HELEN CUTLER (DEVON). Portrait of a Puppy. Oil on canvas. Signed & dated 2008. 37 x 43cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
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283284 Los(e)/Seite
PORTRAIT OIL. Portrait of a Lady. Oil on canvas, relined. Unsigned. 50 x 40cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
SHEILA TIFFIN. Self portrait in corset, with friend. Oil on canvas. Signed. 59 x 49cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
SHEILA TIFFIN. Self portrait. Oil on canvas. Signed. 50 x 50cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
VICTORIAN PORTRAIT. A Victorian portrait oil on canvas, seated lady. Unsigned. 40 x 36cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
RACEHORSE PORTRAIT. An early 20th c. portrait of the racehorse, 'Melton Yank'. Oil on canvas. Indistinctly signed A...... Han.....? 23 x 30.5cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
OIL PORTRAIT. A late 19th/early 20th century oil portrait of a lady. Oil on canvas. Unsigned. To the reverse a canvas stamp for 'Chenil, by the Town Hall, Chelsea', c.1911 -1912. In good quality carved & gesso frame. 64 x 50cm. NOTE: Our Vendor informs us that this was apparently purchased in Newlyn during the 1950s. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
WALTER LANGLEY. Portrait of a Young Girl. Watercolour. Signed W. Langley & dated Xmas 1880. 35 x 25cm. Provenance with Christie's Auction 19th November, 1998. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
VICTORIAN WATERCOLOUR. A Victorian watercolour of 'H.R.H. Prince Edward of York, 1895'. To the reverse, a hand written inscription stating that the portrait was painted by 'One of the Ladies-in-Waiting. Bought at the Ripon & District stall of the Bazaar for the N.S.P.C.C. at the Exhibition Buildings, York, Oct. 22-26th 1895, from Mrs. Vyner of Newby Hall, Ripon.' Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
An 18th century George III c. 1797 copper cartwheel penny coin. The obverse having the legend (incuse) "GEORGIUS III D:G REX" surrounding the legend surrounds a laureate portrait of George III facing right with a draped bust. The reverse bears the iconic seated Britannia with SOHO in waves to represent SOHO Mint. Measures 35mm diameter. Total weight 28.2g.
A collection of 1940/50s cycling badges (x13), with Poole Wheelers cycle club (x4) and enamel (x7) all to same named man. Also unknown French award with male portrait and enamel 1935 Bournemouth silver jubilee cycle club badge. Many by Fattorini of Birmingham. All hooked on wooden display badge.
A pair of Austrian Alexandra porcelain wine ewers,19th century, of tapering form decorated in cobalt blue with gilt detailing, moulded to the spout with a satyr mark decorated in polychrome, to the sides painted with a portrait of a woman set in a painted filigree cartouch, to the underneath with factory marks, 14.5cm high (2)Condition ReportThe gilt decoration rubbed throughout to both. The bases of both with some rubbing.
Indian School19th century, a portrait miniature on ivory, unsigned, framed,6.2 x 6.7cm IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: SHRKQPCECondition ReportGlazed. Losses to the frame. Please note that the portrait has not been inspected outside of the frame.
â–´ Sven Berlin (1911-1999)'Girl Seated'signed 'SVEN Berlin', inscribed with title and dated '60', pencilsheet 78 x 54.5cm;The embracesigned 'SVEN' and dated '77', pencil and watercoloursheet 59 x 41cm;and two further works by the same hand of a Self Portrait and Portrait of a Man, all unframed (4)Condition ReportSelf Portrait has some handling creases, particularly to the top right and bottom right corners, there is a futher small crease to the extreme upper left corner. There is slight cockling bottom centre but this appears to be due to the application of ink, please see additional images.
Boothby, Sir Brooke. Sorrows Sacred to the Memory of Penelope, London: W. Bulmer & Co., 1796. Illustrated with three stipple-engraved plates: The Apotheosis of Penelope Boothby, frontispiece after Henry Fuseli; portrait of Penelope after Sir Joshua Reynolds; the Ashbourne memorial stone by Thomas Banks, plus seven etchings & engravings within the text. Folio, contemporary polished calf, marbled endpapers, 89pp. plus illustrations, internally good & bright, some incredibly pale spotting, mostly confined to upper margins, boards rubbed & worn, rebacked, two neat C19 owner inscriptionsSir Brooke Boothby, 6th Baronet (1744-1824) was part of the intellectual & literary circle of Lichfield. His only daughter, Penelope, died young and was the subject of this book of poetry by her grieving father
Curtis, William. Flora Londinensis: Or Plates and Descriptions of Such Plants as Grow Wild in the Environs of London, first edition, in three volumes, London: Sold by the Author, 1777 [1777-1798]. Folio, half crushed morocco lettered in gilt with marbled boards. Contents very well-preserved, clean and bright. Exquisitely illustrated as follows: Vol.I: vignette title, engraved portrait of the author, 103 beautifully hand-coloured plates, and 81 uncoloured plates; Vol. II: 118 hand-coloured plates, 73 uncoloured plates; Vol. III: 116 hand-coloured plates, 91 uncoloured plates. A total of 582 botanical plates. Each volume has corresponding pages of text for each plant being illustrated. Vol. I includes a dedication the Earl of Bute, 2pp. list of subscribers, 2pp. preface, 4pp. index, 3pp. manuscript appendix to the index, 6pp. catalogue of plants. Each volume bears a small engraved ownership plate for Richard Knight on the front pastedown. An important and exceptionally illustrated work in very good condition, the plates retaining their vibrant colours, only a few plates have small paper repairs, only a few pale spots in places, expertly rebacked & cornered in dark green morocco, the original marbled boards with some rubbing (3)
A collection of loose antique prints comprising: Auditus [from the Five Senses series], by Jacob Gole after Cornelis Dusart, mezzotint, 23cm by 18cm (plate-mark), c. 1675-1724; Vue de la Ville de Maaslins (Hollande), etching by Johan Barthold Jongkind (1819-1891), signed on the plate, Paris: Cadart & Chevalier, 1862, 24cm by 32cm (plate-mark); Edward Orme, stipple-engraved portrait coloured à la poupée, London: Edward Orme, n.d., 25.5cm by 20.5cm (sheet); Jane Bowdler, stipple-engraved portrait by Robert Mitchell Meadows after Sir Thomas Lawrence, London: R. Cruttwell, 1 January 1798, 25.5cm by 20cm (sheet), publisher details trimmed and retained separately; Mrs. Dickons, stipple-engraved portrait after Marie Anne Bourlier, London: I. Bell, 1 July 1812, 22cm by 13.5cm (sheet); St. Albans, Monument of Lord Bacon, engraving by George Cooke after W. Alexander, London: Nichols, 1815, 39cm by 28cm (sheet) (6)
Milton, John. The Poetical Works, in four volumes, London: Longman et al., 1852. Octavo, full calf with contrasting morocco title labels lettered in gilt, marbled endpapers and edges, engraved frontispiece portrait of the author to first volume. Contents very good, clean, bright, some pale spotting to endleaves, bindings very good, tight & square, light surface scuffs, a decorative set (4)
Pepys, Samuel. Memoirs, Diary & Private Correspondence, edited by Richard Lord Braybrooke, in five volumes, London: Henry Colburn, 1828. Octavo, handsome C19 half-calf with morocco title labels lettered in gilt, marbled boards/endpapers/edges, engraved portrait frontispiece to each volume, plus three further plates in Vol. I (two folding), one in Vol. II, one in Vol. III (folding), and one in Vol. V (folding). Contents very good, clean, bright, occasional pale spotting in places, decorative bindings tight & square, slight bumping & wear to corners/extremities, an attractive set (5)
HM Queen Elizabeth II (1926-2022) & HRH Prince Philip, The Duke of Edinburgh (1921-2021). A pair of signed photographic portraits by Anthony Buckley, taken in the State Rooms of Buckingham Palace. Each portrait signed with autopen to mount, 'Elizabeth R 1974', 'Philip 1974', the mounts stamped 'Anthony Buckley' to verso. In presentation straight-grain morocco frames with gilt royal cyphers by Plante & Johnson of London, 24.5cm by 17.5cm (window). The photographs appear well-preserved, the mounts with general toning and some very faint spotting, signatures a little faded, the frames are very good with some light scuffs (2)Provenance: From the estate of Baron Goronwy-Roberts (1913-1981), Labour MP for Caernarvonshire, 1945-74
Thomas, Dylan. Collected Poems 1934-1952, first edition, signed by the author in blue ink, limited edition numbered 41 of 65 [only 60 of which were issued for sale], London: J. M. Dent & Sons Ltd., 1952. Octavo, full crushed morocco lettered in gilt, top edge gilt, frontispiece portrait of the author by Augustus John, pp. xiv, 178. Contents very good, clean, bright, binding tight & square, morocco well-preserved within a protective mylar cover, some offsetting to endleaves from mylar cover, one tiny hole on lower spine. A very good example of this scarce limited edition
Royal Memorabilia & Police History. An archive of material relating to Roland Stockdale, a Metropolitan Police officer who worked for the Queen’s personal protection force during the 1950s, comprising: Roland Stockdale's expenses book for 1956, copiously filled with pencil notes recording his travels between royal residences, transport costs, subsistence, and lodgings; a photographic portrait of Stockdale in his police uniform, Regent studio, 22.5cm by 15cm, framed & glazed; Stockdale's RAF officers peaked cap; a letter written by Roland Stockdale, signed 'Ro', describing a stay at Birkhall, including a staff dance at Balmoral, undated, Birkhall letterhead, 10pp. on six leaves, and a 4pp. comic poem in the same hand [Roland Stockdale], concerning 'Prince Philip's beard'; seven invitation cards for Roland & Audrey Stockdale to attend a dance in the Ball Room of Balmoral Castle, 1956 (x 2), 1957, 1958 (x 3), 1959; two invitation cards for Mr. & Mrs. Stockdale to attend a Christmas Party at Clarence House, 1957 & 1958; an invitation card to The Soviet Exhibition, 1961; six menu cards bearing the royal cypher, one typed, others manuscript, 1957-58; a pewter tankard bearing engraved inscription, 'To Roland Stockdale from C.I.D. Colleagues "L" Division, Metropolitan Police, 22.6.1972'; Stockdale's Identity Card, stamped 'Metropolitan Police', 1940, and Registered Guide card for the same, Windsor, 1958; a small quantity of black & white photographs of Roland Stockdale, including one taken inside the Information Room at Scotland Yard, plus later colour photographs taken outside Royal Lodge; a Sketch Plan of Windsor Great Park, printed by The Estates Gazette Ltd., undated, folded within envelope marked 'not to be destroyed'; 18 blank/unused sheets of letterhead paper from Clarence House, Birkhall, and 10 Downing Street; a Christmas card, signed 'Berkeley', RAF Hillingdon; an album of messages from Stockdale's friends, 1920s (predominantly quotations, puns, proverbs). Together with a small quantity of material relating to Russell Stockdale [a forensic scientist notable for his work on the "Yorkshire Ripper" case], including his geography school workbook, his illustrated childhood diary for 1954-55, his Post Office savings book, five certificates including one from the Royal Microscopical Society, 1972, and a newspaper supplement, 'Help Us Catch the Ripper'Provenance: By descent of Roland Stockdale, a Metropolitan Police officer who worked for the Queen’s personal protection force during the 1950s
A MID 19TH CENTURY HEAD AND SHOULDERS PORTRAIT OF A FEMALE FIGURE, she wears a lace bonnet on her head and a shawl over her shoulders, no visible signature, oil on canvas, approximate size 68cm x 55cm, Condition Report: there is a tear below her chin, loss of paint to her forehead with small areas of paint loss in other places (1)
19TH CENTURY CONTINENTAL SCHOOL, Head and shoulders portrait of a young boy holding soap? in his hand and bubbles floating to the right hand side, painted as an oval with faux mount, unsigned, oil on oak panel, 33.5cm x 28.5cm, in a late 20th century gilt frame (Condition Report: the painting would benefit from a clean, all four corners of the panel have losses and the top left has a vertical split, there is craquelure on the surface as well as a scratch to the left of the face and a hair in the paint upper left)
18TH CENTURY ENGLISH SCHOOL, half-length portrait of a female figure before a landscape backdrop, no visible signature, stencil marks and indistinct pencil writing verso, oil on relined canvas, approximate size 59cm x 49cm excluding frame, Condition Report: repair to the canvas towards the bottom right corner, signs of over painting in places to include the face and hair
TROIKA (TROIKA are a collaboration of three French artists, Eva Rucki, Conny Freyer and Sebastian Noel) 'ROAD AHEAD', a graffiti stencil style portrait of a female figure, mixed media on a reclaimed Road Ahead Closed road sign, approximate sizes - image 105cm x 75cm frame 112cm x 82cm, Condition Report: the road sign has a distressed finish
A NINTEENTH CENTURY COPY OF 'THE BLUE BOY' AFTER THOMAS GAINSBOROUGH, oil on canvas, unsigned with Cecil W. Woods 190 Brompton Road stencil mark verso, approximate size 90cm x 60cm frame 120cm x 88cm, canvas is torn with image loss in places, together with a 19th century hand tinted mezzotint portrait of William August Duke of Cumberland, two G.R. Hildyard aquatint prints 'an Eastern Contrast' an Arabic scene and 'Old Nurenberg' a German moonlit river scene, assorted hunting themed prints and a reprint of a view depicting Reculver Abby in Kent (box and loose)
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, comprising six open edition William Russell Flint prints, a Martin Poole watercolour landscape depicting an open field through a gate with windmill to the distance, two Lucy Dawson prints, miniature portrait print and Kingsmill shop display banner advertising a Wallace and Gromit preserves dispenser, approximate size 106cm x 282cm
TWO VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND TWO OTHER VICTORIAN CERAMIC ITEMS, comprising a Staffordshire pottery portrait figure of Dr Thomas Raffles, on a stepped circular base, height 24.5cm, a Staffordshire pottery Little Red Riding Hood with a striped wolf, height 20cm, a 19th century green glazed leaf plate, diameter 20.8cm and a late Victorian porcelain loving cup, painted with roses and inscribed 'PRESENTED TO HENRY CLAYTON 1900', height 14cm (4) (Condition Report: Raffles has crazing and staining and light wear to the paint and worn gilding, Red Riding Hood has crazing, patches of paint loss, crack in the side by the wolf, wolf's ears are both chipped, the leaf plate has glaze loss to the underside of the rim and small chips to the underside of the base, the loving cup has wear to the gilding and would benefit from a clean)
Sketch of FL/LT D.W.Newbourn R.A.A.F.: Large sketch by Sir W.Rothinstein (29 January 1872 – 14 February 1945) was an English painter, best known for being war artist in both wars, tis must have been one he’s last works. More than two hundred of Rothenstein's portraits of famous people can be found in the National Portrait Gallery. Sketch is housed in new frame being 43 cms x 58 cms
1947 Self Portrait of the artist painting oil on canvas signed and dated. Gipe studied at UCLA and at UC Berkeley receiving a Master of Fine Arts degree in 1947 in the early days of abstract expressionism. Her personal abstract style fuses fauvist color and expressionist energy to give movement and drama to her fluid biomorphic shapes. Overall size: 31 x 26 in. Sight size: 23 1/2 x 18 1/2 in.

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283284 Los(e)/Seite