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An Ivory handled circa 1900 two bladed Penknife, the blades marked with the trade mark of the maker, G Hassier and having a small inset portrait of a moustached gentleman in Turkish Military uniform including a Fez hat and annotated below `Nisr Bay` 3 5/8`` long when closed, crack to Ivory on one side
Queen Victoria Interest: A Rare Princess Victoria Pearlware Pottery Child`s Plate, circa 1831, circular, the borders moulded with a monkey, three running dogs, a cat, and cupids in a horse-drawn chariot, within black string lines, centrally printed in black with a half length portrait of the young princess against a curtain drape, inscribed Princess Victoria, 17.5cm diametet
A German "Vienna" Porcelain Cabinet Plate "The Flower Seller", circa 1900, shaped circular, the fawn glazed border richly gilded in high relief with six small landscape panels depicting water birds and squirrels pulled in chariots by moths, divided by florets in lozenges, the central reserve painted with a half length portrait of a beautiful young brown haired woman, signed H Muller, underglaze blue printed pseudo Vienna beehive mark, titled in gilt Blumenverkauferin and 42, 24.5cm diameter
A German "Vienna" Porcelain Cabinet Plate, Ophelia, signed Wagner, circa 1900, shaped circular, painted with a three-quarter length portrait of a pretty young girl with convolvulus in her long flowing brown hair and wearing a short sleeved salmon coloured dress and holding flowers, signed, within a dark blue and iridescent border enriched with fruiting brambles and berries, blue printed pseudo beehive mark, and titled in black script, 24.4cm diameter; and Another, Marie Antoinette, circa 1900, circular, centrally painted with a three-quarter length depiction of the court beauty holding a pink rose, within an apple green broad border with acanthus leaf floret and trellis motifs in gilt, underglaze blue printed beehive mark and GERMANY, title in brown, 24.5cm diameter
A Dresden Porcelain Painted Plaque, In The Garden, circa 1900, the central shaped rectangular reserve painted with half length portrait of a beautiful young classical woman with blue ribbons in her upswept brown hair, holding a bunch of roses in her left hand, and looking down to pick others from a bush, solid gilded frame flanked by decorative panels of stags and vases of leafage in turquoise and deep salmon, blue printed DRESDEN GERMANY and lamb symbol, titled IM GARTEN in black script, 20.5cm by 25.5cm
A "Vienna" Porcelain Portrait Cabinet Plate, Marie Antoinette (1717-80), after the original in the Louvre, Paris, retailed by Ernest Wahliss, Wien, circa 1900, the portrait, signed Wagner Wien, within a complex midnight blue border with acanthus leaf and diamond motifs in gilt within a solid trellis rim band, title inscription in black on the reverse, retailer`s mark and impressed F&M24, 24.5cm diameter
An Hutschenreuther (Bavaria) Vienna Style Porcelain "Napoleon á Fontainebleau" Cabinet Plate, circa 1900, circular, the border divided into formalised panels glazed in ruby, lavender, soft yellow and green, centrally painted with a full length seated portrait of Napoleon in military attire, impressed crown and shield mark, underglaze printed crown and RK monogram and Dresden, inscribed P.Delaroche; Napoleon á Fontainebleau in grey script and (artist`s?) initials JBH, 24.6cm diameter Hippolyte Delaroche, better known as Paul Delaroche (17 July 1797-4 Nov 1896) was a French painter born in Paris.
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Countess Grosvenor, the young black haired beauty wearing puff-sleeved yellow dress, indistinctly signed (possibly Wagner), within typical scroll and vase panelled border, richly gilded in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 94, 24.3cm diameter
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Ruth, signed Wagner, within midnight blue border enriched with gilt scrollwork in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 24, 24cm diameter
Jonathan Buck (18th century) "Estimate for Erecting a Turnpike Gate at Camar Place" Signed and dated 28th May 1807, extensively inscribed verso, pen, ink and watercolour, 22.5cm by 18cm; together with Beggar seated beneath a Tree Signed and dated 1776, numbered verso, pencil and slight wash, 11cm by 16cm (2) Reputedly Jonathan Buck was related to Adam Buck (1759-1833) of Cork, the famous portrait and miniature painter
Circle of Henry William Pickersgill RA (18th/19th century) Portrait of John Simpson MD, of Castle Lodge, Yorkshire, Son of William Simpson Esq, wearing the uniform of the Yorkshire Hussars and holding his sword in his left hand; Portrait of Elizabeth, Wife of John Simpson, of Knarsbro, Eldest Daughter of Thomas Ward Esq, seated, three quarter length, holding documents in her right hand Extensively inscribed on an old label attached to the stretcher verso, oil on canvas, each 93cm by 71.5cm (a pair)
English Provincial School (19th century) Double Portrait of John (Don) and Emerson (Emy) Herdman and the Dog (Wolf), both children dressed in black with lace accessories, one holding a brass trumpet Oil on canvas, 77cm by 110cm The picture is reputedly by a provincial portrait painter "Hook", painted circa 1850 The Herdman family were flax spinners and linen manufacturers who founded Sion Mills, Co Tyrone
Frederick Charles Mulock (1866-1931) Portrait of the late Francis Edward James Esq. NEA, RWS, RBA (1849-1920), seated in a wheelchair in his studio Signed and dated 1910, extensively inscribed on various labels verso, oil on canvas, 102cm by 127.5cm Exhibited at the New English Art Club 1911, no. 1
Frederick Charles Mulock (1866-1931) Portrait of the late Phillip Homan Miller ARHA (d.1928), seated at his easel Signed and dated 1926, extensively inscribed on various exhibition labels verso, oil on canvas, 102cm by 125.5cm Exhibited at the Irish International Exhibition and The Royal Hibernian Academy Provenance: Alfred J. Mucklow
American School, circa 1800: Portrait Miniature of a Gentleman, half length, his powdered grey hair en queue, wearing a ruffled jabot, striped white waistcoat and aubergine jacket, oval, 4cm by 3.1cm, the gold metal frame with beaded edge, the reverse with glazed panel edged in seed pearls with a mounted curl of hair within a berried laurel wreath, ring for suspension; and A 9ct Gold Muff Chain, with dog clip fastener, overall parallel length 74.5cm (2)
Attributed to Charles Shirreff (b.1750): Portrait of a Gentleman, circa 1790, his powdered hair en queue, turning to sinister, wearing white shirt and blue overcoat, against a sky background, oval, 6cm by 5.2cm, in gold metal closed back frame with vase form suspension loop Charles Shirreff was born in Scotland - possibly in Edinburgh. He entered the R.A. Schools 9 August 1769. He was working in Bath 1791-95, and is said to have worked in Brighton, Deptford and Cambridge. He went to India to work in 1797, and worked in Madras and Calcutta for some length of time. This miniature shows some of the characteristics of his work - especially the use of criss-cross hatching for both modelling features and shading backgrounds. See Foskett (Daphne) A Dictionary of British Miniature Painters, vol 1, pg.506, and plates vol 2, pls.330, 821-824.
English School, circa 1780: Profile Portrait Miniature of a Gentleman, bust length, his hair in a ribbon tied pigtail, wearing a ruffled jabot and broad lappelled overcoat, in grey/apricot en camaieu against solid blue ground, oval, 6.5cm by 5cm, the reverse with cream watered silk panel painted with a view of cupid inscribing a rock with initials RSC in a woodland with billing doves, in gilt metal frame The sitter bears a striking resemblance to David Garrick - although the reverse inscription RSC cannot refer to the Royal Shakespeare Company, as it was not founded until 1961.
Attributed to Henri Benner (Mulhouse, Alsace, circa 1776-1829): Portrait Miniature of a Lady, circa 1810, half length, wearing a white muslin veil amongst the ringlets of her brown hair, gazing downwards pensively to sinister, wearing a lace-edged soft yellow dress with blue waistband, oval, 11.5cm by 8.8cm, in modern frame Inscribed on the reverse Prov. Carter Collection, Sydney
Attributed to George Haugh (fl.1777-1818): Portrait Miniature of a Gentleman, half length and turning to dexter, with grey curly hair and brown eyes, wearing a white neckerchief and green jacket against a cloudy blue sky background, oval, 6.6cm by 5.5cm, in gold metal frame with blue glass banded reverse panel with central hair plait and fretted initials, ring for suspension, in original red crushed Morocco oval folding case with date on the silk lining in ink Feby 15th 1797; and English School, circa 1810: Profile Portrait Miniature of a Child, half length, with short brown hair and wearing a lace trimmed blue puff sleeved dress, oval, 8cm by 6.5cm, in an ebonised papier mâché frame
Attributed to William John Thompson: Portrait Miniature of S Jones, circa 1834, half length, in the uniform of 96 Foot Regiment (2nd Battalion Manchester Regiment), 8.5cm by 6.8cm, in modern frame Label on reverse includes Was a Lieutenant in 95 Rifle Regiment October 1810, made Major 1836. Died 1842.
A Silhouette Standing Portrait of a Young Woman, circa 1840, her hair in a bun, holding a flower and wearing a crinoline dress, with detail in gilt, 26cm by 16cm, with gilt inner slip and rosewood veneered frame; and A Painted Profile Portrait of Isabella Bamford (Sister of the Reverend Robert Bamford Snr) born June 5th 1828, died 5th January 1855, standing holding an open book, wearing a black and red checked crinoline dress, 26cm by 21cm, inscribed in ink on a label on the reverse, in a bird`s eye maple frame (2)
A Silhouette Cutout Profile Standing Portrait of a Young Girl, circa 1840, standing holding a posy and a basket of flowers, with detail in soft gilt, in a watercolour open landscape, 15cm by 9.6cm; and Two Others, circa 1840, of a little girl with a flower, and a little boy with a hoop and stick, in mahogany and rosewood frames (3)
A Silhouette Cutout Standing Portrait of a Child and Pet Dog, circa 1840, wearing a dress and holding a basket, a poodle with lion cut at her feet, with gilt detail, in a watercolour lawn setting, 13.5cm by 10cm, in a mahogany veneered frame; and Three Others Similar, including a profile portrait of a child, the smallest 7.7cm by 5cm (4)
Attributed to Augustin Edouart (1789-1861): A Silhouette Cutout Standing Portrait of a Young Woman, Miss Thompson, August 1843, holding a posy taken from a basket, with inscription, 15cm by 10cm; and Two Examples Depicting Children, circa 1840, comprising a double portrait, and a single child, in gilt and bird`s eye maple frames, the largest 14cm by 17.5cm (3)
English School, 19th century: Portrait Miniature of a Young Woman, said to be Sidney Jane Bulkoley-Hughes, Plas Coch, Anglesey, 1807-1866, half length, with roses in her black ringletted hair, gazing pensively to sinister, wearing an off-shoulder white dress, oval, 8cm by 6.8cm, in associated embossed brass frame

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