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283287 Los(e)/Seite
Los 649
Joseph Slater, R.A. (1782-1837), A lady drawing and two gentleman, watercolour and pencil, signed and dated London 1824 lower left hand side, framed and glazed, 39.3cm x 49.5cm; together with a half length portrait in watercolour and pencil of a seated gentleman, signed and dated London 1819 lower left hand side, and another similar, signed and dated London 1821 lower left hand side
Los 154
Collectible black and white premium poster print on lustrous photo paper with POD substrate. High quality print features a portrait of actress Grace Kelly wearing a pearl necklace and a black scoop neck top. Everett Collection printed to lower right corner. Dimensions: 16"L x 12"WCondition: Age related wear.
Los 160
The Chapman Collection. During Hollywood's Golden Era he perfected the "glamour" portrait." Here, 275 of his classic duotone photos are brilliantly reproduced, using archival prints that preserve his dramatic lighting effects. Includes protective plastic encasing. Contains 223 pages. Artist: Mark A. VieiraIssued: 1997Dimensions: 9.25"W x 12.25"HManufacturer: Harry N. Abrams, Inc.Country of Origin: New York, United StatesCondition: Age related wear.
Los 6008
Portrait einer Dame von " Arnold BÖCKLIN (1827-1901) " ??? Öl auf Leinen ,( Doubliert )Verso betitelt : Frau Marie Berna später die Gattin des Grafen Waldemar von Oriola , beim Besuch in Böcklins Artelier in Florenz 1880 . Unten Rechts Signiert ( Monogramm ) Maße : 46 x 38,5 Dieses Gemälde wird als ungeprüft angeboten !!!
Los 57
Mela Muter (Maria Melania Mutermilch), Männliches PortraitÖl über Kreidevorzeichnung auf Leinwand. 100 x 66,5 cm. Auf Keilrahmen. Oben links mauvefarben signiert 'Muter' und rückseitig auf der Leinwand schwer leserlich betitelt 'Portrait de Roudsouder' [?]. - Auf einem Papieretikett handschriftlich schwer leserlich bezeichnet 'Portret Rudsuda[...] chiarau [?] Kommunist'. - In sehr gutem Zustand.ProvenienzGalerie Gmurzynska, Köln (mit Aufkleber auf dem Keilrahmen); Galerie Bargera, Köln (mit Aufkleber auf dem Keilrahmen); Privatsammlung Schweiz
Los 529
Aenne Biermann, HelgaVintage, Gelatinesilberabzug. 21,5 x 17,8 cm. Rückseitig mit Bleistift betitelt 'Tochter Helga' und eigenhändig beziffert '2270', mit Photographenstempel sowie von fremder Hand bezeichnet.ProvenienzNachlass Franz Roh; Privatsammlung, RheinlandLiteraturMonika Faber/Janos Frecot (Hg.), Portrait im Aufbruch. Photographie in Deutschland und Österreich 1900 - 1938, Ausst.kat. Albertina Wien u.a., Ostfildern 2005, S. 121 mit Abb.; Simone Förster (Hg.), Die Neue Wirklichkeit. Fotografie der Moderne aus der Stiftung Ann und Jürgen Wilde, Ausst.kat. Pinakothek der Moderne, München, München 2011, Abb. auf dem Buchtitel; Simone Förster/Thomas Seelig (Hg.), Aenne Biermann. Fotografin, Ausst.kat. Museum Folkwang, Essen u.a., Zürich 2020, S. 99 mit Abb. und Abb. auf dem Buchtitel
Los 145
51-55 A.D. Depicting Nero as a young boy, either as crown prince or within the first year of his reign in his first known portrait type, unequivocal with his long hair fringe. For the bust type cf. denarius of Nero and Agrippina dating to 55 AD; Roman Silver Coins: RSC 4, Roman Imperial Coins: RIC 7, and Roman Coins and their values, Sear 2044. 2.17 grams, 17 mm (5/8 in.). Ex Paul Munro Walker collection, Bournemouth, UK, 1970s. Private collection of Alexander Cotton, Hampshire, UK, sold October 1986. From a gentleman's London, UK, collection, in the 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12104-216215.Dr Ittai Gradel writes: 'Date is AD 51-55. On most glyptic portraits from shortly after he became emperor, so 54-55, he is shown laurelled .. However, on the coins he is shown also bare-headed even as emperor in 54-55 (second coin, denarius). Again, on coins his bust is shown draped only before he became emperor in 54 (first coin, aureus), but cameos show him draped also as emperor (as e. g. the Marlborough one: but there are several known). It is therefore not possible to say if the emerald shows him as crown prince or as emperor, and I cannot date it more precisely than 51-55.'
Los 1780
17th-18th century A.D. Comprising: landscape with farm buildings, cows and horses; accompanied by a portrait, an impression of Rembrandt by Thomas Worlidge, printed 1757, torn. 11 grams total, 14.5 x 13.5 - 15.2 x 9.5 cm (5 3/4 x 5 1/4 - 6 x 3 3/4 in.). Private collection, Suffolk, UK.The 'portrait of a man' shows clearly the influence of Rembrandt's self-portrait studies, e.g. 'Self Portrait with Saskia' of 1636. The landscape scene resembles 'Landscape with Cottage' drawn in the 1650s. [2, No Reserve]
Los 1902
Circa 16th century A.D. With flanges to the shoulders and rectangular bezel set with a portrait bust of St Barbara; floral motifs to the hoop and panel with 'en bon an' legend ([I wish you] a good year). 8.05 grams, 26.04 mm overall, 18.50 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17) (1 in.). Private collection, Arundel, West Sussex, UK, 1975-late 1990s. [No Reserve]
Los 1905
20th century A.D. Comprising: portrait-format tapestry depicting a riverside landscape with houses in the distance, animals in the middle distance in a pool, figures and wading birds in the foreground; offered with booklet Egyptian Landscapes: weaving from the Ramses Wissa Wassef School. See Egyptian Landscapes: weaving from the Ramses Wissa Wassef School, The Ramses Wissa Wassef (UK) Exhibition Foundation for similar examples and discussion. 1.07 kg total, 23 x 17-101 x 61 cm (9 x 6 3/4 - 39 3/4 x 24 in.). From the private collection of the late Mrs Belinda Ellison, a long time member of the Egyptian Exploration Society, c.1940-2020. [2, No Reserve]
Los 3003
Dated 1893 A.D. Columbian Exposition. Obv: portrait of Christopher Columbus facing right with the denomination below, *UNITED STATES OF AMERICA* COLUMBIAN HALF DOLLAR. Rev: the ship Santa Maria sailing to the left above two half planispheres that divides the date 1493 with a legend around the rim and the date below, WORLD'S COLUMBIAN EXPOSITION CHICAGO / 14 92 / *1893*. KM#?117. 12.42 grams, 30 mm. . Acquired on the UK art market. Property of an Essex, UK, gentleman. [No Reserve]
Los 319
Italy, 5th-7th century A.D. Round-section hoop with applied granule trefoil to each shoulder, ellipsoid bezel with beaded wire collar, stepped cell, inset silver plaque with niello-filled design of a stylised portrait bust with legend above '+MISI[T]'; inked legend to reverse 'f20' and old Christie's tag. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 487, for type. 8.50 grams, 23.40 mm overall, 19.15 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (1 in.). with Christies, sale 3498, 11 December 2014, lot 291. Accompanied by an original Christie's lot tag. [No Reserve] (For this specific lot, 5% import VAT is applicable on the hammer price.)
Los 359
Circa 15th century A.D. Each a rectangular block with carved male head; the figure looking to his right wearing a low chaperon with thick rolled brim; the other figure wearing a close-fitting cap with broad upturned rim; each mounted on a custom-made stand. The cap similar to the style worn by Thomas Cromwell in the portrait by Hans Holbein the Younger in the Frick Collection, New York, Accession no.1915.1.76. 62.55 kg total including stands, 43.5-44.5 cm deep (17-17 1/2 in.). Believed from the West Country, UK. Acquired from Lichen Garden Antiques, Oxfordshire, UK, in 2012. Property of a Kent collector. [2, No Reserve]
Los 365
Italy, circa 1500 A.D. With raised rim, nimbate bust of Christ in profile with long beard and shoulder-length hair, folded collar to the mantle; dove above with wings spread between sun and moon, each with a facing mask; inscription I.N.R.I. visible on either side of the portrait; mounted on a velvet-covered stand. Cf. Strong, R., 600 Years of British Painting: the Berger Collection an the Denver Art Museum, Exhibition catalogue, Denver, 1999, for history of the artefact; for a similar icon see a plaque in the Walters Art Museum, accession no.54.68. 216 grams, 10.1 x 6.6 cm (4 x 2 5/8 in.). with Pierre-Richard Royer, 2010. Ex central London gallery.The icon represents the profile bust of Christ found on a Byzantine emerald, whence it is known as an 'Emerald Icon'. The emerald was one of the several holy objects sent to Pope Innocent VIII in the 1490's by the Turkish Sultan Bajazet II. The icon was considered one of the Christianity's most precious relics. The letters I N R I stand for 'Iesus Nazarenus Rex Iudaeorum,' i.e.' Jesus of Nazareth, King of the Jews' This is the inscription that, according to the Evangelist John, Pilate had written on the plaque above Christ's head on the cross. The sun and moon allude to the cosmic significance of his sacrifice. [No Reserve]
Los 383
Northern France, circa 1600 A.D. Irregular panel with lead frame, detailed portrait of a bearded male with short hair, wearing a shirt with folding collar and dentilled hem, repaired. 188 grams, 23 cm (9 in.). De Baecque Vente, Paris, France, 5 March 2022, no.58. Ex central London gallery. [No Reserve]
Los 91
Hellenistic, 3rd-1st century B.C. Carved in the round with thick wreath of laurel leaves to the brow, short tousled hair, stern face with thick jaw; mounted on a custom-made stand. 23.7 kg total, 42.5 cm including stand (16 3/4 in.). with Artemis Gallery, Munich, Germany, before 1998. with Oliver Forge, London, UK. Private collection, acquired from the above. Accompanied by a copy of an Art Loss Register certificate. Accompanied by an academic report by Prof. Neritan Ceka. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12092-218139.The life-size head represents an adult male, probably still in his youth. The man is depicted with a short hair, and probably wearing a diadem of which the lower edge is partially visible. The size, the use of marble, and the quality of this work suggest that it was a portrait of a nobleman or possibly a prince of the Hellenistic period. (For this specific lot, 5% import VAT is applicable on the hammer price.)
Los 78
Y  EDITH JANE MAAS (1861-1925) DOUBLE PORTRAIT OF DORA AND ARMORER WILLIAMS IN AN INTERIOR Watercolour and bodycolour on ivory Signed with monogram EJM 16 x 12.5cm (6¼ x 4¾ in.) Set in a richly moulded ormolu frame, with motto to base "Si Je Puis", in a glazed rosewood easel frame 37.5 by 31cm Dorothea Louisa Wynn "Dora" Williams (otherwise known as Mrs Romer Williams) was a great aunt of Cherry Palmer. She is depicted with her daughter Armorer, circa 1892. Armorer went on to marry Charles Campbell, the 9th Earl of Breadalbane. SALEROOM NOTICE: The description has been updated and differs from the printed catalogue. The monogram is for the artist Edith Jane Maas (1861-1925). She had painted Queen Alexandra in 1893 and in 1898 Chalon Williams, president and a founder of the Society of Miniature Painters described her as being "among the best" of miniature portrait painters of her generation. She exhibited regularly at the Royal Academy of Arts, the Royal Miniature Society, the Walker Gallery (Liverpool), the London Salon, and the New Gallery (London). Please note, Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref:KXX81UR1) Condition Report: SALEROOM NOTICE: The description has been updated and differs from the printed catalogue. The image slightly faded with some loss of pink to the skin tones. Generally otherwise seems to be in good condition albeit in sealed frame, dust and residue under the glass, some wear to frame with scuffs to corners, loss around screws to reverse, scuffs and scrapes to reverse. Recessed brass hanging sections to reverse top of frame. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Los 86
Y  WILLIAM WOOD (BRITISH 1769 - 1810) A PAIR OF PORTRAIT MINIATURES OF CATHERINE COBHAM AND HER HUSBAND JOSEPH MARTYR She wearing white dress with a coral necklace, he in blue coat and white stock she in a later gilt metal frame, signed to reverse "**illegible** Will: Wood, Cork St. Lond.", he in contemporary glazed gilt metal case with a blue enamel and hairwork reverse, applied with entwined initials 'JM' She visible image 7.8cm, frame 9.3cm high, he visible image 7.5cm, frame including loop 9.3cm high Joseph Martyr married Catherine Cobham in 1798 and they were staying with Catherine's childless uncle Alexander Cobham at Shinfield in July 1809. Alexander fell from his horse on his way home from Reading and was rendered tetraplegic. He was rescued and taken home. That night, with his solicitors (Blandy & Blandy) peremptorily summoned, and only hours before his impending death, he changed his will to cut out other nephews and leave everything to Catherine's son (whom she had with foresight christened Alexander Cobham Martyr), on condition that the boy changed his surname to Cobham. This he did, together with his parents, and thus did Miss Cobham/Mrs Martyr become Mrs. Cobham, and Alexander Cobham Martyr become Alexander Cobham Cobham, great great grandfather of William Palmer Please note, Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: FNANYYUS) Please note, Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref:9ZNXQFSS) Condition Report: He in what looks to be original frame- her frame later- both with some colour muting from daylight exposure and with dirt under glass. She with horizontal crack to upper area of ground- he seemingly good- reverse of his frame with cracks to blue glass and scattered losses and loose pearls Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 241
SIR OSWALD BIRLEY (BRITISH 1880-1952) PORTRAIT OF ARTHUR GIBBS Pencil on 62 St. James's Street writing paper Signed with initials (lower right) 19.5 x 24.5cm (7½ x 9½ in.) Condition Report: Unexamined out of glazed frame. Vertical crease to centre of sheet and horizontal crease to centre of left side of sheet. Otherwise appears to be in good original condition. Condition Report Disclaimer
Los 242
SIR OSWALD BIRLEY (BRITISH 1880-1952) PORTRAIT OF BARBARA GIBBS Pencil Signed and dated 1920 (lower left) 13 x 8.5cm (5 x 3¼ in.) Condition Report: Unexamined out of glazed frame. Creasing to the sheet most notable running horizontally across the sheet approx. 2cm up from the bottom with some light staining. A tear approx. 2cm to right side of sitter's hair at centre right edge. Pin hole to upper corners. Condition Report Disclaimer
Los 628
A 19th Century Continental portrait miniature pendant, depicting a young woman with basket in a landscape, the garland frame is set with seed pearls, (some seed pearls missing), hinged glass locket panel to verso, unmarked & untested, fitted purple and brown leather case, measuring approx. 6.5cm x 3.5cm, 18.2grams.
Los 558
A mixed group of jewellery, including a 22ct yellow gold wedding band, UK hallmark, size R1/2, 3.5grams; a 9ct rose gold buckle ring, UK hallmark, size M1/2, 3.0grams; a 9ct gold flower & foliate brooch, UK hallmark, 1.7grams; a ring set with five turquoise cabochons with foliate engraved shoulders, unmarked & untested, size Q, 3.1grams; a portrait miniature pendant with openwork mount, unmarked & untested; and a silver ring and two ornate brooches, (8).
Los 42
Beatles and rock interest to include:- McCartney, Linda "Sixties Portrait of an Era" published by Pyramid Books 1992, black and white colour photographs throughout text, signed on ffep by Linda McCartney, black cloth with white titles, dust wrapper price clipped Dylan, Bob "The Drawn Blank Series", Halcyon Gallery 2008, colour plates throughout, pictorial ep, white cloth, silver titles, dust wrapper, folio "Paul McCartney Paintings ...", a Bullfinch Press book, published 2000, colour plates and illustrations and text, pictorial ep, yellow cloth, dust wrapper, folio Gunther, Kurt (photographs) and Rayl, A J S "Beatles '64 A Hard Days Night in America", Double Day, published 1989, numerous black and white photographs throughout the text, black cloth, dust wrapper not price clipped, a souvenir programme for Jimmy Page and Robert Plant World Tour 1995 McCartney, Linda "Linda's Pictures, a Collection of Photographs", Jonathan Cape 1976, laminated dust wrapper onto the boards Geldof, Bob "Tales of Boomtown Glory", Faber (2019), lime green ep, grey cloth with yellow and grey titles Dylan, Bob "Tarantula", MacGibbon & Key 1971, purple cloth, dust wrapper not price clipped Stephens, Cat "Teaser and the Fire Cat", written and illustrated in various languages to include Chinese, French, German, Greek, Hebrew, etc, published by Bernard Jacobson, London, colour plates, limp pictorial boards Bern, Sharon and Woolf, Rossetta (ills) "Message in a Bottle by Sting", published by Virgin Books 1981, the book on plastic ring bind and shaped as a bottle The Beatles Magical Mystery Tour, two 45rpm records and accompanying book within card pictorial covers and other related volumes (1 box) Condition Report please find image of the signature
Los 82
Bindings - Hallam, Henry "Introduction to the Literature of Europe...." John Murray 1872, four vols, frontis portrait vol I, full leather, prize binding for Charterhouse School, raised bands, gilt titles, marbled endpapers and all edges, Thomson, W.M. " The Land and the Book...." T. Nelson & sons, 1884, tree calf, gilt decorations, gilt titles and raised bands to backstrip, all marbled edges and endpapers, school prize certificate inside front board, front board slightly detaching, " Tales from Blackwood" William Blackwood & Sons, six miscellaneous vols, half leather over marbled boards, gilt tiles and pastedown to back strip, marbled end papers and all edges (11)
Los 74
Camden, William "Britannia: or a Chorographical Description of the Flourishing Kingdoms of England, Scotland and Ireland....translated from the Edition published by the Author in 1607, Enlarged by Richard Gough" in four vols, printed for John Stockdale by J. Nicholas and Son 1806, frontis portrait to vol I, numerous folding maps, plans and ills throughout all four vols, some off setting, contemporary full calf with gilt Greek key pattern to edges, backstrips with compartments, raised bands and gilt titles, leather is rubbed on all edges, elephant folio (4) (not collated at present) (4) bookplate inside front boards.
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283287 Los(e)/Seite