*Andrew Beer (1862-1954)'Charles', portrait of a racing pigeonsigned 'Andrew Beer' l.r., inscribed with title and further inscribed 'Cheq Badge Cock. NU24. B.P.C. 277. Winner of 1st Ashchurch & 1st Tamworth. 1926. Also 1st Tamworth and this Oil Painting given by Andrew Beer. 5th Rippon & 4th Berwick. also Best Combined Average. 1927. Bristol Premier F.C. Owners. Messrs Dando & Cox.', oil on canvas30.5 x 40.5cm*Artist's Resale Right may apply to this lot.Framed size: 40 x 50cm. Stretcher bars visible along left edge, a patch of retouching upper left edge, a couple of other small areas of retouching, please refer to images.
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*Andrew Beer (1862-1954)'Oakdale Hero', portrait of a racing pigeonsigned 'Andrew Beer' l.r., inscribed with title, further inscribed 'Black Cheq Cock. NURP.28.HHD.323. Winner of 1st Welsh Hills South Rd Fed. 764 birds. Velocity 617 yards per minute and 1st Pontypridd South Rd Club, from Bordeaux, July 18th 1932. Owner Geo Cecil.', oil on canvas41 x 51cm*Artist's Resale Right may apply to this lot.Framed size: 51 x 61cm. Slight bulge from stretcher bars, light craquelure but is stable, otherwise generally appears to be in good condition, not viewed under uv light, please contact department for a full report.
English School, early 19th centuryPortrait of a racehorse called Tawney with jockeyinscribed 'Tawney' l.l., oil on canvas63.5 x 76.5cmFramed size: 80 x 94.5cm. Canvas has been relined, generally appears to be in good order, unexamined under uv light, please contact the department for a full report.
INDIA. BRITISH. Victoria, 1837-1901. Silver 1 rupee, 1840. Bombay. Portrait of Queen Victoria, facing left. Legend around 'VICTORIA QUEEN'. Designed by: William Wyon. /Value within wreath in English and Urdu (Yek Rupiya), outside wreath English legend & date below. 'EAST INDIA COMPANY ONE RUPEE 1840'. Milled edge. Reference: KM-457Diameter: 32 mm.Weight: 11.64 g.Composition: 917.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
An Edwardian yellow metal frame pendant set with two pink stones on a rose metal chain necklace with alternating oval and twisted links, 42cm long, 9ct pad stamp, 6.7g; an oval porcelain brooch of a female portrait and a rectangular porcelain pendant of a European lady, both in yellow metal mounts; a 9 carat yellow gold mourning ring size P, marquise black enamel inlaid with a seed pearl cross, locket back, hallmarked Chester, gross weight 3.2g; a yellow metal 40mm bar brooch set with seed pearls, marked 9ct, base metal pin.Qty: 5
Dorothy Bartlett (b. 1902) An early-20th century portrait miniature 'Charlotte Princess Royal', from the original, 85 x 65mm, in gilt metal frame, another, a three-quarter length portrait of a woman wearing a lace-trimmed dress, 80 x 55cm, by Dorothy Bartlett and another, study of a young woman with ringlets, by another hand, (3).
A Georgian midshipman's dirk, the double-edged 10'' etched blade, turned ivory grip, lion's head pommel in brass-mounted leather sheath, with fabric belt with lion's head mounts, 36.5cm overall, together with a portrait miniature watercolour of a naval officer, inscribed "Lieut. Henry Whatling RN, died Aug 15th 1832, in his 55th year" label verso, (provenance: Wallis & Wallis, Lot 79, 5th/6th Oct. 2010), (2).
Sir William Nicholson (1872-1949) Turtle Soup Signed with initial N (lower left) Oil on panel, 1937 44.1 x 30.7cm Provenance: Leicester Galleries, London; Where purchased by Beaumont Pease, 1st Baron Wardington (1869-1950), May 1938; And by family descent Literature: Lillian Browse, William Nicholson (London, Rupert Hart-Davis, 1956), no.549 (as oil on canvas); Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings (London, Modern Art Press, 2011), p.599, no.796 (illustrated) Exhibited: Leicester Galleries, London, Paintings by Sir William Nicholson, 1939, no.20 In this work of 1937, William Nicholson has depicted the interior of Goldsmith's Hall, where he was taken for a livery dinner by Lord Wardington, the chairman of Lloyds Bank. Nicholson had been commissioned to paint a portrait of Lord Wardington earlier that year. In January 1938, Nicholson described this painting in a letter to Geoffrey Taylor: 'Turtle Soup M.S. named it, with many elderly backbonesofoldoldEngland hidden behind a weight of decorations and, overhead, a chandelier that may descend on them any moment by its own paint weight…'. M.S. is the novelist Marguerite Steen (1894-1975), who was Nicholson's lover from 1935 until his death. The painting relates to an earlier work, City Dinner, of 1934, which depicts a dinner at the Drapers' Company (see Christie's, London, 20th Century British Art, 10 June 2005, lot 27). We are grateful to Patricia Reed for her assistance cataloguing the present work.
‡Siegfried Sassoon (1886-1967) Christmas card with a portrait of T. S. Eliot dressed as a priest Inscribed WISHING YOU/A PRIM XMAS/AND/A PRIGGISH NEW YEAR./FROM. PASTOR. T.STEARNS ELIOT/MODERNIST TABERNACLE./BOSTON./MASS: and with T. S. Eliot's signature stuck down (to outer leaf) Pencil, watercolour, pen and ink, and collage on folded card 18.3 x 32.4cm (unfolded) Unframed Provenance: Siegfried Sassoon; And by family descent In later life, it seems that Siegfried Sassoon felt embittered towards the new generation of modernist poets, such as Ezra Pound (1885-1972) and T. S. Eliot (1888-1965). In one letter he wrote, 'I now live almost entirely detached from the literary scene and the younger generation and am liable to assume that none of them regard me as having any significance in the Eliot/Auden age'.
‡Siegfried Sassoon (1886-1967) Portrait of William Butler Yeats Pencil and watercolour on a pamphlet entitled A BIRTHDAY PRESENTATION TO WILLIAM BUTLER YEATS 17.6 x 12.7cm (folded) Unframed Provenance: Siegfried Sassoon; And by family descent The pamphlet on which Siegfried Sassoon has executed the present work invites 'the Painters, Sculptors, Musicians and Writers of this Country...to show their admiration of the Poet by contributing to a Birthday Gift to him.'
‡Nicholas Tolley (b.1958) Lester Piggott in E. Moller's colours; Joe Mercer in Sir Michael Sobell's colours; Pat Eddery in Miss S. Kane's colours; Two jockeys at the start; Portrait of Harry 'Jim' Joel Five, each signed Nicholas Tolley and dated 83, 84, 83, 85, and 87 respectively Four gouache; One acrylic on board Four 16.5 x 11.6; One 34.2 x 19.1cm (5) Provenance: Four with David Ker Fine Art, London
‡Pierre Courtens (Belgian 1921-2004) Portrait de profil; Homme Two, the former signed and indistinctly inscribed P. Courtens *** (lower right) and further signed and indistinctly inscribed Courtens/*** (to reverse); the latter signed and inscribed Courtens/93100 (lower left), indistinctly inscribed *** (lower right) and furhter signed and indistinctly inscribed Courtens/93100/*** (to reverse) Oil on board; Oil on canvas 81 x 65cm; 80 x 80cm (2) Provenance: Yann Le Mouel, Paris, Tableaux - Vente d'Ateliers, 30 March 2008, lots 241 and 175 respectively
‡Joy Adamson (Austrian 1910-1980) Portrait of Roba Boru Signed JOY (lower right) and inscribed ROBA BORU/WUARA MELKA LONI/BORAN-JELITU (lower left) Watercolour heightened with bodycolour 51.3 x 34.4cm Unframed Provenance: Commissioned by the British Government as part of a project to record the twenty-two most important tribes in Kenya; Purchased from the artist by the previous private collector, c.1955; And by family descent
‡Joy Adamson (Austrian 1910-1980) Portrait of Boko Roba Signed JOY (lower left) and inscribed BOKO ROBA/WUOR MELKA LONI/BORAN-MATARE (upper left) Watercolour heightened with bodycolour 51.3 x 34.4cm Unframed Provenance: Commissioned by the British Government as part of a project to record the twenty-two most important tribes in Kenya; Purchased from the artist by the previous private collector, c.1955; And by family descent
‡Siegfried Sassoon (1886-1967) Portrait of a clergyman wearing a broad brimmed hat Pencil and watercolour on a letter from A. N. Hilditch of A. R. Mowbray & Co. to Siegfried Sassoon regarding the latter's poem 'Everyone Sang' 20.6 x 17.2cm Unframed Provenance: Siegfried Sassoon; And by family descent
‡Norman Douglas Hutchinson (1932-2010) Le Chateau de Duras Signed with initials and dated 89 NH (lower right) and further inscribed Le Chateau de Duras . oct. 84. (lower left) Pencil and pen 23 x 29cm Together with Norman Douglas Hutchinson; Fruit and Vegetables from an Indian Market, Calcutta 2004; nineteen, each signed and numbered Norman 3/10 (in pencil); each reproduction print, plus title; each 29.7 x 20.2cm; unframed; and Norman Douglas Hutchinson; Self-Portrait; photographic print; 40 x 28.5cm (22) Provenance: Collection of Caroline Brown
‡Sir Cecil Beaton CBE (1904-1980) Portrait of Hester Sassoon (née Gatty), wearing a tiara, seated on a canape; Portrait of Hester Sassoon (née Gatty), wearing flowers in her hair, seated on a canape Two, both signed Beaton (to mount) Both bromide print 23.4 x 18.6cm; 23.8 x 19.2cm (2) Provenance: Siegfried Sassoon; And by family descent
‡Attributed to Sir Cecil Beaton CBE (1904-1980) Portrait of Siegfried and Hester Sassoon Bromide print 19 x 21.3cm Unframed Together with five further photographs of Siegfried, Hester and George Sassoon (four mounted together); a 1934 collage Christmas card from Richard, Catherine, Albinia and Giles de la Mare; an album of photographic prints; and a small collection of newspaper and magazine clippings, some mounted to black card (9)
English School Early 20th Century Portrait of Siegfried Sassoon's hunter, 'Cockbird' Oil on canvas 33 x 40.6cm Provenance: Siegfried Sassoon; And by family descent Siegfried Sassoon bought Cockbird in 1910 and rode him in eleven point-to-points before the First World War. In 'Memoirs of a Fox-Hunting Man' he devotes a whole chapter to winning 'The Colonel's Cup', and writes, 'As for Cockbird, no words could ever express what we felt about him. He had become the equine equivalent of Divinity'. When war broke out, Sassoon initially joined the Sussex Yeomanry and gave up the horse to an officer, as Cockbird could not manage a trooper's heavy equipment.
Sir William Nicholson (1872-1949) Flowers and Books (for Siegfried Sassoon) Oil on canvasboard, 1929 40.4 x 29cm Provenance: Siegfried Sassoon; And by family descent Literature: Lillian Browse, William Nicholson (London, Rupert Hart-Davis, 1956), no.392; Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings (London, Modern Art Press, 2011), p.490, no.626 (illustrated) Siegfried Sassoon and Stephen Tennant were introduced by the Sitwells in 1927. They soon fell in love and began a relationship that lasted nearly six years. Sassoon's diary records that in 1929 he spent '£60 for a picture by William Nicholson for Stephen'. However, given there is no record of Tennant owning a work by Nicholson, it seems that the diary entry must refer to the present work. Instead of giving it to Tennant, it seems highly probable that Sassoon kept the painting, and it has remained in the poet's family ever since. Nicholson and Sassoon were two of the pre-eminent figures of the early 20th Century British artistic and literary worlds. They first met 1918, through another famous war poet Robert Graves, who had married William's daughter Nancy. The following year Nicholson designed labels for 'The War Poems of Siegfried Sassoon', and the two struck up a long-term friendship and working relationship. Sassoon purchased Heytesbury House, his home from 1933 until his death, after staying with Nicholson in nearby Sutton Veny. In 1929, the year the present work was painted, Nicholson also provided the drawings for the illustrated edition of 'Memoirs of a Fox-Hunting Man'. Nicholson's portrait of Sassoon, intended for the frontispiece, was rejected by the author, although for a rare copy of this, see lot 51. We are grateful to Patricia Reed for her assistance cataloguing the present work.
‡Oskar Kokoschka CBE (Austrian 1886-1980) Mädchenbildnis (Portrait of a Girl) (Wingler-Welz 159) Signed, dated and inscribed Orig. Lithographie Oskar Kokoschka 1920 (in pencil along lower edge) Lithograph, 192024.7 x 18cm (image)Provenance:Idbury Prints Ltd, Oxfordshire, where purchased by the present private collector
WILLIAM CHRISTIAN SYMONS, R.B.A. (1845-1911). A full-length portrait of a young lady, wearing gold robes with floral cuffs, & holding a statue, in a room interior, with antiques displayed behind her; signed “W. C. Symons” lower left; oil on canvas: 22” x 12”, in ebonised wooden frame. (28” x 17¾” over-all).

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