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Howell (James) Londinopolis; an Historicall Discou first edition engraved frontispiece portrait double-page engraved plate frontispiece cut down and mounted some browning the Macclesfield copy with North Library bookplate and blind-stamps at head of first 3 ff. contemporary mottled calf spine gilt rules on covers rubbed [Wing H3091] J. Streater for Henry Twiford et al. 1657.
(Sir John) Travels in China second edition hand- (Sir John) Travels in China second edition hand-coloured aquatint portrait frontispiece and 4 hand-coloured plates 3 other engraved plates 2 double-page one stained contemporary half calf rubbed rebacked 4to 1806. *** The author accompanied Macartney on his mission to the court of China in 1792 as his private secretary. The plates are from drawings by William Alexander.
Moos (Ardaseer Framjee) Journal of Travels in Indi vol.1 [all published] main text in Gujarati but with title preliminaries and 40pp. abridged text in English folding lithographed map mounted portrait frontispiece one engraved plate and 59 tinted or chromolithographed plates (the last with 8 portraits on one sheet) 3 double-page very occasional spotting or light offsetting original pictorial cloth gilt corners very slightly bumped small stain to lower cover otherwise a clean and bright copy 8vo Bombay Education Society`s Press Byculla 1871. *** Scarce: only 3 copies located in UK and 3 copies in US all in institutions. A second volume was planned but apart from the plates which are included in this volume never executed.
Bosa (Eugenio) Soggetti Pittoreschi e Costumi di V lithograph portrait from another work engraved title and 24 plates marginal water-stain to lower corner throughout some light foxing to upper margin old marbled boards gilt-lettered green label to upper cover rebacked in cloth small folio Venice [?1835].
(Sir William Martin) Climbing and Exploration in t (Sir William Martin) Climbing and Exploration in the Karakoram-Himalayas 2 vol. including supplementary vol. of Scientific Reports and Maps first edition text with frontispiece folding map plates and illustrations by A.D.McCormick advertisement leaf at end ownership inscriptions on half-title and front pastedown supplement with initial advertisement leaf half-title photogravure portrait frontispiece and 2 large folding colour maps in pocket at beginning and end hinges a little weak portrait browned at edges maps with minor tears original cloth the first vol. pictorial t.e.g. others uncut supplement a little rubbed and marked slight wear to corners and spine ends [Neate C103; Yakushi C336a] 8vo 1894. *** Rare with the supplementary volume of reports and maps. This describes the first major attempt to explore the Karakoram and is significant for the description of K2 referred to by its Indian atlas letter and number code which was subsequently adopted as the name of the world`s second-highest mountain.
Allioni (Carlo) Flora Pedemontana sive enumeratio methodica stirpium indigenarium pedemontii 3 vol. in 1 engraved portrait after Molinari titles in red and black with engraved vignette 82 engraved plates old library label on verso of title and head of front pastedown first few leaves becoming loose contemporary half calf rather worn joints split [Nissen BBI 18] folio Turin J.M.Briolus 1785. *** Allioni`s most important work Flora Pedemontana lists 2 813 species of plants of which 237 were previously unknown.
Bakst (Leon).- Alexandre (Arsene) & Jean Cocteau. edition de luxe number 1 of 80 copies with an original watercolour by Bakst this copy printed in English portrait frontispiece 77 tipped-in plates most colour 4 folding original decorative vellum gilt rubbed the upper cover marked with small vertical indentations folio Fine Art Society 1913.
Middleton (Bernard binder).- Maritain (Raïssa) Patriarch Tree: Thirty Poems translated into English by a Benedictine of Stanbrook one of 30 copies for special binding from an edition of 550 signed by the printer Sr Hildelith Cumming and with note in ink about the binding on colophon printed in black and colours portrait bound in mid-brown goatskin by Bernard Middleton covers with tooled floral border in black within rules of gilt and black spine with five raised bands and compartments with gilt floral ornament and rules date at foot green goatskin label titled in gilt t.e.g. others uncut Japanese paper endpapers signed with monogram at foot of rear inside cover goatskin-edged cloth slip-case 4to Worcester Stanbrook Abbey Press 1965. *** The note on the colophon reads “This copy has been specially bound by Bernard C.Middleton for showing at `Stanbrook Abbey Press & Sir Sydney Cockerell: A centenary exhibition` at the Victoria & Albert Museum. 11 November 1976-13 February 1977.” Loosely inserted is the prospectus a copy of the title-page with note at foot by the printer and an A.L.s. from Sr. Hildelith Cumming concerning the binding and its appearance in the exhibition. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
[Farnie (Henry Brougham)] “A Keen Hand”. The Golf being an Historical and Descriptive Account of the National Game of Scotland second edition frontispiece illustrations in text original brown cloth slightly rubbed with minor loss to head of spine signature to portrait frontispiece “yours Allan Robertson” minor chips to fore-edge of frontispiece and 5 leaves ink stamp of J.H.Stoddard to verso of frontispiece and title leaf and signature to dedication leaf [Murdoch 415] small 8vo Cupar John C.Orr 1862. *** “...it was the first book of prose written on golf and generally recognised as the first book of golf instruction”. It is thought that the second and third edions are much rarer than the first. Murdoch.(1)
Schrenck von Nozing (Jacob) Augustissimorum Impera title within woodcut border engraved portrait of Archduke Ferdinand and 123 (of 125) fine engraved portraits of other monarchs and noblemen printed text to versos and a few other preliminary text leaves all within the same elaborate woodcut border as title one leaf torn occasional light staining and soiling some minor worming mostly marginal a few with ink or pencil captions old calf worn upper cover detached folio Innsbruck 1601. *** Provenance: “Ad Bibliothecam Archi-Episcopalis Presbyterorum & Alumnorum Colegii” book-label; bookplates of Boies Penrose and Boies Penrose II; Priesterhaus-Bibliothek book-labels to upper cover.
(Robert Trevor Viscount) Britannia Lathmon Vill (Robert Trevor Viscount) Britannia Lathmon Villa Bromhamensis title with engraved portrait medallion errata leaf bound in at end (smaller) some light foxing at beginning and end handsome contemporary red straight-grain morocco gilt by Kalthoeber (with his ticket at head of front free endpaper) gilt-ruled border with small starburst stamp in middle of each border spine gilt g.e. Greek key pattern inner gilt dentelles rubbed a few marks and scratches but generally a good copy folio Parma Bodoni 1792.
Rathborne (Aaron) The Surveyor first edition engraved title portrait frontispiece of the author trimmed and mounted portrait of the Prince of Wales (often lacking) present illustrations and diagrams C2 torn just touching text O3 supplied from a smaller copy some ink annotations and 18th century diagrams/calculations on endpapers soiling and damp-staining contemporary calf rubbed rebacked and one cprner repaired [STC 20748] folio by W.Stansby for W.Burre 1616. *** Provenance: 18th century signatures of John Tomlinson (dated 1782) of Ecclesall Bierlow in Yorkshire.
Machiavelli (Niccolo) The Works 4 parts in 1 first edition of the collected works in English title with woodcut ornament 5pp. advertisements extensive contemporary ink notes regarding “Letter to Zanobius Buondelmontius” to front free endpaper lacking engraved portrait and A1 (sectional title to The History of Florence) A2 and A3 with tear to lower inner corner loss of a few letters to A2 recto and verso and A3 verso contemporary panelled calf rebacked and recornered joints starting [Wing M128A] folio John Starky at the Miter Fleetstreet near Temple-Bar 1675. *** An important work of political science which includes The Prince.
Dickens (Charles) The Life and Adventures of Nicho first edition in book form half-title engraved portrait frontispiece by Daniel Maclise in first state with imprint 39 engraved plates by Hablot K. Browne (“Phiz”) some light browning and staining to plates first few with light damp-stain original green cloth upper joint slightly split corners slightly rubbed and bumped [Eckel pp.64-66; Smith I 5] 8vo 1839. *** The William Maryon-Kenyon Starling-Self copy with bookplates. This copy in the first binding and with the first four plates without the publisher`s imprint.
Interesting folio to include - After Sir Peter Lely (1618-1680) - portrait of Noble William Seymour Duke of Somerset, black and white engraving; English school - oval portrait of a young girl, watercolour, 9" x 6"; another watercolour of a young girl, selection of printed silk greeting cards, Chinese silkwork embroidery and a pair of landscape watercolours depicting scenes of Thames signed M* Durrant
†† English School (18th Century) Portrait of Joseph Gurney, the Sincere Quaker (1692-1750), together with a photograph of a Gentleman with a Shooting Stick; and a Portrait of John Gurney, the Norwich Quaker engraving (3) 28 x 21cm (10.92 x 8.19in) Joseph Gurney lived at Keswick, Norfolk-he pleaded the cause of the Norwich Weavers before Barkham
Robert Farren (British, 1832-1910) Views of Cambridge (dated 1879 and 1889) engraving; together with After Edouard Frere (French, 1819-1886) Portrait of a Boy engraving various sizes (5) Robert Farren lived most of his life in Cambridge and latterly moved to Scarborough. As well as exhibiting in several London galleries he also exhibited in Manchester and Liverpool. The Sedgwick Museum at Cambridge University and the Bank House Gallery, Norwich, hold his work
†† Follower of Hans Eworth (Flemish, 1515-1574) Portrait said to be Thomas, 4th Duke of Norfolk, KG (1538-1572) with the Norfolk Coat-of-Arms and Motto oil on panel in an ornate gilded frame 47 x 38cm (18.33 x 14.82in) Thomas Howard, 4th Duke of Norfolk, was the son of the executed poet, Henry Howard, Earl of Surrey, and he was second cousin to Queen Elizabeth I, through Elizabeth I`s mother`s family. He married three times-to the heiress Mary FitzAlan, who died in childbirth; secondly, to Margaret Audley; and thirdly, to Elizabeth Leyburne. Howard was imprisoned by Queen Elizabeth in 1569 for scheming to wed Mary Queen of Scots. With King Philip II of Spain he was a participator in the Ridolfi Plot to put Mary on the English throne and restore Catholicism to England. The 4th Duke of Norfolk was executed for treason in 1572 and he is buried within the walls of the Tower of London. There is another version of this portrait at Audley End House
†† Manner of Hans Holbein the Younger (German, 1497-1543) Portrait of Henry VIII (1491-1547), wearing Emeralds, Rubies, Sapphires, Ermine and Cloth of Gold oil on panel 117 x 76cm (45.63 x 29.64in) Provenance: Christie`s, The Duke of Buckingham, Stowe House Sale, 1848, the 23rd day, 14 September 1848 lot 298, Holbein, Henry VIII in a rich slashed dress, with hat and feather sold for
†† Circle of John Vanderbank (British, 1694-1739) Portrait of Mrs James Hoste of South Wootton and Sandringham nee Hamond (1710-1759) in a Blue Dress and Gold Cloak, three quarter length oil on canvas 125 x 100cm (48.75 x 39in) Literature: Portraits in Norfolk Houses, Prince Frederick Duleep Singh, published 1927, No.36 Susan was the daughter of Antony Hamond and Susan Walpole, and was sister to Robert, 1st Earl of Orford. She married Major James Hoste (1705-44) of Sandringham and had two daughters. At one stage the Hoste family owned the Sandringham Estate in Norfolk, one of Nelson`s Captains at Trafalgar was a Hoste
†† Circle of Jean Baptiste van Loo (French, 1684-1745) Portrait of Horatio, 1st Lord Walpole of Wolterton (1678-1757) half length oil on canvas 73 x 62cm (28.47 x 24.18in) Horatio was son of Robert Walpole of Houghton, by Mary, his wife, daughter and heir of Sir Geoffrey Burwell. He was the younger brother of Sir Robert Walpole, 1st Earl of Orford; their sister Susan married Anthony Hamond. Horatio Walpole was Chancellor of the Exchequer in 1707, Ambassador to Paris from 1724-1728, and was created Lord Walpole of Wolterton on 4 June 1756. He married Mary Magdalen, daughter and co-heir of Peter Lambard on 21 July 1720. He died on 5 January 1757, aged 79, and is buried at Wickmere, Norfolk. Horatio Walpole was the builder of Wolterton Hall in Norfolk, and ancestor of the present Lord Walpole. Van Loo`s original painting of Horatio, 1st Lord Walpole is in the Norwich Castle Museum and Art Gallery
†† English School (19th Century) Portrait of Anthony Hamond Esq of Wootton in Wig and Black Jacket; and Portrait of Mrs Susan Hamond (nee Walpole) in a Lace-Trimmed Cap and Fichu oil on canvas 74 x 62cm (28.86 x 24.18in) a pair (2) Susan Hamond (nee Walpole) was sister to Sir Robert Walpole, Earl of Orford. The present pair of portraits are 19th Century copies of earlier Georgian portraits of Mr and Mrs Anthony Hamond of Wootton
JOSEPH DURHAM (1814-1877) A white marble portrait bust of Mary Peel, so inscribed verso OBT 7 November 1876 and signed J. Durham ARA 1877 on a plain socle, 28" high. Note: Mary Peel was daughter of the Rev. John Wilde of Hamage, Shropshire. In 1838 she married Jonathan Peel of Accrington House, Accrington, Lancs and Knowlmere Manor, near Clitheroe, Lancs. Jonathan was a barrister in the Middle Temple.
A collection of black basalt embossed plaques, to include; two oval plaques depicting Lord Nelson, 8.7cm x 7cm , a circular example modelled in high relief with a portrait of a mother and two children within a raised rim, 9cm diameter, an oval portrait plaque depicting `Seueur` impressed `Leeds Pottery`, 6cm x 5cm, a further oval plaque depicting a portrait of a bearded man, 4cm high and a further plaque, along with a black basalt circular oil lamp and cover, 9.5cm diameter (at fault) (7)
FRANK EASTMAN. Portrait study of a young Boy, signed, inscribed `Roger` and dated 1913, pastel, 21 1/2 x 14 1/2 in; an unframed oil on canvas by another hand depicting a bearded Man, an unframed watercolour depicting a lake landscape circa 1840, and a painted print laid under glass depicting St. Like (4)

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