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283287 Los(e)/Seite
Los 588
SCOTTISH SCHOOL (19TJ/20TH CENTURY), PORTRAIT OF A TERRIER oil on canvasframed, framer's label verso for Thomas Jackson, Perthoverall size 41cm x 41cm Condition is fair. The picture is dirty and would benefit from a clean. There is crazing to surface of the paint, but the paint is stable. Additional images have been uploaded to our website.
Los 149
J. W. Weir (British)Tending the rabbitsSigned lower right and dated 1868Oil on canvas36 x 30.5cm (14 3/16 x 12in).Together with a 19th century Swiss School portrait of a young lady, in the manner of Jean Liotard, 36.5 x 29.5cm (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 161
A large black and white portrait photographic print of Sir Roger Moore1990sPhotographic print stamped to reverse (c) Michel Comte, Lucas Albers, signed and inscribed by the photographer to the lower border in black ink A Big Thank You; and two smaller printed reproductions with inscriptions to the lower borders, together in original studio card box, the largest: 51cm x 58.5cm (20in x 23in)(3)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 18
Paul Stillwell (British, born 1969)A portrait of Sir Roger Moore Signed 'PStill', and further signed by Sir Roger MooreAcrylic on canvas76 x 61cm (29 15/16 x 24in).unframed, Together with a photographic print of Sir Roger Moore as Lord Brett Sinclair from The Persuaders wearing a grey double-breasted suit and holding a cigar (2)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 212
M.A.Edmonds'Liesel', portrait of a black and tan Manchester Terrier Signed 'M. A. Edmonds'Pastel on paper33.5 x 24.5cm (13 3/16 x 9 5/8in).Together with a group portrait of four Welsh foxhounds, oil on canvas, signed 'A Harrison Barnes' (lower right), 61 x 51cm; and a late 19th century school double portrait of a spaniel and a pug, oil on canvas, unsigned, 26.5 x 30.5cm (3)Footnotes:ProvenanceThe Edmonds work: Stephanie Hoppen, London (according to label verso).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 246
A PLASTER MODEL OF A HORSE BY BRUCCIANI, LATE 19TH/EARLY 20TH CENTURY Incised to cast D Brucciani & Co and numbered No 519 base 38cm wide, 32cm high, base 14cm deep Born near Lucca, Italy, plaster figure maker Domenico Brucciani came to England with his father. He established a Gallery of Casts in Covent Garden and was soon known as the leading plaster figure maker and modeller in London. He worked for the South Kensington Museum (now the Victoria and Albert Museum), the British Museum and the National Portrait Gallery, taking casts of items in their collections and of monuments elsewhere. Condition Report: The plaster has been applied to a wire frame, this is partially exposed to some old splits and cracks and losses, notably the right ear, right stirrup, more minorly to the left stirrup, front left foot and fetlock, the reign attachment to the face has some discolouration tooThere are old cracks including to the tail, knees, and joints generally, some losses to extremities Surface marks and stains including rust spots probably from underlying wire constructionThe reins are 'shoe lace' material and may be replacements Some knocks and impactions consistent with age and handling in a domestic settingPlease see additional images for visual reference to condition Condition Report Disclaimer
Los 257
A RARE CHARLES I ROYALIST STUMPWORK AND HAIR WORK EMBROIDERED PICTURE DATED 1649 Depicting a bust of King Charles I on pedestal dated 1649, flanked by attendant figures of man and wife, amongst scrolling foliage, the portrait and figures with hair work, the whole with glass eye detailing, small bead and metal thread embellishment, needlework and raised work Later framed and glazed, the panel 20cm x 18cm, the frame 24.5cm x 22.3cm The portrait of Charles I is probably derived from the title page to Thomas Fuller's ''The Holy State'' by William Marshall. Dated portraits of Charles I are rare- although in this case it would seem likely that the picture is after his death- and commemorates the loyalty of the husband and wife depicted to the dead monarch. The use of hair is, again, unusual, but not unknown at this date. A needlework picture dated to 1646 was offered for sale at Sotheby's New York, 7th April 2004, lot 67. Like this example it combined needlework, raised work and the inclusion of real human hair to depict the King's coiffure. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. As per cataloguing- frame is later and the whole looks to have been unframed for some time garnering dirt, dust ect which is now engrained. Sunlight has caused colour muting throughout. Some loose beads and elements, some areas of raised work not sagging such as left hand figures legs. Frame worn and with losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 312
A RARE CHARLES II STUMPWORK PANEL DATED 1669 Worked in raised work and needlework with seed pear detailing, possibly depicting King Charles II meeting Catherine of Braganza, the latter with attendants, her first attendant black, holding a parasol dated with seed pearls 1669, framed and glazed panel 29cm x 39cm, frame 39.5cm x 49.5cm The composition of this stumpwork is not unusual and variants have been titled "Solomon receiving the Queen of Sheba" and "Esther and King Ahasuerus of Persia". Here, the distinctive whiskers and small goatee would tend to indicate that this may have been intended to be a portrait of Charles II (see for example the picture in the Metropolitan Museum- Gift of Mrs. H. H. Shearson, 1937, Accession Number: 37.65.1).It is rare to see the inclusion of a specific date. Rarer still is the inclusion of an African woman in the scene. It suggests perhaps that whoever worked the panel lived in a household with black servants- or that they had had experience of seeing either tapestries or oil paintings where such occurrences are more frequent. One of the very few comparable examples that could be found at the time of cataloguing was a needlework mirror that was sold in 2011 at Bonham's London from The Richmond Collection of Early English Needlework (2nd March 2011, lot 1, £33,600). Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Sunlight has faded all colours back heavily. Some sagging to the raised sections and lower margin of interior of frame with small insect traces suggesting that there have been old damages. Canopy above seated figure with Royal heraldic supporters of lion and unicorn. Small holes visible. Unexamined out of sealed later frame which is worn to margins Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 324
WALTER RICHARD SICKERT (BRITISH 1860-1942) THE GHETTO, VENICE Oil on panel Signed (verso) 14 x 23.5cm (5½ x 9¼ in.)Painted circa 1896.Provenance: The Redfern Gallery Ltd., London (by 1941) Private Collection, Mrs. Dunne (acquired from the above in 1941) Christie's, London, 22 November 2002, lot 12, where purchased by Robert Kime Exhibited: (Probably) London, Leicester Galleries, Exhibition of Paintings and Drawings by Richard Sickert, June 1929, no. 113Literature: Wendy Baron, Sickert Paintings and Drawings, New Haven & London, 2006, p. 199, no. 79.1 According to Wendy Baron's book on the artist, the line of tenement houses lining the canal is reminiscent of the background of a portrait of Israel Zangwill (ibid. no. 79), painted by Walter Sickert in 1896-98. Zangwill was a Zionist Jewish leader and novelist and friend of Sickert's first wife, Ellen Cobden. Baron asserts that Zangwill was in Venice in April 1896 and saw much of the Sickerts. Condition Report: Very light surface dirt. Otherwise appears to be in original condition. Inspection under UV reveals no obvious evidence of restoration or repair. Condition Report Disclaimer
Los 327
SIR JOHN GILBERT (ENGLISH 1817-1897) PORTRAIT OF A GENTLEMAN, FULL LENGTH, IN TURKISH DRESS Pencil and coloured chalks Signed and dated '1852' (lower left) 73.5 x 50.5cm (28¾ x 19¾ in.)Provenance: Sotheby's, London, 26 March 2004, lot 139, where purchased by Robert Kime. Condition Report: Unexamined out of glazed frame. Some discolouration to the sheet, and the pigments very slightly muted. Otherwise, the work appears to be in good condition commensurate with age. Condition Report Disclaimer
Los 40
A CARVED GILTWOOD OVERMANTEL MIRROR NORTH ITALIAN, SECOND QUARTER 18TH CENTURY The crest with feathers, scrolls, leaves, flowerheads and grapes above a triple mirror plate and mirrored borders 135cm high, 143cm wide Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The mirror would originally have been taller in height and portrait in shape, it has been reduced in height to it's current form.There is evidence of old worm.There are cracks and repairs to the carved giltwood with some missing parts, some later carved repair sections with later gilt finish and some later pins and nails. The rectangular side borders show signs of the reduction in size with non-flush mitred joints and later nails.It is possible that some sections beneath the crest were not in their current positions, for example the vertical gilt scrolls over the mirror plate joins and the smaller scale section under the central arch.There is a wash to the mirror sides.Some of the wood backing is later, to strengthen the mirror.The backboards have not been removed to inspect the back of the mirror plates. They look to have some age, and have speckled grey hazing to the silvering, but are probably not original to the mirror. The mirror plates have some cracks.Please see the additional condition report photographs as a visual reference of condition. reduced in height, sizeCondition Report Disclaimer
Los 5
WILLIAM NEDHAM (ENGLISH, ACTIVE 1815-1849) A MASTIFF, A POMERANIAN, A NEWFOUNDLAND AND A SPANIEL BY A DARK BROWN AND A GREY HUNTER IN THE GROUNDS OF CLOPTON HOUSE, WARWICKSHIRE Oil on canvas Signed and dated '1838' (lower right) 142 x 233cm (55¾ x 91½ in.) Provenance: Almost certainly commissioned by Charles Thomas Warde, Clopton House, WarwickshireWilliam Nedham (active 1815-1849) was a provincial equestrian painter working predominantly in the Leicestershire area. He was a pupil of John Ferneley Senior (1781-1860) and included a Mr V. R Pochin of Barkby Hall amongst his patrons. A comparable work, painted on a smaller scale but dated from the same year is A Hunter and A Dog in the Grounds of Quenby Hall, Leicestershire, Leicestershire County Council Museums Service. Clopton House is a 17th century country mansion near Stratford-upon-Avon, standing on the site of the earlier Clopton Manor, home to Hugh Clopton and dating from the 13th century. The present house was built around the core of the earlier manor by Sir John Clopton during the 17th century. In 1824 the Cloptons sold the estate to Charles Meynell, who in turn sold it to George Lloyd of Welcombe in 1830. After only one year in his new home, George died, and the house passed to his brother John Gamaliel Lloyd in 1831. He remained there until his death in 1837. The house was then inherited by Lloyd's nephew, Charles Thomas Warde who remained in the house until his own death in 1865. Warde was responsible for significant extensions during the 1840s including the now Grade II listed coach house, and Clopton tower. Dated 1838, it is likely that this rare portrait of the family dogs and hunters in the grounds of Clopton, was commissioned by Charles Thomas Warde upon inheriting Clopton house the previous year. Condition Report: The canvas has not been lined but is a little loose. There are two tears to the canvas. the first (approx. 10cm), lower left to the right of the white dog's back paws. The second, (approx. 3cm), upper left to the sky. There is an isolated area of paint shrinkage to the lower right corner around the signature. Stretcher marks visible. Light rubbing and abrasions. including some spots of paint loss throughout, but particularly to the framing edges. Inspection under UV reveals scattered retouching throughout. Condition Report Disclaimer
Los 50
ENGLISH SCHOOL (EARLY 17TH CENTURY) PORTRAIT OF A MAN WITH A PICKAXE AND A SPADE IN A LANDSCAPE Oil on panel Inscribed 'QVIA PATER CREDIDIT MVLIERI' (upper left) and 'ATATIS SVA. 36. A. DNI 1601' (upper right) 104.5 x 82cm (41 x 32¼ in.)Literature: E.S. Whittlesey, Symbols and legends in Western art; a museum guide, New York, 1972.This Elizabethan portrait of an unidentified member of the gentry by an unknown artist is replete with symbols, which depict the sitter's social standing. Dressed in aristocratic, ornate costume - a white linen under shirt with tassels and frilled cuffs; a red, billowing over shirt; silver and gold belt and black breeches with silver thread detail - the agricultural tools he carries, attributes of the hedger and ditcher, are a stark contradiction. The portrait is a morality painting about the illegitimate birth of the sitter and perhaps his exclusion from inheriting his 'paternal' social status and property. This is reinforced by the inscription on the upper left: 'QVIA PATER CREDIDIT MVLIERI' / 'Why should the father have believed his wife' suggesting that the 'father' was made a cuckold by his wife. The spade and pickaxe (mattock) represent Adam and Eve and the Expulsion from the Garden of Eden: for her disobedience, Eve was condemned to painful childbearing and to be ruled over by Adam, and Adam had to toil in the fields with a spade or hoe for his daily bread until he died (Hall's Dictionary of Subjects and Symbols in Art, p. 5). The pickaxe is also an attribute of Pluto or Hades, ruler of the underworld, and thus a further allusion to the ignominy of the sitter's birth (Whittlesey, p. 133). The painting was possibly commissioned by the sitter himself; an inscription on the upper right of the portrait records the age of the sitter and the date the painting was made: 'ATATIS SVA. 36. A. DNI 1601'. This proposal is strengthened by the inclusion of positive symbols such as the rising sun, often used as a symbol of hope, new beginnings, and the promise of a better future - although equally the sun can be read as 'the attribute of truth personified because all is revealed by its light' (Hall, p. 292). However, the pickaxe represents breaking through obstacles or barriers that stand in the way thus overall the painting's message is possibly triumph over adversity. Although no other closely related portrait has come to light, in 1644, Jan Steen painted Celebrating the Birth in which there is a subplot that the 'father' has been made a cuckold (Wallace Collection, London, Inv. P111). Condition Report: The following condition report has been provided by Hamish Dewar, Fine Art Conservation. Please contact housesales@dreweatts.com to access the full report with additional images. Structural conditionThe panel has vertical joins which have in the past been secured with canvas strips. The joins are visible in a raking light but appear to be reasonably secure, as are a number of other repaired splits and fracture lines within the panel.Paint surfaceThe paint surface has old historic discoloured varnish layers, together with numerous old retouchings which are visible in natural light and have also discoloured. They are also clearly visible under ultraviolet light. There are also areas of wear and abrasion which have not been retouched, such as those on the sitter's jacket.As the painting is stable it may well be felt that rather than fully cleaning the painting, and removing the old retouchings, it may be preferable to merely very lightly surface clean and revarnish the paint surface and not remove the old retouchings. If one was to remove all the old retouchings, and then retouch where found to be necessary, this would involve a considerable amount of work.SummaryThe painting has therefore undergone a considerable amount of restoration in the past but is now reasonably stable.Condition Report Disclaimer
Los 601
A 19th century Limoges enamelled oval ormolu and gilt metal trinket box, the hinged lid centred with a circular enamelled jewelled plaque decorated with the head and shoulder profile portrait of a young woman, signed with initials, within urn and swag border, green felt lined interior, 9.5cm long. c.1890
Los 137
A collection of Staffordshire portrait figures, 19th century, including a large 'Robin Hood' spill vase, 38.5cm high; a Crimean War group of 'Turkey, England and France', 27.5cm high; two 'Death of Nelson' groups, and four others, sold together with a pair of Beswick spaniels.Condition:Turkey, England, France figure - rubbing to gilt on base and crack to one side of the base. Losses to the brown on Victoria's hair.Taller Nelson group - losses to the hair on two figuresSmaller Nelson group- no damagesStag figure - losses to bocage on base.Girl with dog - more minor losses to bocage on base.Male and female figure- firing crack to reverse of the female figures head and a small chip to her noseHighland pair - losses to the gentleman's black hairRobin Hood - rubbing to gilt on base, crack to yellow implement beside the right hand figure.All items generally with crazing to the glaze
Los 295
ARR Gary Benfield (b.1950) Portrait of a Horse, signed lower right, oil on board, 52 x 74 cm, frame 72 x 95 cmLabel verso for de Montford Fine Art Condition:The painting is an oil on board, framed without glazing. The board appears in good condition no obvious faults or splits, the paint surface appears well preserved and stable- no obvious losses or deterioration. The frame appears in good condition, joints are solid, very minor wear and tear visible.
Los 305
British School (19th Century) Portrait of Edward Firmin Ellis (1784-1856), oil on canvas, 76 x 63 cm, frame 102 x 89 cmPortrait of Edward Firmin Ellis (1784-1856) born in Stoke Newington, a stockbroker for family firm Ellis & Co which was founded 1788. Ellis died in Boulogne on 18th November 1856. Possibly painted on the occasion of his marriage in 1807. Condition:The painting is an oil on canvas, framed without glazing. The canvas has been relined, tension is good, no obvious faults or tears etc. The paint surface has craquelure throughout- surface appears stable, no obvious deterioration or losses. There is some evidence for overpainting, especially to the hands and some spots around the sitters head. The frame has general wear and tear, the joints seem solid.
Los 307
George Augustus Freezor (act.1861-1900) Portrait of a golden haired lady looking back over her shoulder, wearing a white lace dress and dark green patterened shawl, signed lower left, oil on canvas, 25 x 20 cm, frame 43 x 38 cm, together with a further portrait of a brown haired lady wearing a hat adorned with red ribbon and feathered plumed signed and dated '187_' lower right, a pair (2)
Los 43
A Coalport tea service, late 19th century, transfer-printed in blue with classical portrait cameo medallions suspended from floral swags, of fluted form, comprising twelve teacups, eleven saucers, twelve sideplates, pair of bread and butter plates, cream jug and sugar bowl/slop basin, printed factory marks (39)Provenance: Ivor Southorn Collection.Condition:Condition is generally good. One of the larger circular plates is crazed throughout and slightly stained yellow. A couple of cups and saucers are also crazed, but none too disfiguring.One cup has two small foot rim chips, another cup is stained yellow and has a further foot rim chip. The slop/sugar is crazed throughout.No further damages or repairs.
Los 93
An unusual Coalport porcelain quatrefoil tray, likely for a cabaret service, circa 1861-75with pierced twin handles, the pale green ground painted to the centre with a head and shoulders portrait of a young woman in a black shawl, with roses in her hair, surrounded by a floral linked garland of roses and other flowers suspended by two gilt bows, printed purple 'CSN' ampersand and 'Coalport English Porcelain' mark to the base, 42cm wideProvenance: Ivor Southorn Collection.Condition:Condition is generally good. There is one slight hairline or glaze scratch to the underside rim. The dentil rim gilding is also very dull in comparison to the rest of the gilt. One small original dentil peeking through suggests parts of this border faded or were rubbed and it was regilded at some stage. Rings true when tapped.
Los 343
LOUIS JOHN ENDRES (AMERICAIN, 1896-1989)Portrait d'un marocain jouant un instrument à corde signé et titré 'L. Endres / Maroc' (en haut à droite)pierre noire et fusain, rehauts de blanc sur papier beigesigned and titles 'L. Endres / Maroc' (upper right)black chalk, charcoal, heightened with white on beige paper21.4 x 28.5cm (8 3/8 x 11 3/16in)For further information on this lot please visit Bonhams.com
Los 365
Deux broderies. XVIIIe et XIXe siècles- Profils de la famille royale de Louis XVI. Papier gravé, rehaussé et rebrodé de fils de soie au lancé (épidermures)21 x 16 cm- Portrait d'un maréchal. Broderie au lancé de forme ovale13 x 11 cmTwo French 18th and 19th centuries embroideries.For further information on this lot please visit Bonhams.com
Los 372
James Tassie (1735-1799) Portrait en buste de profil de Sir William Forbes, 1791Pâte de verre blancheH. 9 cmOn joint un autre profil d'homme en pâte de verre blanche. H. 3 cmSir William Forbes glass paste profile by James Tassie, 1791.For further information on this lot please visit Bonhams.com
Los 536
VICTORIA 1/2 crown 2nd portrait 1887- 1892 Obverse; crowned and veiled bust ('Jubilee Head') of Queen Victoria left, legend around, VICTORIA DEI GRATIA Reverse; crowned quartered shield of arms within garter and collar, legend around, divided date below BRITANNIARUM REGINA FID DEF 1889 HONI SOIT QUI MAL Y PENSE, with nine other examples various dates, the lot to include six Victoria florin coins and assorted Victoria 1 shilling and sixpence coins (35) Condition Report:Available upon request
Los 537
VICTORIA 1897 1/2 crown Obverse; older veiled bust ('Old head') of Queen Victoria left, wearing the Sapphire and Diamond coronet, legend around, VICTORIA·DEI GRA·BRITT · REG T.B. Reverse; crowned quartered shield of arms in collar, legend around, divided date below, ·FID·DEF· IND·IMP· HALF 18 97 CROWN and six others various dates together with a Victoria 1898 two shillings and assorted Victoria 3rd portrait 1 shilling and sixpence coins (21) Condition Report:Available upon request
Los 540
GEORGE IV 1820 ½ Crown Obverse; first laureate portrait of King George IV left, legend around, GEORGIUS IIII D:G: BRITANNIAR: REX F:D: Reverse; crowned and mantled shield of arms, national flower emblems around, date below, ANNO 1820 together with eight other George IIII 1/2 crowns various dates and a selection of George IIII 1 shilling and six pence coins (18) Condition Report:Available upon request
Los 654
The Annual Register, or a View of the History, Politics and Literature for the Year 1761 7th edition, London, 1800, bound in tattered diced calf Report of the Commissioners Appointed for Enquiring into the State of the Universities and Colleges of Scotland Ordered to be printed 12th March 1832, quarter bound in tan calf with marbled boards Together with an assortment of largely Victorian legal documents, newspapers, portrait photographs etc. - some documents are considerably earlier but are badly damaged by silverfish Condition Report:Available upon request
Los 714
Eusebio football legend signed 1963 Monaco World Cup stamp and signed Postcard sitting with collector John Murray plus colour Portrait postcard. Set on A4 descriptive page with corner mounts. Comes from the John "Jack" Murray Scottish football collection. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
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283287 Los(e)/Seite