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Los 213

NO RESERVE Walpole (Horace) Memoirs of the Reign of George the Second, 3 vol., second edition, portrait frontispieces and 3 plates, occasional faint spotting, contemporary cloth, sunned spines, slight bumping to corners and extremities, 1847 § Langhorne (J.) and W. Langhorne. Plutarch's Lives of Illustrious Men, 2 vol., frontispiece, illustrations, occasional faint spotting, contemporary cloth, sunned spines, bumping to corners and spine extremities, 1851 § Browne (Sir Thomas) Hydriotaphia, limited edition of 500, frontispiece, plates, original vellum-backed boards, spotting, slight bumping to corners and extremities, Chiswick Press, 1893; and 11 others, 8vo & 4to (17)

Los 232

NO RESERVE Fortescue family.- Fortescue (Thomas, Lord Clermont) A History of the Family Fortescue in all its branches, second edition, half-title, engraved portrait frontispiece and plates, half-title and frontispiece loose, some spotting or foxing, text block split, original morocco-backed cloth, worn, rare in commerce, folio, Ellis & White, 1880.sold not subject to return.

Los 235

Frazer (Sir James George) The Golden Bough: A Study in Comparative Religion, 2 vol., vol.1 with frontispiece and advertisement leaf at end, signature to head of titles and bookplate, original green pictorial cloth, gilt, slightly marked, spines worn at head, corners bumped, 1890; The Gorgon's Head and other Literary Pieces, presentation copy from Lilly Frazer (the author's wife) to Mr. Costley-White with accompanying A.L.s. tipped in at beginning commenting on the stories and gossiping about mutual friends, photogravure portrait, advertisement leaf at end, original pictorial green cloth, gilt, dust-jacket (rubbed and frayed), 1927, first editions, 8vo (3)⁂ The recipient of the second is probably Harold Costley-White (1878-1966), Anglican dean and later Canon of Westminster, or his wife. The letter refers to Comte Jean Thomas de Pange (1881-1957) and his son Victor.

Los 238

Stevenson (Robert Louis) The Works, 25 vol., Swanston edition, number 20 of 2060 copies, half-titles, frontispieces, scattered spotting, original cloth, slight bumping to spine extremities, 1911-12 § Le Carré (John) Nervous Times, number 34 of 250 copies signed by author, portrait frontispiece, original morocco-backed marbled boards, The Anglo-Israel Association, 1998; and others, French and English, (51)

Los 24

Scotland.- Defoe (Daniel) The History of the Union between England and Scotland, engraved portrait frontispiece, without the 95pp introduction found in some copies, advertisement leaf at end, p.331,336 & 640 misnumbered, occasional spotting, contemporary calf, rebacked, coat of arms and 'Foreign Office' stamped on boards, slight bumping to corners, [Moore 161], John Stockdale, 1786 § The Journal of the Proceedings of the Lds Commissioners of Both Nations in the Treaty of Union, lightly stained title, trimmed affecting odd letter, modern boards, slight bumping to corners and extremities, [Goldsmiths' 4270], Edinburgh & London, by Order of the Parliament of Scotland, by the Heirs and Successors of Andrew Anderson ... and Andrew Bell, [1706]; 4to & small 4to (2)

Los 240

Wise (Thomas J.) The Ashley Library. A Catalogue of Printed Books, Manuscripts and Autograph Letters, 11 vol., limited edition, plates, occasional spotting, original cloth, gilt, a little rubbed, slight bumping to corners and extremities, for private circulation, 1922-36 § Sterling (Sir Louis) The Sterling Library. a Catalogue of the Printed Books and Literary Manuscripts, inscribed and signed by author, portrait frontispiece and plates, contemporary morocco-backed boards, privately printed, 1954 § Day (Alan Edwin) J.B. Priestley: an Annotated Bibliography, number 38 of 50 copies signed by author from an edition of 200, original cloth, 2001 § Turner (John R.) A Bibliography of Unauthorised American Editions of The Tale of Peter Rabbit by Beatrix Potter, first edition, original cloth, 2012; and others bibliography or literary biographies, including duplicate copies of the Priestley and Potter bibliographies, v.s. (c.120)

Los 247

Brontë (Emily) Wuthering Heights, one of 450 copies signed by artist, wood-engraved frontispiece and plates by Clare Leighton, original cloth, New York, 1931 § Lock (John) and Canon W. T. Dixon. A Man of Sorrow: the Life and Times of the Rev. Patrick Brontë 1777-1861., number 8 of 100 copies signed by authors, portrait frontispiece, plates, original calf-backed boards, housed in a cloth slipcase, 1979 § Moore (Virginia) The Life and Eager Death of Emily Brontë, first edition, ?proof copy, without illustrations, occasional marginal pencil annotations, contemporary paper wrappers, rubbed and worn, chipping to corners and extremities, tear to lower cover, housed in a modern drop-back box, 1936; and others on the same, including duplicates or Brontë bibliographies, v.s. (c.110)

Los 252

Campbell (John) Lives of the Admirals, and other eminent British Seamen, 4 vol., 6 engraved folding maps, 6 engraved portrait plates, occasional marginal worming, short tear neatly repaired (2I5, vol. 2), contemporary calf, a little rubbed, slight bumping to corners and extremities, 1761.

Los 259

Royal Artillery.- Macdonald (Captain R. J.) The History of the Dress of the Royal Regiment of Artillery 1625-1897, number 99 of 300 Guarantor's [first proof] copies signed by author, colour frontispiece, 24 colour plates, tissue-guards, list of subscribers and guarantors at end, occasional faint spotting, cracked hinges, original cloth-backed boards, rubbed and worn, 1899 § The Royal Artillery War Commemoration Book, frontispiece, plates and illustrations, scattered faint spotting, original cloth, gilt, rubbed, slight bumping to corners and extremities, 1920 § The Royal Artillery Commemoration Book 1939-1945, portrait frontispiece, plates and illustrations, scattered faint spotting, newspaper clippings taped to front free endpaper, original cloth, gilt, staining to edges, dust-jacket, areas of loss to edges and extremities, tape repairs to verso, rubbed and worn, 1950; and 32 others, either Royal Artillery or Artillery, v.s. (35)

Los 35

NO RESERVE Birds.- Jardine (Sir William) The Naturalist's Library, vol.XV: Ornithology. The Natural History of Humming-Birds, vol.2 only (of 2), engraved portrait, additional title with hand-coloured vignette and 30 hand-coloured plates, some light spotting or soiling, contemporary half calf, rubbed, Edinburgh, 1843; and 5 other vol. from the series (Pigeons, Gallinaceous Birds vol.1, British Birds vol.1 & 3, and Felinae), 8vo (6)

Los 40

Botany.- Thornton (Robert John) A Family Herbal: or Familiar Account of the Medical Properties of British and Foreign Plants, second edition, stipple-engraved portrait and numerous hand-coloured wood-engraved illustrations by Thomas Bewick, later half calf, 1814 § Lee (Mrs. R.) Trees, Plants,and Flowers, 8 hand-coloured lithographed plates by James Andrews, tissue guards, light spotting to frontispiece and title, original decorated green cloth, gilt, g.e., spine faded, 1854, slightly rubbed; and 7 others, botany, most with hand-coloured plates, one small album of dried specimens, 8vo & 4to (9)

Los 44

Horse riding.- Astley (Philip) System of Equestrian Education, Exhibiting the Beauties and Defects of the Horse, engraved portrait frontispiece and 9 plates, occasional faint spotting, scattered pencil underlining, previous owner's ink inscription, contemporary drab boards, rebacked, rubbed and worn, 1801 § [Bunbury (Henry William)], "Geoffrey Gambado". An Academy for Grown Horsemen [and] Annals of Horsemanship, 2 parts in 1 vol., stipple engraved sepia frontispieces and 27 plates, 1 with short marginal tear neatly repaired, occasional light off-setting, contemporary half-calf, rubbed and worn, 1808, 8vo & folio (2)

Los 46

NO RESERVE Jardine (Sir William) The Naturalist's Library, Ornithology: Birds of Great Britain and Ireland, 3 vol., engraved portrait frontispieces, additional titles and plates, hand-coloured, occasional light spotting or browning, later half calf, spines a little rubbed, joints weak to vol. 2& 3, 8vo, Edinburgh, W. H. Lizars, n.d. [c.1860s].

Los 326

Small early 19th C bronze oval box, hinge lid inset with a study of a young girl W10cm and a small Regency oval portrait of a gentleman, watercolour on ivory, H4.5cm (2)

Los 420

A late 19th century miniature portrait of Anne Pollexfen, née Taylor (b. 1816), gouache on paper, 9x7cm

Los 48

J & J Cash Ltd (Coventry) : A montage of four Jacquard loom-woven pictures all depicting birds, each panel 11 cm x 7 cm, framed overall as one, together with an unsigned watercolour depicting a river landcape, a box-framed butterfly montage, a hand-colourd monochrome print depicting Primavera, a pair of chromolithographic panels printed on black paper titled "Narcissus" and "A Summer Dream", a glass panel decorated with an image of Queen Victoria, a reproduction in colours depicting a Pre-Raphaelite study of a maiden (oval in shape) and finally a colour print published by Hugh Evelyn depicting the ship's portrait of The Empress of Britain, all nine parts framed. (9)

Los 677

One Volume - Enoch Arden Tennyson, together with collectables including portrait miniature, glove stretcher, silver handled button pull, napkin ring etc

Los 697

A collection of artist's folio items, oil on boards, portrait picture, pencil sketches etc

Los 1314

An antique style portrait picture in a gilt frame CONDITION REPORT: This is a print

Los 1323

An antique style portrait in gilt frame CONDITION REPORT: This is a print.

Los 1324

An antique style portrait of a soldier on horse back CONDITION REPORT: This is a print

Los 2210

Various books relating to the oil industry, to include Our Oil Industry Petroleum., How Did We Find Out About Oil., Portrait In Oil., books and pictures relating to aircraft, etc. (2 trays and loose)

Los 2856

BILDNISMALER 20. JAHRHUNDERT, Portrait im Profil Mischtechnik. Undeutlich signiert. Undeutlich datiert. 45 x 32 cm. Gerahmt & hinter Glas 64 x 50 cm. Passepartout, verglaster geschwärzter Rahmen mit Goldleiste * Partnerauktion Bergmann.

Los 804

Portrait-Miniatur: Junge Dame mit Haarband 19. Jahrhundert. Gouache auf Elfenbein. 9 x 7 cm, Rahmen: 9,5 x 7,5 cm. Schlichter verglaster Messingrahmen mit Öse Seitlich am Rand fleckig. * Partnerauktion Bergmann.

Los 805

Portrait-Miniatur: Dame mit Federschmuck 19. Jahrhundert. Gouache auf Elfenbein. 7 x 5,5 cm, Rahmen: 8 x 6,5 cm. Schlichter verglaster Messingrahmen mit Öse * Partnerauktion Bergmann.

Los 806

Portrait-Miniatur: Dame mit Stola 19. Jahrhundert. Gouache auf Elfenbein. 6 x 5 cm, Rahmen: 7,5 x 6 cm. Schlichter verglaster Messingrahmen mit Öse * Partnerauktion Bergmann.

Los 809

Portrait-Miniatur: Dame mit Mandoline 19. Jahrhundert. Gouache auf Elfenbein. 11,5 x 9,5 cm, Rahmen: 15,5 x 13,5 cm. Sehr fein gemaltes Halbbildnis. Undeutlich signiert. Verglaster Messingrahmen mit Samt-Rückwand * Partnerauktion Bergmann.

Los 810

Portrait-Miniatur: Rokoko-Herr mit Perücke und Jabot 19. Jahrhundert. Gouache auf Elfenbein. 6,5 x 5 cm, Rahmen: ø 9,5 cm. Aufwendig gearbeiteter, beidseits verglaster Rahmen mit durchbrochen gearbeitetem Rand und Perlchenbesatz. Frontal Email-Passepartout, rückseitig filigran durchbrochen gearbeitetes Monogramm auf rotem Samt * Partnerauktion Bergmann.

Los 811

Portrait-Miniatur: Mädchen mit Blütenkranz 19. Jahrhundert. Gouache auf Elfenbein. 7,5 x 6 cm, Rahmen: 9 x 7,5 cm. Fein gemalte, anmutig wirkende Darstellung der jungen Dame, unsigniert. Beidseits verglaster Rahmen mit durchbrochen gearbeitetem Rand und Perlchenbesatz Kleine Delle am Rahmenrand. * Partnerauktion Bergmann.

Los 815

Portrait-Miniatur: Dame mit Teetasse 19. Jahrhundert. Gouache auf Elfenbein. 8,5 x 6,5 cm, Rahmen: 9,5 x 7,5 cm. Fein gemaltes Halbbildnis der jungen Dame mit Perücke und tiefem Décolleté, monogrammiert: M.M. Frontal verglaster Messingrahmen mit Schildpatt-Rückseite und beweglicher Öse * Partnerauktion Bergmann.

Los 10

Rajmund Kanelba (Polish, 1897-1960)Portrait de jeune fille signed 'Kanelba' (upper right); dated '1931' (on verso)oil on canvas27 x 35cm (10 5/8 x 13 3/4in).Footnotes:Rajmund Kanelba studied at the School of Fine Arts in Warsaw and in Vienna until 1923. When he arrived in Paris in 1925, he started to exhibit his work at the Salon d'Automne, Salon des Indépendants, Salon des Tuileries, and Salon de l'Escalier. He often visited Pont-Aven where he painted alongside other Polish artists. After Kanelba's work was exhibited in Bordeaux, he met the collector and art critic Marcel Bernheim at the Galerie Bernheim-Jeune. He was also introduced to Léopold Zborovski. Both dealers helped promote his work with his first important exhibition taking place at the Zborovski gallery in 1928. His works were then exhibited in Berlin, Warsaw, and Paris. During his career, he was commissioned to produce works for the French, Polish, and British governments. In 1955, he painted the portrait of the Queen Elizabeth II.For further information on this lot please visit Bonhams.com

Los 17

Romain Kramsztyk (Polish, 1885-1942)La Montagne Sainte-Victoire signed 'Kramsztyk.' (lower left)oil on canvas93 x 73cm (36 5/8 x 28 3/4in).Footnotes:ProvenanceUrsula Wenzel, Galerie Tannhauser, Berlin. ExhibitedJewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015. LiteratureJewish Artists of the School of Paris 1905-1939, Somogy éditions d'Art, Paris 2015, p. 197.Roman Kramsztyk studied painting at the Academy of Fine Arts in Warsaw, attended the private art studio of Adolf Edouard Herstein and later enrolled at the School of Fine Arts in Munich. He exhibited for the first time his work at the Salon d'Automne in Paris in 1911. Exhibitions that followed in Berlin, Barcelona and, in 1913, in Krakow were a resounding success. After four years in Paris, the events of World War I forced his return to Poland where he joined the avant-garde group Rytm (Rhythm), making him the only portrait painter amongst his peers. He went through a period where he doubted his art and questioned his painting that finally led him to his decision to leave the group in 1932. During the interwar years, he gained reputation and produced commissioned works for industrialists and politicians. With the outbreak of the second World War II, he moved to Warsaw but found himself trapped in the ghetto. Dedicated to his art, he executed numerous portraits and was devoted in the depiction of the war's atrocities that took place in the Jewish ghetto of Warsaw. A sketchbook, which presented tragically realistic drawings is now preserved in Israel as a document of the Holocaust horror.For further information on this lot please visit Bonhams.com

Los 20

Max Band (Lithuanian , 1900-1974)Self-portrait with palette signed 'Max Band' (lower right)oil on canvas94 x 43.5cm (37 x 17 1/8in).Painted c. 1950unframedFootnotes:Max Band grew up in an Orthodox family in Lithuania. In 1917, he was working as a drawing teacher until the school's director recognized his talent and endorsed his studies in Berlin. He arrived in Paris in 1923 and three years later visited New York on the occasion of an exhibition at the J.B. Newman gallery. The artist revisited New York in 1934 for an exhibition at the French American Jacques Seligmann gallery. He went back to France and often travelled to Berlin. From 1940, he lived between France and the Unites Sates to finally settle in New York in 1954.For further information on this lot please visit Bonhams.com

Los 24

JULES PASCIN (Bulgarian, 1885-1930)La Figurante du Palace signed 'Pascin' (upper right)oil on board mounted on canvas 65 x 54cm (25 9/16 x 21 1/4in).Painted in Paris in 1927Footnotes:ProvenanceProf. Philippe Dahan Collection.LiteratureY. Hemin, G. Krohg, K. Perls & A. Rambert, Pascin, catalogue raisonné, peintures, aquarelles, pastels, dessins, Vol. I, Paris, 1984, no. 587 (illustrated p. 300).Jules Pascin, born Jules Pinkas, was only a teenager when he decided to leave his parents to study painting and travel the world. The owner of a brothel in Bucharest triggered his taste for painting. She encouraged him to draw, introduced him to the art of Toulouse-Lautrec and Degas, and advised him to leave for Paris. However, Pascin, went to Vienna to attend a painting academy where he met George Grosz. A year after, he moved to Munich to work as a cartoonist and decided to change his name to 'Pascin'. When Pascin arrived in Paris in 1905, he was welcomed by the 'Dômiers' (regular customers of Le Dôme café): Rudolf Lévy, Walter Bondy and art dealer Henri Bing. The latter one, introduced him to Hermine David, who later became his wife. In 1908 he enrolled in the Matisse Academy where he met Lucy Krohg, who was then a model at the academy and with whom he started an affair. During his time in Montparnasse, Pascin was known for his generous parties, but nevertheless remained fully dedicated to his artistic ambitions.During World War I, Jules and Hermine went to the United States where he produced a series of watercolours and maintained an epistolary relationship with Lucy. Back in Paris in 1920, he continued his painting with specific interest in the female form and women like Kiki, Aicha, Jacqueline Godar, Zniah Pichard, the Perlmutter sisters, Julie Luce, Hermine and Lucy.Between 1920 and 1930, Pascin travelled in North Africa, Europe and the United States. In 1927, German art dealer Flechtheim organized an exhibition in Düsseldorf and asked Pascin for his portrait by commission. In the meantime, the artist signed a contract with the Bernheim-Jeune gallery that endorsed and motivated him to realise his famous 'pearly' nudes.Suffering from depression and alcoolism, he commited suicide at the aged of 45. In June 1930, art galleries in Paris closed as a sign of mourning while over a thousand people followed the cortege to the Montparnasse cemetery. Following his death, Hermine and Lucy supported each other in their grief and remained closely tied.La Figurante du Palace, executed in 1927, is a great example of Pascin's 'nacré' or 'pearly period', after the pearly sheen that characterised his painting during this time.For further information on this lot please visit Bonhams.com

Los 27

Adolphe Feder (Aizik Feder, dit) (Russian, 1885-1943)Portrait de Lucien Chalit signed 'Feder' (lower right)oil on canvas72 x 62cm (28 3/8 x 24 7/16in).Painted c. 1920Footnotes:LiteratureJewish Artists of the School of Paris 1905-1939, Somogy Éditions d'Art, Paris, 2015, p. 117.Born to Jewish-Ukrainian merchant parents, Féder grew up in Odessa, Ukraine. At the age of 19, his involvement in the revolutionary Bund Labor Movement forced him to seek refuge in Berlin. Following his time in Germany, he moved to Geneva where he attended the Academy of Fine Arts. He arrived in Paris in 1908 and studied at the Académie Julian and in Henri Matisse's studio. Feder spent a lot of time at La Rotonde Café where he acquainted Othon Friesz, Modigliani and Jacques Lipchitz.During the early 1920s, he worked for newspapers such as Le Monde and La Presse and illustrated several books including works by Joseph Kessel and Arthur Rimbaud. In 1923, he organized a reception in honour of the Russian poet Vladimir Mayakovsky, which left a mark on Parisian bohemian society. Together with Mikhail Larionov and Ossip Zadkine, he was one of the most active members of the Russian Artists Association living in La Ruche.Under the Vichy regime, Feder and his wife were arrested in June 1942. After being interned for four months in the Cherche-Midi military prison, Feder was transferred to Drancy and deported to Auschwitz in February 1943 where he was killed.For further information on this lot please visit Bonhams.com

Los 28

JULES PASCIN (1885-1930)Les Provinciales oil on board mounted on canvas46 x 38cm (18 1/8 x 14 15/16in).Painted in 1913Footnotes:ProvenanceAnon. sale, Sotheby's, London, 1972, lot 62.Anon. sale, Sotheby's, New York, 1974, lot 67.Acquired at the above sale by the previous owner; their sale, Cornette de Saint Cyr, Paris, 28 June 2016, lot 27.Acquired at the above sale by the present owner.LiteratureY. Hemin, G. Krohg, K. Perls & A. Rambert, Pascin, catalogue raisonné, peintures, aquarelles, pastels, dessins, Vol. II, Paris, 1984, no. 263 (illustrated p. 78).Jules Pascin, born Jules Pinkas, was only a teenager when he decided to leave his parents to study painting and travel the world. The owner of a brothel in Bucharest triggered his taste for painting. She encouraged him to draw, introduced him to the art of Toulouse-Lautrec and Degas, and advised him to leave for Paris. However, Pascin, went to Vienna to attend a painting academy where he met George Grosz. A year after, he moved to Munich to work as a cartoonist and decided to change his name to 'Pascin'. When Pascin arrived in Paris in 1905, he was welcomed by the 'Dômiers' (regular customers of Le Dôme café): Rudolf Lévy, Walter Bondy and art dealer Henri Bing. The latter one, introduced him to Hermine David, who later became his wife. In 1908 he enrolled in the Matisse Academy where he met Lucy Krohg, who was then a model at the academy and with whom he started an affair. During his time in Montparnasse, Pascin was known for his generous parties, but nevertheless remained fully dedicated to his artistic ambitions.During World War I, Jules and Hermine went to the United States where he produced a series of watercolours and maintained an epistolary relationship with Lucy. Back in Paris in 1920, he continued his painting with specific interest in the female form and women like Kiki, Aicha, Jacqueline Godar, Zniah Pichard, the Perlmutter sisters, Julie Luce, Hermine and Lucy.Between 1920 and 1930, Pascin travelled in North Africa, Europe and the United States. In 1927, German art dealer Flechtheim organized an exhibition in Düsseldorf and asked Pascin for his portrait by commission. In the meantime, the artist signed a contract with the Bernheim-Jeune gallery that endorsed and motivated him to realise his famous 'pearly' nudes.Suffering from depression and alcoolism, he commited suicide at the aged of 45. In June 1930, art galleries in Paris closed as a sign of mourning while over a thousand people followed the cortege to the Montparnasse cemetery. Following his death, Hermine and Lucy supported each other in their grief and remained closely tied.Les Provinciales dates from the beginning of his lifelong love affair with Lucy in his early Parisian years. Pascin, who was a man of deep passions, divided his time between Lucy and his wife Hermine, and this painting shows the sensuality and power of his nature and his art.For further information on this lot please visit Bonhams.com

Los 3

Jacob Macznik (Polish, 1905-1945)Self-portrait oil on canvas45 x 37cm (17 11/16 x 14 9/16in).Painted c. 1930Footnotes:ProvenanceAcquired directly from the artist's studio. LiteratureJewish Artists of the school of Paris 1905-1939, Somogy Éditions d'Art, Paris, 2015, p. 221.Pascale Samuel, catalogue de l'exposition Chagall, Modigliani, Soutine... Paris pour école, 1905-1940, Paris, Musée d'art et d'histoire du Judaïsme, 2020, p. 178.This work will be exhibited in the following exhibition: 'Paris pour Ecole 1905- 1940' MAHJ Paris, April 2020 - August 2020.Jacob Macznik grew up in an orthodox family and left for Warsaw in 1922 to study at the School of Fine Arts. In 1928, he got married and settled in Paris with his wife Stella. In 1930, he met Hersch Fenster with whom became collaborators on the publication of a book dedicated to the synagogues of Poland. On a mission, they started their resistance art journey to Tarnow, Kourov and Barnevto where they organised lectures in the cities they visited. Bearing financial struggles, Macznik had to return to Paris with only a dozen paintings.In 1944 during World War II, Macznik and his wife were killed at the Mauthausen concentration camp. The majority of his paintings were destroyed.For further information on this lot please visit Bonhams.com

Los 35

Georges Merkel (Galician, 1881-1976)Allegorical Self-portrait signed 'Merkel' (lower right)oil on canvas81 x 100cm (31 7/8 x 39 3/8in).Painted c. 1930Footnotes:LiteratureJewish Artists of the school of Paris 1905-1939, Somogy éditions d'Art, Paris, 2015, p. 241.Georges Merkel was born in a modest family in Lemberg, nowadays the city Lwiw in the Western Ukraine. He earned his living by decorating apartments and began his training at the School of Decorative Arts in Lodz.In 1903, thanks to a friend's financial support, he enrolled at the School of Fine Arts in Krakow and was awarded the silver medal two years later. Between 1905 - 1908 and 1909 - 1914, he lived in Paris and devoted himself to the French Classicism and the art of Paul Cezanne. During the First World War, Merkel was enlisted in the Austrian army and was seriously wounded. In 1917 he underwent a brain surgery to avoid the risk of blindness. During the interwar period, Merkel recited in Vienna and was a member of the artist's association Hagenbund. In 1938, his art was defamed as 'degenerated' by the Nazi Regime forcing his emigration to France where he took refuge in Montauban. After the Liberation, he went back to Paris and settled in Le Plessis - Robinson. Since 1945, Merkel was a member of the Viennese Secession and in 1961 he was honoured with the City of Vienna Prize. In 1972, he returned to Vienna where he spent the last years of his life.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 37

EMMANUEL MANÉ-KATZ (Ukrainian, 1894-1962)Jewish boy signed 'Mané-Katz' (lower right); further signed 'Mané-Katz' (on the reverse)oil on canvas60.5 x 50cm (23 13/16 x 19 11/16in).Painted in 1928Footnotes:ProvenanceGuinness Collection.Private collection, Paris.Anon. sale; Artcurial, Paris, 5 April 2018, lot 174.Acquired at the above sale by the present owner.LiteratureR.S. Aries & J. O'Hana, Mané-Katz, 1894-1962, The Complete Works, Vol. II, London, 1972, no. 12 (illustrated p. 5).Brought up by a Shamasch father, Mané-Katz spent his childhood in a religious atmosphere that strongly influenced his work. Following his studies at the School of Fine Arts in Kiev and in Vilnius, he arrived in Paris in 1913. He studied painting in the studio of Cormon at the Ecole des Beaux-Arts alongside Soutine, Krémegne and Kikoïne. Due to his short stature Mané-Katz was not able to enlist in the Foreign Legion in 1914 and was forced to go back to Russia.In 1917, following a trip to London, Mané-Katz was appointed professor at the School of Fine Arts in Kharjov. In 1921, he travelled to Baku, Tiflis in Georgia, Moscow, Minsk, and Warsaw before returning to Paris where he acquired the French nationality. During the Occupation, Mané-Katz was arrested by German soldiers in Royan but managed to escape to New York until the end of the war.After the war, he settled in Paris and continued to travel during the last ten years of his life. He visited Israel, South Africa, Japan and India before going to New York and Paris in 1960. Most of his works are kept at the Mané-Katz Museum in Haifa, Israel.Contrary to what the title and subject suggest, Mané-Katz used his wife as a sitter for the Jewish boy portrait.For further information on this lot please visit Bonhams.com

Los 39

Jacques Chapiro (Russian, 1887-1972)Portrait of a young girl signed 'Jacques Chapiro' (lower right)oil on canvas85.5 x 56.5cm (33 11/16 x 22 1/4in).Painted in 1920Footnotes:ProvenanceAcquired directly from the artist's studio.ExhibitedJewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.Musée d'Art moderne Richard Anacréon, Granville, 2016.LiteratureJewish Artists of the school of Paris 1905-1939, Somogy Éditions d'Art, Paris 2015, p. 91.Brigitte Richart, catalogue Belles de Nuit, Éditions Musée d'Art moderne Richard Anacréon, Granville, 2016, p. 18.Jacques Chapiro, son of a wood sculptor, began his artistic education at the early age of ten. In 1915, he moved to Poland and attended the School of Fine Arts in Kharkov and moved to Ukraine in 1918 to study in the Academy of Fine arts of Kiev. During the Russian Civil War, he contributed to the revolutions efforts by designing posters. In 1921, he studied at the Petrograd School of Fine Arts while working as a set designer assistant for constructivist theatre director Meyerhold. He later worked for renown theatre directors Stanislavsky and Wachtangov. In 1925, Chapiro left Russia for Paris and lived at La Ruche for the following five years. During the Occupation, he found refuge in Carpentras, in Provence and Serres in the Hautes Alpes. After the war, he returned to Paris and authored a book of anecdotal stories about the daily life of the artists living in La Ruche.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 40

Jacques Chapiro (Russian, 1887-1972)Self-portrait with scarf signed 'Jacques Chapiro' (lower right)oil on canvas89.5 x 57cm (35 1/4 x 22 7/16in).Painted c. 1930 unframedFootnotes:ProvenanceAcquired directly from the artist's studio.Jacques Chapiro, son of a wood sculptor, began his artistic education at the early age of ten. In 1915, he moved to Poland and attended the School of Fine Arts in Kharkov and moved to Ukraine in 1918 to study in the Academy of Fine arts of Kiev. During the Russian Civil War, he contributed to the revolutions efforts by designing posters. In 1921, he studied at the Petrograd School of Fine Arts while working as a set designer assistant for constructivist theatre director Meyerhold. He later worked for renown theatre directors Stanislavsky and Wachtangov. In 1925, Chapiro left Russia for Paris and lived at La Ruche for the following five years. During the Occupation, he found refuge in Carpentras, in Provence and Serres in the Hautes Alpes. After the war, he returned to Paris and authored a book of anecdotal stories about the daily life of the artists living in La Ruche.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 46

Henryk Berlewi (Polish, 1894-1967)Self-Portrait signed 'HenrykBerlewi' and titled 'SelfAutoportrait' (centre), inscribed and dated '1911' (lower right)pencil on paper29 x 22cm (11 7/16 x 8 11/16in).Painted in 1911Footnotes:This work will be included in the artist's catalogue raisonné authored by Isabel Schröer.LiteraturePeintres Juifs de l'École de Paris 1905-1939, Éditions Denoël, Paris 2000, p. 64.Jewish Artists of the School of Paris 1905-1939, Somogy Editions d'Art, Paris 2015, p. 62.Stories of Jewish Artists of the School of Paris 1905-1939, Les Étoiles Éditions, 2020, p. 71.Painter, graphic designer, typographer and critic, Henryk Berlewi was a major figure of constructivist art in Poland during the 1920s. He studied at the Academies of Fine Arts in Warsaw (1904-1909), Antwerp (1909-1910) and Paris (1911-1912). In 1913, Berlewi went back to Warsaw to pursue his studies at the School of Design. During World War I, he discovered Futurism and Dadaism. In 1921, he met El Lissitzky and followed him to Berlin where he abandoned figurative art for pure constructivist abstraction. In 1924, Berlewi published his manifest Mechano-Faktura (Mechano-Faktur: rhythm of geometric shapes and pure colors, which give the illusion of vibration and movement) in the Der Sturm journal. The same year, his first solo exhibition was held at the Austro-Daimler automobile showroom in Warsaw. In 1926, Berlewi put an end to his research on Mechano-Faktura to return to figurative art and theatre sets. In 1927, he settled in Paris and between 1928 and 1938, he travelled to Belgium and painted portraits of political and literary figures. At that time, he found out that he was critically ill and stopped all artistic activity. In 1942, he left Paris, took refuge in Nice and joined the Resistance (1943-1944). He only rediscovered a taste for art in 1947. He wished to 'reintroduce the subject' and produced still life composition inspired by the French masters of the 17th century.In 1957, the exhibition on the precursors of abstract art in Poland at the Galerie Denise René in Paris prompted him to resume his research on Mechano-Faktura which is today viewed as one of the key sources of Op art.This lot is subject to the following lot symbols: NMT ARNMT Motor vehicle lot originates from or is registered in another EU member state and has travelled less than 6,000km from new. Accordingly HMRC and the DVLA classify such machines as 'New Means of Transport' under the Nova Scheme and are subject to VAT at 20% on the hammer price.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 51

Isaac Dobrinsky (Ukrainian, 1891-1973)Portrait of Vera signed 'Dobrinsky' (lower left); inscribed with authentication by Vera Dobrinsky 'Paris, 1944' (on the verso)oil on canvas92 x 73cm (36 1/4 x 28 3/4in).Painted in c. 1950 unframedFootnotes:ProvenanceAcquired directly from the artist's studio.Dobrinsky arrived in Paris in 1912 and was warmly welcomed by the sculptor Marek Szwarc. He settled at La Ruche and shared his studio with Chaïm Soutine. A year after his arrival in France, Dobrinksy fell ill and abandoned sculpture for painting. In 1914 he joined the French Foreign Legion but was quickly exempted due to medical reasons. He returned to Paris and studied at the Académie Colarossi where he met Vera Kremer and got married in 1926. Vera, daughter of Arkadi Kremer, the founder of the Bund and of Patti Kremer, a Russian revolutionary socialist, was a recurring subject in his work.After living at La Ruche for 27 years, Dobrinsky moved to Rue d' Odessa in 1934. In the first two years of the German occupation, Dobrinsky and his family stayed in Paris, but in 1942 they fled to Bergerac. In 1944, after the liberation, Dobrinsky returned to Paris and found his artworks left behind destroyed.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 60

Philippe Hosiasson (Ukrainian, 1898-1978)Portrait composition signed 'Hossiasson/ 48' (lower right); further signed and dated (on verso)oil on canvas61 x 46cm (24 x 18 1/8in).unframedFootnotes:ExhibitedParis, Galerie Regards 'HO 225' (stamp on stretcher) (possibly).Philippe Hosiasson grew up in Odessa and was related to the Russian writer Boris Pasternak. Between 1910 and 1912, he travelled in Berlin where he got familiar with the Western avant-garde. He briefly attended the School of Fine Arts in Odessa, and studied law and art history at Odessa University in 1912. During his studies, Hosiasson designed sets for Romanov's Ballets Russes in Berlin. He finally moved to Paris in 1914. A notable moment of his career was his participation in the World Fair of Paris in 1937, for which he decorated the Pavillon de la Martinique. In 1939, he was mobilized to join the army and was seriously wounded near Dunkerque. During the Occupation, he stayed in Toulouse, Marseille, and the Nice area. He came back to Paris in 1948 following a long recovery from his war wound.During 1947-1948, he started producing his first 'informal' paintings, which Michel Tapié and Michel Seuphor associated with Abstract Expressionism. Supported by Clément Greenberg, he exhibited his work with Barnett Newman, Mark Rothko, and Kenneth Noland at the Kootz Gallery in New York. According to the artist, abstraction constituted a 'way to express his conception of the world and his Jewish religion.'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 7

Samuel Granowsky (Ukrainian, 1889-1942)Self-portrait signed 'S. Granowsky' (lower right)oil on canvas61 x 46cm (24 x 18 1/8in).Painted c. 1920Footnotes:ExhibitedParis, Montparnasse déporté, Musée du Montparnasse, 2005.Jerusalem, Montparnasse déporté, Yad Vashem Museum, 2006.Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.LiteratureArtistes d'Europe, Montparnasse déporté, Éditions Musée du Montparnasse, Paris, 2005, p. 135.Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d'Art, Paris 2015, p. 141.Vanity Fair, April 2017, p. 138. Stories of the Jewish artists of the School of Paris 1905-1939, Éditions Les Etoiles, Paris, 2020.Samuel Granowsky attended the Academy of Fine Arts in Odessa and pursued his studies in Munich and in Paris. In 1908 he settled in the Montparnasse district where he started posing as a model at the Académie de la Grande Chaumiere and worked as a cleaner at the café La Rotonde. Together with his female companion Aicha, the famous mixed-race model of Montparnasse, Granowsky became an emblematic figure of the time, nicknamed 'the cowboy of Montparnasse.' This was because he was known for his eccentric behaviour and for strolling the streets wearing a bright-coloured shirt and a Texan hat, which was part of his attire as an extra on a movie set.His artworks were focused on scenes of Parisian life as well as traditional Russian figures, fairs, and musicians. He also painted portraits, nudes, and wildlife paintings. He was renowned for the eclectic character of his art: mural frescos, paintings on furniture, screens, and sculptures. During the war, Sam Granowsky stayed in Paris but was arrested by the French police during the Vel d'Hiv roundup. He was interned in Drancy and killed in Auschwitz.For further information on this lot please visit Bonhams.com

Los 9

Rajmund Kanelba (Polish, 1897-1960)Personnage au masque signed 'Kanelba' (lower right); dated '1932' (on verso)oil on canvas81 x 65cm (31 7/8 x 25 9/16in).Painted in 1932Footnotes:ExhibitedJewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.LiteraturePeintres Juifs de l'École de Paris 1905-1939, Éditions Denoël, Paris, 2000, p. 171.Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d'Art, Paris, 2015, p. 169.Rajmund Kanelba studied at the School of Fine Arts in Warsaw and in Vienna until 1923. When he arrived in Paris in 1925, he started to exhibit his work at the Salon d'Automne, Salon des Indépendants, Salon des Tuileries, and Salon de l'Escalier. He often visited Pont-Aven where he painted alongside other Polish artists. After Kanelba's work was exhibited in Bordeaux, he met the collector and art critic Marcel Bernheim at the Galerie Bernheim-Jeune. He was also introduced to Léopold Zborovski. Both dealers helped promote his work with his first important exhibition taking place at the Zborovski gallery in 1928. His works were then exhibited in Berlin, Warsaw, and Paris. During his career, he was commissioned to produce works for the French, Polish, and British governments. In 1955, he painted the portrait of the Queen Elizabeth II.For further information on this lot please visit Bonhams.com

Los 108

English School, 19th centuryPortrait of a Jack Russell oil on canvas 33.7 x 28cm (13 1/4 x 11in).For further information on this lot please visit Bonhams.com

Los 132

Jacques Fernand Gonin (French, born 1883)Portrait of Nolwén de Janzé (1922-1989) and Paola de Janzé (1924-2006) signed 'Gonin' (upper left)oil on canvas 100.3 x 73cm (39 1/2 x 28 3/4in).Footnotes:ProvenanceBy descent through the sitters' family.Nolwén and Paola were the daughters of the American heiress Alice de Janzé, née Silverthorne, who married Frédéric Comte de Janzé in 1921. Already rather a wild socialite Alice scandalised Parisian society in 1927 by shooting her lover, Raymond de Trafford, in a French railway station. Alice settled in Kenya with the 'Happy Valley' set, where she threw herself into the hedonistic lifestyle immortalised in the book and film White Mischief. She was a suspect in the murder of another of her lovers, Lord Erroll, in 1941 and eventually committed suicide later that year.Her daughters were left behind in France to be brought up at the family Chateau Parfondeval in Normandy by their grandparents and various governesses. Alice's elder daughter Nolwén became a fashion designer after the war and became president of the Incorporated Society of London Fashion Designers in the 1950s. She married three times: Lionel Armand-Delille in 1948, Edward Dennis Rice in 1961, and the well-known art historian Lord Clark, Director of London's National Gallery, in 1977. She died on 7 March 1989 in at her home in Parfondeval, France at the age of 67.Her second daughter, Paola, gave birth to her first son in 1945. She went on to marry Walt Hayden and then the former Polish cavalry officer John Ciechanowski in 1955. She died in Normandy, close to the family property, in Dieppe on 24 December 2006 at the age of 82.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 133

French School, 19th CenturyPortrait of a lady, seated, with her greyhoundindistinctly signed and inscribed 'Paris' (lower left) oil on canvas 80 x 64.2cm (31 1/2 x 25 1/4in).For further information on this lot please visit Bonhams.com

Los 144

Jeanne Rongier (French, late 19th/early 20th century)Portrait of a young lady signed, dated and indistinctly inscribed 'J.Rongier/L--s Clos.1900' (lower left)oil on canvas 53.4 x 44.5cm (21 x 17 1/2in).For further information on this lot please visit Bonhams.com

Los 147

Federico Armando Beltrán Massés (Spanish, 1885-1949)Portrait of an elegant lady in a landscape wearing a blue dress and a ruby ring signed 'F.Beltran Masses' (lower left)oil on canvas 130.8 x 97.2cm (51 1/2 x 38 1/4in).unframedFootnotes:ProvenanceAnon. sale, Drouot-Richelieu, Paris, 19 December 2005, lot 114.For further information on this lot please visit Bonhams.com

Los 28

Edward Hughes (British, 1832-1908)Portrait of Rodney William Verelstsigned and dated 'Edward Hughes/1903' (lower right); there is a letter from the artist to the parents of the sitter affixed to the frame verso oil on canvas 61 x 50.8cm (24 x 20in).For further information on this lot please visit Bonhams.com

Los 33

Archibald George Barnes (British, 1887-1972)Portrait of a girl, seated, next to flowerssigned 'Barnes' (lower right) oil on canvas 61 x 66cm (24 x 26in).Footnotes:ProvenanceAnon. sale, Bonhams, London, 22 July 1993, lot 14. Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 48

Thomas Martine Ronaldson (British, 1881-1942)Portrait of a lady, thought to be Dorothy Vane signed 'T M Ronaldson' (upper left) oil on canvas 68.6 x 55.9cm (27 x 22in).Footnotes:To be sold together with the earrings thought to be worn by the sitter.For further information on this lot please visit Bonhams.com

Los 66

John Ferneley Senior (Thrussington 1782-1860 Melton Mowbray)Portrait of a grey in a stable interiorsigned, inscribed and indistinctly dated 'JFerneley/Melton Mowbray/184-' (lower right) oil on canvas 83.8 x 106.7cm (33 x 42in).For further information on this lot please visit Bonhams.com

Los 89

English school, 20th centuryPortrait of a dachshund inscribed 'Oasthouse La Taviata.P.B./(Gretel)' (lower left)pastel 38.1 x 50.2cm (15 x 19 3/4in).For further information on this lot please visit Bonhams.com

Los 91

Walter Herbert Wheeler (British, 1878-1960)Portrait of a collie signed and dated 'W.HWheeler 1904' (lower right)oil on canvas laid to board22.8 x 25.4cm (9 x 10in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 93

John Emms (British, 1843-1912)Portrait of a dachshund signed and dated 'JNO EMMS 1906' (lower right); inscribed 'Ch: 'WIRRALL HOLLYBRANCH'' (lower centre)oil on canvas 43.2 x 53.4cm (17 x 21in).Footnotes:ProvenanceAnon. sale, Christie's, London, 17 October 1996, lot 33. For further information on this lot please visit Bonhams.com

Los 96

M. Genge (British, Early 20th century)Portrait of a dachshund signed and dated 'M.Genge/19' (lower left); further signed 'M.Genge' (lower right)oil on canvas laid to boardpainted oval 42.6 x 36.8cm (16 3/4 x 14 1/2in)For further information on this lot please visit Bonhams.com

Los 125

British School, 19th century medallion portrait of a cavalier King Charles spaniel, pastel on paper, indistinctly signed lower right 'T. Wats'? within a twelve sided polygon glazed frame with painted and gilded moulded edges, the back with Stephanie Hoppen label, 36 cm x 36 cm

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