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Erich Wolfseld (1884-1956), 'Portrait of Sir William Goscomb John', oil on board, signed, unframed, 24 cm x 18 cm This portrait of sculptor Sir William Goscomb John (1860-1952) is comparable to Wolfseld's portrait painted circa 1944 in the collection of the National Portrait Gallery, London (no. NPG5102).
A Pen and Watercolour Wash depicting 50's building, unsigned, mounted but unframed, J. Wright, 1962, oil on board depicting garden ornament, a coloured print Barber Institute of Fine Art, pair of coloured prints depicting Highland cattle, pair of coloured prints depicting flowers, a coloured map, a coloured print of waves, a coloured print half length portrait of a gentleman in white leather frame (10) (TBF)
Fred Mullar, Coloured Engraving full length portrait of a lady with dog at her feet, signed in pencil in black frame, 40cm x 23cm, a black and white print three quarter length portrait of a seated gentleman, in gilt frame and a black and white print "Colonel Henderson of Fordell", in black frame (3) (TBF)
:A MAGNIFICENT PAIR OF CUSTOM BROWNING 'FRENCH REVOLUTION BI-CENTENNIAL' 12-BORE SIDEPLATED SINGLE-TRIGGER OVER AND UNDER EJECTORS, serial no. 17052 / 3, 27 1/2in. nitro barrels with 6mm ventilated matt top-ribs, relief engraved and gold-inlaid at the breech ends with ornate scrolls and chain links, the ribs gold inlaid respectively with 'LA ROYAUTE EST ABOLIE EN FRANCE' and 'DECLARATION DES DROITES DE L'HOMME', 2 3/4in. chambers, bored approx. 1/2 and 3/4 choke in both, hold-open toplevers, pierced with the portrait of a revolutionary soldier (17052) and a revolutionary bonnet and key (17953), manual safeties with integral barrel selector switches, actions and lockplates fully engraved with representations of key events and historical figures of the French Revolution in deep relief and fine bulino styles, with gold highlighting on the fences and borders, both guns dated '1789 - 1989'; gun no. 17052 with an armed citizen on the toplever and the underside with a scene depicting the 'The Tennis Court Oath', encircled with an elaborate border, inscribed 'LIBERTE, EGALITE, FRATERNITE OU LA MORT', the triggerplate with an angel and stone tablets carved with the 'Declaration of the rights of Man and the Citizen', the backstrap listing the spring and summer months of the French Republican Calendar, the action and lockplates with scenes of the storming of the Bastille and a meeting of the Estates General within the halls of the Palace of Versailles, with portraits of Camille Desmoulins (accredited with the first public call to arms to the French people), Jacques Necker (reforming French finance minister, whose dismissal by Louis XVI sparked Desmoulins outburst) and the Marquis de Lafayette (founder of the French National Guard and leading figure among the Feuillants) on the left; Louis XVI and Marie Antoinette (King and Queen of France) and Honoré Gabriel Riqueti, comte de Mirabeau (a moderate who campaigned for the introduction of a constitutional monarchy) on the right, with emblematic representations of the people (in the form of agricultural implements) and the Church (in the form of garments and accoutrements of the Catholic Church), the whole surrounded and invaded by bold acanthus foliage on a matt background; gun no. 17053 with a windmill on the toplever and the underside with a scene of execution by guillotine encircled with an elaborate border, inscribed 'LIBERTE, EGALITE, FRATERNITE OU LA MORT', the triggerplate with a protrait of Claude-Joseph Rouget De Lisle (composer of 'La Marseillaise') with bars of music and the words of the first line 'Allons enfants de la Patrie', the backstrap listing the autumn and winter months of the French Republican Calendar, the action and lockplates with scenes of the storming of the Tuileries Palace and a victorious Napoleon Bonaparte on horseback being hailed by his troops, with portraits of leading revolutionary activists and politicians including Georges Danton, Jean Paul Marat, Louis de Saint Just, Maximilien Robespierre and Napoleon Bonaparte (ruler of France as Premier Consul of the French Republic), with an anonymous portrait named 'Charette' - the type of cart used to carry the condemned to the guillotine, with emblematic representations of the Republic (in the form of a book, mirror, serpents and coins to denote knowledge, truth, wisdom and renewal) and the monarchy (in the form of royalist arms and paraphernalia), the whole surrounded and invaded by bold acanthus foliage on a matt background, the fore-end irons engraved en-suite, with cartouches inscribed 'FEUILLANT' , 'BRETON' and 'CORDELIERS', 'JACOBINS' to signify the different revolutionary factions, triggerplates engraved 'Les Graveurs de Herstal', 14 1/2in. exhibition grade roachbelly stocks including buttplates, weight 6lb. 12oz., in their leather case with original certificates, confirming that the guns were completed in 1990
Count Alfred Guillaume d' Orsay (French, 1801-1852), Portrait of Matthew Higgins, Esq. (the writer Jacob Omnium) (1810-1868), signed lower right "d'Orsay fecit 28 Dec. 1845", pencil, 24 x 17cm; and Portrait of The Earl of Erroll, brother to Lady Harriet Gurney, signed lower right "A d'Orsay fecit, 17 July 1840, London", pencil, 28 x 20cm; and Portrait of The Hon. William Cowper-Temple, 1st Lord Mount Temple, who married Lady Harriet Gurney, signed lower right "d'Orsay fecit 5 July 1842", pencil, 28 x 20cm; and Portrait of Alexander Cochrane, 1st Lord Lamington, signed lower right "d'Orsay, 17 Janvir 1846", pencil, 27 x 20cm, (4), Provenance: Christie's, London, Sale, 1950, P and D Colnaghi and Co Ltd., 14 Old Bond Street, London, W1 (old label to the reverse), The Irish writer Matthew James Higgins (Irish, 1810-1868) wrote under the nom-de-plume of Jacob Omnium. His letters to The Times were instrumental in exposing many abuses. His friend Thackeray dedicated 'The Adventures of Philip' to him and also a ballad, Jacob Omnium's Hoss
Ceramics. Various including Coloured Worcester Porcelain of the First Period, 1954, PUGH. Staffordshire Portrait Figures, 1971, LEWIS. Collectors History of English Pottery, 1977, A Collector's History of English Pottery, 1977, BEURDELEY. Porcelain of the East India Companies, 1962 in tatty wrapper etc (9)
ROLLIN, M. The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Grecians and Macedonians, 18th edition, 6 volumes, London: T Tegg 1827, 8vo, stamped calf, gilt spine, brown staining, offsetting of portrait onto title in volume 1, ex Ditchling library (according to first blank leaf), wear to some spines and corners
THEVENOT, Jean. The Travels of Monsieur de Thevenot into the Levant, 3 parts in 1 volume, London: H Faithorne, J Adamson, C Skegnes and T Newborough 1687, folio, 3 plates (lacking portrait frontispiece), usual age browning and staining, worn binding with boards detached, Provenance: Wilfrid Blunt and by family descent
LE BRUYN, Cornelius. Travels into Muscovy, Persia and Part of the East Indies, in 2 volumes, London for Bettesworth and Hitch et al 1737, folio, frontispiece, title and portrait with strengthened margins, 108 plates including 64 double or folding and 3 folding maps, gilt backed worn calf (rebacked), some light soiling and staining, frontispiece plate to volume 2 laid down. Provenance: Wilfrid Blunt and by family descent
CHARDIN, John. Voyages de M. le Chevalier Chardin en Perse et autres lieux de l'Orient, in 10 volumes, Paris 1723, small 8vo, frontispiece portrait to volume I, 79 plates including map and many folding views and tables, ownership name 'Wilfrid Blunt' in pencil to front of volume VIII, worn contemporary calf with loss to some spine strips and crude taped titles to each upper board, some foxing and general age browning, Provenance: Wilfrid Blunt and by family descent

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