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George Fiddes Watt, oil on canvas, three quarter length portrait of Vice Admiral Sir Colin Richard Keppel wearing dress uniform, signed and indistinctly dated - possibly 1921, 46.5ins x 30.5ins, unframed, together with a framed Royal Warrant conferring the rank of Sergeant at Arms, mounted with the original red wax seal
WILLIAM MCTAGGART RSA RSW (SCOTTISH 1835 - 1910), THE PORTRAIT OF JAMES TEMPLETON, FOUNDER OF TEMPLETON CARPETS, GLASGOW oil on canvas, signed and dated 1877 75cm x 62cm Framed. Label verso: Frost & Reed, 41 New Bond Street, London. Inscribed with Stock No. R12845 and dated 4-10-60 Note: William McTaggart was born in the Campbeltown area (Mull of Kintyre), as was James Templeton who was a farmer's son born in 1802. In his youth Templeton came to Glasgow to work in a draper's shop and by 1823 he had moved to Liverpool, and soon after obtained a lucrative post in Mexico where he made enough money to return to Scotland and start his own business. Initially he opened a shawl factory in Paisley, in 1829. In 1837, through contact with another shawl manufacturer, William Quigley, a new process was invented for processing chenille, a standard fabric for shawls, into compact C-shaped tufts which were both very soft and preserved their shape very well, enabling complex patterns to be created. Templeton immediately saw this as ideal for carpet manufacture. The ensuing carpet firm of "James Templeton & Son" was established in Bridgeton in 1839. The original factory was on King Street (now Redan Street) but burned down in 1856. In 1857 a new factory was built on William Street (later renamed Templeton Street). The factory specialised in "picture carpets", such as the Twelve Apostles Carpet which they exhibited at the Paris Exhibition of 1867. James Templeton died in 1885 and is buried in the upper part of Glasgow Necropolis.
MERKEL JAGD- UND SPORTWAFFEN GMBH A VIRTUALLY NEW AND UNUSED 9.3X62 'RX HELIX DELUXE - BESPOKE WILD BOAR - AUTUMN' STRAIGHT-PULL BOLT-MAGAZINE SPORTING RIFLE, serial no. RX 014393, 19 1/2in. fluted barrel nitro barrel with engraved sight rib, open sights with folding leaf sight (unmarked) and ramp-mounted sprung bead fore-sight, the receiver with integral Picatinny profile mount bases, tang-mounted safety / cocking slide, detachable box magazine, the receiver, bolt and furniture profusely relief engraved with oak leaves and acorns on a matted background, the left of the receiver with a forest scene of wild boar and signed 'BH', the base of the magazine tracked with boar hoof prints, 14 5/8in. highly-figured pistolgrip stock with cheekpiece, steel pistolgrip-cap engraved en suite with oak leaves and acorns with a central portrait of a boar, sling eyes, including 1in. rubber recoil pad, weight 7lb. 3oz., in a universal case. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act
A WILLIAM IV SILVER SUGAR BOWL with embossed floral decoration and coat of arms, bearing marks for London 1837, 23cm x 14.5cm x 14cm, 398 grams approximately Condition: silver is of a darker colour, usual wear as expected from age and use, shape in good condition, marks are relatively clear however William IV portrait assay mark more difficult to read
E. ROSENTHAL (19TH CENTURY), full length portrait of a young clergyman or barrister, oil on canvas, signed and dated 1864 lower right, losses to the canvas in the gilt frame, approximately 60cm x 48cm Condition Report The pain ting shows signs of restoration to the head and shoulders, it has been rekined at some point
Victorian sepia print, Portrait of a clergy man, the sitter thought to be Reverend H.C. Shuttleworth, 43cm x 33cm, in ebonised frame with light oak inner mount, sold together with a leather bound handwritten presentation book, gifted to Rev. Shuttleworth on his leaving St Barnabas, Oxford in 1876
A portrait miniature of a lady, possibly 18th century after a 17th century original, of a lady in large pearl earrings, watercolour on ivory, oval, in a yellow metal frame; together with a portrait miniature of a lady in 18th century style, early 20th century, watercolour on ivory, oval, in a gilt-brass frame. (2) 6cm by 4.75cm and 7.75cm by 6cm
English School, c. 1825, Portrait of Captain Charles James Hope Johnstone R.N., unsigned, oil on board, framed. 20cm by 15.5cm Note: Captain Charles James Hope Johnstone (1800-1835) was the son of Vice-Admiral Sir William Johnstone Hope. Charles was commissioned as a Commander in 1823 and given his first command - HMS Chanticleer - in 1824. He was appointed Captain in 1826 whilst serving on the Mediterranean Station.
An Edwardian lady's painted satinwood Carlton House desk, the curved superstructure with scroll-carved gallery over an arrangement of cupboard doors, pigeon holes, drawers and compartments, fitted with turned ivory pulls, all enclosing a leather-inset writing surface over a central frieze drawer flanked by a pair of drawers, raised on square section tapering legs terminating in gilt-brass castors, decorated throughout with painted oval portrait medallions, musical trophies, putto and urn and floral and foliate swags. 94cm by 105cm by 59cm

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