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283287 Los(e)/Seite
Los 403
FREDERICK GRAVES, AFTER THE ORIGINAL, C. 1868Portrait of Robert, 19th Earl of Kildare (1675-1744)Oil on canvas, 74 x 62 cm (29 x 24 in)Robert FitzGerald, (1675 - 1744) was married to Mary O Brien, daughter of William O'Brien 3rd Earl of Inchiquin. They had 12 children but only 2 survived to majority. They had lived quietly at Kilkea Castle, near Athy, but in 1739 Robert bought back the lease of Carton, in Maynooth, for £8,000. He commissioned Richard Castle, the eminent architect, to reconstruct the existing house. In the pediment over the South front, previously the main entrance, is the coat of arms of Robert FitzGerald and his wife Mary O'Brien. Robert also employed the La Franchini brothers to construct the wonderful ceiling in the Gold Salon. The additions to Carton were not finished when Robert died in 1744 but he left instructions in his will to finish the restoration according to his plans. A monument dedicated to Robert FitzGerald is situated in Christ Church Cathedral, Dublin.(This portrait hung in Carton until 1949 when the Fitzgerald family sold the estate. It hung in Kilkea Castle until 1960. It was in the FitzGerald family collection in Oxfordshire until 2013.)
Los 211
NATHANIEL HONE THE ELDER, RA (1718-1784)Portrait of a Girl with a Cat, c.1780Oil on canvas, 49 x 40cmProvenance: Gorry Gallery , Dublin, March 2005Nathaniel Hone the Elder was born in Dublin in 1718 to parents of Dutch descent, however very little is known of his early life. Moving to London in the 1740s, it is unclear as to where Hone received his artistic training but he was able to quickly establish himself as a notable miniaturist, working with enamels. This practice and the unforgiving diligence towards detail that it demanded shaped Hone into the oil painter that he was to become. His oils portray the sentiment that is common to miniatures, allowing his grander pieces to evoke a sympathy often lost with scale.In particular, Hone can be recognised for his endearing portrayals of children which, unlike many of his contemporaries, he depicted in a realistically juvenile manner, as opposed to showing his sitters as small adults. Experimenting with styles, Hone adopted a way of painting that was a marriage of the traditional portrait and a ‘fancy picture’. Popular in the 18th century, ‘fancy pictures’ were images of everyday life that held an element of imagination and, thus, Hone’s ‘fancy portraits’ were imbued with a whimsy that became characteristic of the artist.Painted as part of a series that Hone undertook of his grandchildren during the 1760s and 1770s, ‘Portrait of a Girl with a Cat’ is a beautiful rendition of childhood innocence. Utilising the time that Hone spent studying in both Florence and Rome, his model is painted with a softness that recalls the Italian Renaissance. The large eyes are indicative of the girl’s young age, whilst her cheeks are flushed with childish vigour. As with the other paintings in this series, the girl has been placed against a dark, plain background in order to focus our attention solely on the sitter. Her youthful skin appears luminescent against the gloom, anchoring our vision and capturing us in a mesmerising gaze.Showing his imaginative streak, Hone has painted his sitter alongside, what we can assume, is her pet cat, much like in his painting of the same series, ‘A Young Girl with a Pomeranian Dog’. Showing off his ability to depict fur, Hone often included animals in his portraits as a way in which to convey a certain story or affect a particular mood. Here, the cat works to highlight the child’s unassuming innocence. The cradling pose in which the cat is embraced is evidence of the affection between the two, the tenderness of the girl’s touch mirroring the way in which she herself might be held. With the fantasy that dances alongside youth, the girl seems to be smiling at her creation as she swaddles her pet in cloth, as if the animal itself was a fine lady. In a manner befitting that of a child, the young girl has made her cat into a co-conspirator, a friend with which she can explore the world.With his endearing portrayal, Hone successfully combines the art of the miniature, the portrait and the fancy picture to bring to life a work that is not only technically brilliant but emotionally charged. The viewer, as a stranger, feels instantly connected to his sitter, tempted by her naivety and wishing to share in her innocent delight.
Los 234
AN EARLY 18TH VIZAYAPATAN WRITING DESK, in inlaid rosewood decorated with ivory floral marquetry, set on an ebony ground, the lift writing slope enclosing fitted drawers and pigeon holes and a removable tray set on an Irish 18th century mahogany stand with carved frieze centred by a recessed scallop shell and flanking scrolls, raised on cabriole legs. 86cm high, 56 x 41cm Provenance: The Penrose Family (Cooper Penrose) formerly Woodhill House, CorkA similar example is shown in Christopher Gilbert The Life and Works of Thomas ChippendaleThe Penrose family were a prominent mercantile family throughout the 18th century and early 19th century in Cork and Waterford. Although glass making was not their principal business, the Penrose glass houses in Waterford and Cork meant that they became, literally, a household name. Their house in Cork was a mycenae of art. The portrait of Cooper Penrose by J. C David done in Paris at the time of the revolution, exhibited in the recent Chicago Exhibtiion of Irish Art, represents one of the most careless and devastating losses of art that this country has suffered. A gallant attempt to repair the damage is the Penrose Room that has been created in the Crawford.
Los 42
A PAIR OF MONUMENTAL FRENCH CAST IRON URNS AND PEDESTALS, AFTER A DESIGN BY CLAUDE BALLIN 1615 - 1678, 19th century, after the originals situated in the Garden of Versaille, each of classical design, with raised side handles, the bodies with sunmask, above a continuous row of portrait roundles, filled with individual classical figures, on acanthus cast circular feet and rectangular pedestals with stepped base. Possibly the work of the Val d'Osne Foundry. Each c.225cm tall in totalAs the goldsmith of the Kings and king of goldsmiths, Claude Ballin undeniably contributed to the greatness of Versailles and Louis XIV.The firm Val d’Osne was founded in 1835 by J.P.V. André and based at the Val d’Osne in the Haute-Marne. By 1850’s they had achieved international recognition and exhibited at the Great Exhibition of 1851. In the London 1857 exhibition they exhibited a large bronze fountain cast with swans and classical figures which further increased their reputation. Many of the best sculptors in Paris were commissioned by André including Carrier-Belleuse, Pradier and Delaplanche.
Los 107
AN EDWARDIAN FLORAL PAINTED AND INLAID SATINWOOD CARLTON HOUSE DESK, the raised superstructure fitted with three panel door cupboards flanking six short drawers and a further pair of end drawers, fitted leather covered writing slide above three frieze drawers, the entire variously decorated with portrait medallions, figural groups and urn and foliate swags and raised on square tapering legs. 130cm wide x 58cm deep x 99.3cm high
Los 623
HENRY RICHARD GRAVES (1818-1882)Portrait of Frederick, Earl of BelfastOil on canvas, 43 x 36cmInscribed verso on stretcher 'Frederick Earl of Belfast by Hon. H. Graves 1851'Frederick Richard Chichester (1827-53), called by courtesy Earl of Belfast, was the second son of George Hamilton Chichester, 3rd Marquess of Donegal and his first wife Lady Harriet Anne Butler.He was educated at Eton and was a highly artistic and gifted young man, passionate about literature and music. From an early age, he was composing music and eventually became President of the Classical Harmonists Society in Belfast in 1852.The proceeds of his earliest compositions, £100, were donated to a fund to assist in the relief of famine in Ireland, 1846-47.He was greatly interested in education in Belfast and gave a series of lectures on ‘Poets and Poetry of the 19th Century’ to the Belfast Working Classes’ Association (of which he was patron) in 1852. He hoped to give a further series on the poetesses of the same period but died before carrying them out. His health was not good and he spent the winter of 1852-53 on the Continent, dying in Naples in February 1853 aged only 26.His remains were later brought back to Belfast and were eventually placed in the Chapel of the Resurrection, on the Cave Hill, near Belfast Castle. A statue of him stood in Wellington Place until 1875 and now in the City Hall. He was a published author of numerous books- including novels.There are at least three other portraits of the sitter (a) by Orazio de Manara in the collection of the National Museums Northern Ireland (b) two by Richard Rothwell in Belfast City Hall and Ulster Museum respectively. There are portraits exhibited by Henry Richard Graves of the 6th Marquess of Londonderry at Mount Stewart, County Down and one of the Countess of Enniskillen at Florence Court, County Fermanagh-both National Trust properties.
Los 404
ATTRIBUTED TO THOMAS POOLEY (1646 - 1723)Portrait of a young man, bust length wearing full wig and lace cravat and companion portrait of a young woman wearing a white silk dress with a crimson gold braided cloak Oils on canvas, each 75 x 60cm Both in stylised feigned ovals and period carved giltwood frames See the National Gallery of Ireland, Thomas Pooley, Portrait of Sir John Perceval, 3rd Bt (1660-1686) (NGI.4627), for a comparison with the above lot for the treatment of the lace and curious ovals in which the figures are set.
Los 49
λ Otto Maraini (1904-1970) Portrait of a seated lady Oil on canvas Signed and dated 1968 lower right 158.5cm x 109cm (58 1/2in x 43in) Catalogue amendment to artist and dates Provenance: From the apartment above the Lutrario club, Turin with interiors by Carlo Mollino; Lamberty Art & Design, selected items from the storages.For a footnote about Mollino and the Lutrario club, see lot 50. λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Los 72
FIVE INK AND WATERCOLOUR PAINTINGS LATE 19TH-20TH CENTURY two framed watercolour paintings on paper depicting Japanese procession Sankai Kotai ( Daimyo procession), with three samurai Takeuchi Hisaroku, Toyama Jintaro and Watanabe Hikozaemon accompanied by attendants; three framed Chinese ink paintings depicting a monkey on tree branches, three boys collecting lotus on a boat, and a portrait of Zen Buddhist master Niutoufarong (5) (Dimensions: largest 123 cm long (including frame)) (Qty: 5)(largest 123 cm long (including frame))Footnote: Provenance: Adrian Wiszniewski (1958- ) private collection
Los 464
Louis Delancray active S W France 1940s, Portrait of Michel Sorondo, oil on canvas, signed and dated bottom left, 46cm x 56cm; Sorondo was a French Rugby International and local player in S W France, depicted here in his international jersey with the logo of his club, US Montauban, in the background
Los 570
Hong Kong and Chinese Interest, a fine and historic collection, probably put together by Royal Navy sailor on Far Eastern tour - commercial silver print titled snapshot album of Peking historic buildings and street life, silver prints of European canton and street scenes, possibly Shanghai bund (6), framed silver prints of British naval vessels in Hong Kong harbour (2), five period postcard albums P4 - including global topographical, Portsmouth RP, PP and coloured, RP Sakai people, Perak, Malaysia, RP Grand Variety Theatre, Gillingham (1), Valentine RP Basingstoke (2), RP Post Office, Palgrave (2), RP Shanghai Bund (?) and Bubbling Well Road and others (6), RP Malta dry dock (1), RP Sutton Scotney (1), RP Hong Kong, including defensive guns (5), RP China (3), RP copy image of Chiang Kai-Shek's train, with portrait headboard and flags on locomotive (1), and others, circa 1927
Los 578
Edwardian and Later Cigarette and Trade Cards, various cards some held in albums, including Wills Capstan Cigarettes Transvaal Series (18) F, Wills Allied Army Leaders (Set) F, Carreras The Science of Boxing (Black Cat 39) and High Class (17) all F, Salmon & Gluckstein Characters From Dickens (4) P-F, F & J Smith Cinema Stars (8) Medals (1), Traditions of the Army & Navy (2), and Football Club Records (1) and Shadowgraphs (13) all P-F, Singleton & Coles Famous Officers (1) P and Gallahers Kute Kiddies (14) P, together with various other cards by Wills, Players, Ogdens, Carreras, may include some sets, and others Kensitas Silks Flags of the British Empire and trade cards including James Pascall Scouting (3) and War Portrait (1) P-F, Hustler Soap, Bisto, Frys and others, P-F, (Qty)
Los 497
Stefan Knapp (British 1921-1996)/Portrait of a Land Girl/watercolour, 44cm x 34cm and/a watercolour of a school boy and another CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Los 101
A small Westerwald stoneware Royal jug c.1690, applied with an octagonal portrait plaque of King William III, titled around the portrait with 'WILHELMVS III. DG. MA BRI. FRA. ET HIB. REX' (William III, by the Grace of God, King of Great Britain, France and Ireland), on a ground of incised and applied stylized flowers reserved on a manganese ground, 10.8cm. Cf. David Gaimster, German Stoneware, pl.121.
Los 545
A Worcester bell-shaped mug dated 1757, printed in black with a half portrait of Frederick the Great, titled King of Prussia, the reverse with Fame blowing trumpets, flanking pennants and victory motifs, signed in the print 'RH Worcester' for Robert Hancock, and with an anchor rebus for Richard Holdship, 12cm. Paper label for the Bailey Collection.
Los 99
A Westerwald stoneware Royal jug c.1690, applied with an octagonal portrait plaque of King William III, titled around the portrait with 'WILHELMVS III. DG. MA BRI. FRA. ET HIB. REX' (William III, by the Grace of God, King of Great Britain, France and Ireland), on a ground of incised and applied stylized flowers reserved on a manganese ground, 13.5cm. Cf. David Gaimster, German Stoneware, pl.121.
Los 154
An Italian maiolica albarello mid 16th century, Castle Durante or Faenza, the small waisted form painted with the portrait of a bearded gentleman wearing a turban, inscribed 'Iro de lalandal' in blue on a white banner, reserved on a blue ground with musical instruments and foliate scrolls, some chipping to the rim, 15.5cm.
Los 49
A large commemorative glass goblet and cover c.1760, the cup-shaped bowl engraved with a profile portrait of Britannia within a banner inscribed 'O Fair Britannia Hail' within an oak leaf garland and sprays of hops, barley and grapevine, raised on a facet cut stem, the foot engraved with a bee around rose, carnation and passion flower, the domed cover facet cut and engraved with continuous flowers, 36cm. (2)
Los 301
An English enamel etui of theatrical interest c.1760-65, the flattened form painted with a portrait of the actress, Mrs Mary Brooks, after Thomas Worlidge, the reverse with a scene of haymakers, reserved on a turquoise ground with raised gilt scrolls, with partial contents, some losses and faults, 10.6cm.
Los 330
Two Doccia coffee cups and a can c.1770-90, one cup painted in puce monochrome with a landscape scene between blue and gilt borders, the can with a similar landscape scene, the other cup with a fisherman by the river, with a Cozzi teabowl painted with portrait medallions suspended from swags, and a saucer painted with a posy of flowers, 12.1cm max. (5)
Los 279
Third Reich Photograph Album of Female Labour Organisation (RADwj), Snap shoot photograph album covering pre-war years. Front pages of the album has printed image of the head of the RAD and head of the female section of the RAD. Good clear scenes ,group shots with male members of the armed forces, portrait images, civilian life and at the back of the album a group of images of a ranking member of the male section of the RAD.Many of the pages have annotations below the images. 82 images.
![Attributed to Edward Pugh [1760-1830]-A miniature portrait of an officer said to be Dr Taunton at 21 years,:-head and shoulde](https://cdn.globalauctionplatform.com/bd76c16a-3318-4b72-a49a-aac500a830f6/b1002791-d001-4e57-b4b2-aacb00c17fe2/468x382.jpg)
![Leopold Dumini [19th Century] -Portrait of a scholar, head and shoulders:-signed bottom rightoil on board, oval 21.5 x 17cm.](https://cdn.globalauctionplatform.com/bd76c16a-3318-4b72-a49a-aac500a830f6/281dc54e-5ef8-43f0-b860-aacb00c17aa5/468x382.jpg)
Los 281
Irish/French School 18th Century-Portrait of Jack Lynch, Archbishop of Tuam in County Galway,:bust-length in clerical gown and crucifix,inscribed in French along the top of the canvas,further contemporary/near contemporary inscription to the reverseoil on canvas, 80 x 63cm.* Note. This is a posthumous portrait after Lynch had moved to France where he died in 1713.
![Circle of Joshua Reynolds [1723-1792]-Portrait of a gentleman, bust-length,:- wearing a half wig and red tunicoil on canvas,](https://cdn.globalauctionplatform.com/bd76c16a-3318-4b72-a49a-aac500a830f6/7811be59-859e-4a0c-8509-aacb00c17b2f/468x382.jpg)
Los 282
English School early 19th Century-Portrait of Colonel George Grimes, 2nd Bombay Grenadiers, :- half-length with short dark hair,wearing a red tunic with gold braid and a white regimental sashoil on canvas, 91 x 69cm.Addendum. 20th Century label to reverse states 'My Grandfather. Col George Grimes. Indian Army'
![Jean Pierre Robelot [19th Century]-A small portrait of Parker D. Bingham Esq., half-length standing in naval uniform,:- signe](https://cdn.globalauctionplatform.com/bd76c16a-3318-4b72-a49a-aac500a830f6/bc54a8eb-ac32-4c57-aa63-aacb00c17d00/468x382.jpg)
![* Leon Underwood [1890-1975]-Portrait of a young girl, head and shoulders,:-signed and dated 1922pencil, pen and ink drawing,](https://cdn.globalauctionplatform.com/bd76c16a-3318-4b72-a49a-aac500a830f6/5e567f12-032b-4ab2-a214-aacb00c188f9/468x382.jpg)
Los 297
English School -A miniature portrait of Lady Mary Wortley Montague,: bust-length with long curling fair hair and wearing a gem stone necklace with drop earrings and a pink silk dress with lace fringe, bears signature and date Cozens 1795, oval, on ivory, 7cm, in red leather case, together with one other miniature of a young lady. [2]
Los 294
English School late 18th Century-A miniature portrait of a lady,: head and shoulders, with long curling powdered hair dressed with beads and wearing a white silk dress with blue ribbons, on ivory, oval, 5cm, with hair plait back, together with one other miniature of a young lady with rosy cheeks and wearing a pink flower button hole, sky background, in a red leather case, and one other of a lady, bust-length seated, wearing a white satin dress and jewellery,. [3]
![Circle of John Dowman [1750-1824]-Portrait of a lady and gentleman, each three-quarter length standing,:-pastels, each 23 x 1](https://cdn.globalauctionplatform.com/bd76c16a-3318-4b72-a49a-aac500a830f6/ca15f55b-19d2-4137-a926-aacb00c17c8b/468x382.jpg)
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283287 Los(e)/Seite