Lieutenant Richard Lawson Williamson R.N (Fleet Air Arm), D.S.O and Bar:- an Interesting Collection of Photographs and Ephemera, including numerous hand written letters to and from his parents, Engineer Rear Admiral and Mrs Williamson, a portrait photograph of him and another of his father in a silver frame, a number of Admiralty Testimonials relating to him, various newspaper cuttings, a typed record of his service, and a plastic cased survival kit including matches, an escape compass, water purifying tablets, a heliograph etc.Footnote :- Richard Lawson Williamson attended the Royal Naval College in Dartmouth from 1927 until 1931, joining the Fleet Air Arm in 1936. He took part in the evacuation of Dunkirk, where he was mentioned in despatches, and later awarded the D.S.O. for raids on Persamo and Kirkenes. After spending six months in Malta, his service gained him a bar to his D.S.O. He was killed in action over the English Channel in October 1942 along with Navigator Sub Lieutenant Owen Norman, and is remembered on the Lee-on-the-Solent War Memorial.
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2nd Lieutenant William Bavin Notts & Derby. Regt.:- A Memorial Plaque, scroll, portrait photograph and related ephemera including telegraphs reporting his death, an inventory of his belongings annotated by his father, a 1914 Princess Mary Christmas tin lacking contents, a framed piece of shrapnel with a note stating it was taken at the Somme 1918; 757 (17507) Private Charles Reginald Bavin, Grimsby Battalion Lincolnshire Regiment, brother of the above William, a portrait postcard, his Soldier's Small Book, Soldier's Pay Book for use on active Service, his New Testament and notebook.Footnote :- 2nd Lieutenant William Bavin, Sherwood Foresters, was killed in action on 29th September 1918 aged 19 years. His brother Albert of the Grenadier Guards had earlier been killed at Combes in December 1916. His only surviving brother was Charles Reginald Bavin, named above.
A quantity of mainly late 20th Century gold tone dress rings, brooches, necklaces, chains and clip-on earrings to include a pair of Butler & Wilson gold tone heart shaped earrings with white crystals, a pair of Trifari faux pearl and white paste stone droplet earrings, a Lawrence Vbra pendant loosely based on a cross with a central portrait of a female, a gold tone backed micro mosaic cross pendant with inscription to the reverse 'Italy, Jubileum A.D 2000' (possibly gold plated) and 2 pairs of cameo earrings, all housed in a cream tin and a navy jewellery box. Location:BWR
Advertising - an early 20th century Swallow & Ariell Ltd (Port Melbourne) shaped trefoil pictorial biscuit tin, the lid printed with a portrait of a young lady within a shield shape cartouche, surrounded by Rabbits, Dogs and Pigeons, 20cm high, 20.5cm wide, 6cm deep, the underside of the lid printed 'SWALLOW & ARIELL LTD, BISCUIT MANUFACTURERS, PORT MELBOURNE, PRIZES RECEIVED AT ALL INTERNATIONAL & INTER-COLONIAL EXHIBITIONS.', c.1900
A Williamite wine goblet, 18th century and later the glass c.1750, the engraving probably later, c.1900, possibly by the Pugh Brothers studio in Dublin, the flared, drawn trumpet bowl engraved with bust portrait roundels of William of Orange and Queen Mary, divided by rose sprays, below an inscription, 'The Glorious & Immortal Memory of King William III & His Queen Mary', on a tapering, plain stem with tear, on a conical, folded foot, 18.3cm., repair to stem. * Provenance: Bonhams Knightsbridge, Fine Glass and British Ceramics, 20th Nov. 2019, Lot 385 *The bowl and stem have been apart and re-stuck. No other faults apart from a small patch of scratches near the edge of the foot.
Scottish School, late 18th century Portrait of Robert Craig of Overnewton in 1795 oil on canvas, inscribed in ink on a label on the stretcher “Robert Craig 1795 of Overnewton”, English, late 18th century, carved and fluted gilded frame 29¼ x 24¼in. (74.3 x 61.6cm.) *Canvas lined. Varnish discoloured. Evidence of restoration particularly in the face. Frame overpainted.
Granby (Violet, Marchioness of) Portraits of Men and Women, 1st ed., pub. Westminster, Archibald Constable and Company, 1900, fifty-one litho. portrait plates inc. frontis of Queen Victoria, complete, t.e.g., others edges uncut, orig. half vellum over grey boards gilt, folio; together with Youngman (J. M.), Gleanings from Nature: A Series of Twelve Etchings, pub. London, Thomas McLean, 1874, complete, dis-bound, orig. red cloth gilt, folio. (2) *- Granby: Soiled and foxed, top of spine chipped, corners bumped, foxing to end papers, occasional spotting throughout. - Youngman: Dis-bound. Complete. Soiled, rubbed, corners bumped and chipped. Toning and some chipping to page edges throughout. Light foxing. Title heavily toned. Small tear to dedication.
An early 19th century cut and later engraved Williamite rummer the glass c.1820, the bucket bowl later engraved with an equestrian portrait of William of Orange and inscribed 'The Glorious & Immortal Memory of William Third Prince of Orange', the reverse 'Boyne 1 July 1609' in a laurel wreath, below a fine diamond cut band and above a panel cut base, on a panel cut stem with central diamond cut knop, on a starburst cut base, 12.25cm. high. *In good condition, with just a few minuscule flea bite nibbles to the cut stem.
A Williamite wine glass, 19th century probably late 19th century, the conical bowl engraved with an equestrian portrait of William of Orange below a banner inscribed 'The Glorious Memory of King William III' and above the lettering 'No Surrender', the reverse inscribed 'Boyne 1st July 1690 T.C S.C' within foliate wings, on a swollen stem between shoulder and basal collars, on a folded foot, 15.6cm. high. * Provenance: Bonhams Knightsbridge, Fine Glass and British Ceramics, 20th Nov. 2019, Lot 385 *In good condition, with no faults.
Art Nouveau vellum bindings - three volumes of Poetry The Poetical Works of Walter Scott; Robert Browning; John Wordsworth, The Author's Editions; pub. Edinburgh: W. P. Nimmo, Hay, and Mitchell, no date, c.1900, quarter vellum with decorative spines with morocco flowers and labels, portrait frontis., 12mo. (3) *Extremities rubbed and soiled, loss to title label to Wordsworth vol. Some soiling to boards throughout. Ink ownership inscription to front pastedowns. Toning and foxing to end papers. Very occasional spotting elsewhere.
Charles E. Gatehouse (British, 1866-1952) Portrait of a racehorse with jockey up, oil on canvas, signed and dated 1923 lower left, 15¾ x 19½in. (40 x 49.5cm.), behind glass in plain gilt frame. *Surface dirt to paint and beneath glass - the surface of the canvas is touching the glass so difficult to ascertain how much is on the canvas itself. Should clean easily. Paint surface stable throughout and appears to be very original, with no retouching or repainting visible under UV.
Caroline Vatcher (Caroline Osborne, Duchess of Leeds) (Jersey, 1931-2005) Portrait of a Young Woman, charcoal on laid toned paper, signed lower left 'Leeds', framed, 13¾ x 10½ in. (34.9 x 26.7cm.). ** The artist was married to the 11th Duke of Leeds and was the last ever Duchess of Leeds. Her maiden name was Vatcher and she was the daughter of Colonel Henry Monckton Vatcher of Jersey, an artist of distinction whose paintings were exhibited widely, and who had a home in Southern France. **Acidic mount. Good condition.
David Foggie RSA, RSW, (Scottish, 1878-1948) Portrait of William Boyd (1873-1941), oil on canvas, signed lower right and dated 1912, original Whistler gilt frame, 23 1/2 x 19 1/2in. (59.7 x 49.5cm.). Together with a collection of photographs and cuttings relating to the sitter including a b/w photograph of William Boyd with Queen Mary and a b/w photograph of crowds outside the factory of James Keiller & Sons dated July 1914 on the occasion of the visit of Queen Mary to the factory, mounted together in one frame, also a letter to William Boyd dated 14th October 1931 from Glamis Castle from Cecilia Bowes-Lyon, Countess of Strathmore and Kinghorne, mother of Queen Elizabeth the Queen Mother. Also a bronze bust of William Boyd on a green marble base, 12in. (30.5cm.) high. *William Boyd (1873-1941) was Managing Director of James Keiller & Sons, famous for Keiller's marmalade, and at the time a highly successful company based in Dundee and London and exporting around the world. William Boyd was a serious art collector who in the 1910's began buying the work of William McTaggart and the Scottish Colourists and upon retiring in 1920 started investing in modern French art. His collection included works by Matisse, Rodin, Sisley, Vuillard, Bonnard and de Segonzac and he owned more more works by Van Gogh than any other Scottish collector. **Good condition.
Dutch School, 19th century a portrait miniature of an early 17th century lady, oval watercolour, with a wide petalled ruff and matching starched lace headpiece in her auburn hair, wearing a black brocade dress with turquoise and white striped stomacher and five strand pearl necklace, 9.8 x 7.9cm., in a worn ebonised frame. *Vertical split to left side of the portrait, just to the edge of the ruff. Small abrasion to centre right margin and a few other tiny abrasions to the margins from contact with the frame. Ebonising to frame worn and tiny chip to lower left.
Napoleonic interest - A 19th century French gilt bronze circular box the lidded top centred by a bronze portrait medallion of Napoleon Bonaparte, within multiple bands of stylised foliate, floral and stiff leaf decoration, the base with a main central band of guilloche and quatrefoil decoration, 9.25cm. diameter. *Some verdigris style tarnishing to the bronze medallion, which shows signs of polishing to attempt to remove. Some similar greenish and copper coloured tarnish deposits around the edges on the lid and base. Tiny ding to base. No other faults.
Guernsey interest - A collection of antique legal documents and ephemera etc To include a 1682 manuscript in Norman-French on vellum, black wax seal, from Amice Andros, Seigneur of Fief De Saumarez; 1686 manuscript in Norman-French on vellum, black wax seal, from Eleanor Le Marchant, Bailiff of Guernsey; 1764 handwritten account of the sale of furniture and effects of Jean Ingrouille; 1821 Rent Bill; 1845 Royal Exchange Assurance Home Insurance Certificate; 1872 letter from four residents of L’Eree (Thomas Priaulx, James Priaulx, Jean Corbin, John Corbin) to the Douzeniers and Constables of St. Peter’s, warning against the ruinous effect on families of the granting of licenses to sell spirits; 1904 handwritten note from Court of the Fief Beuval in St. Peter’s, to Mr George Frederick Alles, together with a 1897 ‘The Royal Family of Great Britain’ family portrait photograph. Along with a bronze Medallion. (9)
A mid-late 19th century oval pendant mount for portrait miniatures, probably by John Brogden, the yellow metal mount with blue and white enamel border set with pendant lug with rope and bead wire work embellishment, the reverse of the lug with plaque signed 'J.B', the pendant housing an oval miniture on card depiciting Lt-General Nicholas Nepean (Royal Navy). Governor of Cape Breton, Nova Scotia, (1757-1823), with label to the reverse 'Under the Patronage of H.M. The Queen & Royal Family Painted by Miss Bond Oakley Place Southsea', the pendant measures approx 87mm x 52mm (including lug)Condition:Some small chips and losses to some of the enamel work, a few light scratches, other than this just general wear commensurate with age, weight approx 42g, refer to images
Attributed to Christina Robertson (1796-1854) Portrait miniature of a young girl wearing a white dress and straw hat decorated with blue ribbon, seated holding a bunch of flowers in her lap, in a tree lined landscape with a pair of swans swimming in the water beyond, watercolour on ivory, 12 x 9.5 cm, frame 23 x 20 cmNote: Registration of an ivory item. Submission reference: 15LE4KWK Provenance:Private local collection, previously sold at Halls October 2016
British School (18th Century) Portrait of Benjamin Freeman Coleman and his sister Ann Elizabeth Coleman, 1761, the elder child shown standing holding a staff and offering the younger seated child some grapes, the young child holding a child's rattle, oil on canvas, sitters identified and dated verso, 82 x 68 cm, frame 99.5 x 84 cmHandwritten label attached verso inscribed "Portrait of Benjamin Freeman Coleman, father of the Rev. John Noble Coleman. Born in Bristol, 17th October 1758, died and was buried at Ventnor in 1837. He was a kind friend to one an a...." "...Ann (...his sister) who married the Rev. W Monkhouse, rector of the Monks Sherborne, Dorsetshire, who died many years since"Label verso for Lalonde Brothers and Parhams depositories, Weston-Super-Mare, BristolProvenance: Consigned by descendants of the sitters Condition:The painting is an oil on canvas, framed without glazing. The canvas has been relined, the current tension is fine, there are no obvious holes/tears. The paint surface has craquelure throughout, there are some areas with flaking - particularly around the edges of the canvas, especially to the top right, there is also a patch to the right of the standing child's face. There are some repairs including to the lower-centre of the standing child's dress and her left arm, and around the eyebrown/right cheek area of the seated child's face and skirt. The frame has general wear and tear including some surface losses, the joints appear solid. There are additional photographs uploaded to the lot catalogue.
Robert Theer (1808-1863) Portrait miniature of a lady, said to be Princess Eleonore of Liechtenstein (1812-1873) in a blue dress signed and dated lower right 'R. Th. 1830' inscribed in later hand in German to the reverse 'Prinzessin von Liechtenstein vermuthlich die Lori Schwarzenberg' watercolour on ivory, oval 7.2cm Provenance: From the estate of the late Barry Lock (1934-2021) The presumed sitter, the daughter of Prince Moritz of Liechtenstein (1775-1819) married in 1830 Johann Adolf von Schwarzenberg (1799-1888). One of their seats was Ceský Krumlov. A portrait of her by Josef Kriehuber dated 1836 is known. This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. V89QPJQZ.
William Hogarth (1697-1764) Hogarth Painting the Comic Muse - the artist's last self-portrait, 1764etching and engraving on wove paper, later impression of the 6th and last state48.5 x 42.5cm (sheet)Examined out of frame. Slight undulation to the sheet. Plate 40.3 x 35.5cm. Foxing to margins.
Bernard Lens III (1682-1740) Portrait miniature of a lady in a blue dress with a pink rose at her breast and pearls in her hairsigned with initial 'L' centre right watercolour on ivory, oval4cmProvenance:Lawrence Gould Antiques, London, from whom acquired in 2010 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. N626DVVH.
John Donaldson (1737-1801) Portrait miniature of a gentleman in pale blue coat and matching waistcoat with silver lace, lace cravat and white stock signed in monogram 'JD' lower leftwatercolour on ivory, oval, set in the original gold bracelet clasp frame3.2cmProvenance:Ellison Fine Art, from whom acquired in 2012 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. BBBMNATE.
Penelope Carwardine (1730-1801) Portrait miniature of a lady in pink dress with a bow and a pearl necklacesigned with initials and dated lower left 'PC 1755'watercolour on ivory, oval4cmProvenance:Janet Niven, Woollahra, Australia, from whom acquired in 2016 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. GGHWEAXS.Ivory slightly warped. Colours slightly faded. Surface dirt along the bottom.
Samuel Metford of Somerset (1810-1896), a silhouette portrait of two children, being Albert Simpson and his sister Emily Spencer holding emblematic items of childhood and standing before a stone balustrade, ink and lithograph, signed and dated 1846 (lower left) 26 x 18cmSome discolouration and surface dirt to sheet, a diagonal crease across top right quadrant, and smaller one to top left quadrent above lid of urn
English School, circa 1800 Portrait miniature of an officer in red uniform with white standing collarsigned indistinctly lower left 'R (M?)'watercolour on ivory, oval8cmProvenance:With Kozminsky Galleries, Melbourne, 1966;Janet Niven, Woollahra, Australia, from whom acquired in 2011 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. WQZ6KDF8.Few losses around the edges. The inner slip of the frame is not secured properly within the frame and keeps moving freely. Framed 14.2 x 12cm
Circle of Andrew Benjamin Lens (1713 - after 1779) Portrait miniature of a girl in a blue dress with fine lace bodice and bonnet trimmed with blue and pink ribbon; and A girl in a pink dress, pearl and bead choker with pendant cross and white lace bonnet trimmed with pink ribbonwatercolour on ivory, oval4.5cm (2)Provenance:The first - Bonhams, London, 24 November 2010, lot 59 as 'Circle of Andrew Benjamin Lens'; Ellison Fine Art, from whom acquired in 2013 as 'Attributed to Andrew Benjamin Lens'; The second - Bonhams, London, 25 November 2009, lot 139, as 'Circle of Andrew Benjamin Lens', when acquired by the late Barry Lock (1934-2021)These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned exemption certificates, Ref. No. CDVCS49H and EY6ZXFJV.
English School, 19th century Portrait miniature of a gentleman, said to be William Cavendish, Duke of Devonshire, in a blue coat and yellow waistcoaterroneously inscribed in later hand 'William Cavendish Duke of Devonshire/ Son of Sir Charles Cavendish' (to an old label to the reverse)watercolour on ivory, oval6cmProvenance:From the estate of the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. STXD7PDN.13.5 x 12cm framed
John O'Conner, 19th century Portrait said to be of Mrs Reid, half length, with coral in her hairinscribed in later hand with the proposed identity of the sitter and the artist's name to the reverseoil on canvas75 x 62cmLined. Old paint losses along the bottom had been retouched. These retouchings have now discoloured. Further larger retouching opposite the sitter in the background. Evidence of other minor scattered retouchings. Framed 94 x 81.5cm
Samuel Shelley (1750-1808) Portrait miniature of The Most Reverend Lord John George de la Poer Beresford, PC, DD (1773-1862) when a boy, in blue suit, white shirt with ruffled collar and long fair hair signed on the backing paper with the artist's Henrietta Street address watercolour on ivory, oval, in a gold frame 5cm Provenance: Christie's, London, 26 November 1986, lot 172; Elle Shushan, Philadelphia, from whom acquired in 2017 by the late Barry Lock (1934-2021) The sitter was the youngest son of George de la Poer Beresford, 1st Marquess of Waterford (1735-1800). He became the Archbishop of Armagh and Primate of All Ireland, Prelate of the Order of St. Patrick and Chancellor of the University of Dublin. This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. VU162BAD. Some discolouration in the background, right of the sitter. A layer of surface dirt under glass, particularly trapped along the bottom. Few minor losses visible near the bottom edge. Not examined out of frame. 5.5cm in its frame.
English School, circa 1795 Portrait miniature of an officer, believed to be Lt Colonel Clement Stafford Courtenay of the Loyal Cheshire Fencible Infantry signed indistinctly and inscribed '(Josiah?) ...elis / pinxit / Soldier in the Loyal / Cheshire Reg.t of / Fencible Infantry / commanded by / Colonel Clement St.[Stafford] / Courten[ey] / Esq.' (to the reverse) watercolour on ivory, oval 6.5cm Provenance: From the estate of the late Barry Lock (1934-2021) We are grateful to Christopher Bryant for suggesting the identity of the sitter in the present miniature. This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. ZNLE9JD3.
English School, circa 1810 Portrait miniature of a lady, believed to be Lady Anna Maria Russell (née Stanhope, 1783-1857) when the Marchioness of Tavistock, half-length in a blue dress with pink ribbon, wearing a tiarawatercolour on ivory, oval, in a gold frame, verso with neatly woven hair with split pearls7cmProvenance:Elle Shushan, Philadelphia, from whom acquired circa 2014 by the late Barry Lock (1934-2021)The presumed sitter, Anna Maria Russell (née Stanhope, 1783-1857) married in 1808 Francis Russell (1788-1861) Marquess of Tavistock who succeeded as 7th Duke of Bedford in 1839. She was a lifelong friend of Queen Victoria whom she served as a Lady of the Bedchamber between 1737-1841.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. ERL35PRT.
Attributed to George Engleheart (1750-1829) Portrait miniature of a lady wearing blue open robe with white fur trim over white chemise, her powdered hair upswept and dressed with blue ribbonwatercolour on ivory, oval3cmProvenance:Bonhams, London, 2nd September 2008, lot 9, as 'George Engleheart', when acquired by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. W41TJSJ8.
Peter Paul Lens (1714 - after 1754) Portrait miniature of a lady, wearing a blue dress, lace chemise and a lace cap signed with gold monogram 'PL' lower right watercolour on ivory, oval, in a gilt-wood frame with beaded border 3.8cm; together with English School, circa 1740 Portrait miniature of a lady in a blue dress and white veil watercolour on ivory, oval, in a gilt-wood frame with beaded border 3.8cm (2) Provenance: Hooton Pagnell Hall, South Yorkshire, Their sale, Bonhams, London, 1 December 2015, lot 108, when acquired by the late Barry Lock (1934-2021) These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned exemption certificates, Ref. No. PH1A5EGM and MZBCNXUT.
Circle of Dominic Serres, RA (1722-1793) Portrait of the 50-gun Dutch warship LEEUWARDEN at anchor with its fleet oil on canvas 44.5 x 60cm The present painting which traditionally has been attributed to David Kleyne (1753–1805), would appear to be a historical representation of the warship LEEUWARDEN which in 1653 acted as flagship to the famous Dutch naval hero, Vice-Admiral Cornelis de Witt, on several occasions. We are grateful to Michael Naxton for his assistance with this catalogue entry. The painting is executed in oil on a linen canvas support which has not been lined. The canvas tension is slightly slack and stretcher bar marks have formed (creating a rectangular crack pattern in the paint layers). There are a few minor knocks and undulations to the canvas with a small repair near the centre of the picture. Impact cracks are present across the surface which have been retouched. The paint layer has a uniform network of age cracks present, some of which are slightly raised at the edges but stable. The varnish is clear and even.
Circle of Thomas Hudson (1701-1779) Portrait of a gentleman, said to be Robert Surtees (d. 1759) of Milkwell Burn, Ryton, County Durhamoil on canvas74 x 62cmThe presumed sitter married Catherine Bartram.The painting is executed in oil on a canvas support which has been lined. The canvas tension is stiff and the picture is in plane. The paint layers have a network of age cracks, some of which are slightly raised in localised areas with a few small, scattered paint losses present. Areas of overpaint are mainly located in the background and jacket and are reasonably well matched to the original. The varnish is dull with matte patches across the surface.Framed 94.5 x 82cm
Circle of Richard Cosway RA (1742-1821) Portrait miniature of a lady in a mobcap with blue ribbonwatercolour on ivory, oval3.5cmProvenance:Janet Niven, Woollahra, Australia, from whom acquired in 2016 by late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 398FU8MH.
Bernard Lens III (1682-1740) Portrait miniature of a gentleman, believed to be Major Edmund Wright, in a red velvet coat with gold buttons signed with monogram and dated lower right 'BL/ 1727' and inscribed to the reverse 'major Edm. Wright / Ann: 1727'watercolour on ivory, oval, in a gilt metal frame with cast foliate border3.5cmProvenance:Ellie Shushan, Philadelphia, from whom acquired in 2010 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. K5M1H5J9.
Edward Robert Hughes, RWS (1851-1914) Portrait study of Dorotheasigned lower left 'E R Hughes. del.' and dated lower right 'July 25. 1901.'; inscribed upper right 'Dorothea'charcoal on paper32 x 24cmProvenance:Millea Bros. Auctions, Boonton, NJ, USA, 5th June 2020, when acquired by the present ownerThe sitter in the present drawing might be identified as Dorothea Brooke, the daughter of the Reverend Stopford Brooke.Framed 49.5 x 43cm
Follower of Frans Pourbus the Younger Portrait of a young nobleman standing half length, wearing a deep ruff and leather armour trimmed with gold, in a painted ovaloil on canvas59 x 54.5cmProvenance:A G Dallas Esq, Warren House, Iver Heath, Buckinghamshire;Acquired by the mother of the present owner in 1969 from Simon Carter Galleries, Woodbridge as 'Portrait of William Seymour attributed to John Eykes'The date of the present painting precludes the possibility that it is William Seymour (1588-1660) 2nd Duke of Somerset as formerly indicated on labels to the reverse.The painting is executed in oil on a canvas support which has been lined. The canvas is in plane with good tension. The paint layers are in a stable condition overall. There is some wear to the paint layer with abrasion following the canvas weave. Scattered areas of overpaint are present covering abrasion which is well matched to the original. The varnish is slightly dull but clear and even.Framed 72 x 67cm
English School, circa 1790 Portrait miniature bracelet of a gentleman in red coat and white waistcoatwatercolour on ivory, oval, in a gold frame, verso a glazed compartment with neatly woven hair and applied gold coloured monogrammed initials, surrounded by a border of black enamel and suspended from multiple woven straps, terminating in a push-in clasp6cmProvenance:From the estate of the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 3CGNFEBH.Some losses and degradation to the red pigments in the sitter's jacket. See image. Otherwise good.
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283287 Los(e)/Seite