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283287 Los(e)/Seite
Los 319
Alfred J. Derby Portrait of a page, head and shoulders, wearing a plumed hat, inscribed verso "painted by Alfred J. Wright 1852", watercolour, oval, 13.5cm x 10.5cm, 19th century school, Portrait of a young man, head and shoulders, wearing a neckerchief, watercolour heightened with white, oval, 15cm x 11cm (2)
Los 40
A 19th century French faience plate painted in polychrome with a knight on horseback, floral border, 25cm diam, another with portrait entitled "Mme Elizabeth 1793" and a French faience plate painted with armorial and motto, the revers with "MC", 24cm diam (3)condition: minor chipping and rubbing
Los 121
* Attributed to Joseph Bridge of Shrewsbury (British, 1845–1894),Study for a half length portrait of Benjamin Llewellyn Vawdrey (1809-1892), seated holding spectacles and wearing a button hole,Oil on canvas,Unsigned,90.5cm x 70.5cm,Gilt framed (at fault) CONDITION REPORT:The frame appears to be structurally sound, but shows slightly open joints at the corners, some rubbing and wear to the gilt finish, and some losses to the moulded details. The top edge and other areas show white residue across the surface. The gilt finish appears to be original, however the vendor does not discount the possibility that it may have been re-gilded at some point in the past.Overall dimensions of frame: 122cm x 102cm
Los 128
English School (early 18th century),A bust length oval portrait of John Simpkin (1670-1719) of Holme near Plymouth, and another of his wife Susannah Simpkin,Oil on copper panel,Both unsigned,John Simpkin inscribed verso to the upper area "Mr John Symkin born in Cheshire 30th July 1642 Died 25th April [...9] In Plymouth Mrchant" and to the lower area "Atatis sua Anno [...] 1714" [In his old age [...] 1714"; Susannah Simpkin inscribed verso "Mrs John Symkin",Each 21.5cm x 17cm,In matching oval frames (2)
Los 131
Attributed to Joseph Bridge of Shrewsbury (British, 1845–1894),Half length portrait of Benjamin Llewellyn Vawdrey (1809-1892), seated holding spectacles and wearing a button hole,Oil on canvas,Unsigned, later label verso reading ‘Presented to Benjamin Llewellyn Vawdrey of Tushingham Hall As A Token Of Respect On The 30th July 1891’,110.5cm x 85.5cm,Gilt framed
Los 132
Attributed to Joseph Bridge of Shrewsbury (British, 1845–1894),Half length portrait of Theodosa Vawdrey (nee Brooks) (1814-1897), wife of Benjamin Llewellyn Vawdrey (1809-1892) and descendant of Rev. Philip Henry, seated with lace bonnet and shawl,Oil on canvas,Unsigned,90.5cm x 70.5cm,Gilt framed CONDITION REPORT:The paint surface shows no obvious craquelure. The canvas in the top left and right corners shows a slight diagonal ripple. Examination under UV shows evidence of possible re-varnishing. There are various small spots of dirt and residue across the surface, and the picture would therefore benefit from cleaning. The frame appears to be structurally sound, but shows some wear to the gilt finish, and slightly open joints at the corners. The gilt finish appears to be original, however the vendor does not discount the possibility that it may have been re-gilded at some point in the past.Overall dimensions of frame: 122cm x 101cm
Los 134
English school (early 19th century),Half length portrait of the Reverend Gilbert Vawdrey with Wrenbury church beyond,Oil on copper panel,Unsigned, label verso inscribed "Gilbert Vawdrey b. 28.12.1778 O.S.P. B.A. of BNC Oxon [Braisenose College, Oxford] + Incumbent of Wrenbury, Cheshire 1810 to 1844. Bur. there d. 1844..."29.5cm x 24.5cm,Framed
Los 19
A Victorian miniature portrait mourning brooch, the rectangular ivory board with painted depiction of a young girl, within a yellow metal scrolling border, with glazed aperture verso containing plaited hair, border engraved ‘Fanny Maria Vaudrey’ hinge pin fastening, 33mm long, 8.8gms, with associated ‘Butt & Co, Chester’ boxPlease note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lotRef: TNUVRNTM
Los 205
Rollin (M), THE ANCIENT HISTORY OF THE EGYPTIANS, CARTHAGINIANS, ASSYRIANS, BABYLONIANS, MEDES AND PERSIANS, GRECIANS AND MACEDONIANS, eight vols, full leather, gilt embossed crest to boards, marbled block, marbled endpapers, engraved portrait frontispiece to vol I, printed for C. and J. Rivington et al, London 1821 (8) (at fault)
Los 206
SHAKESPEARE INTEREST: Bell (John), THE DRAMATICK WRITINGS OF SHAKSPERE, twelve vols (of twenty) numbered 1, 3, 5, 7, 10, 12, 13, 15, 16, 18, 19 and 20, full leather, applied red labels to spines, laid paper, vol 1 with engraved portrait frontispiece and engraved dedication to George, Prince Of Wales, printed for John Bell, London 1788; with Johnson (Samuel) and Steevens (George), ANNOTATIONS UPON WILL. SHAKESPERE, five vols numbered 2, 3, 4, 5 and 6, matching full leather, printed for John Bell, London 1787 (17) (at fault)
Los 221
* A Victorian notebook containing seven pasted-in bust length papercut portrait silhouettes, depicting a lady and six gentlemen, each dated 1849, the notebook indistinctly signed to the inside front cover, with three further undated loose papercut portrait silhouettes, each pasted onto card (4) (at fault)
Los 227
Ormerod (George), THE HISTORY OF THE COUNTY PALATINE AND CITY OF CHESTER; COMPILED FROM ORIGINAL EVIDENCES IN PUBLIC OFFICES THE HARLEIAN AND COTTONIAN MSS, Parochial Registers Private Muniments, Unpublished Ms. Collections of Successive Cheshire Antiquaries and A Personal Survey of Every Township In The County, three vols, large format, ¾ leather, gilt embossed titles, two black cloth front boards, marbled endpapers, engraved portrait frontis piece, George Routledge and Sons, London, 1882 (3) (at fault)
Los 241
Milton (John), PARADISE LOST, two vols, eighth edition with notes by Thomas Newton, full leather, marbled endpapers, applied book plate for Richard Adams, laid paper, engraved portrait frontis piece, church library blind stamp to title page, printed for J. Beecroft, W. Strahan, et al, London, 1775, with PARADISE REGAIN’D, in matching binding, printed for W. Strahan et al, London, 1777 (3) (at fault)
Los 298
A composite Hunting-sword, with late 17th century blade struck with a king’s head mark in the German manner and engraved at the base, the hilt formed of a natural staghorn grip and an altered brass small-sword hilt, the latter including an outer shell decorated with a crowned portrait bust within a frame of pierced scrollwork (the knuckle-guard incomplete), blade length 46cm
Los 35
A Victorian miniature portrait mourning brooch, the oval hand embellished portrait of a gentleman laid on ivory, set within a yellow metal mount with scrolling foliate black enamel decoration, glazed to the reverse with hand pressed flower garland detail, with hinge pin fastening and pendant bale, 4.8cm long, 20gms (portrait wrapped in paper with applied sticker stating ‘photograph of A.W in gold frame’) Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lot Ref: VEFYDPE8
Los 41
A French gilt brass circular powder box, late 19th century, with removable cover with portrait miniature to centre, the portrait depicting young girl wearing pearls facing dexter, the body of the box with all over chased decoration, 9cm diameter Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lotRef: JYZLC6TT
Los 42
BOTANICAL INTEREST: A collection of five pressed botanical specimens laid into doyleys, 19th century, applied label stating ‘The Doyleys are made of the Bark of the Lace – Bark Tree, Native of Jamaica. The border are cut out of the spathe or leaf sheath of the Cabbage Palm’, each 21.5cm Diameter, loosely mounted within a shaped folder, with a collection of scrap books and other ephemera (Qty) CONDITION REPORT:One scrapbook contains poetry and obituaries. The two others contain a mix of botanical, portrait and other prints.
Los 60
A portrait miniature of young girl,Half length,Watercolour on ivory,Unsigned,Gilt metal framed within leather and velvet case,Portrait 9cm x 6.9cm Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lot Ref: 4PKXALJQ
Los 1069
Full title: A Chinese bronze mirror with painted portrait of a lady, TangDescription:Dim.: 17 x 17 cm Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in October 2010 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.- According to the certificate, then acquired from a private collection in Taipei, Taiwan.
Los 1198
Full title: A polychromed walnut sculpture of Pope Nicholas V, Northern France, 15th C.Description:H.: 52 cm Depicted standing, dressed in a red cape and crowned with the papal tiara. The polychromy appears to be original. Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired from Luc Vanonkelen, antiques dealer, Brussels, in July 1998. (according to the owner's inventory) Ref.: Pope Nicholas V (Latin: Nicholaus V; Italian: Niccolo V; 13 November 1397 - 24 March 1455), born Tommaso Parentucelli, was head of the Catholic Church and ruler of the Papal States from 6 March 1447 until his death in March 1455. Pope Eugene made him a cardinal in 1446 after successful trips to Italy and Germany, and when Eugene died the next year, Parentucelli was elected in his place. He took his name Nicholas in memory of his obligations to Niccolo Albergati. The pontificate of Nicholas saw the fall of Constantinople to the Ottoman Turks and the end of the Hundred Years' War. He responded by calling a crusade against the Ottomans, which never materialized. By the Concordat of Vienna he secured the recognition of papal rights over bishoprics and benefices. He also brought about the submission of the last of the antipopes, Felix V, and the dissolution of the Synod of Basel. A key figure in the Roman Renaissance, Nicholas sought to make Rome the home of literature and art. He strengthened fortifications, restored aqueducts, and rebuilt many churches. He ordered design plans for what would eventually be the Basilica of St. Peter. Peter Paul Rubens painted his portrait in 1610.(source: Wikipedia)
Los 1216
Full title: French school: Portrait of Mademoiselle de Mirabelle, oil on canvas, 18th C.Description:Dim.: 71,5 x 55,5 cm (the frame) Dim.: 63,5 x 47,5 cm (the work) Indistinctly signed and dated on the back, probably reading Deduit and dated 1773.On the bottom of the frame on the back, an inscription is made in pencil reading Melle de Mirabelle, morte en prison. Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in January 1988 on the Sablon antiques market in Brussels, according to the owner's inventory notes.
Los 1219
Full title: Four portrait miniatures, England and/or France, 18/19th C.Description:Dim.: 10 x 8,5 cm (the oval frame)Dim.: 7 x 6 cm (the oval work) Two bearing a label on the back suggesting they were painted in 1780, the portraits purportedly members of the Bruyninckx family, one born in Zandvliet and mayor of Hoogstraten.
Los 1223
Full title: A portrait miniature of Otto II von Wolfskeel, probably Germany, 19th C.Description:Dim.: 12,5 x 10 cm (the frame)L.: 7 cm (the painting) Otto II von Wolfskeel was prince-bishop of Wurzburg from 1333 until 1345.The Prince-Bishopric of Wurzburg was an ecclesiastical principality of the Holy Roman Empire located in Lower Franconia, west of the Prince-Bishopric of Bamberg. Wurzburg had been a diocese since 743. As established by the Concordat of 1448, bishops in Germany were chosen by the canons of the cathedral chapter and their election was later confirmed by the pope. Following a common practice in Germany, the prince-bishops of Wurzburg were frequently elected to other ecclesiastical principalities as well. The last few prince-bishops resided at the Wurzburg Residence, which is one of the grandest Baroque palaces in Europe.
Los 1258
Full title: Dutch school: Portrait of a young woman with lace collar, oil on canvas, dated 1642Description:Dim.: 91 x 81 cm (the frame)Dim.: 71 x 61 cm (the work) With illegible pencil inscriptions on the back of the upper horizontal stretcher.Presented in a nicely carved ebonized wooden frame. Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in December 1979 from Gallery De Vos, Gent, according to the owner's inventory notes.
Los 455
Full title: An interesting collection of rare reference works, auction and dealer catalogues on Chinese and Asian artDescription:Various dimensions. A comprehensive collection of Chinese ceramics from all periods, Marc MichotChristophe Hioco (4 volumes), Christophe Hioco Gallery ParisHighlights in the collection of Chinese ceramics on the 32nd antiques fair of Belgium (26th January - 8th February 1987), Marc MichotIridescence from the East - an exhibition of mainly Buddhist art from Southeast Asia, India and China, Jonathan Tucker et al.A survey of Chinese Ceramics - Early Wares: Prehistoric to Tenth Century, Prof. Liu Liang-yuOut of China's Earth - Archeological Discoveries in the People's Republic of China, Qian Hao et al.Asiatic Arts in private collections of Holland and Belgium, H.F.E. VisserThe Golden age of Chinese Archaeology - Celebrated discoveries from the people's republic of China, Xiaoneng YangAsian Art - The second Hali annual, Jill Tilden et al.Wei Asian Arts - Oriental Art and Antiques (4 volumes), Paola d'Alatri et al.Buddhist art-private collection - 16 Centuries of Chinese, Khmer and South East Asian art, buddhist art teamIslamic and Indian Art - Oriental Manuscripts and Miniatures, Sotheby's London (October 10 and 11 1991)Chinese Ceramics and Chinese Export Ceramics and Works of Art, Christie's London (November 13 2001)Sculpture Bouddhique, Jacques Barrere S.A.Tajan - Arts du Japon, Hotel Drouot (7 Avril 2008)The ancestor transcends - Sculptural Arts from Asia and Oceania, K. GrusenmeyerIndian and Southeast Asian Antiquities, Nancy Wiener Gallery New YorkVisages du Champa - Bronzes du Vietnam, Galerie Christophe HiocoGalerie Christophe Hioco, Galerie Christophe HiocoEarly Chinese Stone Sculpture, Berwald Oriental Art New York (March 2005)Peace of Mind - Indian, Himalayan and Southeast Asian art, Marcel Nies (2000)Immortal Image - Art of India, the Himalayan regions, Indonesia and Southeast Asia, Marcel Nies (2001)Windows of the Sacred World - Arts of India, the Himalayan regions, Indonesia and Southeast Asia, Marcel Nies (2002)The Sacred Breath - the cultural heritage of India, the Himalayan mountains and Southeast Asia, Marcel Nies (2005)Body's Speech and Mind - Asian religious images, Marcel Nies (2006)Majesty of the Sacred - Art of India, the Himalayan regions and Southeast Asia, Marcel Nies (2007)Buddharaja, 'The King-Buddha' - Sculptures from India, the Himalayas and Southeast Asia, Marcel Nies (2008)The Future Buddha - the cultural heritage of Asia, Marcel Nies (2009)Nirvana, Sculpture from India, Himalayas and Southeast Asia, Marcel Nies (2010)Om Mani Padme Hum, Marcel Nies (2011)Dance of the Gods - Sculpture from India, the Himalayas and Southeast Asia, Marcel Nies (2012)The Path to Enlightenment - Marcel Nies (2013)Portrait of the Divine - Sacred sculpture of Asia's lost kingdoms, Marcel Nies (2014)Asiatische Kunst, Lempertz Auktion (12and13 Juni 2009)Indian, Himalayan and Southeast Asian Art, Sotheby's New York (October 28 1991)Ben Janssens Oriental Art (two volumes), Ben Janssens Oriental Art (2013-2014)Chinese art at Spink - Spring 1991, Spink and son Ltd. LondonFine Chinese ceramics and works of art, Sotheby's New York (September 21and22 2005)A book of Chinese art - Four thousand years of sculpture, painting, bronze, jade, lacquer and porcelain, L. Hajek et al.Chinese jade - from the Neolithic to the Qing, J. RawsonChinese Ivories - From the Shang to the Qing, Oriental Ceramics SocietyChinese Jade throughout the ages, Victoria and Albert museum (May 22nd - June 1975)Gems of China's cultural relics 1933, cultural relics publishing houseThe art of China to AD 900, W. WatsonAsian Art - India, China, Japan, B. Geoffroy-SchneiterOf Earth and Fire, M. Girard-GelsanImperial China - the art of the horse in Chinese history, B. CookeMagic, Art and Order - Jade in Chinese culture, Palm Springs Desert Museum (8th February - 29 April 1990)Reflections of the Orient, Duke's (September 23 2010)Traiders and Raiders - on China's Northern Frontier, J.F. So et al.Pathways to the Afterlife - Early Chinese Art from the Sze Hong Collection, J.M. White et al.Empires beyond the Great Wall - the heritage of Genghis Khan, A.T. KesslerAn album of Chinese art, M.A. Pang et al.Son of Heaven - Imperial arts of China, R.L. ThorpJades from China, A. Forsyth et al.The history of Asian Art - Architecture, Painting, Sculpture, B.S. Meyers et al.Jades Chinois, W. Chen-chiuThe path of beauty - a study of Chinese aesthetics, L. ZehouReflections of Early China - Decor, Pictographs, and Pictorial Inscriptions, X. YangThe Shaanxi Provincial Museum, The Shaanxi Provincial MuseumImages Bouddhiques en bronze dore, Galerie Jacques BarrereSculptures d'Asie (three volumes), Galerie Jacques BarrereAsian Art Portfolio - Masterpieces from the Asia Society, The Asia SocietyJade - A traditional Chinese symbol of nobility and character, National Museum of History Republic of ChinaPrinces of Jade, E. Capon et al. "
Los 133
Albert Irvin OBE RA (1922 – 2015). An impressive collection of 19 screenprinted Christmas cards hand signed in pencil on the front and with message on the inside to Trevor Frankland. Printed at Advanced Graphics between 1994 - 2010. Each card is signed and dated in pencil bottom right or left. Printed on heavy stock paper laid onto a folded card. Roughly 16 x 21cm. Portrait and landscape. Provenance: from the collection of Trevor Frankland (British 1931-2011). Artist and president of the Watercolour Society .
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283287 Los(e)/Seite