Hellenistic Period, ca. 295–275 BC.A silver coin (tetradrachm) of Alexander the Great within a modern handmade circular sterling silver setting. The obverse of the coin shows the right-profile portrait of young Hercules wearing the characteristic Nemean lion's skin headdress. The reverse depicts a seated Zeus holding an eagle and a sceptre; the legend (in Greek) reads “Alexander”. These coins were minted after the death of Alexander the Great, the king of Macedonia and conqueror of much of the known world as far east as India, in order to pay homage to him and lay claim to his legacy. The pendant makes a stunning statement piece necklace. Excellent condition; wearable. Size: L:45.6mm / W:34.9mm ; 31.47g Provenance: Private UK collection; From an old London collection formed in the 1990s.
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Ca. 100-300 AD.A black gemstone intaglio depicting a left-facing portrait of a male wearing a helmet; set in a possibly later gold ring with a round band gradually expanding to triangular-shaped shoulders, accentuated with chiseled decoration. Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2; 14.73g Provenance: Private London collection; British art market 1990s.
Ca. late 2nd century AD.A gold ring with a D-shaped design, characterized by a round-section shank that expands at the shoulders and culminates in scroll finials. These finials elegantly support an eye-shaped bezel adorned with intricate scrolls and a cutout, which serves as a captivating frame for the garnet intaglio set below. Faustina Junior, the subject of the intaglio, was a prominent figure in Roman history. She was born Annia Galeria Faustina in the year 128 AD, and she held the title of Augusta as the wife of the Roman Emperor Marcus Aurelius. Faustina Junior played an influential role as the Empress of Rome, and her image on the intaglio highlights her significance and power during the Roman Empire. The left-facing portrait of Faustina Junior depicted on the intaglio reflects the artistic style and attention to detail prevalent during the Roman period. The intaglio, meticulously carved into the garnet gemstone, captures the Empress's likeness, showcasing her facial features, hairstyle, and likely even her attire. Such intaglios were highly prized and served as both personal adornments and symbols of status and allegiance. Size: D: 19.15mm / US: 9 1/4 / UK: S; 7.75g Provenance: Property of a Central London gallery; formerly in a private UK collection; Ex. W. Victor Hruby collection, 1984.
Ca. 500-400 BC.A terracotta guttos, adorned with a lustrous black glaze, presents its distinctive form. This Greek vessel features a long spout with a wide out-turned rim, allowing for controlled pouring. The guttos showcases a squat and globular body, adorned with vertically ribbed edges and resting on an elevated foot, with a portion of the foot intentionally left unglazed for visual contrast. Adding to its functionality, a single lug handle is attached to the shoulder, providing a secure grip during usage. Notably, the central disc of the guttos' body exhibits a meticulously molded low relief depicting a portrait of a female. In the realm of ancient Greek pottery, the guttos served a specific function. Its design, featuring a narrow mouth or neck, allowed for the precise pouring of liquids in drops. This particular pouring technique was commonly employed during various religious and sacrificial ceremonies, where the controlled distribution of liquid was essential. The guttos acted as a vessel for libations, ensuring that the offerings were made with precision and reverence. Size: L:95mm / W:105mm ; 145g Provenance: Property of a central London Gallery; formerly in a South English estate collection; acquired in the 1990s from Andre de Munter, Brussels, Belgium; previously in and old European collection.
STRAITS SETTLEMENTS VICTORIA 5 CENTS 1880 H; 1886; 1901 (3) Comprising: 1880 H; 1886; 1901; portrait facing left, reverse with denomination within beaded circle, date lower right (3 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
MALAYA GEORGE VI 1 DOLLAR 1940 (PARTIAL NOTE) Serial number A/8 056563, Right hand half of note only, with portrait right and reverse with Malayan coats of arms, hole to centre and loss to upper right corner Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
GREAT BRITAIN VICTORIA GOLD 1/2 SOVEREIGN 1847 First portrait, uncrowned facing left, reverse with crowned shield, no die number Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
GREAT BRITAIN GEORGE V GOLD SOVEREIGN 1918 C Ottowa, Canada Mint, left facing portrait, reverse with St George slaying the dragon, C mintmark in ground line, date below Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
SOUTH AFRICA ELIZABETH II GOLD 1 POUND 1953 1st portrait facing right, reverse with springbok facing right below date Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
GREAT BRITAIN VICTORIA MIXED SILVER COINAGE (5) Comprising: 1 Shilling, 1887; 1888, left facing portrait, reverse with coat of arms; 1 Crown 1887; 1890; 1892, left facing portrait, reverse with St George slaying the dragon (5) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STRAITS SETTLEMENTS VICTORIA 50 CENTS 1888; 1891; 1898 (3) Portrait facing left, reverse with denomination within beaded circle, date lower right (3 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
NETHERLANDS INDIES DE JAVASCHE BANK 1000 GULDEN 1926 Serial No. MU 07077, April 1 1926, portrait panel right, denomination centre left and corners, Central fold with small losses at top and bottom margin, small hole/tear upper left corner and centre left to border, held in sealed plastic holder Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
MALAYA GEORGE VI 50 CENTS 1941 PART-CONSECUTIVE (6) Serial number A/21 644673 and consecutive numbers A/21 644675, A/21 644676, A/21 644677, A/21 644678, A/21 644679, 1st July 1941, George VI portrait at left, reverse with Shields of arms of the various Malay States with denomination below left and right (6 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
RUSSIA NICHOLAS II 1 ROUBLE 1912 St Petersburg mint, portrait facing left, reverse with crowned arms with spread eagle, denomination and date below, inscribed edge Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STRAITS SETTLEMENTS VICTORIA 10 CENTS 1883-1901 (4) Comprising: 1883; 1895; 1899; 1901, portrait facing left, reverse with denomination within beaded circle, date lower right (4 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
MALAYA GEORGE VI 50 CENTS 1941 CONSECUTIVE (4) Consecutive numbers A/21 644629, A/21 644630, A/21 644631, A/21 644632, 1st July 1941, Portrait at left, reverse with Shields of arms of the various Malay States with denomination below left and right (4 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AUSTRALIA GEORGE V GOLD SOVEREIGN 1911 S Sydney mint, left facing portrait, reverse with St. George slaying the dragon, S on ground line Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
GREAT BRITAIN VICTORIA GOLD SOVEREIGN 1887 Crowned portrait facing left, reverse with St George slaying the dragon, date below Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AUSTRALIA GEORGE VI 1 CROWN 1937; 1938 (2) Portrait facing left, reverse with crown above date and denomination Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
NETHERLANDS WILHELMINA GOLD 10 GULDEN 1897 Young portrait facing left, reverse with crowned shield flanked by denomination, date below Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STRAITS SETTLEMENTS EDWARD VII 50 CENTS 1907; 1908 (3) Comprising: 1907 (no mint mark); 1908 (2); Crowned portrait facing right, reverse with denomination within a beaded circle, date lower right (3 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
SOUTH AFRICA REPUBLIC 5 SHILLINGS 1892 SINGLE SHAFT Kruger portrait facing left, reverse with the arms of the South Africa Republic below denomination and date, version with single shaft on wagon Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
RUSSIA NICHOLAS II GOLD 5 ROUBLES 1898 Portrait facing left, reverse with crowned eagle and arms, date below Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
MALAYA, GEORGE VI 100 DOLLARS 1942 1st Jan 1942, Serial No. A/3 01314, Portrait right and denomination left, with central watermark, Horizontal and vertical folds, staining and browning to edges, sealed in collector's own old laminated sleeve Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STRAITS SETTLEMENTS 1 DOLLAR 1907; 1920 (3) Comprising: 1907 Edward VII portrait facing right (2); 1920; George V portrait facing left (3 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
CANADA GEORGE V 1 DOLLAR 1935 (4) Crowned portrait facing left, reverse with two figures in a canoe, date and denomination below (4 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
RESERVE BANK OF INDIA GEORGE VI 1000 RUPEES 1937 ND (1937), Calcutta, serial number A/6 710179, signature of J. B. Taylor, portrait of George VI facing left, reverse with view of the Himalayas Wear line at centre on reverse Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STRAITS SETTLEMENTS VICTORIA 20 CENTS 1899; 1900; 1901 (3) Portrait facing left, reverse with denomination within beaded circle, date lower right (3 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
GREAT BRITAIN GEORGE III GOLD 1/2 GUINEA 1808 7th portrait facing right, reverse with crowned shield within garter, date below Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AUSTRALIA, VICTORIA GOLD SOVEREIGN 1870 S Sydney Mint, portrait facing left date below, reverse with crowned Australia within wreath, denomination below 7.96g Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
SOUTH AFRICA REPUBLIC 5 SHILLINGS 1892 DOUBLE SHAFT Kruger portrait facing left, reverse with the arms of the South Africa Republic below denomination and date, version with double shaft on wagon Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STRAITS SETTLEMENTS VICTORIA 20 CENTS 1878; 1881; 1882 (3) Portrait facing left, reverse with denomination within beaded circle, date lower right (3 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
BRITISH INDIA GEORGE VI 5 RUPEES; 10 RUPEES 1937, 1943 (5) 1937 5 Rupees, consecutive numbers F/74 548965 and F/74 548966, signature of J. B. Taylor; 1937 10 Rupees, serial number H/9 509822, signature of J. B. Taylor; 1943 10 Rupees, serial numbers J/4 354386 (repaired) and A/32 719802, signature of C.D. Deshmukh, facing portrait of George VI (5 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AUSTRALIA GEORGE V GOLD 1/2 SOVEREIGN 1915 S Sydney mint, portrait facing left, reverse with St George Slaying the dragon, S mint mark in ground line, date below Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
RESERVE BANK OF INDIA BURMA 1; 5; 10 RUPEES 1937-1944 (14) Comprising: 1938 10 Rupees (3), Burma, serial number A/30 534164; A/33 047986; A/40 840482, signature of J. B. Taylor, George VI at right; 1937 5 Rupees, Burma, serial number A/28 943416, signature of J. B. Taylor, portrait of George VI at right; 1943 5 Rupees, Burma, serial number R/33 424151, signature of C. D. Deshmukh, portrait of George VI at right; 1944 5 Rupees (8), Military Administration of Burma, assorted serial numbers, signature of C. D. Deshmukh; 1945 1 Rupee, Military Administration of Burma, serial number D46 758761, with plate letter A (14 total) Provenance: Part one of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Francis Bacon (1909-1992) was an Irish-born British painter known for his bold, figurative, and emotionally charged artworks. He is considered one of the most significant painters of the 20th century and a leading figure of the post-war art movement. Bacon was born in Dublin, Ireland, and spent much of his life in London. His early artistic pursuits were influenced by Surrealism, but he developed a distinct style characterized by distorted, often grotesque, and raw representations of the human figure. Bacon's paintings often depicted isolated and anguished figures, exploring themes of existentialism, the human condition, and the fragility of the body. He sought to capture the essence of human emotion and the complexities of human existence. His works are notable for their visceral and unsettling qualities, often reflecting pain, violence, and psychological turmoil. One of Bacon's most famous series is his Screaming Popes, which drew inspiration from Diego Velázquez's portrait of Pope Innocent X. Bacon reimagined the figure with contorted features and expressive brushwork, infusing it with a sense of torment and existential anguish. Bacon's technique involved using bold brushstrokes, thick layers of paint, and a distinctive color palette that emphasized harsh contrasts and vibrant tones. His compositions often had a sense of confinement or claustrophobia, with figures trapped within undefined or abstracted spaces. During his career, Bacon received numerous accolades and had major retrospectives at prestigious institutions, including the Tate Britain in London and the Museum of Modern Art in New York. His contributions to the art world were widely recognized, and he became known as one of the most influential painters of his time. Francis Bacon's artistic legacy continues to have a profound impact on contemporary art. His raw and emotionally charged paintings continue to provoke and engage viewers, challenging conventional notions of representation and inviting contemplation on the human condition. Measures 7 x 9.23 Printed Circa 1960's> Verso is blank.Mounted to archival quality paper.
Jamie Wyeth (born July 6, 1946) is an American realist painter known for his detailed and evocative works. He comes from a renowned artistic family, as the son of Andrew Wyeth and the grandson of N.C. Wyeth, both prominent artists in their own right.Jamie Wyeth's art often combines elements of realism with a touch of surrealism and symbolism. He is known for his highly detailed and meticulously executed paintings, often featuring portraits, landscapes, animals, and scenes from his surroundings in Chadds Ford, Pennsylvania, and Monhegan Island, Maine.One of his most famous works is the portrait of President John F. Kennedy titled "Portrait of a Pig," which he created as a teenager shortly after Kennedy's assassination. The painting captures the personal connection he felt to Kennedy and reflects his artistic skill at a young age.Throughout his career, Wyeth has continued to explore various subjects and themes, from portraits of family members and friends to animals, seascapes, and rural scenes. His work has been exhibited in galleries and museums, earning recognition for his technical proficiency and his ability to capture the emotional depth of his subjects.Jamie Wyeth's art is often seen as a continuation of the Wyeth family's artistic legacy, while also adding his own unique perspective and style to the mix. His ability to capture the essence of his subjects and convey a sense of atmosphere has solidified his place in the realm of American realist painting.Measures 25 x 38.
Richard Avedon (1923-2004) was an American fashion and portrait photographer known for his minimalist and striking photographic style. He was born in New York City and started his career as a photographer in the 1940s.Avedon is widely regarded as one of the most important photographers of the 20th century. He revolutionized fashion photography by placing his models in unexpected settings, and he also captured the essence of some of the most famous people of his time in his portraits. His subjects included politicians, artists, writers, musicians, and actors, and his photographs are known for their stark contrast, sharp focus, and emotional intensity.In addition to his work in fashion and portraiture, Avedon was also known for his photojournalism. He was commissioned by the U.S. government to document the civil rights movement in the South in the early 1960s, and his photographs helped to bring attention to the struggle for racial equality.Throughout his career, Avedon received numerous awards and honors for his work, including the International Center of Photography's Master of Photography Award in 1993 and the Royal Photographic Society's Centenary Medal in 2003. He passed away in San Antonio, Texas, in 2004.Measures 9.5 x 12.Printed circa 1950s.
Jamie Wyeth (born July 6, 1946) is an American realist painter known for his detailed and evocative works. He comes from a renowned artistic family, as the son of Andrew Wyeth and the grandson of N.C. Wyeth, both prominent artists in their own right.Jamie Wyeth's art often combines elements of realism with a touch of surrealism and symbolism. He is known for his highly detailed and meticulously executed paintings, often featuring portraits, landscapes, animals, and scenes from his surroundings in Chadds Ford, Pennsylvania, and Monhegan Island, Maine.One of his most famous works is the portrait of President John F. Kennedy titled "Portrait of a Pig," which he created as a teenager shortly after Kennedy's assassination. The painting captures the personal connection he felt to Kennedy and reflects his artistic skill at a young age.Throughout his career, Wyeth has continued to explore various subjects and themes, from portraits of family members and friends to animals, seascapes, and rural scenes. His work has been exhibited in galleries and museums, earning recognition for his technical proficiency and his ability to capture the emotional depth of his subjects.Jamie Wyeth's art is often seen as a continuation of the Wyeth family's artistic legacy, while also adding his own unique perspective and style to the mix. His ability to capture the essence of his subjects and convey a sense of atmosphere has solidified his place in the realm of American realist painting.Measures 38 x 54.9.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Richard Avedon (1923-2004) was an influential American fashion and portrait photographer. He was known for his distinct style and ability to capture his subjects' personalities and emotions. Avedon's career spanned over six decades, and he became one of the most celebrated and influential photographers of the 20th century. Avedon started his career as a photographer in the 1940s, working for magazines such as Harper's Bazaar and Vogue. He revolutionized fashion photography by taking models out of the studios and placing them in real-life settings, capturing movement and spontaneity. His work helped redefine the concept of beauty and glamour in the fashion industry. However, Avedon's true mastery was in his portraiture. He photographed numerous influential figures, including politicians, artists, writers, and celebrities. Avedon's portraits were characterized by their simplicity, directness, and ability to reveal the essence of his subjects. He often used a white background, focusing the viewer's attention solely on the person being photographed. His portraits were celebrated for their honesty and intimacy, capturing both the vulnerability and strength of his subjects. In addition to his commercial work, Avedon embarked on several personal projects that explored social and political issues. One of his most notable projects was "In the American West," where he documented individuals living and working in the American West, capturing their rugged individualism and distinctive character. Richard Avedon's contributions to photography were widely recognized during his lifetime. He received numerous awards and honors, including the International Center of Photography's Master of Photography Award and the Royal Photographic Society's Centenary Medal. His work continues to be exhibited in major galleries and museums around the world, and he remains an influential figure in the world of photography. Measures 9.75 x 12.23 Verso is blank. Printed Circa 1990's > Mounted to archival quality paper.
"Francis Bacon (1909-1992) was an Irish-born British painter known for his bold, figurative, and emotionally charged artworks. He is considered one of the most significant painters of the 20th century and a leading figure of the post-war art movement. Bacon was born in Dublin, Ireland, and spent much of his life in London. His early artistic pursuits were influenced by Surrealism, but he developed a distinct style characterized by distorted, often grotesque, and raw representations of the human figure. Bacon's paintings often depicted isolated and anguished figures, exploring themes of existentialism, the human condition, and the fragility of the body. He sought to capture the essence of human emotion and the complexities of human existence. His works are notable for their visceral and unsettling qualities, often reflecting pain, violence, and psychological turmoil. One of Bacon's most famous series is his Screaming Popes, which drew inspiration from Diego Velázquez's portrait of Pope Innocent X. Bacon reimagined the figure with contorted features and expressive brushwork, infusing it with a sense of torment and existential anguish. Bacon's technique involved using bold brushstrokes, thick layers of paint, and a distinctive color palette that emphasized harsh contrasts and vibrant tones. His compositions often had a sense of confinement or claustrophobia, with figures trapped within undefined or abstracted spaces. During his career, Bacon received numerous accolades and had major retrospectives at prestigious institutions, including the Tate Britain in London and the Museum of Modern Art in New York. His contributions to the art world were widely recognized, and he became known as one of the most influential painters of his time. Francis Bacon's artistic legacy continues to have a profound impact on contemporary art. His raw and emotionally charged paintings continue to provoke and engage viewers, challenging conventional notions of representation and inviting contemplation on the human condition. Measures 7.52 x 10.27 Printed Circa 1960's> Verso is blank.Mounted to archival quality paper."
Juan Gris (1887–1927) was a Spanish painter and sculptor known for his significant contributions to the Cubist movement. He was a key figure in the development of Cubism alongside artists like Pablo Picasso and Georges Braque.Gris' art is characterized by its analytical Cubist style, which involved breaking down objects and subjects into geometric forms and analyzing their multiple viewpoints. His works often featured still lifes, portraits, and interiors rendered in a distinctive and abstract manner.Some of his notable works include:1. **"Still Life with Guitar" (1913):** This painting is a prime example of Gris' analytical Cubist approach, showcasing fragmented forms and a careful arrangement of objects.2. **"The Table" (1914):** In this work, Gris deconstructs the image of a table and its objects into abstract geometric forms.3. **"The Portrait of Picasso" (1912):** This portrait of Pablo Picasso exemplifies Gris' Cubist style in depicting the subject's multifaceted nature.Gris' approach to Cubism often incorporated a sense of order and harmony, and he had a strong interest in color and texture. He was also known for his use of stenciled lettering and typography in his works.His influence on the development of Cubism, particularly in its later stages such as Synthetic Cubism, and his unique contributions to the movement have solidified his place as an important artist in the history of modern art. Juan Gris' innovative and intellectual approach to art continues to be studied and appreciated by art enthusiasts and scholars around the world.Measures 20 x 24 (image), 32 x 28 (framed).Sold "after" Gris.
Charles Lees (1800–1880) was a Scottish artist known for his portraiture and genre paintings. He gained recognition for his ability to capture the likeness and character of his subjects, as well as his skill in depicting scenes of everyday life and social interactions. Lees' works often reflected the charm and nuances of Scottish society in the 19th century.Key points about Charles Lees and his work:1. **Portraiture:** Lees was primarily a portrait painter and is known for his ability to capture the personalities of his subjects. His portraits often featured individuals from various walks of life, from aristocrats to common folk.2. **Genre Scenes:** In addition to portraiture, Lees was skilled in creating genre scenes that depicted everyday life and social interactions. These paintings often revealed a keen observation of human behavior and a touch of humor.3. **Scottish Themes:** Many of Lees' genre scenes were set in Scotland and depicted Scottish culture, traditions, and social dynamics. His works provided insights into the daily life of the Scottish people during the 19th century.4. **Artistic Style:** Lees' style was characterized by its attention to detail and realistic portrayal of subjects. He paid careful attention to clothing, facial expressions, and settings, adding authenticity to his works.5. **Collaboration with Robert Scott Lauder:** Lees collaborated with fellow Scottish artist Robert Scott Lauder on the painting "The Trial of Effie Deans." This painting depicted a scene from Sir Walter Scott's novel "The Heart of Midlothian" and showcased their shared interest in Scottish literature.6. **Influence of Literature:** Lees' interest in literature often influenced his choice of subject matter. He was known for creating scenes inspired by literature, history, and daily life.7. **Legacy:** Charles Lees' portraits and genre scenes have provided a valuable record of 19th-century Scottish society and culture. His ability to capture both the physical appearance and the essence of his subjects has left a lasting impact on the history of Scottish art.8. **Exhibitions and Recognition:** Lees exhibited his works at the Royal Scottish Academy and other prominent institutions. His paintings gained recognition during his lifetime and continue to be appreciated by art enthusiasts and collectors.Charles Lees' dedication to capturing the character of individuals and the nuances of everyday life through his art reflects his contributions to the documentation of Scottish society in the 19th century. His works provide glimpses into the people, culture, and social interactions of his time.Measures 22 x 28.
Chuck Close was an American artist known for his remarkable photorealist and large-scale portrait paintings. He was born on July 5, 1940, in Monroe, Washington, and passed away on August 19, 2021, in Oceanside, New York. Close's distinctive style involved creating highly detailed portraits using a grid system. He would break down an image into a grid and meticulously transfer each section onto a larger canvas or surface. Close's paintings were often close-up portraits of his family, friends, fellow artists, and himself. His works were characterized by a meticulous attention to detail and a focus on capturing the individuality of his subjects. In addition to his use of the grid technique, Close experimented with various mediums and materials throughout his career. He initially gained recognition for his large-scale airbrushed black-and-white portraits in the late 1960s and early 1970s. Later on, he incorporated other techniques such as finger painting and the use of handmade paper pulp to create texture and depth in his works. Close's art was not limited to painting. He also explored printmaking, photography, and collage, constantly pushing the boundaries of his creativity. Despite facing physical challenges, including partial paralysis due to a spinal artery collapse in 1988, Close continued to produce artwork using adaptive techniques and tools. He became an inspiration for many with disabilities and an advocate for accessibility in the arts. Chuck Close's work has been exhibited extensively in major museums and galleries worldwide. He received numerous awards and honors throughout his career, including the National Medal of Arts, presented to him by President Clinton in 2000. Close's contribution to the art world is widely celebrated, and his portraits remain iconic examples of contemporary American art. Measures 8 x 9.27 Verso is blank.Mounted to archival quality paper.
Rembrandt Harmenszoon van Rijn, commonly known simply as Rembrandt, was a Dutch painter and one of the most celebrated artists in history. He is considered one of the greatest painters of the Dutch Golden Age, a period of exceptional artistic achievement in the Netherlands during the 17th century. Rembrandt's work is renowned for its exceptional use of light and shadow, emotional depth, and masterful technique.Key facts about Rembrandt:1. Birth and Early Life: Rembrandt was born on July 15, 1606, in Leiden, a city in the Dutch Republic (now the Netherlands). He came from a middle-class family and displayed artistic talent from a young age.2. Education and Career: Rembrandt studied under several prominent painters and developed his skills in various genres, including history painting, portraiture, and religious subjects.3. Amsterdam: In 1631, Rembrandt moved to Amsterdam, where he established a successful studio and gained recognition as a leading painter.4. Style and Techniques: Rembrandt's art is characterized by his innovative use of chiaroscuro (contrasts of light and shadow) and his ability to portray the emotions and personalities of his subjects.5. Portraiture: Rembrandt was a prolific portrait painter, capturing the likenesses and inner essence of his subjects in a remarkable manner.6. The Night Watch: One of his most famous works is "The Night Watch" (1642), a large group portrait of the Amsterdam civic militia. It is now displayed in the Rijksmuseum in Amsterdam.7. Biblical and Historical Scenes: Rembrandt also painted numerous biblical and historical scenes, often focusing on the human aspects of the stories rather than idealized portrayals.8. Etchings: In addition to painting, Rembrandt was a skilled printmaker, creating numerous etchings that showcased his talent for capturing intricate details and mood.9. Financial Struggles: Despite his artistic success, Rembrandt faced financial difficulties in his later years due to extravagant spending and declining demand for his work.10. Legacy: Rembrandt's influence on art has been profound, and his paintings continue to inspire artists and art enthusiasts around the world. His legacy endures as a master of artistic expression and emotional resonance.Rembrandt passed away on October 4, 1669, in Amsterdam, leaving behind a vast body of work that continues to be celebrated and admired to this day. His art remains a testament to the power of creativity and the enduring impact of artistic genius.Measures 20 x 24.Sold "after" Rembrandt.Unframed.
Helmut Newton (1920-2004) was a German-Australian fashion and portrait photographer known for his provocative and often controversial work. He is widely regarded as one of the most influential photographers of the 20th century. Born Helmut Neustädter in Berlin, Germany, Newton showed an early interest in photography and began his career working for fashion magazines in the 1940s. He moved to Australia in 1940 due to the rise of the Nazi regime in Germany and changed his surname to Newton. Newton's photography stood out for its distinctive style characterized by eroticism, glamour, and a strong emphasis on sexuality and power dynamics. He often challenged conventional notions of beauty and femininity, presenting strong, assertive women who exuded confidence and sensuality. Throughout his career, Newton worked for renowned fashion publications such as Vogue and Harper's Bazaar. His photographs appeared in major magazines worldwide, and he collaborated with prominent fashion designers and celebrities, including Yves Saint Laurent, Karl Lagerfeld, and Catherine Deneuve. Newton's work expanded beyond fashion photography to encompass portraits and nudes. His subjects included both models and celebrities, capturing their personalities and creating iconic and memorable images. His photographs often conveyed a sense of voyeurism and offered glimpses into the private lives of his subjects. Despite generating controversy for his explicit and provocative imagery, Newton's work was highly influential and helped redefine fashion photography. His photographs were characterized by meticulous attention to detail, strong composition, and a bold use of lighting and shadows. Helmut Newton's legacy endures in the world of fashion and photography. His work continues to inspire and influence contemporary photographers, and his provocative style remains a touchstone for exploring themes of sexuality, power, and identity through visual imagery. Measures 9.5 x 11.24 Verso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 8.52 x 11.25Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Francis Bacon (1909-1992) was an Irish-born British painter known for his bold, figurative, and emotionally charged artworks. He is considered one of the most significant painters of the 20th century and a leading figure of the post-war art movement. Bacon was born in Dublin, Ireland, and spent much of his life in London. His early artistic pursuits were influenced by Surrealism, but he developed a distinct style characterized by distorted, often grotesque, and raw representations of the human figure. Bacon's paintings often depicted isolated and anguished figures, exploring themes of existentialism, the human condition, and the fragility of the body. He sought to capture the essence of human emotion and the complexities of human existence. His works are notable for their visceral and unsettling qualities, often reflecting pain, violence, and psychological turmoil. One of Bacon's most famous series is his Screaming Popes, which drew inspiration from Diego Velázquez's portrait of Pope Innocent X. Bacon reimagined the figure with contorted features and expressive brushwork, infusing it with a sense of torment and existential anguish. Bacon's technique involved using bold brushstrokes, thick layers of paint, and a distinctive color palette that emphasized harsh contrasts and vibrant tones. His compositions often had a sense of confinement or claustrophobia, with figures trapped within undefined or abstracted spaces. During his career, Bacon received numerous accolades and had major retrospectives at prestigious institutions, including the Tate Britain in London and the Museum of Modern Art in New York. His contributions to the art world were widely recognized, and he became known as one of the most influential painters of his time. Francis Bacon's artistic legacy continues to have a profound impact on contemporary art. His raw and emotionally charged paintings continue to provoke and engage viewers, challenging conventional notions of representation and inviting contemplation on the human condition. Measures 7.76 x 10.26 Printed Circa 1960's> Verso is blank.Mounted to archival quality paper."""
Annie Leibovitz is a renowned American portrait photographer. She was born on October 2, 1949, in Waterbury, Connecticut. Leibovitz's career took off in the 1970s when she began working for Rolling Stone magazine. She became known for her iconic portraits of celebrities, musicians, and other notable individuals. Leibovitz's distinctive style often involved dramatic lighting, bold compositions, and a willingness to experiment with unconventional poses and settings. Her work captured the essence and personality of her subjects, and she was able to establish a strong connection with them, resulting in striking and intimate portraits.Throughout her career, Leibovitz has photographed countless influential figures, including musicians like John Lennon, Bob Dylan, and Bruce Springsteen, actors such as Meryl Streep and Tom Hanks, and political figures like Barack Obama and Queen Elizabeth II. Her photographs have graced the covers of numerous magazines and have been exhibited in major museums and galleries worldwide. Leibovitz has received numerous awards and honors for her contributions to photography. She was designated a Living Legend by the Library of Congress in 2000 and received the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2019. Aside from her celebrity portraits, Leibovitz has also worked on personal projects and published several books, including "Annie Leibovitz: Photographs" and "Annie Leibovitz at Work." Her work continues to inspire and influence photographers around the world, making her one of the most prominent figures in contemporary photography. Measures 8.75 x 10.75 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 7.27 x 10.75Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Cecil Beaton (1904-1980) was a renowned English photographer, costume designer, and stage and film designer. He is widely recognized for his exceptional talent and contributions in the fields of fashion, portraiture, and the arts. Beaton's career spanned several decades and encompassed various artistic disciplines. He initially gained prominence as a photographer in the 1920s and 1930s, capturing the glamour and elegance of high society. His portraits, often featuring celebrities, socialites, and members of the British royal family, were characterized by their exquisite lighting, attention to detail, and artistic flair. Beaton's photographs were published in notable magazines such as Vogue and Vanity Fair, solidifying his reputation as a leading fashion and portrait photographer. In addition to his photography, Beaton made significant contributions to costume and set design in the worlds of theater, film, and opera. He worked on numerous stage productions and designed costumes for several notable films, including "Gigi" (1958), which earned him an Academy Award for Best Costume Design. Beaton's designs were known for their elegance, sophistication, and ability to capture the essence of a character or a specific time period. Beaton's creativity extended beyond the visual arts, as he was also an accomplished writer and diarist. He documented his experiences, encounters with notable personalities, and insights on the cultural and social milieu of his time in his diaries, which were published in several volumes. Throughout his career, Cecil Beaton was regarded as a tastemaker and influential figure in the world of art and fashion. His contributions to photography, costume design, and the arts left an indelible mark on the creative industries. His artistic legacy continues to inspire and captivate audiences, and his work remains highly regarded for its beauty, elegance, and artistic vision. Measures 5.75 x 7.49Printed circa 1950sVerso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 7.5 x 8.5Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Chuck Close was an American artist known for his remarkable photorealist and large-scale portrait paintings. He was born on July 5, 1940, in Monroe, Washington, and passed away on August 19, 2021, in Oceanside, New York. Close's distinctive style involved creating highly detailed portraits using a grid system. He would break down an image into a grid and meticulously transfer each section onto a larger canvas or surface. Close's paintings were often close-up portraits of his family, friends, fellow artists, and himself. His works were characterized by a meticulous attention to detail and a focus on capturing the individuality of his subjects. In addition to his use of the grid technique, Close experimented with various mediums and materials throughout his career. He initially gained recognition for his large-scale airbrushed black-and-white portraits in the late 1960s and early 1970s. Later on, he incorporated other techniques such as finger painting and the use of handmade paper pulp to create texture and depth in his works. Close's art was not limited to painting. He also explored printmaking, photography, and collage, constantly pushing the boundaries of his creativity. Despite facing physical challenges, including partial paralysis due to a spinal artery collapse in 1988, Close continued to produce artwork using adaptive techniques and tools. He became an inspiration for many with disabilities and an advocate for accessibility in the arts. Chuck Close's work has been exhibited extensively in major museums and galleries worldwide. He received numerous awards and honors throughout his career, including the National Medal of Arts, presented to him by President Clinton in 2000. Close's contribution to the art world is widely celebrated, and his portraits remain iconic examples of contemporary American art. Measures 8 x 9.25 Verso is blank.Mounted to archival quality paper.
Helmut Newton (1920-2004) was a German-Australian fashion and portrait photographer known for his provocative and often controversial work. He is widely regarded as one of the most influential photographers of the 20th century. Born Helmut Neustädter in Berlin, Germany, Newton showed an early interest in photography and began his career working for fashion magazines in the 1940s. He moved to Australia in 1940 due to the rise of the Nazi regime in Germany and changed his surname to Newton. Newton's photography stood out for its distinctive style characterized by eroticism, glamour, and a strong emphasis on sexuality and power dynamics. He often challenged conventional notions of beauty and femininity, presenting strong, assertive women who exuded confidence and sensuality. Throughout his career, Newton worked for renowned fashion publications such as Vogue and Harper's Bazaar. His photographs appeared in major magazines worldwide, and he collaborated with prominent fashion designers and celebrities, including Yves Saint Laurent, Karl Lagerfeld, and Catherine Deneuve. Newton's work expanded beyond fashion photography to encompass portraits and nudes. His subjects included both models and celebrities, capturing their personalities and creating iconic and memorable images. His photographs often conveyed a sense of voyeurism and offered glimpses into the private lives of his subjects. Despite generating controversy for his explicit and provocative imagery, Newton's work was highly influential and helped redefine fashion photography. His photographs were characterized by meticulous attention to detail, strong composition, and a bold use of lighting and shadows. Helmut Newton's legacy endures in the world of fashion and photography. His work continues to inspire and influence contemporary photographers, and his provocative style remains a touchstone for exploring themes of sexuality, power, and identity through visual imagery. Measures 9.52 x 9.52 Verso is blank.Mounted to archival quality paper.
Helmut Newton (1920-2004) was a German-Australian fashion and portrait photographer known for his provocative and often controversial work. He is widely regarded as one of the most influential photographers of the 20th century. Born Helmut Neustädter in Berlin, Germany, Newton showed an early interest in photography and began his career working for fashion magazines in the 1940s. He moved to Australia in 1940 due to the rise of the Nazi regime in Germany and changed his surname to Newton. Newton's photography stood out for its distinctive style characterized by eroticism, glamour, and a strong emphasis on sexuality and power dynamics. He often challenged conventional notions of beauty and femininity, presenting strong, assertive women who exuded confidence and sensuality. Throughout his career, Newton worked for renowned fashion publications such as Vogue and Harper's Bazaar. His photographs appeared in major magazines worldwide, and he collaborated with prominent fashion designers and celebrities, including Yves Saint Laurent, Karl Lagerfeld, and Catherine Deneuve. Newton's work expanded beyond fashion photography to encompass portraits and nudes. His subjects included both models and celebrities, capturing their personalities and creating iconic and memorable images. His photographs often conveyed a sense of voyeurism and offered glimpses into the private lives of his subjects. Despite generating controversy for his explicit and provocative imagery, Newton's work was highly influential and helped redefine fashion photography. His photographs were characterized by meticulous attention to detail, strong composition, and a bold use of lighting and shadows. Helmut Newton's legacy endures in the world of fashion and photography. His work continues to inspire and influence contemporary photographers, and his provocative style remains a touchstone for exploring themes of sexuality, power, and identity through visual imagery. Measures 9.5 x 9.77 Verso is blank.Mounted to archival quality paper.
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