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Preisdatenbank abonnierenCircle of William Aikman - Portrait of a Man wearing a Silk Hat and Blue Robe, 18th century oil on canvas, 66.5cm x 51cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Circle of Jean-Marc Nattier - Half Length Portrait of a Gentleman wearing a Grey Jacket with a Blue Buttonhole Ribbon embroidered with a Jacobite emblem, late 18th century oil on canvas, 71cm x 57.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Oval Miniature Portrait of a Gentleman wearing a Powdered Wig, 18th century oil on panel, possibly copper, 4cm x 3cm, within a gilt metal frame and associated shagreen case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold mounted oval shell cameo brooch, carved as a portrait of a lady, a 9ct gold circular pendant locket with engraved decoration, a pair of 9ct gold and ruby single stone earstuds, total weight 7.9g, a ruby single stone pendant, a silver mounted varicoloured agate brooch, designed as a skene-dhu, a Victorian shaped oval brooch and three further items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Trelawney Dayrell Reed - Portrait of a Man, possibly a Self Portrait, watercolour with gouache on card, signed and dated 1912, 48.5cm x 63.5cm, within a painted frame. Note: Reed, a poet painter and author, was an eccentric friend of Augustus John, examples of his pictures are scarce.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian gold oval shell cameo brooch, circa 1860, in the classical taste, carved as a portrait of a 19th century gentleman, the mount with applied bead and wirework decoration, unmarked, weight 27.2g, width 4.6cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Half Length Portrait of a Gentleman holding a Sunday School Tract, 19th century oil on canvas, 75cm x 62cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Aurel Naray - Portrait of a Young Lady wearing a Hat, early/mid-20th century oil on canvas, signed, 48.5cm x 39cm, within a silvered frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Francis Edwin Hodge - Portrait of a Girl holding a Pet Rabbit on her Lap, oil on canvas, signed recto, restoration label verso, 61cm x 51cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Alphonse Legros - Portrait of a Gentleman in Profile identified as Charles Ricketts, pencil with silverpoint, signed and dated 1890 recto, inscribed verso, 34.5cm x 25cm, within a silvered frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, opal, diamond and enamelled oval pendant, collet set with the principal oval opal within a surround of six cushion cut diamonds, the sides applied with blue and white enamelled scrollwork, the back glazed with a photographic portrait, fitted to an opal two stone surmount, unmarked, weight 9.4g, length 4.6cm, with a later 9ct gold oval link neckchain on a boltring clasp, Sheffield 1980, weight 1.4g, length 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Half Length Portrait of John Andrews J.P. of Rathenny, late 19th/early 20th century oil on canvas, 70.5cm x 57.5cm, within a gilt composition frame with applied titled plaque.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Frederick William Elwell - Half Length Portrait of an Officer of the Royal Artillery, oil on canvas, signed and dated 1917, 74cm x 61.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Attributed to Neville Stephen Lytton - Head and Shoulders Portrait of Edward Marsh, oil on panel, artist's name and sitter to label verso, 53cm x 44cm, within a gilt composition frame. Note: in his biography, Christopher Hassall states that Neville Lytton was incredibly formative on Edward Marsh's taste in art: 'By far the greatest contribution which Neville Lytton made to Marsh's life was the continuation of his education in the graphic arts… Lytton was always ready to hear about painting, and Marsh's anxiety to be a fitting companion for a painter sharpened his critical eye.' A copy of the biography is included in the lot.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, garnet and seed pearl pendant, detailed '9ct', weight 2.2g, length 4cm, with a gilt neckchain, a citrine necklace, formed as a row of graduated pear shaped citrines, a Victorian oval porcelain brooch, designed as the Madonna and Child, a silver, amethyst and marcasite bracelet and a Victorian portrait photograph of a lady, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
George Richmond - Half Length Portrait of a Lady, identified as Miss Tomkison, daughter of Piano Maker, Thomas Tomkison, watercolour with gouache over pencil, signed and dated 1831 recto, inscriptions and label verso, 23cm x 18.5cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Oval Miniature Half Length Portrait of a Gentleman wearing a Dark Jacket, early 19th century watercolour on ivory, indistinctly signed, 6.5cm x 5.5cm, within an ebonized frame with gilt metal clasp.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Oval Miniature Portrait of Rose Stanies, watercolour on ivory, 7.5cm x 6cm, within a gilt metal frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian gilt metal shaped oval brooch, glazed with a portrait of the Madonna and Child, width 4.1cm (the pin lacking), and a Victorian gilt metal mounted oval shell cameo brooch, carved as a portrait of a bearded gentleman, the back glazed with a locket compartment, width 5.6cm, with two cases.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ronald Ossory Dunlop - 'Mrs Ernest Gatrell' (Half Length Portrait of a Lady), 20th century oil on canvas, signed recto, titled verso, 50cm x 39.5cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
After Richard Cosway - Oval Miniature Portrait of a Lady, late 19th/early 20th century watercolour on ivory, 6.5cm x 5cm, within a gilt metal frame, together with five other portrait miniatures.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold and hematite intaglio ring, designed as a classical portrait, London 1974, weight 9.6g, ring size approx V.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Oval Miniature Portrait of a Mary Rosina, Lady Lynn-Thomas, watercolour on ivory, 7cm x 5.5cm, within a 15ct gold frame inscribed 'To John Lynn-Thomas, from his wife Mary Rosina, Xmas 1903', within a leather case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Stephen Crowe - Miniature Portrait of a Lady wearing a Black Shawl, White Bonnet, and holding a Book, identified as Mrs Margaret Carleton Whitta, watercolour on ivory, signed, inscribed and dated 1842 verso, 9.5cm x 7.5cm, together with nine other portrait miniatures and silhouettes, including an early 20th century watercolour on ivory, Half Length Portrait of a Gentleman smoking a Cigarette.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Circle of George Engleheart, British School - Oval Miniature Head and Shoulders Portrait of a Gentleman, watercolour on ivory, within a papier-mâché frame with gilt metal clasp, together with an early 20th century portrait miniature.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
J. Ayling of Chatham - Miniature 'Portrait of Capt F.A. Jackson, 57 Regt', watercolour on ivory, signed, titled and dated July 18th 1844 verso, 10cm x 8cm, within an ebonized frame with gilt metal clasp.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian gold mounted oval shell cameo brooch, carved as a portrait of a classical lady with fruiting vines in her hair, unmarked, weight 21.3g, width 4.1cm (the pin fitting lacking).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Amy Gertrude Chamberlin - Oval Miniature Portrait of a Lady wearing a Headscarf and Shawl, watercolour on ivory, signed and dated 1915, 5.5cm x 4cm, within a gilt metal frame, together with an early 19th century Oval Miniature Portrait of a Lady wearing a White Dress and Blue Ribbon in her Hair, watercolour on ivory, signed with initials 'L.B.' and dated 1908, 7cm x 5.5cm, within a silver and blue enamel frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ronald Ossory Dunlop - Myself with Yellow Scarf (Self Portrait), oil on canvas, signed recto, inscribed, dated 1953 and exhibition labels verso, 75.5cm x 49.5cm, within a hessian and painted wood frame. Exhibited: Royal Academy, 1953, catalogue no. 523; Royal Hibernian Academy, 1954, catalogue no. 41. Literature: Royal Academy Illustrated 1953, p.49; The Illustrated London News, 1953, Vol. 222, p.688.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Full Length Profile Silhouette Portrait of a Gentleman holding a Top Hat near the Royal Pavilion Brighton, 19th century ink with watercolour and gouache, 25.5cm x 18cm, within a birds-eye maple frame. Note: this silhouette is reproduced in Peggy Hickman's 'Two Centuries of Silhouettes: Celebrities in Profile' (A & C. Black, 1971).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold pendant cross, unmarked, weight 5.5g, length 4.5cm, a silver pendant cross, Chester 1907, a base metal pendant crucifix and a Victorian oval shell cameo brooch, carved as a classical female portrait with an owl, the mount decorated with foliate motifs, width 5.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Head and Shoulders Portrait of a Gentleman wearing a Navy Jacket, watercolour on ivory, 7cm x 5.5cm, within a papier-mâché frame with gilt metal clasp.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Group of six sporting photographic portrait groups to include City of Cardiff Highschool cricket 11 1921, Llandovery Collage rugby 15 1934-35, City of Cardiff Highschool D house team cricket cup 1921, Cardiff City Highschool hockey 2nd 11, an unknown portrait group, and a rugby souvenir match photograph 1937, unframed bar the last. (6)(B.P. 21% + VAT)
Collection of vinyl record LP's together with a framed poster of Metallica 'Jump in the Fire', LP's to include Queen ' Night at the Opera' Golden Hour Status Quo, Ray Charles Greatest Hits, Star Portrait Johnny Cash, JZ Girl's Best Friends, Soup of Dragons Love God, Luminous, The Horrors, Marian Faithful 'As Tears Go By', M People 'Open Your Heart', Collection of David Bowie LP's, some sound track LP's Golden Hour of the Kinks (55) (B.P. 21% + VAT) No Nick Drake in this lot.
AUGUSTUS JOHN (BRITISH, 1878-1961)Portrait of Dorothy Walker-Heneage (nee Helyar)signed 'Aug. John' (lower left) and inscribed (to backboard)pencil47 x 23cmARRProvenanceThe sitter, thence by family descentFootnoteDorothy Walker-Heneage (nee Helyar) was the last of the Helyar family of Coker Court, East Coker, Somerset.
MAX LIEBERMANN (1847-1935)Self-Portrait, Sketching (1914)Black Chalk, 34.5 x 25.5cmSigned and dated 1914Provenance: Arthur Kauffmann, London; with Arnoldi-Livie, Munich; Private Collection, DublinCondition Report: Very good overall condition with some staining to the paper particularly to the bottom left hand side Slight discolouration due to the age of the paperWe have relied on the provenance of Arnoldi-Livie and are unaware if Dr Nouwen has seen the work
FRANCIS BACON (1909-1992)Study of a portrait of John EdwardsLithograph, 68 x 50.3cm (94.5 x 68cm sheet size)Signed and numbered 105/180Condition Report: Very good overall conditionSlight undulations at top of the sheet Purchased from The Blue Leaf Gallery, Dublin 2002 for €10,000We have not removed the print from the frame
Three signed items: a vintage photocard by Claridges with handwritten inscription, signature and date along border by Paolo Tosti, a printed copy of a portrait of Franz Lehar with inscription, date (1917) and signature by Lehar, a portion of a letter (backed to card) with signature by Cecile Chaminade. Provenance: from an astonishing collection of classical music ephemera which includes autographs from many of the 20th century's most renowned conductors and composers. Collected over many years by a former orchestral manager of Liverpool Philharmonic.
Italian school, late 18th century.Male portrait.Oil on canvas.Re-drawn.Frame of the 19th century.Measurements: 65 x 57 cm; 59 x 50,5 cm (frame).Male bust of naturalistic character, in which an expressive and extremely plastic palette has been used, based on strong contrasts between warm and cold tones. Wearing a beret, the figure is partially hidden behind a long beard of grey hair. His tanned skin, modelled with side lighting, emphasises his angular features. The influence of Venetian art can be seen in the treatment of light, as Venice is an enclave with a long tradition of portraiture, from the 16th to the 18th century, from Bellini to Giorgione and Titian to Giorgione. In particular, the legacy of Giorgione's vivid portraits of humble characters and old women can be appreciated,
Flemish school; early 17th century."Saint Hermenegild".Oil on canvas.Measurements: 104 x 125 cm.Saint Hermenegild was the son of the Visigoth king Leovigild. In 579 he confronted his father and married Ingund, the daughter of the Frankish king Sigebert I of Austrasia, who was a Christian. Later he started a rebellion, in which he tried to replace Arianism with Christianity. During the conflict Hermenegild fled to Seville and when it fell to a siege in 584, he made his way to Cordoba. After Leovigild paid 30,000 gold pieces, the Byzantines withdrew and took Ingund, his wife and son with them. Hermenegild sought refuge in a church and his father sent Recaredo, Hermenegild's brother, to offer peace. In this scene the artist depicts the saint kneeling, praying and turning his face towards the crucifix on the tree on the left-hand side of the composition. However, despite the pious subject matter of the scene, we are struck by the multitude of animals that share the composition with Saint Hermenegild: a white horse, from which he seems to have immediately dismounted as he is saddled, three dogs in the lower part of the foreground and a deer standing on a promontory, looking directly at the saint. This feature creates a confusing situation in the conception of the work, as it seems that Saint Hermenegild is also looking at the animal, to some extent losing sight of the presence of the deer.The painting belongs to the Flemish school, which can be deduced from certain characteristics associated with that school. In this painting, there is a realistic reaction to the fantasy of the international Gothic, it is a painting very influenced by the art of sculpture, oil painting is usually generalised, it is a painting with a great symbolic sense which allows us two readings, the symbolic and the realistic. There is an importance for detail, with a meticulous description of objects, nothing escapes the painter's eye, the presence of many details is evident, a painting in which real beings appear without idealistic intention. The portrait occupies an increasingly prominent place, there is a greater study of light, as well as a veracity of the sense of volume, depth is sought in space, achieving perspective in an intuitive manner.
French school following 18th century models; 19th century."Portrait of a lady.Oil on canvas.Size: 56 x 44,5 cm, 71 x 60 cm (frame).French portrait of the second half of the XVIII century following the model of the portraits made to Marie Antoinette, of great importance are the clothes, the hair accessories and the jewellery of the time, giving us to understand the acquisitive level of the person portrayed in question. This portrait is of high quality, indicating the artist's skill and craftsmanship. The model in which the sitter is presented is largely reminiscent of the portraits of Marie-Antoinette painted by the artist Vigeé le brun, in which she appeared in simpler clothes and from a more intimate point of view, far removed from the pomp of the French court. Marie-Louise-Elisabeth Vigée-Lebrun. This neoclassical painter portrayed the leading members of the French nobility, and was invited to Versailles to paint Queen Marie-Antoinette in 1783.ta.
FREDERIK DE MOUCHERON (Emden, 1633- Amsterdam, 1686)."Romantic landscape.Oil on canvas.Signed in the lower left corner.Size: 82 x 65 cm; 109 x 94 cm (frame).Frederik de Moucheron was a Dutch landscape painter and draughtsman of the Golden Age. He produced mainly landscapes which were decorated with human and animal figures by various colleagues.Frederik de Moucheron was the son of the painter Balthazar de Moucheron and Cornelia van Brouckhoven. His father came from a wealthy family of merchants and wine merchants. He is portrayed as one of the younger sons in the family portrait of Pierre de Moucheron (1583). Frederik trained with Jan Asselijn and became a landscape painter. At the age of 22 he left for Paris, where he spent three years and toured Lyon, Italy and Greece. In 1659 he settled in Amsterdam where he married, continued his artistic production and died.He painted French, Italian and Dutch landscapes. To complete these scenes he was joined by contemporaries who specialised in figure painting, such as Adriaen van de Velde in Amsterdam, Theodor Helmbreker in Paris, and occasionally Johannes Lingelbach, and Nicolaes Pieterszoon Berchem.De Moucheron's son Isaac, named after his grandfather, who was a pupil of Rembrandt, became a popular engraver and painter, and many of his landscape wall decorations survive in Amsterdam.
A group of nine First and Second World War period medals to Frederick John Archer, Royal Navy, comprising British Empire Medal for Meritorious Service, George VI issue, to 'Ch.Shpt. Frederick J.Archer,C/MX.57520.', Distinguished Service Medal, George V issue, to 'M.1765. F.J.Archer, Shpt.2Cl. H.M.S.Wahine. 1917', 1914-15 Star to 'M.1765, F.J. Archer,Shpt.2. , R.N.', 1914-18 British War Medal to 'M. 1765 F.J.Archer.Shpt.2 R.N.', 1914-19 Victory Medal to '1765 F.J.Archer. Shpt.2 R.N.', 1939-45 Star, Atlantic Star and 1939-45 War Medal with MiD spray (these three unnamed as issued), and Navy Long Service and Good Conduct Medal, George V Admiral's bust issue with fixed suspension, to 'M.1765 F.J.Archer. Shpt.1.H.M.S. Cleopatra', mounted court style for display, with a set of uniform ribbons, two buttons and a portrait photograph shown wearing a DSM, framed for display, together with a group of documents, comprising his certificate of service in the Royal Navy confirming service on HMS 'Wahine' from 22 July 1916 to 21 Apl 19, a cutting of the Daily Telegraph, dated Oct 2nd 1917, confirming notification of the DSM the previous evening in the London Gazette, a letter recommending his advancement to Chief Shipwright, a letter/form relating to his pension, a letter, dated 19 Feb 1996, confirming his award of the BEM military division, notified in the London Gazette 1st Jan 1941, and a framed Mention in Dispatches certificate for good service, published in the London Gazette on 23rd Jan 1941.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
OLDENBARNEVELT -- HISTORIE v.h. leven en sterven van heer Johan van Oldenarnevelt, ridder, Heere v.d. Tempel, Berckel, Rodenrijs. Gewesen advokaat van Hollandt, &c. 2e dr. Op Loevesteyn (=Rott.), Voor Lieven van Vrijheyd, 1658. 2 parts in 1 vol. (16), 366; 142, (2) pp. W. engr. portr. 4°. Cont. cf. w. raised bands, dec. gilt back & dec. gilt sides. (Spine partly dam. & rubbed, corners a bit worn, a few faint stains, slightly browned/foxed). NOTE:Good copy with the portrait after Van Mierevelt. Who the author of this 'history' was, never came to light. - Haitsma Mulier/v.d. Lem, 228.
FRANK, Anne. Het Achterhuis. Dagboekbrieven van 12 juni 1942 - 1 Aug. 1944. Met een voorw. d. A. Romein-Verschoor. Amst., 1947. ix, 253 pp. Illustr. w. front. portrait of the author, 2 photographic reproductions of the interior of the house, 1 floor plan, and 2 facsimiles from the diary. Obrds. w. dust-j. (Spine and content age-toned (as usual), dust-j. in need of some restoration: lower hinge dust-j. w. small hole, small amount of paper at upper end of spine of jacket gone (also at inner upper margin of sides), some very minor defects to dust-j. in places, first free endpaper w. small monogram in ink 'MP'). NOTE:True first edition of this famous war diary and testimony of the Holocaust. The author's name lettered in yellow on the front panel of the dust-jacket. In very good condition given the vulnerability of jacket and book.
WASSENAER, Frederik Hendrik v. (1701-1771). Signed letter to Gerard van Brandwijk (1704-1762), burgomaster of Gouda, concerning the constitutional situation that arose due to the death of the Princess of Orange and the minority of the hereditary stadtholder, dated Catwijk [=Katwijk] a.d. Rijn, June 3rd 1759. Written in a legible hand on 2 sides of a folded 4° sheet of paper. - Added: the or. envelope and also an engr. sihouette portrait of baron Jacob Jan v. Wassenaer 1724-1779).
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