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283284 Los(e)/Seite
Los 1774
A carbuncle garnet set heart shaped pendant, glazed with a locket compartment at the back and two Victorian watch keys fitted to a ring, a 9ct gold circular pendant locket, three further pendant lockets, a seal fitted to a four row curb link chain fob, a pendant fob seal, a watch key fitted with a seal end, an oval lava cameo brooch carved as the portrait of a gentleman, four further brooches, a stick pin, a silver rectangular vesta case, Birmingham 1907 and a sterling mounted cigar cutter.
Los 1798
An 18ct gold, diamond and synthetic sapphire set ring, mounted with two pairs of cushion shaped diamonds, alternating with three cushion shaped synthetic sapphires, five further rings, an oval shell cameo pendant, carved as the portrait of a classical lady, the front with pendant tassel drops, six pairs of earrings, in a variety of designs and four further items.
Los 1800
A gold and bloodstone set oval signet ring, detailed 18 CT, a gold, sapphire and diamond set circular cluster ring, a gold ring mounted with an oval shell cameo, carved as the portrait of a lady and a 9ct gold ring, claw set with an oval opal at the centre, within a surround of alternating circular cut sapphires and diamonds.
Los 1812
A gold, seed pearl and pink gem set brooch, in a pierced design, detailed 15 CT, an oval shell cameo brooch, carved as the portrait of a warrior wearing a helmet, fitted with a safety chain and a Victorian silver oval hinged bangle, the front with a buckle and strap motif, otherwise with engraved decoration, Birmingham 1888.
Los 239
ATTRIBUTED TO SIR JOHN WATSON GORDON FULL LENGTH PORTRAIT OF A HIGHLAND CHIEFTAIN SIR FRANCIS GRANT IN FULL HIGHLAND DRESS oil on canvas 215cm x 120cm (84.5in x 47.5in) Note: This impressive portrait of the painter Sir Francis Grant (1803-1878), resplendently dressed in full Highland regalia as an Esquire to the Knight Marischal, evokes all the Scottish national pride and romanticism of the early 19th century. Last exhibited by the R.S.A. in 1824, and the subject only recently identified, this dynamic portrait of the dashing young artist swathed in metres of red tartan, is representative of a group of portraits meant to convey an unequivocable Scottish identity. Beginning with the publication of Sir Walter Scott's novel Waverley in 1814, there was renewed interest in the history, culture and traditional dress of Scotland, and it was with Scott's influence that George IV's visit to Edinburgh was organised in 1822, the year this portrait was painted. The royal visit, the first for a British monarch since 1650, was marked with a series of high profile events, processions and pageants, all to celebrate the Scottish national identity and reinforce the King's ties to Scotland and improve his popularity after his accension to the throne the year before. Sir John Watson Gordon (1788 - 1864) succeeded Sir Henry Raeburn as the pre-eminent Scottish portrait painter of the first half of the 19th century. He painted many famous Scottish individuals including Sir Walter Scott and James Andrew Ramsay, 10th Earl and 1st Marquess of Dalhousie. Watson Gordon and Grant exhibited at the Royal Academy throughout the nineteenth century with the former elected President in 1850 and Grant in 1866.
Los 319
GROUP OF THREE PORTRAIT MINIATURES LATE 18TH/ EARLY 19TH CENTURY each in an ebonised frame, comprising of: a portrait of Sir John Boyd, inscribed OCTOBER 1821, handwritten label to verso, 7.5 x 6cm; an oval portrait, by David Gibson, believed to be Mrs Hudson of Shawhall, signed and dated GIBSON/ 1797, handwritten label to verso, 7 x 5.5cm approx.; and a gentleman in a powdered wig, 7 x 5.5cm approx. (3)
Los 365
CHINESE ANCESTOR PORTRAIT QING DYNASTY, 19TH CENTURY depicting an elderly lady seated on a chair draped in silks, wearing a robe richly embroidered in gilt and multicoloured designs, with headdress and ceremonial jewellery, framed 56cm high, 32cm wide (excluding frame) Provenance: A private Scottish collection
Los 70
TWO PLASTER PORTRAIT ROUNDELS 19TH CENTURY both circular, the first depicting a profile portrait of Byron, in a circular moulded frame, 28cm diameter overall; the other a profile portrait of a gentleman, in a circular moulded frame, 25cm diameter overall (2) Provenance: Cairness House, Aberdeenshire
Los 77
SIR HENRY RAEBURN R.A., R.S.A (SCOTTISH 1756-1823) THREE-QUARTER SEATED PORTRAIT OF AN OFFICER OF THE MADRAS ARTILLERY oil on canvas, the sitter seated in a green open armchair and holding a tricorn hat in his right hand, against trees with a view of the sea in the distance 127cm x 101.5cm (50in. x 40in.) Note: This portrait dates circa 1785 and the sitter has been traditionally identified as Lt Governor Henry Hamilton, although this attribution is now questioned. The format of the portrait follows other known paintings by Raeburn, in particular a portrait of the Thomas Carmichael, 5th Earl of Hyndford, which uses the same pose and chair with a tree in the background for the subject, with the only notable difference being the far landscape in the background. Provenance: McCormick Sale, American Art Association, New York, 15th April 1920 With Knoedler, 1922 Mr and Mrs van Horn Ely, by whom given to the Phoenix Art Museum Anon. sale, Sotheby's, 8th November 1995, lot 53 Exhibited: Chicago, The Art Institute, 1895 and 1919 Pittsburgh, Carnegie Institute, 1898 Boston, Copley Hall, 1900 Boston Art Students Association, no.33 Provenance: Cairness House, Aberdeenshire
Los 633
ATTRIBUTED TO EDMUND JOHN NIEMANN. A rustic scene with a boy standing at a road-side by a farmhouse, bears signature ‘Niemann’, watercolour, 10 1/2 x 15 1/2 in; pastel portrait of a dog’s head by Marjorie Cox; and a watercolour by Anna Dixon depicting a continental market scene; three (3)
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283284 Los(e)/Seite