King Edward VII & George V. A collection of approx. 40 press photographs of King Edward VII and King George V, c. 1890s-1920s, containing mostly portrait images of Edward VI and other members of the Royal Family, portraits of King George V and Queen Mary, and George V inspecting troops and on other official visits, mostly approx. 10 x 8 inches and similar, contained in two modern plastic files (2)
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Longfellow (Henry Wadsworth, 1807-1882). Autograph letter signed, Cambridge [Massachusetts], 13th February 1856, thanking [George Routledge] for his kindness in sending copies of the new edition of his Poems, 'The volume is a very elegant one, and the illustrations admirable', requesting a note be forwarded to Mr. Gilbert, asking for one or two proof impressions of the portrait if available, the last part concerning "Hiawatha", 'I think you will acknowledge that I could not with a very good grace pass over Mr. Bogue, my old publisher, an doffer it to another house. It would hardly have been a handsome action, unless I were dissatisfied with what he had done', 4 pages, a little dust-soiled, 8vo (1)
Tennyson (Alfred, Lord, 1809-1892). Autograph letter signed ('A. Tennyson'), Farringford, Freshwater, Isle of Wight, 8th February 1871, thanking [the publisher George Routledge] for the cheque for 75.4[s.] 'due to me on account of my Illustrated Poems after January 1870', regretting a problem concerning a medallion portrait and continuing, 'There is a full-faced photograph of Mr. Woolmer's bust of me which is very good but then I fear it would have to be paid for', thanking Routledge for the interest in his 'little set of unpublished poems "The Window"' which were not intended for publication except with music by Sullivan, explaining that Mr. Payne, his then publisher, had taken the poems from his drawing-room table and subsequently published them in his Tennyson Concordance without the author's permission, and concluding 'the composer and his brother wrote such pathetic letters that I agreed not to put a stop to it by withdrawing "The Window"', with an initialled postscript written vertically at the letter's head offering to supply the name of the American publisher to whom "The Window" was offered, 4 pages, 8vo.
*Wiltshire - George IV. Ornate Vellum Recovery document, dated 12th May 1823, at Westminster, with large portrait of the King in initial letter and decorative top border, in which William Price claims against George Chilton four-sixths of twelve messuages, six gardens, one thousand acres of land, four hundred acres of meadow, one hundred acres of furze and heath and common pasture for all manner of cattle with appurtenances in the Parish of Highworth and Wanborough as his right and inheritance, with large complete royal wax seal in tin skippet, small break at top of seal (1)
Holbein (Hans). The Dance of Death; from the original designs of Hans Holbein, illust. W. Hollar, printed for J. Coxhead, 1816, half-title, eng. portrait of Hollar, owner's oval blindstamp to foot of title, etched plts., contemp. half morocco, rubbed and marked, minor wear to extrems., slim 8vo (1)
Purcell (Henry). Orpheus Britannicus, a Collection of the Choicest Songs for One, Two and Three Voices, compos'd by Mr. Henry Purcell. Together with such Symphonies for Violins and Flutes as were by Him design's for any op them: and a Thorough-Bass to each Song. The Second Book, which renders the First Compleat, 1st ed., Henry Playford, 1702. Mounted portrait, title in red and black, woodcut initials, contemp. reversed calf, rebacked, folio.. The first part was printed five years earlier. This volume was the first book to be printed using Playfair's improved musical type. (1)
Rapin de Thoyras (Paul). The History of England ... translated into English with Additional Notes, by N. Tindal, 2 vols., 2nd ed., 1732, titles printed in red and black, four folding eng. maps, num. eng. headpieces, nine eng. tables (2 folding), lacks eng. portrait, some damp staining mainly to margins, dark staining to lower outer corner of vol. 1 and worming to lower margin of initial leaves, contemp. calf, recent reback and corner repairs, folio (2)
Scott (Sir Walter). Landscape Illustrations of the Prose and Poetical Works of Sir Walter Scott, with Portrait of the Principle Female Characters, 2 vols., 1833, 80 b&w engr. plts., some foxing, a.e.g., contemp. half dark green morocco, rubbed and heavily scuffed, 2nd vol. with upper cover detached from text in inner hinge, 8vo, together with The Prose Works of Sir Walter Scott, Edinburgh, 1834, engr. vignette title, and num. b&w engr. plts., views, portraits etc., some minor foxing, plus Life of Napoleon Buonaparte with a Preliminary View of the French Revolution, Edinburgh, 1850, engr. port. frontis, add. engr. vignette title (dated 1842), num. b&w steel engr. plts., views etc., both a.e.g., near-contemp. elaborately gilt-decorated full polished calf, with gilt coat-of-arms of Victoria College, Jersey, to upper cover of each vol., large thick 8vo. (3)
[Ireland]. Ireland's Day of Reyoycing Come: or, Joy and Thanksgiving for the Preservation of His Majesty's Person, and the Success of his Arms Over his Enemies, &c. Being the Substance of a Sermon, Occasionally Delivered on the Success of His Majesty's Arms, and the Surrender of Dublin, and Other Places, by Dr. K., Licensed according to Order, printed for Charles Bates, c.1691, woodcut portrait to title, 10pp. of text, rough trimmed, disbound, approx. 195 x 160mm. Untraced. (1)
A Staffordshire portrait figure of Napoleon III circa 1854, modelled sitting on a gun emplacement, his right arm resting on a canon, piles of shells at his feet, on an oval base with raised gilt title EM NAPOLEON, 39.5cm., 15.5in., chip and minor hairlines; together with two other large Staffordshire figure groups, second half 19th century, the first a Scottish huntsman with a dog; the second a lady playing a harp and a gentleman playing an accordian standing before a wall former 39.5cm., 15.5in. minor damage (3)
ROYAL CORRESPONDENCE, Seven letters commanded by the Queen on Buckingham Palace notepaper from Ladies in Waiting addressed to Mabel Lee-Hankey (Mrs Hankey) relating to the commissioning of a portrait of the Queen including arrangements for sittings - in envelopes, 1939/1940 and three further letters addressed to Miss Una Hobson (niece) after M L-H death, 1943 and a photograph of M. L-H portrait of Princess Elizabeth aged 4.

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