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283287 Los(e)/Seite
Los 775A
JOHN WADSWORTH. Small folio of watercolour and gouache designs, Egyptian Revival interior with a woman, 56cm x 38cm; man wearing animal skin fighting a serpent, 39cm x 54cm; head and shoulder portrait of a young woman on tracing paper; ink and paper Art Nouveau surface pattern design; figural pencil sketches and book plate designs. PART ILLUSTRATED.
Los 642
Wilfred G. May, in the style of William Russell Flint, pastel portrait of a young girl with red hair, 10" x 8", and four other portraits W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. . . . . .
Los 643
Wilfred G. May, in the style of William Russell Flint, pastel portrait of a young girl with blonde hair, Signed and dated 96', 13" x 10", and four other portraits W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.
Los 650
Wilfred G. May, in the style of William Russell Flint, watercolour portrait of nude female with blonde hair, signed and dated 94, 19" x 15", and four other full-length portraits of females W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.
Los 654
Wilfred G. May, in the style of William Russell Flint, watercolour full-length portrait of a girl in a white dress, signed, 12" x 8", and four other portraits W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.
Los 656
Wilfred G. May, in the style of William Russell Flint, watercolour of a female nude, signed and dated 1978, 13" X 6", one other portrait, one still-life and two landscapes W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.
Los 673
Wilfred G. May, watercolour, portrait of the artist's wife, signed W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 8 x w: 7 in.
Los 677
Wilfred G. May, watercolour, blonde in pink trunks, signed and dated 1939, 10" x 8" and a watercolour of a female nude, brunette, waist-length portrait W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 7 x w: 6 in.
Los 679
Wilfred G. May, oil, portrait of a ballerina in black tutu, 20" x 14", with a preliminary sketch, 12" x 9" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.
Los 729
Peter Schmidt 1931-1980, German, abstract portrait in browns and greens, heavy impasto, oil on canvas, PROVENANCE: From the Derek Sorrell Collection. An acquaintance of Derek Sorrell purchased the art from the artist's family and Derek Sorrell bought it some years later. Peter Schmidt was born in Berlin, Germany in 1931, he studied Art at Goldsmith's College London and at the Slade School of Fine Art. He had a number of individual shows in the 1960's and 70's including the Lisson Gallery, London in 1968, a number of group shows in the 1950's and 60's and examples of his work can be seen in the collections of the Arts Council of Great Britain and the Victoria & Albert Museum. h: 40 x w: 30 in.
Los 743
Patrick Dolan 1926-1980, Irish, study for a portrait in white, red and yellow, PROVENANCE: From the Derek Sorrell Collection. Purchased in the 1980's from a friend of the artist. Patrick Dolan was born in Ireland. He was an associate of Francis Bacon. In 1965 he became a member of the Penwith Society of Arts. In 1962 Dolan shared a show with Anthony Shields and Alan Wood at Gallery 60 in Chichester, organised by Rawlinsky Gallery. In 1965 he shared an exhibition with Wood at Queen Square Gallery in Leeds and showed with the Midland Group in Nottingham. h: 24 x w: 16 in.
Los 770
George Charlton, English, portrait of a gentleman in a brown suit, shirt and bow tie, signed G. Charlton, oil on canvas board, PROVENANCE: From the Derek Sorrell Collection. Purchased in the mid 1980's from the Charlton home in New End Square through a friend of the Charlton's. George Charlton was a member of staff at Slade School of Art from 1919. He was an exhibitor at the New English Art Club since 1915 and became a member in 1925. His works have been purchased by the Tate Gallery and he has had exhibitions at various London, provincial and overseas galleries. Publications include Illustrations for Wolff's 'Anatomy for Artists' and others. h: 14 x w: 10 in.
Los 42
A SET OF EIGHT DECORATIVE JAPANESE WOODBLOCK PRINTS, each depicting flowering foliage, 7" x 5 1/2", framed in four; two Bartolozzi portrait engravings (late strikes) an engraved view of the North East prospect of the Parish Church of St Alphage near Sion College, a coloured engraving 'The Happy Shepherds', after N Berchem; and a colour etching 'Rockets' by Agathe Sorel, dated 1960, the last item unframed (13).
Los 99
MARGARET ARRIDGE (B 1921) Deauville fishing boat, signed, pen, ink and watercolour, 8 1/2" x 10 1/2" and various other works to include 'Rocque Gageac, (Dordogne): 'Hailsham High Street'; 'Study of a sleeping dog'; 'Study of a barn'; and a portrait of a gentleman; together with a hand coloured aquatint engraving, View of the nave of Rheims Cathedral, signed 'Wild' verso. All but the latter two items framed (7).
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283287 Los(e)/Seite