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283284 Los(e)/Seite
Los 1000
Alec WILES (1924)UntitledOil on boardSigned and dated '9361x80cmAlec Ernest Wiles was born in Southampton in 1924, after leaving school he trained briefly as a draughtsman before WWII broke out, he then enrolled in the RAF and spent the war in North Africa.After the war he followed his passion as an artist and sculptor. He worked in most media specialising in portraiture and the female form. During the 1950s Alec and his brother Arnoldalso drew cartoons for the satirical magazine Punch.He lived and worked across Southern England until 1961 when he moved to Cornwall with his wife and three daughters, settling at Twelveheads near St Day.Alec’s life was recording the world, whatever he saw he would sketch or paint. He drew tourists on Newquay pier and painted directors of public companies in board rooms, town councillors, fishing boats and flowers. He was most widely known for his sculptures, mainly working direct from life in bronze, resin-bronze, ciment-fondu and plaster. Epstein and Rodin were his main influences and he said that he only strove for 'quality' in his work.His bronze portrait head of “Miriam” was exhibited at The Royal Academy Summer Exhibition, 1977 (No.1052)He was an Associate of The Penwith Society of Arts and a Member of the Newquay Society of Artists.
Los 1010
Alec WILES (1924)Nude drawingsA collection of twentyMostly signedMostly 60x42Alec Ernest Wiles was born in Southampton in 1924, after leaving school he trained briefly as a draughtsman before WWII broke out, he then enrolled in the RAF and spent the war in North Africa.After the war he followed his passion as an artist and sculptor. He worked in most media specialising in portraiture and the female form. During the 1950s Alec and his brother Arnoldalso drew cartoons for the satirical magazine Punch.He lived and worked across Southern England until 1961 when he moved to Cornwall with his wife and three daughters, settling at Twelveheads near St Day.Alec’s life was recording the world, whatever he saw he would sketch or paint. He drew tourists on Newquay pier and painted directors of public companies in board rooms, town councillors, fishing boats and flowers. He was most widely known for his sculptures, mainly working direct from life in bronze, resin-bronze, ciment-fondu and plaster. Epstein and Rodin were his main influences and he said that he only strove for 'quality' in his work.His bronze portrait head of “Miriam” was exhibited at The Royal Academy Summer Exhibition, 1977 (No.1052)He was an Associate of The Penwith Society of Arts and a Member of the Newquay Society of Artists.
Los 1047
Alec WILES (1924)Female Torso Cold cast bronze sculpture Signed Height 34cmAlec Ernest Wiles was born in Southampton in 1924, after leaving school he trained briefly as a draughtsman before WWII broke out, he then enrolled in the RAF and spent the war in North Africa.After the war he followed his passion as an artist and sculptor. He worked in most media specialising in portraiture and the female form. During the 1950s Alec and his brother Arnoldalso drew cartoons for the satirical magazine Punch.He lived and worked across Southern England until 1961 when he moved to Cornwall with his wife and three daughters, settling at Twelveheads near St Day.Alec’s life was recording the world, whatever he saw he would sketch or paint. He drew tourists on Newquay pier and painted directors of public companies in board rooms, town councillors, fishing boats and flowers. He was most widely known for his sculptures, mainly working direct from life in bronze, resin-bronze, ciment-fondu and plaster. Epstein and Rodin were his main influences and he said that he only strove for 'quality' in his work.His bronze portrait head of “Miriam” was exhibited at The Royal Academy Summer Exhibition, 1977 (No.1052)He was an Associate of The Penwith Society of Arts and a Member of the Newquay Society of Artists.Condition report: We can see no condition issues but we have not seen beneath the working platform
Los 1195
Circle of Thomas GAINSBOROUGH (1727-1788)Portrait of a Young Gentleman, standing three-quarters length, he reads from a volume of Greek18th-century Oil on canvas75x62cm Condition report: This painting appears to be a fine 18th-century work that has suffered from cleaning and re-touching perhaps at the end of the Victorian era. we judge that it has been mishandled recently with numerous scratches, tears, punctures, and paint losses.In the upper third there are five holes/tears and in the lower third three/four holes, tears and scratches. This appears to be recent damage. The damage to the left eye is immediately evident.Overpainting has been done to the coat and hands but little elsewhere, we noted none to the book and very little to the face.The painting has not been lined.There is an overall craquelure but it appears to be fairly stable, the canvas is not tight to the stretcher, there is slight buckling, and lines along the stretcher can be seen.When viewed from behind, the recent damage can be seen but only one old repair is evident. this is about 12cm below the book.It seems likely that the canvas was once on a slightly larger stretcher, the painting may have extended another 4cm on the side of the book. The tacking edge is very tattered.
Los 1228
Late Georgian English SchoolPortrait of a Young GentlemanOil on canvas57x46cmCondition report: This oil is in tantalizingly original condition, it needs restoration and cleaning. It has a tear but otherwise, the paint and canvas mostly look in good condition. It has not been lined but it has been put onto a new stretcherWe believe the portrait to date from circa 1830, but the frame may be 1890
Los 1274
17th-century portrait of a gentleman wearing a ruffOil on canvasInscribed and dated 1639, charged with sitter's coat-of-arms63x51cmCondition report: This lined work is unframed. There is an area of paint loss to the upper left section of the forehead and a few other small areas of minor paint loss. When inspected under a UV light there was no evidence of overpainting. Please see images for further condition.
Los 1278
Attributed toJohn Hanson WALKER (1844-1933)Portrait of a LadyOil on canvas42x34cmCondition report: Unsigned. Un-glazed. Canvas taught. Evidence of re-touching (see uv images). Well disguised area of loss and retouching (about 2cm) in background top right (see photo).General appearance is good and clean.
Los 20
Garlick BARNES (1891-1987)A Portrait of a Nude Woman Holding a Handmirror Oil on canvas Signed51 x 41cmGarlick Barnes 1891-1987Garlick Barnes moved to St Ives at the outbreak of WWII. Living previously in London and Kent, she had raised her twin sons John & William (born in 1920) before she could dedicate herself to art, she then studied in Canterbury and in 1936 had become a pupil of Walter Sickert in Thanet, exhibiting with him in Margate. After moving to Cornwall, she became an active and popular member of the artists community in St Ives and exhibited regularly, was a member of the NSA and served on the Hanging Committee. Her work included portraiture but her love of gardening and flowers featured predominantly in her work as did the back streets of St Ives and the Cornish countryside. The Salt Gallery St Ives held a retrospective of her work in 1984 by which time she was in her 90s. William (Bill) Barnes 1920 -2019William and his twin brother John began filmmaking as teenagers, committing to film the lives of the coastal, rural and Gypsy communities in Cornwall and Kent that had so interested them from an early age. In 1939, they studied film with Edward Carrick in Soho who was film director for Ealing Studios and The Crown Film Unit, (later GPO films). During the Second World War they both served in the Navy and afterwards joined their mother in St Ives where they exhibited their amazing collection of artefacts which formed the Barnes Museum of Cinematography. In the late 1980s the collection was sold to the Museo Nazionale del Cinema in Turin, with some British material going to Hove Museum. Bill was a leading authority on many aspects of the optical media that preceded cinema and in particular of the early years of cinema itself. In 1997 John and William were awarded the Jean Mitry prize by the Pordenone Silent Film Festival in Italy for their distinguished contribution to silent cinema and in 2006 both brothers received an honorary doctorate from the University of Stirling.
Los 22
Garlick BARNES (1891-1987)Portrait of a Lady Wearing a Black DressOil on canvas Signed 56 x 46cmGarlick Barnes 1891-1987Garlick Barnes moved to St Ives at the outbreak of WWII. Living previously in London and Kent, she had raised her twin sons John & William (born in 1920) before she could dedicate herself to art, she then studied in Canterbury and in 1936 had become a pupil of Walter Sickert in Thanet, exhibiting with him in Margate. After moving to Cornwall, she became an active and popular member of the artists community in St Ives and exhibited regularly, was a member of the NSA and served on the Hanging Committee. Her work included portraiture but her love of gardening and flowers featured predominantly in her work as did the back streets of St Ives and the Cornish countryside. The Salt Gallery St Ives held a retrospective of her work in 1984 by which time she was in her 90s. William (Bill) Barnes 1920 -2019William and his twin brother John began filmmaking as teenagers, committing to film the lives of the coastal, rural and Gypsy communities in Cornwall and Kent that had so interested them from an early age. In 1939, they studied film with Edward Carrick in Soho who was film director for Ealing Studios and The Crown Film Unit, (later GPO films). During the Second World War they both served in the Navy and afterwards joined their mother in St Ives where they exhibited their amazing collection of artefacts which formed the Barnes Museum of Cinematography. In the late 1980s the collection was sold to the Museo Nazionale del Cinema in Turin, with some British material going to Hove Museum. Bill was a leading authority on many aspects of the optical media that preceded cinema and in particular of the early years of cinema itself. In 1997 John and William were awarded the Jean Mitry prize by the Pordenone Silent Film Festival in Italy for their distinguished contribution to silent cinema and in 2006 both brothers received an honorary doctorate from the University of Stirling.Garlick Barnes 1891-1987Garlick Barnes moved to St Ives at the outbreak of WWII. Living previously in London and Kent, she had raised her twin sons John & William (born in 1920) before she could dedicate herself to art, she then studied in Canterbury and in 1936 had become a pupil of Walter Sickert in Thanet, exhibiting with him in Margate. After moving to Cornwall, she became an active and popular member of the artists community in St Ives and exhibited regularly, was a member of the NSA and served on the Hanging Committee. Her work included portraiture but her love of gardening and flowers featured predominantly in her work as did the back streets of St Ives and the Cornish countryside. The Salt Gallery St Ives held a retrospective of her work in 1984 by which time she was in her 90s. William (Bill) Barnes 1920 -2019William and his twin brother John began filmmaking as teenagers, committing to film the lives of the coastal, rural and Gypsy communities in Cornwall and Kent that had so interested them from an early age. In 1939, they studied film with Edward Carrick in Soho who was film director for Ealing Studios and The Crown Film Unit, (later GPO films). During the Second World War they both served in the Navy and afterwards joined their mother in St Ives where they exhibited their amazing collection of artefacts which formed the Barnes Museum of Cinematography. In the late 1980s the collection was sold to the Museo Nazionale del Cinema in Turin, with some British material going to Hove Museum. Bill was a leading authority on many aspects of the optical media that preceded cinema and in particular of the early years of cinema itself. In 1997 John and William were awarded the Jean Mitry prize by the Pordenone Silent Film Festival in Italy for their distinguished contribution to silent cinema and in 2006 both brothers received an honorary doctorate from the University of Stirling.
Los 24
Garlick BARNES (1891-1987)Portrait of a Girl with her DogOil on canvas 76 x 63cmGarlick Barnes 1891-1987Garlick Barnes moved to St Ives at the outbreak of WWII. Living previously in London and Kent, she had raised her twin sons John & William (born in 1920) before she could dedicate herself to art, she then studied in Canterbury and in 1936 had become a pupil of Walter Sickert in Thanet, exhibiting with him in Margate. After moving to Cornwall, she became an active and popular member of the artists community in St Ives and exhibited regularly, was a member of the NSA and served on the Hanging Committee. Her work included portraiture but her love of gardening and flowers featured predominantly in her work as did the back streets of St Ives and the Cornish countryside. The Salt Gallery St Ives held a retrospective of her work in 1984 by which time she was in her 90s. William (Bill) Barnes 1920 -2019William and his twin brother John began filmmaking as teenagers, committing to film the lives of the coastal, rural and Gypsy communities in Cornwall and Kent that had so interested them from an early age. In 1939, they studied film with Edward Carrick in Soho who was film director for Ealing Studios and The Crown Film Unit, (later GPO films). During the Second World War they both served in the Navy and afterwards joined their mother in St Ives where they exhibited their amazing collection of artefacts which formed the Barnes Museum of Cinematography. In the late 1980s the collection was sold to the Museo Nazionale del Cinema in Turin, with some British material going to Hove Museum. Bill was a leading authority on many aspects of the optical media that preceded cinema and in particular of the early years of cinema itself. In 1997 John and William were awarded the Jean Mitry prize by the Pordenone Silent Film Festival in Italy for their distinguished contribution to silent cinema and in 2006 both brothers received an honorary doctorate from the University of Stirling.
Los 25
Garlick BARNES (1891-1987)Portrait of a Girl in a Yellow DressOil on canvas Signed Inscribed 'No.2 Joan Barnes' to verso76 x 56cmGarlick Barnes 1891-1987Garlick Barnes moved to St Ives at the outbreak of WWII. Living previously in London and Kent, she had raised her twin sons John & William (born in 1920) before she could dedicate herself to art, she then studied in Canterbury and in 1936 had become a pupil of Walter Sickert in Thanet, exhibiting with him in Margate. After moving to Cornwall, she became an active and popular member of the artists community in St Ives and exhibited regularly, was a member of the NSA and served on the Hanging Committee. Her work included portraiture but her love of gardening and flowers featured predominantly in her work as did the back streets of St Ives and the Cornish countryside. The Salt Gallery St Ives held a retrospective of her work in 1984 by which time she was in her 90s. William (Bill) Barnes 1920 -2019William and his twin brother John began filmmaking as teenagers, committing to film the lives of the coastal, rural and Gypsy communities in Cornwall and Kent that had so interested them from an early age. In 1939, they studied film with Edward Carrick in Soho who was film director for Ealing Studios and The Crown Film Unit, (later GPO films). During the Second World War they both served in the Navy and afterwards joined their mother in St Ives where they exhibited their amazing collection of artefacts which formed the Barnes Museum of Cinematography. In the late 1980s the collection was sold to the Museo Nazionale del Cinema in Turin, with some British material going to Hove Museum. Bill was a leading authority on many aspects of the optical media that preceded cinema and in particular of the early years of cinema itself. In 1997 John and William were awarded the Jean Mitry prize by the Pordenone Silent Film Festival in Italy for their distinguished contribution to silent cinema and in 2006 both brothers received an honorary doctorate from the University of Stirling.
Los 303
Circle ofJohn OPIE (1761-1807)By repute, a portrait of a member of the Pitcairn family, possibly Dr David PitcairnOil on canvas71x61cmProvenance: Ex Lander Gallery. Believed to have come from the PITCAIRN family, via member of that family who had latterly lived in Cornwall. The Pitcairn family, originally from Scotland, were distinguished in various fields. John Pitcairn was a major in the British army, prominent in the American War of Indpendence. He had five sons and four daughters. One son was a prominent London physician (who treated Opie), another was the first to sight the island that was subsequently named Pitcairn Island. With thanks to Viv Hendra for his assistance in the cataloguing of this lot.Condition report: The paint has cracking to most areas and in some places, this has deteriorated to cleavage, but losses are minimal. There is a little over-painting to the neckerchief and to subsidiary areas.
Los 375
John OPIE (1761-1807)Portrait of a gentleman, by repute, a member of the Mudge familyOil on canvas76x62cmProvenance: Ex Lander Gallery. The Mudge's were a prominant Plymouth family, Dr John Mudge was a noted physician who was a creator of telescope mirrors, an elected a Fellow of the Royal Society and an intimate of Joshua Reynolds, Samuel Johnson and other noted scientists of the day. There is a portrait of Dr Mudge by Opie in Auckland Art Gallery and research indicates that Opie also painted his son, Admiral Zachary Mudge. Dr Mudge had ten children.
Los 103
Royal Mint HRH Prince of Wales 50thy Birthday Commemorative Crown presentation pack with brilliant uncirculated UK £5 coin. Created to celebrate Prince Charles' 50th birthday, the design of both the coin and the booklet places heavy emphasis on the Princes Trust, set up in 1976 by the Prince to help vulnerable young people get their lives back on track. The design on the coin features a half face, head and shoulders portrait of the Prince of Wales with a ribbon upon which is THE PRINCES TRUST and the motto of the trust HELPING YOUNG PEOPLE TO SUCCEED. Then, on six concentric rings a succession of words which typify the work of the trust. Also included in the pack is a card detailing the history of the Three Feathers badge of the heir apparent. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 104
Royal Mint 2018 Portrait of a Prince brilliant uncirculated UK £5 coin. Created to mark Prince Charles' 70th birthday the coin featured a brand new portrait of Prince Charles and the inscription H.R.H THE PRINCE OF WALES 70TH BIRTHDAY. The presentation pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 109
Royal Mint 2018 'To Have and to Hold' Royal Wedding brilliant uncirculated UK £5 coin presentation pack. Created to celebrate the wedding of Prince Harry and Meghan Markle the coins' design features a portrait of the happy couple created especially for the occasion. Relaxed and informal the portrait was developed from a sitting with the royal couple at Kensington Palace with artist Jody Clark. Pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 111
Royal Mint 2012 Queen's Diamond Jubilee brilliant uncirculated UK £5 coin presentation pack. Created to celebrate Queen Elizabeth's 60 years reign and is the first coin ever struck to commemorate a Diamond Jubilee (there were no special coins for Queen Victoria's in 1897). There are two designs; the obverse features a portrait of the Queen crowned and wearing the robes of the Order of the Garter and on the reverse a portrait of the Queen as the young Elizabeth as she appeared in her first portrait. It also bears the Latin "DIRIGE DEUS GRESSUS MEOS" (May God Guide My Steps). Pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 114
Royal Mint 2017 Life and Service of Prince Philip brilliant uncirculated UK £5 crown coin presentation pack. Celebrating 80 years of service to his country the coin celebrates the life and service of Prince Philip as he entered retirement. The reverse of the coin features a portrait of Prince Philip and the inscription HIS ROYAL HIGHNESS THE DUKE OF EDINBURGH - NON SIBI SED PATRIAE (not for self but for country). The coin and pack are still in the original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 115
Royal Mint 2000 Queen Mother Centenary brilliant uncirculated UK £5 crown coin presentation pack. Created to celebrate the Queen Mother's 100th birthday the reverse of the coin features a portrait of the Queen Mother with the inscription QUEEN ELIZABETH THE QUEEN MOTHER 1900 - 2000 FIVE POUNDS. The presentation pack is not in its original packaging but is in Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 121
Royal Mint 2019 The Gruffalo brilliant uncirculated UK 50p coin presentation pack. This was the first commemorative UK coin to feature the Gruffalo on its 20th anniversary and the fun fold-out packaging recalls the story's original illustrations. The story has sold over 13.5 million copies worldwide and is still loved today. The coin features a portrait of the handsome beast and the pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 122
Royal Mint 2019 The Gruffalo brilliant uncirculated UK 50p coin presentation pack. This was the first commemorative UK coin to feature the Gruffalo on its 20th anniversary and the fun fold-out packaging recalls the story's original illustrations. The story has sold over 13.5 million copies worldwide and is still loved today. The coin features a portrait of the handsome beast and the pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 123
Royal Mint 2019 The Gruffalo brilliant uncirculated UK 50p coin presentation pack. This was the first commemorative UK coin to feature the Gruffalo on its 20th anniversary and the fun fold-out packaging recalls the story's original illustrations. The story has sold over 13.5 million copies worldwide and is still loved today. The coin features a portrait of the handsome beast and the pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 124
Royal Mint 2019 The Gruffalo brilliant uncirculated UK 50p coin presentation pack. This was the first commemorative UK coin to feature the Gruffalo on its 20th anniversary and the fun fold-out packaging recalls the story's original illustrations. The story has sold over 13.5 million copies worldwide and is still loved today. The coin features a portrait of the handsome beast and the pack is still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 78
Royal Mint Prince Philip Retirement Life and Service 2017 brilliant uncirculated UK £5 coin. After nearly 80 years of service to his country and his Queen Prince Philip retired from public duties and the Royal Mint marked the occasion with this issue. The design features a portrait of Prince Philip based on a design by Humphrey Paget and bears the description HIS ROYAL HIGHNESS THE DUKE OF EDINBURGH - NON SIBI SED PATRIAE, the Latin phrase 'Not for self, but for country'. The coin is secured with in a Change Checker presentation card with protective plastic blister around the coin itself. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 79
LIMITED EDITION Royal Mint Platinum Wedding 2017 UK Fine Silver UK £20 Coin. One of a Limited Edition of 70,000 this coin was created with two new designs and features the first combined portrait of The Queen and Prince Philip on an official UK coin for ten years. Struck in 999 fine silver and finished to brilliant uncirculated standard the coin is in it's original, unopened presentation card. On the reverse the pair are featured on horseback in military uniform in a scene reminiscent of Trooping the Colour. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 80
Royal Mint 200th Anniversary of the Birth of Queen Victoria presentation pack featuring 2019 brilliant uncirculated UK £5 coin. The design features an interpretation of the classic 'young head' portrait of Queen Victoria by William Wyon, former Chief Engraver for the Royal Mint along with representations of a number of innovations of the age including a vibrant machine cog motif. Still in its original unopened packaging. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 155
Bernard Meninsky (British, 1891-1950)Portrait of Anna Marks signed 'Meninsky' (lower right)oil on canvas35.5 x 46cm (14 x 18 1/8in).Footnotes:ProvenanceCommissioned directly from the Artist byHerbert H. Marks, the sitter's father, and thence by descent toAnna Marks, by whom bequeathed to the present ownerPrivate Collection, U.K.ExhibitedLondon, The Arts Council of Great Britain, Bernard Meninsky Memorial Exhibition, 1951, no. 13The present lot depicts Anna Marks, daughter of poet, artist and writer Ida Affleck Graves (1902-1999). Associated with the Bloomsbury Group, Ida's first poetry collection The China Cupboard and Other Poems, was published by Leonard and Virginia Woolf's Hogarth Press. Anna Marks is shown wearing a red dress, made by her mother Ida.For further information on this lot please visit Bonhams.com
Los 163
Lucien Pissarro (British, 1863-1944)French Landscape signed with monogram (lower left)coloured pencil on paper12 x 17cm (4 3/4 x 6 11/16in).together with two further coloured pencil landscape drawings, The Tree and River Walk and one print, a portrait of Camille Pissarro(4)Footnotes:ProvenanceEsther Pissarro (The Tree, River Walk and the print), 1949-50Sir Edward Sackville-West (French Landscape), 1965Eardley Knollys, from whom acquired by the present ownerPrivate Collection, U.K.Eardley Knollys was an important figure in the after-life of Lucien Pissarro, as he was instrumental in guiding the contents of his studio to the Ashmolean Museum in Oxford, after the National Trust (which he represented) had turned down the idea of making the Brook a Pissarro Museum, as Esther Pissarro had intended. The Ashmolean Museum has correspondence between Knollys and Mrs Pissarro, including one letter dated 30 December 1949 in which she says 'I send you as a New Years Card a print you might like to have, a CP engraved by Lucien', which is thought to be the print in this lot. On 6 May 1950, she gave him 'two little sketches', thought to be two of the drawings offered here.We are grateful to Colin Harrison for his assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
Los 156
Austin Osman Spare (British, 1886-1956)Portrait of a Woman signed with initials and dated 'aos/'49' (lower left), inscribed 'The proselyte: 'Love shall cease where copulation is abjured'' (upper centre); further signed 'Austin Osman Spare' (on label attached verso)charcoal and chalk on panel33 x 28cm (13 x 11in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 176
John Craxton R.A. (British, 1922-2009)Portrait of David 'Tivvy' Simpson signed '-Craxton-' (lower right), dedicated and dated 'for tivvy. love. Xania. Sept 82.' (lower left)charcoal, chalk and pencil on paper35.5 x 26.5cm (14 x 10 7/16in).Footnotes:ProvenanceThe Artist, by whom gifted to the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 158
Ronald Ossory Dunlop R.A., R.B.A. (British, 1894-1973)Self-Portrait oil on canvas, laid on board 36.5 x 29cm (14 3/8 x 11 7/16in).Painted circa the early to mid-1930sFootnotes:We are grateful to Peter Boyce for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 154
Eliot Hodgkin (British, 1905-1987)Roses bears added signature 'Eliot Hodgkin' (upper left)oil on panel40.5 x 37.5cm (15 15/16 x 14 3/4in).Painted circa 1936with a further oil portrait of a man, on the reverse, by the same handFootnotes:ProvenanceWith The Fine Art Society, London, October 1963Sale; Sotheby's, Olympia, 4 July 2002, lot 265Private Collection, U.K.ExhibitedPossibly London, Picture Hire Ltd, Exhibition of Paintings by Eliot Hodgkin, 1-24 October 1936, no. 12We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the Artist's work and would like to hear from owners of any work by the Artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, Montpelier Street, Knightsbridge, London, SW7 1HH, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
![Rembrandt van Rijn (1606-1669) and others.A Collection of Etchings... [201 works included]Bound album with 5 etchings by Remb](https://cdn.globalauctionplatform.com/63918c4f-467a-44b0-adc1-ad5a006c15cb/522485a4-b300-4929-8f0d-ad5a007077f0/468x382.jpg)
Los 17
Rembrandt van Rijn (1606-1669) and others.A Collection of Etchings... [201 works included]Bound album with 5 etchings by Rembrandt, re-worked and printed circa 1810-1820, 14 after Rembrandt, and others by or after Martin Schongauer, Claude Lorrain, Cornelis Bega, Hollar, Runciman, Castiglione, Della Bella and others, various sizes, most trimmed to or just within the platemark, presented in contemporary straight-grain morocco, spine gilt and lettered 'Original Etchings', some losses to spine, rubbed and very worn, folio, published by J. Kay, [circa 1820] ⁂ Etchings by Rembrandt include later impressions from the original plates of the following: 'Portrait of Jan Antonides van der Linden'; 'Old man with beard, fur cap and velvet cloak'; 'Christ Crucified Between Two Thieves: An Oval Plate'; 'The Agony in the Garden'; 'Joseph's Coat Brought to Jacob'.
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283284 Los(e)/Seite