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Preisdatenbank abonnierenAfter John OpiePortrait of the artist, bust-length, in a brown coat and white cravatoil on canvas62 x 49.5cmCondition Reportoverall: 80 x 69.5cmThe canvas has has been lined. Canvas has been stretched and the surface is clean and the varnish is glossy and presents well. Fine craquelure and paint appears stable. Considerable retouching to painting especially his left cheek. Please see additional condition image details and under uv light.
English School, c.1800Portrait of John Huey RN, bust-length, in uniformminiature on ivory, oval4.5 x 5.5cm, within a gilt mount, in a red leather travelling caseJohn Huey was wounded at the Battle of Trafalgar in 1805 and died shortly afterwards.IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: VZ94HKBF.Condition ReportScattered spots of surface dirt to the background. The epaulettes and buttons have a matt appearance. Some faint brown discolouration to the background in the lower left and also to the right hand edge. Not viewed out of frame.
After Sir Anthony van DyckPortrait of King Charles I, bust-length, in ermine-trimmed robes, wearing the Badge of the Order of the Garterenamel on metal3.6 x 3.2cmThis appears to be based on the full-length portrait of Charles I, painted in 1636.Condition ReportIn generally good order. In a period style gilt metal mount, appears to be 18th/19th century
French School, late 17th century Portrait of a lady, bust-length, in a black dress with a white collaroil on canvas, oval70 x 57cm, in a Charles II-style carved giltwood frameCondition Reportoverall: 87 x 73cmCraquelure with some retouching apparent. A small black dot to the sitter's forehead, please see images. There is a small area where the paint is slightly bubbled/ raised to the right side of the lady's hood.
▴ Edward Spilsbury Swinson (1871-1958)Portrait of a lady, half-length seated, in a white dresssigned and dated 'E. Swinson/91' l.r., oil on canvas61 x 51cmCondition Reportoverall: 74 x 63.5cmCraquelure and surface dirt. Some thinning/ patchiness to the paint in areas. Visible stretcher marks with a small patch repair to the reverse. Under UV light there are some small spots of retouching to the sitter's chin, nose and eyebrow. Further small spots of retouching to the background. The canvas is slightly loose on the stretcher resulting in light undulations to the surface of the canvas. A small piece of the frame is missing in the upper left corner, please see images.
Follower of John Smart Portrait of the Reverend Thomas James Quinn, bust-length, in a black coat and white stock miniature on ivory, oval 5.5 x 4.5cm, with plaited hair verso IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: WSPM6B6U. Condition ReportOld label taped to the reverse is damaged with losses. Some dirt and dust under glass but no major condition issues visible.
Manner of Peter OliverPortrait of a nobleman, half-length, in a gold-embroidered doubletbears inscription 'James 1, Ano Dmi 47', miniature on ivory, with inscription 'JAMES I/KING OF ENGLAND', oval5.5 x 4.3cm,together with:Manner of Nicholas HilliardPortrait of a lady, bust-length, in an embroidered black dress with lace collar and pearlsminiature on ivory, oval5.5 x 4.5cm (2)IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.These items have been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission references: 541P37JT and 6CE6VQDD.
Sir Martin Archer Shee PRA FRS (Irish, 1769-1850)Portrait of a clergyman, full-length, standing by a table, in a black coatoil on canvas76 x 52cm, unframedCondition ReportCraquelure with a repaired 6cm x 6cm L shaped tear to the top right. There is a diagonal crease and a small piece of the canvas missing in the top right corner. Stretcher marks and undulations to the canvas. A small repair to the reverse. Not examined under UV light, for a full report please contact the department.
Circle of Daniel Mytens (Dutch, c.1590-c.1647) Portrait of a gentleman, thought to be Henry De Vere, full-length standing, in a striped black and gold embroidered doublet in an interior oil on canvas 62 x 39cm Provenance: Christie's, London, 17 June 2015, lot 193.Henry de Vere, 18th Earl of Oxford (1593–1625)Henry was born on 24 February 1593 at Newington, Middlesex, the only son of Edward de Vere, 17th Earl of Oxford, by his second wife, Elizabeth Trentham. He succeeded his father as earl on 24 June 1604.In June 1624 he went to the Low Countries as colonel of a volunteer regiment of foot that was raised for the service of the Elector Palatine. He was present in June at the unsuccessful assault on Ter-heiden, in connection with the operations to relieve Breda but soon afterwards died at The Hague of fever. He was buried in Westminster Abbey on 25 July 1625. He left no issue, and was succeeded by a second cousin, Robert de Vere.Colne Priory and the de Vere family Earl of OxfordColne Priory at Earls Colne, Essex was a Benedictine priory, initially a dependent cell of Abingdon Abbey, Berkshire (now in Oxfordshire). It was founded by Aubrey de Vere I and his wife Beatrice in or before 1111.The original manor house, a gift from William the Conqueror to his cousin, Aubrey de Vere, after the Battle of Hastings, was lived in for centuries by the de Veres, who became the Earls of Oxford. In 1583, the manor was sold by Edward de Vere (the portrait sitter’s father), the 17th Earl of Oxford, and one of the most famous of the de Vere clan, making way for the house that exists today.For 14 generations, the church was the family mausoleum of the Earls of Oxford and became full of their elaborate monuments. The Priory was the principal burial place of the earls of Oxford, with all but a few buried there to 1703.2015 this piece was sold in the Country house collections sale at the christie’s, by late Mrs. Barbara Overland, whose family has lived in Mont Pellier House for over 40 years. Condition ReportFramed:76 x 52.5cm The painting is executed in oil on a canvas support which has been lined. Mould has started to form on the reverse of the canvas. There are small lumps across the surface, likely to be caused by debris between the original and lining canvases. The paint layer has a network of age cracks, some of which are slightly raised, but stable overall. There are small, sensitively handled, touches of overpaint across the painting. Mainly in the face and carpet, they are well matched to the original. The varnish is clear, even and glossy.
After Domenico GhirlandaioPortrait of Giovanna Tornabuoni, half-length, in profileoil on panel76.5 x 50cm, unframedAfter the original, executed in 1488, in the Thyssen-Bornemisza Museum, Madrid. Condition ReportThe painting is executed on a thick wooden panel formed from a single board with two horizontal battens nailed onto the reverse. The panel has a slight vertical curvature. The flesh layers have been built up in fine hatched, strokes of paint creating modelling and form, mimicking the effect of tempera painting. The paint appears to be oil and in other areas is handled in a traditional manner. The surface of the painting reveals there has been numerous losses, visible in the texture. There is extensive overpaint across the painting, some of which appears fairly wholesale in the background. There are scattered areas of loss and abrasion. The varnish is glossy and even.
English School, c.1830Portrait of a young lady, half-length, in a white dress and pink shawloil on canvas75 x 62cm, unframedThe Estate of the Late Malcolm Frazer.Condition ReportCraquelure and surface dirt. Thinning to the paint in areas with some touching up visible to the background. Not viewed under UV light, for a full report please contact the department.
SOUL - LP COLLECTION. Another selection of around 66 soul LPs. Artists/ titles include Edwin Starr - Soul Master, The Elgins - Darling Baby, The Detroit Spinners - S/T, Margin Gaye/ Tammi Terrell - You're All I Need. Stevie Wonder inc Songs In The Key Of Life, Signed Sealed & Delivered, Live, Uptight, Looking Back, Portrait Of. Smokey Robinson - Whatlovehas, The Miracles inc Do It Baby, Don't Cha Love It, Tracks Of My Tears, Greatest Hits From The Beginning. Edwin Starr - Just We Two. Marvin Gaye inc Greatest Hits, Anthology. Four Tops inc Reach Out, Live. Jr Walker And The All Stars - Home Cookin. Temptations inc Gettin Ready, Cloud Nine, In A Mellow Mood, Greatest Hits, Solid Rock, Puzzle People. David Ruffin, Mary Wells, Commodores, Diana Ross, Motown Chart Busters. Condition is generally VG to Ex with some a little below, some a little above.
Photographic portrait of Hugh Masekela taken by his friend and fellow musician Jonas Gwangwa. Gwangwa, spent the prime of his life in exile. An acclaimed musician, he was also deeply involved in the struggle against apartheid. Hand signed by Jonas Gwangwa in ink bottom right. Framed and glazed. H.40 x W.43 cm.
Family portrait, oil on canvas, European school, 17th/18th C., relined, restorations, large fault on the pictorial layer with possibility of detachment. Notes: back with printed paper label with the inscription White Art Museum - Cornell University, identifying the authorship of the Swedish painter Michael Dahl (1650-1740), Dim. - 110 x 144 cm
"Beachbank", oil on canvas, Chinese school, small restoration, signed LAI FONG - probably Lai Fong (c. 1869-1953), dated Kolkata - 1898. Notes: Lai Fong was a Chinese artist working in the final quarter of the nineteenth century, primarily from his studio in the Indian port of Kolkata. He was strongly influenced by an earlier generation of Chinese ships' portrait artists, including Lee Heng (flourished 1850-1870), Hing Qua (flourished 1850-1880), and Lai Sung (flourished 1850-1885). Lai Fong was known especially for portraying large sailing ships which called at Kolkata, either voyaging to or from the Far East. - https://www.artnet.com/artists/lai-fong/biography - consultado a 23-05-2023 às 11:23., Dim. - 45,5 x 59,5 cm
SEMEDO, João Curvo.- Polyanthea medicinal: noticias galenicas, e chymicas, repartidas em tres tratados...- Quarta vez impressa / por seu filho o Reverendo Ignacio Curvo Semmedo.- Lisboa Occidental: Na Officina de Antonio Pedrozo Galram, 1727.- [60], 879, [1 br.], 32, [4], 11, [1 br], [1, 1 br.] p.: 1 portada grav., 2 retratos grav.; 29 cm.- E., João Curvo Semedo (1635-1719), born in Monforte, a physician of great fame and experience, bequeathed us an extensive bibliography in the specialty, in Portuguese, which was a pioneer in Portugal. The edition is illustrated with a frontispiece engraved with the coat of arms of the dedicatee, a portrait of Cardinal de Sousa (dedicate) and another of the author, before the beginning of the text. The volume includes, at the end (32 p.), a «Memorial de varios simplices que da India Oriental, da America. & de outras partes do mundo vem ao nosso Reyno...", followed by the "Manifesto aos amantes da saúde" (11 p.); the last page, printed only on the front, contains some rare "Advertencias dignas de serem sabidas", of the responsibility of the author's son. Slightly handled copy, with a slight trim to the head. Contemporary binding, full sheepskin, a little worn, preserving the original endpapers. Inocêncio, III, p. 357.
DEBRET, Jean-Baptiste.- Voyage pittoresque et historique au Brésil ou séjour d'un artiste français au Brésil depuis 1816 jusqu'en 1831 inclusivement.- Edição comemorativa do IV Centenário da Cidade de São Sebastião do Rio de Janeiro.- Rio de Janeiro: Comemorações do IV Centenário, 1965.- 3 vols.: il.; 55 cm.- B., Jean-Baptiste Debret (1768-1848), French painter and draftsman, lived in Brazil between 1816 and 1831, where he was a painting teacher, eventually becoming director of the Imperial Academy of Fine Arts. Back in Europe, between 1834 and 1839, he published in Paris his monumental «Voyage pittoresque...», illustrated with 153 hand-coloured engravings. This is the facsimile edition, printed in Tokyo, limited to 1003 copies (this one with number 978), based on the original edition, of what many consider the most beautiful book on Brazil. The first volume includes, in addition to a portrait of the author and a map of South America, 36 prints reproducing the lithographs, which mainly represent indigenous customs. The second volume features 49 reproductions (some doubles), a map and a plan of Rio de Janeiro. The third includes 54 prints and a facsimile of a letter from the Emperor. The prints of the last two volumes represent, predominantly, urban scenes. Very clean brochure copy, keeping its original cases intact, with bone clasps.
MACEDO, António de Sousa de.- LVSITANIA LIBERATA | ab Injusto Castellanorum dominio. | RESTITVTA | Legitimo Principi, Serenissimo JOANNI IV. Lusitaniæ, | Algarbiorum, Africæ, Arabiæ, Persiæ, Indiæ, Brasi- | liæ, &c. Regi Potentissimo. | Summo Pontifici, Imperio, Regibus, Rebus-publicis, cæterisque Orbis Christiani Principus | DEMONSTRATA...- Londini: In Officina Richardi Heron, 1645.- [30], 794, [22] p.: il.; 29 cm.- E., First and only published edition of one of the most important titles of the Restoration. The work, of exceptional graphic quality, is illustrated with the following 14 copper plte prints, all of them, with the exception of the title, printed next to the text: 1 - Portrait of D. João IV (f.1v); 2 - Allegorical title (between f. 1 and f.2); 3 - Lusitana (f. A2v.); 4 - Portrait of Count D. Henrique (p. 58); 5 - Apparition of Christ to King D. Afonso Henriques (p. 93); 6 - Portrait of King João I (p. 143); 7 - D. Manuel I, lying down, with family tree (p. 165); 8 - Phoenix Reborn (p. 470); 9 - Dragon curled up at the foot of a fruit tree (p. 542); 10 - King D. João IV on the throne (p. 560); 11 - King D. João IV on horseback (p. 650); 12 - Brigantine winged wyvern on a globe (p. 708); 13 - Coat of Arms of Portugal (p. 764); 14 - Allegory of Fame on obelisk (p. 792). Copy slightly handled and cropped, with slight browning. Mirror portrait of D. João IV (with free endpaper), with marginal imperfections; some engravings cropped by the matrix crease. It is, however, complete, with all the engravings, including the first one which is missing from most of the copies, exactly matching the description of Maria da Graça Pericão, in the catalogue of the Viscount da Trindade collection (220). Rare heraldic ex-libris of Ignazio Zanardi della Virgiliana (1695-1773), Venetian count of the Holy Roman Empire. Full sheepskin binding, with new endpapers and rebuilt spine. Palha, 2956. Samodaes, 3264. Bibliographic Exhibition of the Restoration, 1461.
BARRÉ, Pe. Joseph.- Histoire générale d’Allemagne.- A Paris: Chez Charles J.B. Delespine & Jean Thomas Herissant, 1748.- 10 tomos em 11 vols.: il.; 25 cm.- E., Main work of Fr. Joseph Barré (1692-1764), French historian, Chancellor of the University of Paris between 1744 and the year of his death. Illustrated edition with an engraved title, a portrait of the dedicatee, Frederick Augustus II of Saxony, King of Poland, a fold-out map of Germany (volume I) and two fold-out maps (volumes II and IV). Slight moisture stains (from the tide) on the endpapers and title of volume I; some wormholes on the outer margin of about 25 leaves towards the end, in volume V. Otherwise, a very clean copy with large margins (carminated edges). Unidentified heraldic ex-libris (probably marquis de Corbeau de Vaulserre), with motto “Nil Nisi Virtute”. Good period bindings, entirely in flecked sheepskin, retaining the original marbled paper endpapers. Brunet, I, col. 666. Cohen-de Ricci, col. 113/114.
[L'EVEQUE, Henry].- Campaigns of the British Army in Portugal, under the command of General The Marquis of Wellington, K. B. Commander in Chief, &c &c. Dedicated by permission to His Lordship.- London: printed by R. Juigné, and published (for the proprietor) by Messrs. Colnaghi and Co., 1813.- [6], 18, [2, 1] p.: 1 retrato, 18, 1 gravuras; 57 cm.- E, Henry L'Évêque (1769-1832), born in Geneva, a painter, miniaturist, watercolourist and above all an engraver, was part of a group of artists who, following the French Revolution, wandered around Europe accompanying armies in campaign, recording for the posterity the most famous battles of the Napoleonic wars. Complete copy of the second edition, of the variant with the word “Marquis” on the title page (instead of “Earl”), consisting of a title page, a dedication and a list of subscribers; 18 pages follow. with the introduction and descriptions of 17 prints, plus a sheet (2 p.) with the description of the first print (embarkation of the royal family to Brazil). The following are the illustrations: engraving and etching portrait of Wellington, standing, dated 1815 and 18 engravings, in accordance with the descriptions, starting with the embarkation mentioned above. At the end, a double engraving (Plan of the battle of Albuera) and a description of the latter engraving, with the title “Reference” and a large allegorical vignette. These two smaller double sheets are not described in the bibliographies and catalogues consulted. Copy slightly dusty and with slight browning; the engravings retain good margins. Symbolic ex-libris of Abel d'Andrade. Simple contemporary half-binding(?), with leather spine and corners, slightly worn. Duarte de Sousa, 139.
NEGREIROS, José de Almada.- A invenção do dia claro.- Lisbôa: “Olisipo” Apartado 145, 1921.- 45 [3] p.: 1 retrato; 25 cm.- E., Original edition of one of the author's rarest titles, illustrated with his self-portrait. It transcribes one of the lectures that most impressed Fernando Pessoa, who in that same year would choose this text to inaugurate his publishing house Olisipo. The copy, only slightly trimmed at the head and with some foxing, retains the booklet covers with the flaps, but does not include any pages. Full green morocco binding, signed Invicta Livro, engraved in black on the top, reproducing the booklet cover of the leaflet.
UNSIGNIERT (XIX). Porträt eines Soldaten um 1806 -1815?26 cm x 21 cm. Möglicherweise in der russischen Uniform eines Infanteristen der Truppe Zar Alexander I.. Wohl mit Portepee und dem St. Georg Orden. Die Schirmmütze mit Abzeichen des Regiments? (Aus dem Militärnachlass). Versand kann organisiert werden.UNSIGNED (XIX). Portrait of a soldier ca. 1806 -1815? Possibly in the Russian uniform of an infantryman of Tsar Alexander I's troops. Probably with portepee and the Order of St. George. The peaked cap with insignia of the regiment? (From the military estate). Shipping can be organized.
UNSIGNIERT (XVIII - XIX). Halb - Portrait einer jungen Dame.71 cm x 58 cm. Gemälde. Öl auf Leinwand. Unter anderem wachsdoubliert, alt restauriert. Zustand siehe Fotos. Keine Signatur gefunden. Aus der Familie der Portraitierten. Versand kann organisiert werden.UNSIGNED (XVIII - XIX). Half - portrait of a young lady. Oil on canvas. Among other things wax doubled, old restored. Condition see photos. No signature found. From the family of the portrayed. Shipping can be organised.
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![NEGREIROS, José de Almada.- A invenção do dia claro.- Lisbôa: “Olisipo” Apartado 145, 1921.- 45 [3] p.: 1 retrato; 25 cm.- E.](https://cdn.globalauctionplatform.com/8a9b7158-1cd2-41c5-bdd2-b07d00446f0e/9635a3e2-5a74-4007-9803-b07d01073531/468x382.jpg)
