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Two 1940's portrait photographs by Dorothy Wilding (1893-1976) and Peter North (act. 1930s - 1950s), possibly of the actress Edna Best (1900-1974), each signed by the photographer, each 29.5cm x 22cm, unframed and housed in a folio CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Gerald Spencer Pryse (1888-1956)+Portrait of a woman in a green dressLithographSigned lower right48.5cm x 32.5cmFramed and glazed+ Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
A late Victorian oval portrait miniature on ivory of a young man in a Cambridge University athletic top, housed in gold mount with easel back and suspension loop, miniature 7.3cm x 5.7cm CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
A Victorian oval portrait miniature on ivory of Janet Mitchelson, housed in gold and black enamel brooch mount with glazed woven hair panel to the reverse, and inscription dated May 18th 1851, 5cm x 4.5cm CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
A variety of antique and collectible items: an oval portrait miniature of a bearded gentleman with red tie and dark suit (probably early 20th century), glazed wooden frame (19.5cm x18.5cm); a late 19th century fold-out frame by Lafayette of Bond Street (hinge at fault); 13 late 19th century Chinese mother of pearl gaming counters; a pair of christening decorations and two fans
JOHN (Thomas Young) GILROY (British 1898-1985) - a watercolour and pencil study, 'Caldetas'; signed in pencil lower left, original paper exhibition gallery label verso for the Upper Grosvenor Galleries, London W1, exhibit No 11, originally sold for 60 guineas to G.A. Schweidler Esq, framed and glazed (image size 31.5cm x 19.5cm) Gilroy was of 'Guinness' advert fame and was also a noted portrait painter, he was invited to Buckingham Palace as an official artist and his sitters included Princess Anne, Prince Charles and Earl Mountbatten of Burma
14 framed and glazed pictures and prints and one unframed. To include 'A New Map of Pembrokeshire - Drawn from the best authorities by Thos. Kitchin'; 'Paderborn' ; four original works by Françoise Goin; a mid-19th century watercolour portrait of Elizabeth Gough (1778-1858), signed H.G. Walker? and titled verso 'Elizabeth, dau. of Col. George Gough, wife of Benjamin Frend of Rockdown, Co. Tip.' (sister of Field-Marshal Gough of Goojerat); a 19th century hand-coloured, triple ornithological subject engraving (15)
2 Silber Medaillen 1766 und 1903 dabei Freimaurer Silbermedaille 1766 (geprägt 1774) 25-jähriges Bestehen der Loge Minerva zu den drei Palmen, Minerva sitzt halblinks mit Speer und Gorgonenschild vor drei Palmen / Drei Zeilen Schrift NON NISI DIGNO Jahreszahl, umher Lorbeerkranz Ø 34,6 mm, Gewicht 14,46 Gramm, diese Medaille wurde im Jahre 1774 in Auftrag gegeben und an die Logenmitglieder verteilt dazu Feinsilber Medaille mit Portrait und Umschrift *Guido Graf Henckel Fürst von Donnersmarck*, umseitig Hammer und Schlegel mit Eichenkranz sowie Auf. und Umschrift *Für Treue Pflichterfüllung* und *1853-1903 Schl. Act. Ges. für Bergbau u. Zink-hüttenbetrieb Lipine*, Ø ca. 40 mm, Gewicht mit Trageöse und -ring ca. 56,50 Gramm, ges. 2 Stück, ein Etui
'Cape Mail Steamer 'Mauritius' Drawn by E N R Cashman aged 10', 19th century watercolour ship's portrait signed inscribed and dated 1868, together with another similar 14cm x 26cm and 19cm x 28cm in ebonised frames (2)Click here to view further images, condition reports, sale times & delivery costs for this lot.
A Chinese gouache painting,late Qing dynasty, of an ancestor portrait, a lady in court robes with the fifth civil rank badge of a silver pheasant, seated in an armchair covered with a textile embroidered with foliage scrolls, above a carpet with precious objects and roundels of flowers, ink and colour on paper,image 115.8 x 72cm, framedProvenance: From a deceased estate of a British diplomat who was based in China. 清晚期 佚名 宗祠画 设色纸本 Condition report: Creases, cockling and foxing, stains and marks, splits with old repairs, colours faded. Glued to the board.
A Chinese gouache painting,of the portrait of a bodhisattva from the Dunhuang fresco, inscribed with dedications, signature and seals of Zhang Daqian, ink on paper, 246 x 109cm张大千款 临敦煌菩萨像 设色纸本 Condition report: Creases, folds and cocklings, water stains and dirt or ink marks, splits to edges and borders. Small tears in various locations, one repair to the back.
DAN LLYWELYN HALL oil on panel - "The Last Dambuster at 100", signed with initials, signed and dated 2021 verso, 113 x 92cms Auctioneer's Note: This portrait of bomb aimer, George Leonard 'Johnny' Johnson MBE DFM, has been commissioned to commemorate his 100th birthday later this year, and is being offered for sale to coincide with the No. 617 Squadron RAF raid on the Mohne, Sorpe and Eder dams on 16th and 17th May 1943, using Barnes Wallis's bouncing bombs and mines. Flying in Lancaster bomber AJ-T under the command of Joe McCarthy, his was the first plane to arrive at the Sorpe dam, which was finally damaged on the tenth attempt, such was the difficulty of releasing the mine to roll down the face of the dam from a side approach, a technique unpracticed by the crew in the training for the raid. For his part in Operation Chastise, Johnson received the Distinguished Flying Medal along with other members of the squadron. The daring raid was immortalized in popular memory by the 1955 movie "The Dambusters" starring Richard Todd and Michael Redgrave. Proceeds from the sale will benefit Group 617 'Making a Difference' charity.
COLLECTION OF SILHOUETTES & MINIATURES, including early 19th Century wax profile portrait medallion, five silhouettes, one inscribed 'Hutton', two 18th Century style Italian miniatures of elegant ladies in octagonal frames, ink and wash sketch portrait of a gentleman, watercolour of a gentleman and a Pre-Raphaelite print (11)
PROPERTY OF MAHARAJAH DULEEP SINGH (1838-93) THE LAST SIKH KING TWO SILK AND GILT-METAL THREAD one burgundy, the other purple and yellow, with tassels-weights at the end of each sash, constructed of gilt-metal and metal thread bound onto a core, the metal thread combined with silk thread (Dimensions: length: 202cm and 308cm long) (Qty: 2)(length: 202cm and 308cm long)Qty: (2)Footnote: Provenance: Elveden Hall, Suffolk, Home of Maharajah Duleep Singh (1863-1893). Private Collection, UK, acquired from the above in the late 1950s. Note: In the renowned full portrait painting of Maharaja Duleep Singh by Franz Xaver Winterhalter (1805-73) [1], the last Sikh king is featured as a young man in his full Indian regal dress. He is shown wearing a silk sash wound around his waist that closely resembles the two offered here for sale. Another property of Maharajah Singh was offered in Lyon and Turnbull, 9th December 2009, lot 123 [1] The Royal Collection Trust, accession number RCIN 403843 Born in Lahore (present-day Punjab in Pakistan) in 1838, Maharajah Duleep Singh became the last ruler of the Sikh Empire just after his fifth birthday, with his mother ruling as regent. His reign was short-lived. Following the second Anglo-Sikh War in 1849, the Sikh Empire fell, and he was forced to surrender to the British. Duleep Singh was taken into the care of the British forces, converted to Christianity in 1853, and granted a pension on the condition he be obedient to the British government. The following year, he arrived in England and joined the British royal court. Arriving in England in 1854, Duleep Singh quickly became a favourite of Queen Victoria. During this same year, she commissioned a portrait of him by the renowned court painter Franz Xavier Winterhalter. Duleep Singh and his wife Bamba became great socialites from their country home at Elveden Hall, frequently entertaining noble and aristocratic guests such as the Prince of Wales. Following financial difficulties in 1881, the family moved from their country estate to Holland Park in London, where Duleep Singh continued to learn about his heritage and the Sikh Empire, and although he was prevented from ever returning to India, in 1886 he eventually was able to be re-baptised into his Sikh faith.
Porträt eines Adeligen Hüftbildnis eines französischen Adeligen mit langem, gelocktem Haar in hellbrauner Jacke und Weste mit reicher Brokatstickerei über weißem Hemd. Über die Schulter fallender, roter Umhang. Fein gemaltes, ausdrucksstarkes Porträt aus dem Umkreis von Hyacinthe Rigaud (1659-1743). Öl auf Kupfer. Stuckierter, vergoldeter Rahmen. 8 cm x 6 cm.A French oil on copper portrait of a royal gentleman from the circle of Hyacinthe Rigaud (1659-1743). Framed.Frankreich. 1. Viertel 18. Jh.
Rokoko-Damenporträt Brustbildnis einer adeligen Dame in tief dekolletiertem höfischen Kleid. Das aufgesteckte, gepuderte Haar geschmückt mit Rosen, Perlen und Tüll. Tempera auf Elfenbein. Ornamentierter Messingrahmen mit Öse. 5 cm x 4 cm.A French Rococo ivory portrait of a noble lady. Framed.Frankreich. Um 1770/1780.
Empire-Damenbildnis Hüftbildnis einer Dame in tief dekolletiertem, weißem Kleid mit Goldschmuck, das aufgesteckte Haar geschmückt mit einer Rose. Dunkelbrauner Hintergrund. Tempera auf Elfenbein. Messingrahmen. 7,5 cm x 6 cm.A French ivory Empire portrait of a lady. Framed.Frankreich. Um 1780.
Empire-Herrenbildnis Brustbildnis eines Herrn mit seitlich gewandtem Blick und schulterlangem Haar. Bekleidet mit einer blauem Jacke und Weste. Grauer Hintergrund. Tempera auf Elfenbein. Rückseitig verglastes Haar-Arrangement. Glatte 14 ct. Gelbgold-Rahmung mit Öse. 6 cm x 5 cm.An English Empire ivory portrait of a gentleman. On the backside glazed hair-arrangements. Frame in 14 k gold.England. Um 1790.
Georgianisches-Damenbildnis Brustbildnis einer aristokratischen Dame in tief dekolletiertem Kleid mit Spitzenkragen. Das schulterlange, lockige Haar mit einer Schleife zurückgebunden. R. m. monogr. W.D., wohl William Dufour (erwähnt um 1770) und dat. 1789. Tempera auf Elfenbein. Schmale Goldrahmung, einreihig mit kleinen Perlen besetzt, rückseitig Sammlungsetikett. 5 cm x 4,5 cm.Vgl. Foskett, Miniatures, S. 522, 532.Provenienz: Sammlung Krug.An English late Georgian ivory portrait of an aristocratic lady from the German Krug Collection probably by William Dufour (mentioned approx. 1770). Monogrammed and dated. Gold frame.England. London. 1789.
Empire-Herrenbildnis im Original-Lederetui. Hüftbildnis eines weißhaarigen Herrn in braunem, mit einem Ordensband geschmücktem Frack mit weißer Weste und Plastron. Schraffierter, weißer Hintergrund. Mischtechnik auf Papier. Etui aus rotem und grünem, teilw. goldgeprägtem Leder. Innen bezogen mit türkisfarbener Seide. Messingblende. Miniatur: 8 cm x 6,5 cm.A German Empire mixed media portrait of gentleman on paper in an original leather case.Deutsch. Um 1800.
Biedermeier-Damenbildnis Brustbildnis einer jungen Dame mit aufgestecktem, gelocktem Haar. Gewolkter Hintergrund. L. u. undeutl. sign. O. Iridon? Tempera auf Elfenbein. Schmaler Messingrahmen, an der Außenseite fein graviert "Das künstlerische Ideal meiner Jugend/dem Stolz und der Freude meines Alters". Rückseitig verglaste Haarsträhne. 4,5 cm x 3,5 cm.A German Biedermeier portrait of a young lady. Indistinct signed. Brass frame with engraved dedication.Deutsch. Um 1820.

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