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Preisdatenbank abonnierenTWO BANK OF ENGLAND NOTES FRAMED TOGETHER viz Peppiatt one pound blue and Hollom tea shilling, together with O`BRIEN ONE POUND GREEN the ROYAL WEDDING COIN COLLECTION of fourteen coins mounted and framed with Spink Certificate of Authenticity verso and TWO FRAMED COLLECTIONS OF MINT UNCIRCULATED STAMPS viz Twenty First Birthday of Diana Princess of Wales - the portrait collection and similarly The Marriage collection all framed alike (5)
ROGER BLEASDALE, (twentieth century) MINIATURE ACRYLIC ON IVORINE OVAL `Training Schooner Sir Winston Churchill` 2 1/2" (6.4cm) wide CHRISTOPHER GUISE (twentieth century) CIRCULAR MINIATURE PAINTING ON IVORINE `The Cutter Mermaid` 3" (7.6cm) diameter and HEATHER JONES (twentieth century) MINIATURE WATERCOLOUR ON POLYMIN Bust portrait `Lawrence in Damascus` 1 1/2" x 1 1/2" (3.8cm x 3.8cm) (3)
ATTRIBUTED TO A. RICCARDI, ITALY EARLY TWENTIETH CENTURY WATERCOLOUR ON IVORY FULL LENGTH PORTRAIT OF AN ELEGANT LADY PROBABLY LILLIE LANGTREE Standing against a classical garden background wearing wide brim hat and black silk gown and holding a tall parasol and ostrich feather fan, inscribed in pencil verso `Fecit par Riccardi 1903` 9" x 4 1/2" (23cm x 11.5cm) gilt framed and glazed
CHINESE LATE NINETEENTH/EARLY TWENTIETH CENTURY BAMBOO WALKING STICK WITH LARGE EMBOSSED SILVER COLOURED METAL POMMEL, depicting lion dog, seated figures and prunus blossoms on a matted ground, 34 1/4" (87cm) long and a NINETEENTH CENTURY TIN TYPE PORTRAIT PHOTOGRAPH OF A SEATED LADY, in oval mount and glazed with giltwood inner border to the satinwood contemporary frame, 7" (17.8cm) square overall (2)
LARGE VICTORIAN OVAL PINCHBECK BROOCH, with revolving glazed centre enclosing an ambrotype portrait photograph of a Victorian gentleman, the outer frame with strapwork buckles and leaves, 2 1/2" high and an EDWARDIAN BLACK MOIRE NECKLACE with fancy chain section and double drop decorated with green and clear glass beads (2)
A Duke of Cumberland portrait glass, circa 1745, the round trumpet bowl decorated with a bust portrait to sinister of the Duke of Cumberland wearing the garter star, inscribed around the rim `Prosperity to the Duke of Cumberland`, on a plain stem terminating in a conical foot, 16cm highProvenance:From the Kirkby Mason CollectionExhibited at the Victoria and Albert Museum Glass Circle exhib. 1962 number 183Exhibited at the V&A English Glass exhib 1968 number 119Jeffrey Rose Collection
A Williamite cordial glass, circa 1720, the bucket bowl engraved on one side with a wreathed portrait of William III to sinister surrounded by the inscription `The immortal memory`, the reverse engraved with a crowned Irish harp flanked by fruiting vines sprays, set on a plain columnar stem terminating in a conical foot, 16cm high Provenance:First recorded by Hartshorne in 1897 as originating from a set of 24 glasses, which he described as the `finest series of Williamite glasses in existence`. He believes that they were made for Samuel Maylor in Bristol.In 1927 the set was split up, 12 glasses became part of the Lorimer collection now in the Philadelphia museum. The whereabouts of the remaining eight is not certain, but this is believed to be one of them.This glass was also sold in 1939 at Sotheby`s which is when it became part of the Rose Collection. Examples from the same set are illustrated in Warren, P., 1978 `Glass, Relating William III: Part III: 1750-1870`, in `Antiques` pp.854-865 (figure 7a)
A Jacobite portrait decanter, circa 1745, the globular body with tapering neck engraved on one side with the portrait bust of King Charles Edward Stuart in Highland dress after Sir Robert Strange in a medallion surmounted by a ribbon inscribed `Audentior Ibo`, the reverse with a large seven petalled rose, an open and a closed bud, 21.5cm highProvenance:Sir Hector Munro CollectionBy descent to Munro from the Brisbane Family of Brisbane House, AyreshireMentioned in an article on Brisbane House in `The Scottish Field` June 1917 - almost identical to the Kirkby Mason decanter
A Jacobite portrait glass, circa 1745, the round funnel bowl engraved with a bust portrait of Prince Charles Edward Stuart to dexter in Highland dress within a buckled ribbon inscribed `Audentior Ibo`, the reverse with a seven petalled rose, an open and closed bud, set on a plain stem, terminating in a conical foot, engraved underneath with a thistle spray, 18.5cm highProvenance:Frank Savery CollectionRose Collection
A Jacobite wine glass, circa 1750, the round funnel bowl engraved with a full face portrait of Prince Charles Edward Stuart the Young Pretender within a circular cartouche and the motto `Audentior Ibo` on a ribbon banner above, flanked by rose and closed bud on his left side and by a thistle spray on his right side, the reverse with a star set on a collar above a shoulder and centre knopped multiple spiral air twist stem, terminating in a plain conical foot, 16cm highIllustrated in: Financial Times, 19th May 1979, number 380 - Experience and Expertise SeriesProvenance:`A Scottish family` (Christie`s 1979)
A mid 19th century French gilt spelter and Sevrés porcelain three piece clock garniture, the eight day movement striking on a bell, the circular enamel Arabic and Roman numeral dial within gilt spelter case, inset with an arrangement of portrait floral and cherubic hand painted porcelain panels, with gilt and blue ground, the back plate inscribed Woppenheim Paris, the case with floral swag wreaths and central oval portal panel finial, with acanthus leaf base, complete with pendulum no.1395, height 49.5cm, width 30cm, and pair of twin handled lidded urn form vases, each decorated with figures in landscape and with grotesque demon mask head and ring handles (3) (illustrated)
A Huntley & Palmers 1878 Paris Exhibition biscuit tin, decorated with elephants and Indian scenes, also a McVitie & Price rectangular relief decorated biscuit tin, Cremona circular biscuit tin with relief decorated and portrait lid and a further relief decorated rectangular tin with birds amongst branches (all 4 part af)
A 19th century oversize portrait silhouette panel signed 'Aldophe', depicting Charles John Manning of Combe Bank, two further smaller unsigned silhouette watercolours depicting his daughters, further silhouette panel of a young boy, 19th century mezzotint of one of Manning's children and a similar further example marked 'T Henry Manning Archbishop of Westminster' to hand written label verso (in ornate pierced giltwood frame, each framed and glazed (6) (illustrated)
A framed oval Portrait on board, an excellent depiction of a young lady in a lace trimmed brown dress wearing gold jewellery including earrings, a velvet choker with a locket, jewelled locked and fob chain with a cameo suspended, believed to be Mira Hughes, a circa 1900 concert pianist, who played at concerts in Leipzig, Munich, etc., 18 3/4'' x 15 1/2'' approx.
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