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283287 Los(e)/Seite
Los 243
Ramsey,Portrait, half length of a mother and her daughter,oil on relined canvas, signed and dated 1806,86 x 69cm.Condition report:Heavily and extensively restored. Old relining. Craquelure ironed-in. Evidence under UV of more recent overainting. Frame perhaps original but rather 'scrubbed' finish.
Los 201
Edward Hodges Baily, A young lady, marble portrait bust, inscribed E H BAILY R.A. / Sculpt LONDON / 1833, on a turned circular socle, 72cm; on an alabaster column with spiral twisted section, octagonal plinth, 107cm. Footnote:Exhibited: possibly London, R.A., 1834, No. 1083, ‘A Lady of Quality’.
Los 104
Y A FINE FRENCH GILT FRETWORK AND PORTRAIT MINIATURE INSET GRANDE-SONNERIE ALARM CARRIAGE CLOCKUNSIGNED, PARIS, CIRCA 1900 The eight-day two train movement ting-tang striking the quarters on a graduated pair of gongs and sounding the hour every quarter hour on the larger of the two, with silvered platform lever escapement regulated by sprung split bimetallic balance and alarm sounding on the smaller gong, the backplate stamped with serial number 342 to the lower left hand corner, the dial with circular white enamel Roman numeral disc decorated with concentric repeating polychrome floral swags to centre and with Arabic five minutes to outer track, with gilt trefoil hands set within a fine bright-cut engraved and pierced foliate scrollwork rectangular mask incorporating conforming subsidiary enamel Arabic alarm setting dial to lower margin, the gilt brass bevel-glazed anglaise riche variant case with spiral reeded baton to the hinged carrying handle over thick top glass, complex moulded inverted breakfront cornice and fluted frieze, the angles with twist-reeded three-quarter columns with Corinthian capitals and the sides with fine foliate pierced and engraved frets incorporating oval line delineated panel enclosing fine portrait miniatures of Marie Antoinette opposing Madame Elizabeth each executed on ivory set behind a convex glass, the rear with bevel-glazed door, on generous cavetto over ogee moulded inverted breakfront skirt base incorporating shallow block feet, the underside with G'de Sonnerie/P'te Sonnerie/Silence selection switch; with a Morocco covered outer travelling case including winding key.The clock 17.5cm (7ins) high with handle down, 11cm (4.25ins) wide, 9cm (3.5ins) deep. Provenance: Private collection, East Midlands; previously the property of Lord and Lady Swaythling. Although this rather impressive high-quality current clock appears to be unsigned it does share some strong similarities with the work of LeRoy and Fils, and can be compared to less ornamental example sold in these rooms on Wednesday 24th June 2020 (lot 98).Please note Dreweatts have an ivory exemption licence for this lot 4J9QZTH1Condition Report: Movement is running and the striking mechanism is operational. The grande-sonnerie works except for at quarter to the hour (last quarter) when the strike fails to activate (strikes correctly when repeat button is pressed during the last quarter). This suggests that a release pin is to the under-dial work is either missing or out of alignment hence would most likely be a simple repair. Clock otherwise is fully operational including the alarm and strike selection lever to underside, however a gentle/clean service is advised. The dial is in fine condition with no visible faults other than some very slight discolouration to the minute hand. The case is essentially in near immaculate condition with good strong gilding throughout and no visible damage to the glasses (including those for the portrait miniatures). The right-hand side miniature appears to have a very slight surface blemish (possibly a restored crack?) to the background behind the figure's head (towards right hand margin). Faults to the case are otherwise very much limited to a few tiny barely noticeable bumps.The outer travelling case appears original to the clock but is fairly heavily worn with broken strap handle and missing button inserts for the repeat button and clasp. The interior is in sound condition. Clock has a winding/setting key. Condition Report Disclaimer
Los 98
A FINE FRENCH GILT BRASS ANGLAISE RICHE CASED PORCELAIN PANEL INSET MINIATURE CARRIAGE TIMEPIECE THE PANELS BY LUCIEN SIMONNET, PARIS, LATE 19th CENTURY The rectangular eight-day single train movement with silvered platform lever escapement and stamped with number 1782 to the lower left-hand corner of the backplate, the rectangular porcelain dial with musical trophy decorated centre to the white Roman numeral chapter ring and blued steel hands set within a polychrome painted Middle-Eastern landscape depicting a Mosque and minarets beside a lake, the anglaise riche case of Mignonnette No. 3 size with hinged reeded-baton centred carrying handle and bevelled top glass over moulded cornice with fluted frieze and Corinthian three-quarter columns with plain shafts to angles, the sides with finely painted porcelain panels depicting three-quarter length portraits of women in romanticised Middle-Eastern dress before buildings and incorporating monogram LS to lower right hand corners, the rear with bevel-glazed door, on ogee-outline base with pad feet. The clock 9cm (3.5ins) high handle down, 5.3cm (2.125ins) wide, 4.5cm (1.75ins) deep. Provenance: Private collection, East Midlands. The work of Lucien Simonnet (1849-1926) is discussed by Larry L. Fabian in his article Carriage Clock Porcelain. Artistic pedigrees hiding in plain view published in ANTIQUARIAN HOROLOGY December 2019 (pages 501-13). Simonnet was a Sevres trained painter of porcelain who appeared to specialise in producing the finest figural panels often based on works by well-known artists of the period. Fabian highlights three examples with three-quarter portrait panels after Emile Vernet-Lecomte and Charles Louis Muller executed in the romantic historic Middle-Eastern 'Orientalist' style. A fine grande-sonnerie striking carriage clock with push-button repeat and alarm also incorporating painted porcelain panels by Louis Simonnet was sold in these rooms on 24th June 2020 (lot 131) for £4,500 hammer.Miniature carriage clocks are called Mignonnettes or 'little darlings' and come in three graded sizes with No. 1 being the smallest.Condition Report: The movement appears all original, the spring is wound and the balance wheel free to oscillate however the clock is not running most likely due to the escapement itself been 'gummed-up' with old lubricant. The mechanism is generally a little discoloured neglected and there are a couple of drops of congealed oil on the backplate. The dial is free from noticeable damage although the centre appears to show some very light rubbing to the glaze. The case is generally in fine condition with minimal wear to the gilding and the glasses appear free from visible damage including corner chips. Both side panels appear free from visible damage however the left hand panel appears to have received some very slight restoration (retouching) to the rear edge adjacent to the corner pillar shaft probably to address some slight edge chipping.Timepiece does not have a winding key. Condition Report Disclaimer
Los 152
After Alfred Charles Havell (British, 1855-1928) portrait of 'St Simon' in his stable,engraving, signed by A.C. Havel in pencil on lower margin with blind stamp, glazed and framed, overall 70 by 80cm.Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Los 206
A bronze medal commemorating Pierre de Coubertin and the 50th anniversary of the International Olympic Committee 1894-1944, signed Tore Strindberg for Sporrong & Co., the obverse with a portrait in raised relief and inscribed PIERRE DE COUBERTIN, 23 JUIN 1894 -SORBONNE, the reverse with a classical victorious athlete and adoring figures, inscribed 50me ANNIVERSAIRE DES JEUX OLYMPIQUES LAUSANNE JUIN 1944, additionally bearing Olympic rings and motto CITIUS, ALTIUS, FORTIUS, diameter 50mm.
Los 27
A white glazed pottery jug commemorating the Welsh heavyweight boxer Dai St. John circa 1900, colour printed portrait with hand painted naming, the reverse with gilded inscription DAI ST. JOHN, WHO FELL AT THE BATTLE OF BELMONT, moulded scrolling, condition poor, pitting, internally and extrenally, crazing extternally, crack internally and externally (shown in images) originally with gilt detailing to rim, now virtually all rubbed David Jones was born at Resolven, Neath, 1st April 1871. He fought under the name of Dai St. John and in an era before regulated championship titles was the self-proclaimed Heavyweight Champion of Wales after beating Cardiff boxer John O'Brien. He was very tall for the time standing 6ft 3in. and was a coal miner who got into boxing by supplementing his income in illegal fights and at fairgrounds. When fight opportunities dried up St John joined the British Army and was tragically killed in the 2nd Boer War at the Battle of Belmont, 23rd November 1899.
Los 272
A print and three books of real tennis interest,engraved portrait of the player Charles Delahaye known as "Biboche", signed AM in the plate, inscribed in pencil joueur de paume, good condition, mounted, framed & glazed, 64 by 48cm.; together with three reprints of classic tennis titles, Robert Lukin's "A Treatise on Tennis" 1991 limited edition of 100, this copy numbered 92 and signed by Dr Michael Wooldridge, deluxe quality in slipcase; and two copies of the 1987 reprint of Badminton Library "Tennis, Lawn Tennis, Rackets, Fives" (4)Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Los 28
James Jeffries Championship Souvenir boxing playing cards, American, circa 1909,22 from the original deck of 52, the reverse of each featuring a named photographic portrait of Jeffries, the faces featuring named portraits of boxers of fight scenes comprising (hearts) Billy Papke, Tommy Burns; (spades) Owen Moran, Packey McFarland, Kaufmann v Jack Twin Sullivan and McGovern v Young Corbett; (clubs) Robert Fitzsimmons, Welsh v Attell, Moran v Attell, Trainor v Tighe, Schlossberg v Alteri, Fredericks v Rafferty, McFarland v Welsh; (diamonds) Bill Squires, Battling Nelson, Burns before a fight, Squires before a fight; O'Brien v Fitzsimmons, McFarland v Britt, Nelson v Britt (twice but different photos), ans "Two Jims", reasonable condition
Los 382
England 1966 World Cup autographs,20 collected on World Cup Willie England Winners Autographs cards; the other two members of the squad Bobby Moore and Jimmy Armfield signed on white card the Moore bearing an artist's portrait; manager Alf Ramsey's signature also represented in the lot, signed on white card; the lot also including a signed colour photo of Roger Hunt; sold together with autographed Alf Ramsey and Bobby Charlton letters, the Ramsey letter on his personal headed paper and dating to May 1974; the Charlton on Preston N.E. letterhead; sold together with a Stanley Matthews signed 80th Birthday First Day Cover
Los 42
Framed memorabilia display for the England v Australia 5th Ashes Test, at Kennington Oval, 15th August 1953,comprising two 5.5 by 8in. b & w action photographs; two signed b & w player portrait photographs of W.J. Edrich and D.C.S. Compton; an official score card, with details filled in in ink and pencil; an England player signed autograph page, signed by 17 members; an Australian player signed autograph page on Australian Board of Control for International Cricket headed paper, signed by 17 members, some faintly signed; mounted as a display with title "England Regain The Ashes 1953", glazed and framed, overall 57 by 73cm.This was the first time the Ashes returned to England after WWII.All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Los 148
1st century B.C. A gold ring comprising a round-section gold hoop and inset a later amethyst cabochon, intaglio portrait bust of a goddess looking right. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 143, for type. 4.67 grams, 23.43 mm overall, 17.60 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12) (7/8 in.). Acquired 1970-2010. Collection of a late Japanese gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11323-190881. The gemstone shows a portrait of a young girl, maybe the goddess Demeter or Ceres-Hecate-Artemis, with a portrait style which seems contemporary to the ring. Demeter and Hecate were linked to the afterlife cult, so it is possible that the ring was a funerary gift. [A video of this lot is available to view on Timeline Auctions Website.]
Los 451
18th century A.D. A gold finger ring with hoop formed of two parallel rods divided to support the bezel; tapering elliptical bezel with inset cast glass intaglio portrait bust in profile of a bearded male with short curly hair. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, p.982, for type. 9.62 grams, 23.35 mm overall, 17.07 x 18.44 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13) (1 in.). Acquired 1970s. Collection of jewellery formed by a lady.
Los 471
19th-20th century A.D. A marble head depicting a notable Roman general or patricius, modelled in the round with short tousled hair combed forward onto the brow in typical military style; broad forehead with heavy ridge and deep-set eyes; mounted on a custom-made display stand. For examples of Roman period sculture on which this head may have been modelled, see Levick, B., Vespasian (Roman Imperial Biographies), London, 1999, for discussion; see Bonanno, A., Roman Relief Sculpture to Septimius Severus, BAR Supplementary Series 6, Oxford, 1976; see Felletti Maj B.M., Museo Nazionale Romano, I Ritratti, Roma, 1953; see Bianchi Bandinelli, R., L'arte Romana nel centro del potere, dalle origini alla fine del II secolo d.C., Roma, 1969; see Scrinari, V. S. M., Sculture Romane di Aquileia, Roma, 1972; see Fittschen K., Zanker P., Katalog der römischen Porträts in den Capitolinischen Museen und den anderen kommunalen Sammlungen der Stadt Rom. Bd. I. Kaiser und Prinzenbildnisse, Mainz am Rhein, 1985; see Brizzolara, A.M., Le sculture del Museo Civico Archeologico di Bologna, La collezione Marsili, Comune di Bologna, Bologna, 1986. 16.8 kg total, 40 cm high including stand (15 3/4 in.). Ex Jack Silver collection, 1970. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11426-192110. Possibly the portrait of Lucius Licinius Sura, an influential senator and close friend of Emperor Trajan.
Los 267
Four Victorian and later novelty book vesta cases, comprising, two metal examples one for 'The Ram, Wandsworth', both approx. 4.5cm in length, a gold painted example with a portrait of Disraeli 4.5cm in length, and a larger tortoise shell example 6cm, together with a brass and leather covered lighter in the form of a book (5)
Los 77
Jocelyn Galsworthy (British, b.1942) 'Ian Botham', dated 2004, red chalk portrait drawing of Botham, signed by the payer and artist, glazed and framed, overall 87 by 67cm. This was one of a whole series of portraits that were exhibited at Lord's in September 2004 and formed the basis of the book Lords of Cricket by Galsworthy. The drawings were all done from life and not copied from photographs.
Los 124
4th-5th century A.D. A life-size limestone head of a man characterised by an elongated oval face and hieratic features, slender brows over almond-shaped eyes, slender nose with broad nostrils, slender lips, textured hair drawn back from the face, flat backed; mounted on a custom-made display stand. Cf. Daim, F., Ladstatter, S., Bisans Doneminde Ephesos (Ephesus in the Byzantine Period, in Turkish) Istanbul, 2011, pp.163ff, figs.17-24; cf. also the portrait of Empress Aelia Flaccilla in the Metropolitan Museum of Art, accession no.47.100.51. 5 kg total, 34.5 cm high including stand (13 5/8 in.). With Me Conan Auction, Lyon, 12 February 1974, lot 98. Ex Mr Lelon's estate. With HVMC Vide ses entrepots, Ho?tel des Ventes de Monte-Carlo, 12 May 2021, lot 106. Accompanied by an original French cultural passport no.224623. After the breakdown of sculptural production in the period of military anarchy, donations of honorary statues were again common from the period of the Tetrarchs and onwards. Display of portrait statuary in late Antiquity was concentrated in the streets of the cities, like in Ephesus, where similar statues, dated to the 5th or 6th centuries A.D., were found in the streets and public buildings. They mainly represented imperial magistrates, or members of the Imperial family, whose portrait was carved ex novo, and the bodies were often reused old statues.
Los 52
AN 18TH CENTURY SEVRES ROYAL BLUE PORTRAIT CABINET CUP AND SAUCER with jewelled and gilt panelled decoration enclosing a named portrait panel and flower garland spray to the saucer centre - each named beneath and with interlaced blue crossed L mark centred by a capital T6.75cm high 13.5cm diameterThe saucer is in good undamaged condition and the gilding is in good order. There are some losses to the turquoise enamel beads in the centre. The cup is in good undamaged condition, with only one enamel turquoise bead missing on the portrait border. The gilding is also in good order on the cup. Both pieces are dirty and would benefit from a clean.
Los 603
A 19TH CENTURY PORTRAIT OIL ON CANVAS LAID ON WOOD PANEL depicting a mother and daughter in a garden setting - unsigned, in gilt moulded frame30.5cm high 24cm wideThe painting is in good undamaged, unrestored condtion, we have looked over it edith a black light and can see no restoration, the planet is warped and split from behind, this hasn't come through to th epainting but it is warped, the oil paint has crazing.
Los 633
HUGH DOUGLAS HAMILTON (1739 - 1808). A PAIR OF GEORGE III OVAL PORTRAIT PASTEL DRAWINGS inscribed on reverse Member Grattons Parliment Ireland artist Hugh Hamilton depicting a portrait of Henry Gratton and an Officer of the British Army - in glazed gilt moulded frames, signed.25cm high 20cm wide
Los 154
A selection of jewellery, comprising: an amethyst and seed pearl cluster brooch, in gold mount (tests as 9ct gold), with steel pin, 2.6g gross, 3.4cms long; a 9ct yellow gold cable link chain, 7.6g; a gold plated locket pendant, with portrait and hair plait to interior; and a rolled gold charm bracelet.
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283287 Los(e)/Seite