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283284 Los(e)/Seite
Los 267
KING GEORGE THE IV SCOTCH WHISKY PUB JUG. 6ins tall, white glaze, black transfer TO THE MEMORY OF/ HIS LATE MAJESTY/ KING GEORGE THE IV/ BORN AUG 12 1762 etc. one side, portrait to other WITH THE COMPLIMENTS OF/ THE PROPRIETORS OF/ KING GEORGE IV/ OLD SCOTCH WHISKY & coat of arms to front. Royal Doulton circle mark lion & crown. Very good. NR
Los 798
A collection of vintage cameras, including a Kodak Baby Hawkeye camera, Portrait Hawkeye 1936 boxed with part instructions, two V. P. Twin pocket cameras, a Houghton and Butcher Box Camera circa 1928, An Ensign 21/4 B box 1020's, box Brownie No. 2 camera with unusual blue finish, a Brownie 6-20 popular box, a Popular, Model D, Model C No.2, a Brownie Flash IV, a Six-20 Brownie C and a Coronet with a portrait lens. (14)
Los 190
CIRCLE OF ROBERT WALKER (17TH CENTURY)Half-length portrait of Oliver Cromwell (1599 - 1658) wearing armour and holding a batonOil on panel, oval, framed, 24cm x 20cm.Notes: label and partial remnants on the reverse suggest this hung in Northborough Manor, home of Elizabeth Claypole (nee Cromwell). Elizabeth, Oliver Cromwell's daughter, married John Claypole, who was Cromwell's Master of Horse.
Los 527
1.Russell (Richard) ed. A history of the Marlborough College Press 1934-1984, no. 4 of 220 numbered copies with tipped-in specimen pages printed on Armatruda Amalfi hand-made paper. Quarter-bound in blue Fell Buckram with decorated blue paper covered boards with the spine stamped in gilt. Two folded broadsides in pocket at rear and prospectus included. Whittington, 19842.Butcher (David) British Private Press Prospectuses 1891-2001, no. 222 of 260 copies from an edition limited to 350, illustrations, 3 facsimile prospectuses in pocket at end, original quarter yellow cloth, with patterned cream boards, matching cloth leading edges , slip-case, Whittington Press, 20014.Portrait of presses: photographs by Ski Harrison, one of 350 out of 500 in total, bound in quarter cloth and patterned paper boards, Slipcase, Whittington Press, 1997ITEM 3 IS NO LONGER WITH THIS LOT, HAS BEEN LOTTED ON ITS OWN, LOT 548.
Los 493
A modern French style mantel clock, with enamel and pierced gilt metal urn to the top above white enamel dial with Roman and Arabic numerals, enamel bezel, foliate enamel pillars and panels on blue ground decorated with an Eastern themed glass panel of a female playing the flute to each side, female portrait to pendulum, 51cm high CONDITION REPORT: Lot 118 - minor piece of gilt metal lacking near top, clock chimes when wound and hammer strikes the gong, minor surface scratches to gilt metal, has key.
Los 501
1.Wright (Christopher Buckland) To beauty: John Buckland Wright's work with Joseph Ishill of the Oriol Press, one of 246 copies, 16 plates containing 21 engravings, some in colour and a few are tipped-in, marbled boards with cloth spine. Solander box case, Fleece Press, 2006 (Includes pre-publication booklet) 2.Wright (Christopher Buckland) Bathers and dancers, one of 180 out of a total of 206 copies, bound with a cream vellum spine with Japanese wood-veneer covered boards. Title in gilt on spine. 41 white line and silhouette engravings, 4 tipped-in wood engravings and a tipped-in portrait of the artist and his wife. Slip-case, Fleece Press, 1992 3.Wright (Christopher Buckland) Endeavours & experiments: John Buckland's essay's in woodcut and colour engraving, together with other blocks remaining in his studio, one of 150 standard copies, in an edition of 300, bound in quarter cloth with patterned paper designed by John Buckland. 36 wood-engravings printed from the original blocks and 18 plates of which some are in colour. Slip case, Fleece Press, 2004 (Includes pre-publication booklet)
Los 509
1. Chapman (Hilary) The wood-engravings of Ethelbert White, one of 200 sets of the book and engravings. Soft cover booklet about the artist written by Hilary Chapman, also two prints of the engravings: A Corner of the Forest (approx 18cms x 23cms) and Forest Pool (approx 21cms x 17cms) both printed on Rivoli paper and set in mounts made of pure cotton museum board (slight indent to one on outer edge. Solander yellow cloth box with woodcut illustration affixed to front cover, Five wood engravings in text, two tipped in photographs. Fleece Press, 1992 (Includes pre-publication booklet) 2. Claughton Pellew: Five wood-engravings printed from original blocks with a biographical note by Anne Stevens, one of 150 copies of the booklet and five prints: The return 1925, The smithy 1930, Marsh marigolds 1930, The carol singers 1930 and The mother 1931, Each print enclosed in a paper folder. Grey solander box, Fleece, 1987. 3. Selborne, (Joanna) and Newman (Lindsay) Gwen Raverat: wood engraver, one of 260 of 300 copies and bound in quarter cloth with marbled paper by Ann Muir. Many illustrations of Gwen Raverat's work together with a tipped-in colour copy of her self-portrait. Slip-case, Fleece, 1965 (Includes pre- Publication booklet)
Los 512
1. Lawrence (Simon) Tales from Bleeding Heart Yard: stories about Stanley Lawrence, one of 200 copies with the Moser engraving from a total edition of 310, quarter bound in orange cloth over silver-grey wood veneer-covered boards. Wood engravings by Hilary Paynter, Anne Jope, John Lawrence, Leo Wyatt, Barry Moser, Peter Forster and multiple tipped-in photographic plates. Fleece Press, 2000 2. Thomas (Helen) a memory of WH Hudson introduced by Mefanwy Thomas and illustrated by Michael Renton. One of 40 copies from a total of 190 (although inside it states 340 an errata included corrects this number) Wood-engraved portrait by Michael Renton. Signed copy, Fleece Press, 1984 3. The great storm of October 1987 and its aftermath: five wood engravings by Claire Dalby, Monica Poole, Peter Riddick, Peter Smith and George Tute. Solander case slightly marked. no date 4. Lee (Brian North) Dearest Sydney: Joan Hassall's letters to Sydney Cockerell from Italy and France April-May 1950, one of 220 copies bound in quarter cloth spine with patterned paper boards front and back. Contains tipped-in facsimiles of letters and photographs. Fleece Press, 1991 5. Brett (Simon) Bookplates by Simon Brett, one of 220, out of 260, bound in quarter cloth with patterned paper over boards. Text Brian North Lee. 26 wood engravings. Fleece Press, 1989 6. Hartley (Marie) The Yorkshire dales, no. 235 of 250, out of 268 copies, bound in quarter cloth with patterned boards. Signed by author, Slipcase, Fleece Press, 1989 7. Hartley (Marie) The Yorkshire dales- a further selection, no. 218 of 250, out of 268 copies, bound in quarter cloth with patterned boards. Signed by author, Slipcase, Fleece Press, 1991
Los 522
1. Macgregor (Miriam) Whittington: Aspects of a Cotswold village with 34 wood-engravings, no 240 of 300 copies bound in coloured paper printed with a design by the artist and signed by her. Whittington Press, 1991 2. Mawdesley ( Bruce), Song of the scythe: wood-engravings by Miriam Macgregor, one of 650 copies. Paperback pamphlet with green card covers and brown lettering to front. Whittington Press, 1983 3. Berry (Frank) Bench, Saw and Plane: a Cotswold apprentice, one of 350 copies signed by the author, Soft cover. Portrait frontispiece and two other tipped in photographs. Sewn into overlapping pictorial paper covers with decorations by the author. The title page printed in dull gilt & black, 2 small decorative initials printed in dull gilt, Whittington Press, 1988 4. Powers (Alan) A book of jugs, one of 950 copies, the title-page printed in black and blue, 10 full-page illustrations printed in black and blue, and the cover designs, all by Alan Powers, pp. 20, landscape, original printed sewn wrappers, Whittington, 1990. 5. Macgregor (Miriam) Wine from my garden, copy no. 53 of 200, quarter bound in paper with engraving on front board. Miniature book. Contains wood-engravings hand coloured engravings by author/artist, Signed in pencil, Slipcase, Whittington Press, 2000 6. Macgregor (Miriam) Predators in my garden, copy no. 170 of 250, bound in paper with engraving on front, includes 14 wood-engravings hand coloured by author/artist. Signed by author in pencil. Miniature book. Slipcase, Lorson's Books & Prints printed at Whittington Press, 1993
Los 503
1. Richards (Vyvyan) T.E. Lawrence: book designer, his friendship with Vyvyan Richards, one of 200 copies out of 250, bound in quarter cloth and Sage Reynolds paste paper over boards. With wood-engraved frontispiece portrait, by Peter Reddick. Fleece Press, 1985 2. Knowles (Richard) Precious caskets: the friendship of T.E. Lawrence with William McCance, one of 240 copies bound in quarter buckram, with Enrico Ricciardi marbled paper covered boards. Illustrated with a wood engraving designed by William McCance and engraved by his wife Agnes Miller Parker, it includes tipped in photographs and illustrations of the bindings of the Seven Pillars, some in full colour. Fleece Press, 2003 3. Lawrence, T.E. (Wing Commander R.G. Sims) The sayings and doings of T.E. Lawrence, one of 270 copies out of 300 bound in airforce blue cloth. Ten tipped-in photographic illustrations, T. E. S. embossed to front cover, paper label to spine. Fleece Press, 1995, 4. Knowles (Richard) Cats and landladies' husbands: T.E. Lawrence in Bridlington, one of 350 out of 400 copies bound in full blue cloth with 14 tipped-in photographs. A facsimile of TES is embossed on the front cover. Fleece Press, 1995 5. Smith (Clare Sydney) The golden reign: the story of my friendship with 'Lawrence of Arabia' newly illustrated by vintage photographs. One of 500 copies. A new edition of the 1940 work containing 45 photographs printed from vintage prints, bound in blue cloth with TES embossed on the front cover. Fleece Press, 2004 6. Hodgson (Herbert) Herbert Hodgson Printer: work for T.E.Lawrence & at Gregynog, one of 340 copies bound in quarter cloth and paste paper made by Claire Maziarczyk. Includes a photographic portrait frontispiece of the printer. Fleece Press, 1989 7. Wilson (J.M.) T.E. Lawrence: letters to E.T.Leeds with a commentary by E.T.Leeds, copy no. 339 of 650 of a run of 700, bound in buckram and printed paper boards with illustration. Tipped-in frontispiece black and white photographs and illustrated with line drawings by Richard Kennedy. Slip case, The Acorn Press, 1988 plus 1 extra
Los 1529
A rare and interesting moulded Jug c. 1863, probably Albion Saltglaze by Brownfield of Cobridge, with the royal arms and profile portrait of Victoria to one side and Alexandra of Denmark, Princess of Wales to the other. This jug probably commemorates the marriage of Alexandra to Prince Edward in March 1863.
Los 1077
Sir Francis Chichester interest; an 'Ex Libris' portrait bookplate pamphlet signed and dedicated in blue ballpoint from "Francis Chichester" and within a longhand letter about his poor health, dated "RN Hosp 1st Aug 72", Sir Francis Chichester died in the Royal Naval Hospital at Stonehouse, Plymouth, on August 26th 1972, together with newspaper cuttings and a small photographic portrait believed to be Francis Chichester as a child (a lot)
Los 62
An impressive Copeland Art Union Tazza, dated 1863, designed by John Leighton to commemorate the death of Prince Albert, printed in colours with elaborate decoration, a portrait of the late Prince Consort in the centre surrounded by allegorical representations of Art, Science and Literature, flanked by winged maidens displaying emblems of his many achievements, base marked Copeland Art Union of London 1863, 16½in (42cm) diameter. Note: Prince Albert had been a loyal supporter of the Art Union movement. To mark his death Copelands were commissioned by the Union committee to manufacture a tazza which could also function as a card tray. Sixty of the tazzas were distributed in 1862 and one hundred the following year.
Los 123
A late 19thC continental stoneware circular Plaque, painted in coloured enamels in the Renaissance style with a portrait of a young woman wearing a hat, printed signature bottom left "J. Wiesenbach" and indistinctly initialled, 13in (33cm) diameter, framed, the reverse numbered "40 - 90", rough edge, possibly originally a large tile.
Los 303
P. D. Gordon Pugh, Staffordshire Portrait Figures and Allied Subjects of the Victorian Era, pub. Barrie & Jenkins, 1971, limited edition no.6 of 25, signed by the author, bound in leather, Hugh Thomas Appleton's personal copy, and Thomas Balston, Staffordshire Portrait Figures of the Victorian Age, pub. 1958, together with three diaries, letters, invoices and cuttings relating to Appleton's collection and Staffordshire pottery figures (a lot)
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283284 Los(e)/Seite