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283284 Los(e)/Seite
Los 32
John Raphael Smith (1751-1812) after Nathaniel Hone (1718-1784)Portrait of Sir John Fielding (1721-1780)Mezzotint38.8 x 28.2cm; 15¼ x 11in (sheet)Together with John Raphael Smith; Portrait of Miss Montague; Mezzotint; 26.3 x 21.1cm; 10¼ x 8¼in (sheet); Valentine Green (1739-1813) after Edward Francis Cunningham (c.1741-1795); Portrait of Kitty Hunter (1742-1795); Mezzotint; 40.9 x 29.4cm; 16 x 11½in (sheet); and P. Stee (18th Century) after I. Toer (18th Century); Portrait of Miss Salethea Dawkens; Mezzotint; 38.9 x 28.5cm; 15¼ x 11¼in (sheet) (4)
Los 38
Antonio Maria Zanetti (Italian 1706–1778)Varie Pitture a Fresco de' Principali Maestri VenezianiEngraved title, portrait after Zanetti, 24 numbered etched plates, and 7 leaves of letterpress textEach sheet approx. 51.3 x 37.2cm; 20¼ x 14¾in, unboundProvenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 19
λ Charles Hayter (1761-1835)Portrait miniature of Mr Walter wearing a blue coat and striped waistcoat; Portrait miniature of Mrs Walter, wearing a black dress with lace collar and white capA pair, both signed and dated Chas Hayter 1813 (centre right)Both oval, in a gilt metal frameEach 75 x 60mm (2)
Los 71
Daniel Gardner (1750-1805)Portrait of a gentleman, full-length, wearing a mauve coat and white waistcoatPastel and gouache95.3 x 66cm; 37½ x 26inProvenance:Kenneth NeameLiterature:Neil Jeffares, "Daniel Gardner", Dictionary of pastellists before 1800, online edition, accessed 12/01/2024, no.J.338.18924THIS LOT IS OFFERED WITHOUT RESERVE.
Los 83
David Cox Sen. RWS (1783-1859)Fishermen near a Three-Mastership in an Estuary, Chichester beyondSigned David Cox (lower left)Watercolour and gouache22.5 x 34cm; 8¾ x 13¼inProvenance:Sotheby's, London, Early British Drawings, Watercolours and Portrait Miniatures, 4 December 2008, lot 149;Maurice Edward Dear, Southampton
Los 73
John Russell RA (1745-1806)Portrait of John Green, half-length, wearing a blue coat, seated at a tableSigned and dated J.Russell R.A. pinxit/1802 (upper left)Pastel75 x 62.1cm; 29½ x 24½inProvenance:John Rhodes, Potternewton House, Leeds, 1894Literature:W. Smith, 'The ceramic art in Yorkshire', in Old Yorkshire (London, 1882), p.92 (illustrated);George Charles Williamson, John Russell, RA (London, 1894), p.160;Neil Jeffares, 'John Russell', Dictionary of pastellists before 1800, online edition, accessed 12/01/2024, no. J.64.1671The sitter was one of the founders of the Leeds Pottery.
Los 23
λ Sir Thomas Lawrence PRA, FRS (1769-1830)Miniature of Venus and Cupid in a landscapeOval, in a gilt metal frame, the reverse with a glazed aperture revealing a lock of hair, believed to be that of the artist53 x 32mmProvenance:Given by the artist to Mary Hamilton (d.1837), wife of William Hamilton RA, later Mary Denham;By descent to Mrs Charles Beetham, née Copeman;By descent to her niece, Mrs Arthur Beetham (d.1889);By descent to her son, Dr Frederick Beetham;By descent to the previous owner;By whom sold, Lawrence's, Crewkerne, 9 October 2012 lot 849, where purchased by the present private collectorSir Thomas Lawrence was a close friend of fellow artist William Hamilton, his wife Mary, and their son Henry Thomas. He is recorded as having spent some of the 'happiest days of his life' with the Hamiltons, and one of his most spectacular drawings is a portrait of Mary, now in the British Museum (no.2005,0731.8). William Hamilton died in 1801 but Lawrence remained close to Mary and the young Henry, and gave the present miniature to Mary. Lawrence also depicted Henry, who was a keen budding artist, in an exquisite drawing executed c.1804-05, recently with Lowell Libson & Jonny Yarker Ltd, London. In this drawing Henry is shown with a locket or miniature hanging around his neck, and it seems plausible that this is in fact the present miniature.An old label reads By Sir Thomas Lawrence/P.R.A. 1769-1830. He gave/this miniature to Mrs. Hamilton,/wife of his friend William/Hamilton R.A. who died/in 1801. Mrs H. left it in/her will to Mrs. Charles/Beetham nee Copeman/who left/to Mrs. Arthur/Beetham nee/Copeman, her/niece, who died/1889. Afterwards/it came into my/possession -/Frederick Beetham/her eldest son.
Los 118
Maud M. Turner (act.1891-1908)Portrait of a young girl, full-length, wearing a red dress and standing in an interiorSigned M M Turner (lower left)Watercolour74.8 x 47.7cm; 29½ x 18¾inProvenance:Hon. Mary Anna Marten of Crichel House, Dorset;Her posthumous sale, Woolley and Wallis, Salisbury, Paintings, 5 June 2013, lot 120, where purchased by the present private collector
Los 8
λ Circle of Thomas Le Hardy Portrait miniature of a lady, possibly Frances 'Fanny' Kemble, later Mrs Twiss (1759-1827), wearing a white dress and bandeau in powdered hairIndistinctly signed (lower right)Oval, in a rectangular ebonised frame80 x 66mmTwo further variations of this portrait are known which have previously been linked to Richard Cosway. One of these was inscribed on the frame Miss Kemble, afterwards Mrs Butler. This refers to Fanny Kemble (1809-1893), the famous 19th-century actress painted by, amongst others, Sir Thomas Lawrence. However, the costume of our sitter makes this identification implausible, and instead it is much more likely that the sitter is another Fanny Kemble, later Mrs Twiss, who was also an actress.
Los 68
After Daniel GardnerPortrait of Sir John Taylor, 1st Bt. (1745-1786), full-length, wearing a brown coat and white waistcoat, standing by a pedestalPastel, watercolour and gouache85.2 x 58.3cm; 33½ x 23inProvenance:Sotheby's, London, 15 July 1993, lot 76;Kenneth NeameLiterature:Neil Jeffares, "Daniel Gardner", Dictionary of pastellists before 1800, online edition, accessed 12/01/2024, no.J.338.1703After the original in the Ackland Art Museum, University of North Carolina (no.80.50.1).THIS LOT IS OFFERED WITHOUT RESERVE.
Los 86
Circle of John Frederick LewisStudy of a young man asleep; Study of a mother and two children in a niche; Study of a market; Study of a woman at a well; Study of figures under the arches; Study of a woman asleep; Study of a man in a tall hatSeven, four charcoal, two pencil, one coloured chalksLargest 29.3 x 46.3cm; 11½ x 18¼in; Smallest 21.6 x 27.3cm; 8½ x 10¾inUnframedTogether with Lady Augusta Sarah Cadogan (1811-1882); Portrait of HRH Duchess of Cambridge; Signed and dated A S Cadogan/1846; Watercolour heightened with white; 31.1 x 21.5cm; 12¼ x 8½in; Unframed; and Follower of Thomas Lawrence; Portrait study of a lady; Pencil and red chalk; 16.1 x 13.8cm; 6¼ x 5½in; Unframed (9)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 35
After George RomneyPortrait of Henrietta Maria North (d.1796); Portrait of Richard Cumberland (1732-1811); Portrait of William Hayley (1745-1820)Three, each mezzotint by John Raphael Smith (1751-1812); Valentine Green (1739-1813), and Johann Jacobé (1733-1797) Largest 45.3 x 35.4cm; 17¾ x 14in; Smallest 32 x 26.9cm; 12¼ x 10½ (image)Together with James Wilson (act.1760-1780) after Francis Cotes (1726-1770); Portrait of Mary, Lady Boynton (d.1815); Mezzotint; 44.1 x 29.3cm; 17¼ x 11½in (sheet) (4)
Los 350
Harper Pennington (1854-1920) Portrait of Mrs Cornwallis-West, three-quarter length, wearing a black dress Signed Harper Pennington (upper left) Oil on canvas 126.5 x 89cm; 49¾ x 35in Provenance: Mrs Cornwallis West., Ruthin Castle, Wales; By descent to her daughter, Constance, Duchess of Westminster: By whom bequeathed to Kenneth Neame THIS LOT IS OFFERED WITHOUT RESERVE.
Los 210
Circle of Sir Henry Raeburn Portrait of Hugh Elliot (1752-1830), three-quarter length, wearing a black coat and yellow waistcoat, seated in an interior Oil on canvas 127.9 x 101.7cm; 50¼ x 40inHugh Elliot was the Scottish younger brother of the 1st Earl of Minto, Governor-General of India. As teenagers the brothers were mentored by the philosopher David Hume (1711-1776).After serving in the Russian army, Elliot entered the diplomatic service. He was British Ambassador to the Duchy of Bavaria and then to Frederick the Great in Prussia. He was Ambassador in Copenhagen stopping the war between Sweden and Denmark. In 1792 he became British ambassador in Dresden where he met Nelson and Lady Hamilton. From 1803-1805 he was posted to the Kingdom of Naples and from 1809-1814 he was Governor of the Leeward Islands and became a noted abolitionist. He was reported to be the driving force behind the arrest, trial and execution of Arthur Hodge for the murder of a slave in the British Virgin Islands. His brother-in-law Baron Auckland presented the bill which became the Slave Trade Act 1807. In 1814 Elliot was appointed Privy Councillor, and from 1814-1820 he was Governor of Madras.He is buried in Westminster Abbey. The Elliots were friends of Lord Nelson and Hugh's nephew Hon. George Elliot served with Nelson and was on Victory at the Battle of Trafalgar.
Los 205
Sir Joshua Reynolds PRA, FRS, FRSA (1723-1792) Portrait of Captain Benjamin Davies (1728-1777/78), half-length, wearing a magenta coat with gold trim Oil on canvas laid on board 74.6 x 62.7cm; 29¼ x 24¾in Provenance: Samuel Davies Craig, the sitter's grandson, by 1818; By descent to Samuel Davies Craig (d.1904); By descent to his niece, Beatrice Forsyth (d. c.1925); By descent to her niece Alice Colgate Rossiter (d. c.1935); By descent to Arthur W Rossiter Jr, 1935; By descent to Craig Colgate Jr., 1970; And by descent to the previous owner; By whom sold Grogan & Co, Massachusetts, USA, 11 December 2011, lot 257 Literature: Algernon Graves and William Vine Cronin, A History of the Works of Sir Joshua Reynolds, P.R.A., (London, 1899), I, pp.233-234; David Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings (New Haven and London, 2000), text vol., p.161, cat. no.485; plate vol., p.283, pl.551 Exhibited: Probably New York, American Academy of Fine Arts, 1818 Benjamin Davies was born in Bristol, England and emigrated to New York, in 1750. He became a Master Mariner of New York City, and began his seafaring career with a voyage to China, as an apprentice to Captain William Sedgwick, of the East India Company. He later accompanied Captain George Jackson to India, and as the captain of the Hope, to England on several occasions.Sir Joshua Reynolds' pocket books first record an appointment with 'Mr Davis' [sic] in November 1758, a further five appointments in 1761 and a final one in 1762. A payment of 12gns is recorded in 1761 which would have been the full price for a head-and-shoulders portrait ordered before 1758.
Los 33
James Ward (1769-1859) after John Hoppner (1758-1810)Children Bathing; Juvenile RetirementTwo, both mezzotint56.1 x 45.4cm; 22 x 17¾in; 55.9 x 45.3cm; 22 x 17¾in (sheet)Together with John Finlayson (c.1730-c.1776) after Catherine Read (1723-1778); Portrait of Elizabeth Campbell, Duchess of Argyll and Baroness Hamilton of Hameldon (c.1733-1790); Mezzotint; 51.4 x 36.8cm; 20¼ x 14½in (sheet); and William Dickinson (1746-1823) after Rev. Matthew William Peters (1741/2-1814); Portrait of Lady Charlotte Bertie; Mezzotint; 53.2 x 39.6cm; 21 x 15½in (sheet) (4)
Los 31
John Smith (1652-1743) after Sir Godfrey Kneller (1646-1723)Portrait of John Smith the engraverMezzotint34.3 x 26.1cm; 13½ x 10¼in (sheet)Together with J. Cole; Portrait of Philip V of Spain; Mezzotint; 24.8 x 18.4cm; 9¾ x 7¼in (plate); Wallerant Vaillant (1623-1677); Portrait of Charles II as a boy; Mezzotint; 29.9 x 23.7cm; 11¾ x 9¼in (sheet); and Wallerant Vaillant (1623-1677); Portrait of Willem Goeree (1635-1711); Mezzotint; 31.9 x 25.5cm ; 12¼ x 10in (sheet) (4)
Los 72
John Russell RA (1745-1806)Portrait of Lady Rich, née Elizabeth Bell (1740-1788), holding a sketch book and porte-crayon, with a landscape beyondSigned and dated J Russell pinxt/1777 (lower right)Pastel75.3 x 62.5cm; 29¾ x 24½inLiterature:Neil Jeffares, 'John Russell', Dictionary of pastellists before 1800, online edition, accessed 25/01/2024, no.J.64.241
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283284 Los(e)/Seite