesterfield, William Merrilees (7) etc. A few FR, generally G to VG, 28
Los 143
FREUD LUCIAN: (1922-2011) German-born British Painter. Signed colour 4 x 4.5 reproduction of Freud’s painting entitled Naked Portrait (1972-73) depicting a naked lady lying on a bed alongside a small table with several paint brushes upon it, signed by Freud with his initials (‘L.F.’) in bold gold ink to a clear area of the image. Annotated in pencil in the hand of a collector to the verso, ‘Obtained for me in 2007 by Frank Auerbach. Freud hated signing & apparently this is the best F.A. could do for me!’. Rare. Very slightly irregularly trimmed to the lower edge, otherwise VG Frank Auerbach (1931- ) German-British Painter. Both Auerbach and Freud were prominent members of the ‘School of London’ and Freud painted a portrait of Auerbach in 1975-76
Los 27
THEATRE: A folio hardbound album containing over 130 signed clipped pieces, a few quotations, letters and signed photographs (various sizes, some trimmed) by various Edwardian stage actors and actresses, entertainers, some opera singers and musicians etc., each laid down in multiples to the pages, including Frederick Kerr, Leon Quartermaine, Algernon Ashton, John Martin-Harvey, Weedon Grossmith, Edward Terry, Cyril Maude, Henry Irving, Nellie Melba (2; one a printed 4to programme for a Melba Matinee at the Pleasure Gardens Theatre, Folkestone, 16th July 1910, signed to an inside page beneath her portrait and also signed by John Lemmone, Edmund Burke, Mark Hambourg, Mischa Elman and Percy Kahn), Adelina Patti, Emma Albani, Isabel Jay, Lilian Braithwaite, Olga Nethersole, Marie Tempest, Ethel Irving, Squire Bancroft, Arthur Bourchier, Herbert Beerbohm-Tree, Julia Neilson, William Gillette, Lewis Waller, Winifred Emery, Madge Kendal, Charles Wyndham, Ben Webster, Arthur Compton, Benoit-Constant Coquelin, Irene Vanbrugh, Mrs. Patrick Campbell, Queenie Leighton, Dan Leno, Arthur Pinero, Seymour Hicks, Phyllis Dare etc. Lacking the spine and back cover and with some extensive damp staining and age wear, affecting many of the signatures and photographs to varying degrees. FR
Los 299
PEGOUD ADOLPHE: (1889-1915) French Aviator who became the first fighter ace in history during World War I. A rare vintage signed postcard photograph by Pegoud, the aerial image depicting the aviator landing his plane at the Aerodrome Bleriot having completed a flying loop. A crowd of onlookers can be seen rushing towards the aircraft. With a circular inset portrait of Pegoud and brief printed caption in French at the head of the postcard. Signed ('A. Pegoud') in bold, purple fountain pen ink with his name alone to a clear area at the head of the image. Autographs of Pegoud are rare in any form as a result of his death at the age of 26 when he was shot down and killed in action during World War I. About EX
Los 58
LAHR BERT: (1895-1967) American Comic Actor, famous for his role as the Cowardly Lion in The Wizard of Oz (1939). A good vintage signed and inscribed 11 x 14 photograph, a close-up portrait of Lahr. Photograph by Ray Fisher of Miami, Florida, and bearing his credit stamp to the verso. Signed by Lahr in bold blue ink to a light area at the head of the image. Some very light, extremely minor age wear, otherwise VG
Los 396
MANDELA NELSON: (1918-2013) President of South Africa 1994-99. Nobel Peace Prize winner, 1993. Book signed (twice), being a hardback edition of Long Walk to Freedom – The Autobiography of Nelson Mandela, First Edition published by Macdonald Purnell, South Africa, 1994. Signed by Mandela twice in silver ink to the front of the colour printed dust jacket, featuring a head and shoulders portrait of Mandela, both signatures dated 19th June 1996 in his hand. Some very light, minor age wear, VG
Los 65
Joyce (James) A Portrait of the Artist as a Young Man, first edition, original blindstamped cloth, spine rubbed and faded, light rubbing and some discolouration to extremities, still a very good example overall, [Slocum & Cahoon 11], 8vo, New York, 1916.⁂ The true first edition, published in America.
Los 131
Wren (Percival Christopher) Beau Geste, limited edition, signed by the author, portrait frontispiece, plates and illustrations by Helen McKie, original cloth-backed boards, paper label to spine, light fading to spine ends, dust-jacket, spine darkened, spine ends and corners chipped, tear to head of spine, upper joints broken creasing to head, large 8vo, 1937.⁂ The limited edition of Wren's classic adventure novel, detailing the exploits of the 3 brothers who join the French Foreign Legion.
Los 745
LEAD PLAQUE mounted on an oak board, portrait of Elizabeth I derived from the portrait by Isaac Oliver. Ascribed in arch above the monarch's 'Eliz H REG A AD 1585' 35.5cm x 21.5cm Provenance: By repute removed from Theobalds Palace (the home of the Tudor kings) during restoration work. The Plaque was purchased in 1900 from a workman involved in the demolition of Temple Bar in Fleet Street. From 1900 thence by descent.
Los 698
SIR GODFREY KNELLER (1646-1723) A portrait of Queen Anne, circa 1702, signed "G. Kneller F", oval, oil on canvas, the frame with an old label inscribed "Queen Anne Sir G. Kneller", 75cm x 60cm. This is a version of the painting now in the Royal Collection painted in 1702. Probably the other autograph version which was formerly in the collection of the Earls of Dartmouth at Patshull.
Los 662
ENGLISH SCHOOL PORTRAIT MINIATURE OF JOHN LOCKE wearing a dark blue jacket over an open collared white shirt, the blue enamelled reverse set with the sitter's name and dated 1694 in beads or micro-pearls, 6.5cm x 5cm in a brass frame surmounted by foliate c-scrolls and a scallop shell John Locke (1632-1704) was an English philosopher and physician, widely regarded as one of the most influential of Enlightenment thinkers and commonly known as the 'Father of Liberalism'
Los 668
REMBRANDT HARMENSZ VAN RIJN (1606-1669) 'Jan Cornelis Sylvius', signed and dated 1633 within the plate, the reverse inscribed in ink with a monogram in a 17th century hand, etching, the sheet 17.5cm x 14.75cm, mounted on a card, the top corners stuck down; together with another etching 'Peasant in a high cap, standing on a stick', signed and dated 1639 within the image, 8cm x 4.5cm (2) Jan Cornelis Sylvius (1564-1638), a preacher in the Dutch Reformed Church in Amsterdam beginning in 1610, was the legal guardian of Rembrandt's wife-to-be, Saskia van Uylenburgh, at the time this portrait was made. It was to Sylvius that Rembrandt made his appeal for Saskia's hand. This portrait undoubtedly helped engineer the old man's consent, for Saskia and Rembrandt married the year after its completion. His hands clasped over his Bible and his head covered by a skullcap, the early Sylvius (Rembrandt executed another, posthumously, in 1646), conveys the asceticism of this religious scholar.
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283287 Los(e)/Seite