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283284 Los(e)/Seite
Los 232
A Giltwood and Gesso Picture Frame, 18th century, of arched form with shell and scroll decoration, containing an applique half length portrait of a lady, 56cm by 40cm overall; A Similar Example, of rectangular form with acanthus leaf angles, 52cm by 48cm; and Another Example, with flower and leaf scroll decoration, 78cm by 54cm (3)
Los 305
After James Tassie (1735-1799): A Wax Relief Bust Portrait of William Robertson, with hand colouring, inscribed and dated 1791 to truncation, 7.5cm high, framed and glazed; A Similar Wax Relief of Alex Waugh, inscribed to truncation and dated 1794, 7.5cm high; A Wax Relief Bust Portrait of a Gentleman, in highland dress, hand decoration, 9cm high, framed and glazed; and A Similar Figure of a Gentleman, with lace colour, hand coloured, 8cm high, framed and glazed (4)
Los 306
After James Tassie (1735-1799): A Wax Relief Bust Portrait of William Robertson, inscribed, dated 1791 and signed to truncation, 7cm high, framed and glazed; A Similar Portrait of a Gentleman, with hair en queue, 6.5cm high, framed and glazed; and Two Similar Relief Portraits of Ladies, with their hair up, hand coloured, 8cm high, framed and glazed (4)
Los 308
Louis-François Aubry (1767-1851): Miniature Bust Portrait of Jean Bon Saint-André, wearing a black hat with tricolour scarf and feather, black jacket and red waistcoat, signed Aubry - An 2, oval, on ivory, 6.5cm by 5cm Jean Bon Saint-André served in the National Convention during the early years of the French Revolution and became a Member of the Committee of Public Safety in 1793. He also suggested that the Tricolour replaced the Golden Fleur de Lys as the French flag.. Not examined out of frame. Portrait appears in good condition. Several deep scratches to the glass.
Los 65
A Herculaneum Pottery Robert Stephenson Commemorative Frog Mug, circa 1833-36, initialled RA and printed in black with Exchange Buildings & Nelson's Monument Liverpool and flanked by locomotives, titled THE NORTHUMBRIAN OF MESSRS R STEPHENSON and THE ROCKET OF MESSRS STEPHENSON & C, the interior with a bust portrait of Queen Adelaide and with two further prints titled CARRIAGES FOR PASSENGERS and THE NOVELTY OF MESSRS BRAITHWAITE & ERICSSON, a naturalistically modelled frog to the base, printed mark, 13cm high See Smith (Alan) The Illustrated Guide to Liverpool Herculaneum Pottery 1796-1840, pl.176 for a similar example. Stephenson's Rocket and Braithwaite & Ericsson's Novelty ran at the Rainhill Steam Trials on 6th October 1829. Of the five entrants, Stephenson's Rocket was the only locomotive to complete the trial and was declared the winner. The Novelty was considerably faster than the other locomotives but a failed boiler pipe damaged the engine during the trial. Following the trial, the Northumbrian, built in 1830 and the last of Stephenson's Rocket-style locomotives, was then used at the opening of the Liverpool & Manchester Railway.. The frog is missing his two front legs. The glaze is crazed all over with some light staining. There are four short hair cracks from the rim showing to the internal glaze only. 12.25cm high by 12.5cm diameter
Los 110
Johnson (Samuel) A Dictionary of the English Language, 3 vol., second edition of the first revision with numerous corrections and additions by the Rev. H.J. Todd engraved portrait frontispiece, half-titles (vols. 2 & 3 only), off-setting, ex-library with bookplate, contemporary calf, rebacked with original spine laid down, a little rubbed, 4to, 1827.
Los 144
Ordnance.- Report from the Select Committee on Army and Ordnance Expenditure, bound with index at end, occasional very faint spotting, cracked hinges, contemporary half-cloth, rubbed and worn, 1850 § Fullam (Commander William F.) & Lieutenant Thomas C. Hart, Text-Book of Ordnance and Gunnery, second edition, plates and illustrations, previous owner's ink signature, cracked hinges, original cloth, rubbed and worn, Annapolis, 1905 § Fernyhough (Brigadier A. H.) History of the Royal Army Ordnance Corps 1920-1945, portrait frontispiece, manuscript addition to contents leaf, original rexine, n.d.; and 23 others, similar, v.s. (26)
Los 151
Navy.- Field (Colonel Cyril) Britain's Sea Soldiers: a History of the Royal Marines, 2 vol., frontispieces, plates, original cloth, slight staining to edges, rubbed, Liverpool, 1924 § Blumberg (General Sir H. E.) Britain's Sea Soldiers. A Record of the Royal Marine's during the War 1914-1919, portrait frontispiece, plates, occasional faint spotting, original cloth, staining, rubbed, Devonport, [?1927] § Harper (Captain J. E. T.) Reproduction of the Record of the Battle of Jutland, 2 vol., plates and illustrations, original cloth, slight bumping to extremities, 19 folding maps loose as issued housed in original clamshell box, rubbed, beginning to split at spine head, 1927; and others similar, 4to & 8vo (22)
![Doré (Gustave).- Dante Alighieri. The Vision of Hell [&] Purgatory and Paradise, 3 vol., wood-engraved portrait and plate](https://cdn.globalauctionplatform.com/960a367b-77bc-499c-8192-ac9500f328a1/070bb5f3-7839-4fd7-8bee-ac9800d98ca5/468x382.jpg)
Los 181
Pictorial cloth.- Tennyson (Alfred, Lord) In Memoriam, frontispiece, illustrations, original cloth-backed boards with raised portrait cameo to upper cover, a little rubbed, c.1900 § Longfellow (Henry W.) Evangeline: A Tale of Acadie, frontispiece, illustrations, occasional faint spotting, original cloth-backed board with raised portrait cameo, rubbed, c.1900 § Edgar (Madalen, editor) Tales from William Morris, colour frontispiece, illustrations, original pictorial cloth, slight bumping to extremities, n.d. § Kinglsey (Charles) The Water-Babies, frontispiece and illustrations by Alice Woodward, previous owner's ink inscription, original pictorial cloth, slight bumping to corners and extremities, n.d. § Arabian Nights, colour frontispiece, plates and illustrations, original decorative cloth, a little rubbed, n.d.; and others, pictorial cloth, 8vo & 12mo (c.175)
Los 198
Computing.- Babbage (Charles) The Economy of Machinery, first edition, engraved title with vignette portrait of Roger Bacon, title and dedication leaf lightly foxed; 1832; On Currency, first separate edition, 1833, together 2 works in 1 volume, near-contemporary calf, rubbed, rebacked, small 8vo⁂ The 32-page pamphlet "On Currency" contains three chapters added to the third edition of the Economy of Machinery, and was published separately so that purchasers of the earlier editions could complete their copies.
Los 218
Europe.- Lindenbrog (Erpoldi) Scriptores Rerum Germanicarum, Septentrionalium, Vicinorumque, Populorum, Veteres Diversi ..., engraved portrait frontispiece, illustrations, marginal worming not affecting text, small marginal paper defect (O1), Hamburg, Christiani Liebezeit, 1706, bound before, Lambecius (Petrus) Origines Hamburgenses, sive, rerum Hamburgensium ..., 2 parts, engraved frontispiece, folding map and 6 plates, Hamburg, Christiani Liebezeit, 1706, and, Anckelmann (Theodor) Inscriptiones Antiquißimæ & celeberrimæ Urbis Patriæ Hamburgensis, Hamburg, Christian Liebezeit, 1706, together 4 parts bound as 1, as issued, half-title, faint abrasion mark to front free endpaper, occasional spotting, contemporary half-calf, rebacked, a little rubbed; and 2 others in French, folio & 8vo (3)
Los 219
Europe.- Tombleson (William) Views of the Rhine, engraved title, 68 steel-engraved plates and a folding panoramic view, 1832; Upper Rhine, engraved title, large folding map, tear (repaired), 69 steel-engraved plates, c.1832, occasional spotting and off-setting, uniformly bound in contemporary half-calf, a little rubbed, lacking spine labels § Pinkerton (Thomas) The History of Scotland, 2 vol., engraved portrait frontispiece, half-titles, previous owner's inscription to titles, occasional spotting, one or two marginal annotations, small marginal hole (D4, vol. 1), contemporary calf, rebacked, rubbed, 1797; and another copy of the first, 8vo & 4to (5)
![NO RESERVE St Paul's.- Dayes (Edward) The Royal Procession [of King George III] in St. Pauls on St. George's Day, 1789, etchi](https://cdn.globalauctionplatform.com/960a367b-77bc-499c-8192-ac9500f328a1/1c9794b7-c0d3-4375-92f1-ac9800d93d56/468x382.jpg)
Los 266
NO RESERVE St Paul's.- Dayes (Edward) The Royal Procession [of King George III] in St. Pauls on St. George's Day, 1789, etching and engraving by James Neagle, on laid paper without visible watermark, platemark 480 x 700 mm (18 7/8 x 27 1/2 in), sheet 520 x 740 mm (20 1/2 x 29 1/8 in), small loss restored in margin at centre right, spotting and browning, minor nicks to extremities, unframed, 1793; together with a group of 14 portraits, including mezzotint portraits, a portrait of the blind German-born Indonesian-based botanist Georg Eberhard Rumphius (1627-1702), four portraits of Russian interest, one lettered in Cyrillic, another of Alexis Michailovich, Tsar of Russia, and others similar, engravings, mezzotints, various sizes, all unframed, 18th and 19th century (15)
Los 65
Raleigh (Sir Walter) The Marrow of Historie, or an Epitome of all Historical Passages from the Creation ..., engraved portrait frontispiece, small loss to corner neatly restored, small tear to inner margin, small printing error fractionally affecting text (N6 verso), occasional very short marginal tears, short tear affecting text (T7), trimmed affecting occasional headline, browned, lacks final leaf as usual (blank), modern calf-backed boards, a little rubbed, 12mo, [Sabin 67599; Wing R172], by W. Du-gard, for John Stephenson, 1650.⁂ An abridgement of Raleigh's 'The History of the World.'
Los 69
NO RESERVE Barrow (Isaac) Sermons Preached Upon Several Occasions, The Second Edition, engraved frontispiece portrait of Barrow by Loggan, ink ownership inscription of Kingscote Daunt at Pembroke College, Oxford on front pastedown, advertisements on verso of last f., 2 Contents ff. bound after page 16, T2 to end slight worming to upper inner margins not affecting text, slightly browned, contemporary calf, spine slightly rubbed and with a few small wormholes at tail, spine label marked as vol. I but a complete work in itself, [Wing B958], 8vo, for Brabazon Aylmer, 1679.⁂ Isaac Barrow (1630-77), mathematician. "Charles II jested that Barrow was an 'unfair' preacher because 'he exhausted every subject, and left no room for others to come after him'." - Oxford DNB.Rev. Kingscote Daunt (1723-58), of Owlpen Manor, Gloucestershire; educated at Pembroke College, Oxford; friend of Sir William Blackstone (1723-80), legal writer and judge.
Los 71
NO RESERVE Cleveland (John) The Works of ..., containing his Poems, Orations and Epistles, engraved portrait frontispiece, lacking initial leaf (?blank), one or two manuscript insertions (author's names & attributions), occasional discreet blind-stamps, occasional marginal spotting, bookplate, previous owner's signature to title, joints strengthened, later calf, rubbed, slight bumping to corners and extremities, [Wing C4655], 8vo, for O. B., and are to be sold by J. Sprint, 1699.
Los 75
Locke (John) An Essay concerning Human Understanding, 2 vol., eighth edition, engraved portrait frontispiece, vol.1 small paper flaw to lower margin of a5 with slight loss of text to verso, vol.2 N3 with short tear just into text, otherwise internally fine and clean, contemporary blind-stamped calf, spines gilt, spine ends chipped, vol.2 lower joint worn and slight loss of leather to lower cover, 8vo, for A. Churchill and A. Manship, 1721.
Los 82
Leland (Thomas) The History of the Life and Reign of Philip, King of Macedon, 2 vol. in 1, first edition, half-titles, engraved portrait frontispieces, plate of coins and large folding map of ancient Greece, list of subscribers, full leather with mismatched covers, rebacked, 4to,Thomas Harrison for W Johnston, 1758.
Los 85
Shenstone (William) The Works in Verse and Prose..., 2 vol., engraved portrait, frontispiece, title-vignettes, head- & tail-pieces and folding plan of the Leasowes garden, some light spotting or browning, contemporary calf, rubbed, spine ends and corners worn, joints split, for R. & J.Dodsley, 1764 § Foote (Samuel) The Minor, a Comedy, second edition, engraved frontispiece, stitched in original wrappers, contemporary ink manuscript list of names to upper wrapper, rubbed and soiled, by J.Coote, 1760 § Irving (David) The Lives of the Scotish Poets, 2 vol.., errata leaf in each vol., contemporary book-label of Robert Davidson, contemporary tree calf, rubbed, upper joint of vol.1 split, Edinburgh, 1804; and another, Shenstone, 8vo & 12mo (6)⁂ The first includes Dodsley's 'Description of the Leasowes, the Seat of the late William Shenstone, Esq.', an important early natural landscape garden. A third volume of Shenstone's letters was published in 1769.
Los 133
Victorian School (Parkers Portrait Painters, Russell Square, London) Portrait of August Bell Frank annotation to rear of canvas "August Bell Frank x Catherine's? Great Grandfather (on Mother's side) born at Co. Logne? 20 May 1814 died at Bromley (Kent) 16th Dec. 1901 through falling down the staircase at Bromley" oil on canvas, 60 x 50cm
Los 159
Four vintage boxes to include a cream Bakelite-style box, a bird's-eye maple inlaid box, an Indian card box and a 19th century Army box, two vintage brass money banks in the form of standing bears, portrait miniature in a turned wooden frame, ebonised trinket pot with white metal initials to the top, an olivewood ball with Hebrew script, a pair of 19th century ebonised turned candlesticks, a boxed Oriental hand painted scroll wall hanging with ceramic holders, an Edwardian ivory satin advertising box with print to centre of French country family with baby in crib dated '5th Septembre 1923' 'Maison Rouer G. Beaudet Sucr St. Étienne, also an Edwardian reverse painting on glass.
Los 522
A HEAD AND SHOULDERS PORTRAIT OF A VICTORIAN GENTLEMAN, unsigned oil on canvas, framed, size approximately 54cm x 43cm, holed near top left corner, together with a companion portrait of a female figure, unsigned oil on canvas, size approximately 56cm x 46cm, canvas is torn, painting has a frame but is loose
Los 677
Late 18th Century English Schooloil on canvasFull length portrait of a child wearing classical robes seated beside a spaniel29 x 24.5in.CONDITION: Oil on canvas relined many years ago, canvas remains tight, paint a little dirty but otherwise good, one or two small tiny dents and dirt marks, housed in a later frame which is now rather tatty, no labels verso.
Los 681
18th century English Schooloil on canvasDouble portrait of a husband and wife29.5 x 24.5in.CONDITION: Oil on canvas relined many years ago, canvas remains tight, paint looks rather dirty with a fine but stable craquelure running principally through the flesh tones, possibly cut down from a larger work, housed in a tatty gilt and ebonised later frame, no labels verso.
Los 687
18th century French Schooloil on canvas laid on boardPortrait of a lady holding a bouquet of flowers32.5 x 25.25in.CONDITION: Oil on canvas laid on to hardboard within the past 20 years ago or so, paint looks rather dry with slight bitumous bubbling in the darker areas and a fine craquelure throughout, signs of retouching probably to the black collar and certainly to the folds of the dress and down the side of the arm, no sign of any signature, housed in an 18th century plain wooden frame, label verso for Venables Fine Arts of Washington DC.
Los 688
English School c.1840oil on canvasNaive portrait of a pipe player seated in a pastoral landscape35. x 28in.CONDITION: Oil on canvas cleaned and relined within the past 10 - 20 years or so, canvas remains tight, paint in good clean condition with a fine but stable craquelure throughout most of the paint, some sign of old bitumous bubbling across the top, possibly some retouching throughout notably the bowl on the trunk of the tree and around the knee, red flowers and lower corner, housed in an old tatty 19th century frame, no labels verso.
Los 122
Paul Calle (American, 1928 - 2010) and Chris Calle (American, B. 1961) "Seneca Indian Portrait" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Image Size: 14.5 x 12.5 in. Overall Size: 23 x 16 in. Unframed. (B17287 / B17288)
Los 123
Paul Calle (American, 1928 - 2010) and Chris Calle (American, B. 1961) "Mississippian Indian Portrait" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Image Size: 14 x 12 in. Overall Size: 23 x 20 in. Unframed. (B17314 / B17318)
Los 25
Charles Allan Gilbert (New York, Connecticut, 1873 - 1929) Watercolor painting of a newly married couple speaking to guests near a staircase. Signed lower left. Inscribed lower right. At age sixteen, he began to study art with Charles Noel Flagg, the official portrait painter for the State of Connecticut, who had also founded the Connecticut League of Art Students. In 1892, he enrolled at the Art Students' League of New York, where he remained for two years. In 1894, he moved to France for a year, where he studied with Jean-Paul Laurens and Jean-Joseph Benjamin-Constant at the Academie Julien in Paris. Sight Size: 19 x 13.5 in. Overall Framed Size: 28 x 22 in. Framed behind glass.
Los 297
Erik Nitsche (Swiss, 1908 - 1998) "Oskar Kokoschka" Signed lower right. Original Mixed Media Painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Germany 80pf Oskar Kokoschka stamp issued February 13, 1986. Capable of working in a broad range of media, Oskar Kokoschka was a leader of the Figurative/Expressionist school. His early landscapes and still lifes evoke a hallucinative, expressive power. His compositions were religiously symbolic rather than representative. In 1910, his friend, architect Adolf Loos, sponsored his first trip abroad. Kokoschka journeyed to Switzerland and Berlin. He painted extensively during his travels and supplied a regular "portrait of the week" for the periodical Der Strum . By the dawn of World War I, he was respected in the art circles of Germany and Austria. Drafted during the war, he was wounded on the Russian front in 1916 and was hospitalized in Dresden. He became a professor at the Academy of Arts there in 1919 and remained in Dresden until 1924. Kokoschka then began a series of journeys which lasted until 1931. He painted the people, landscapes and great cities of nearly every country in Europe and North Africa. In his landscape works, he used impressionist techniques interpreted in a highly personal and dramatically effective manner. Kokoschka continued to roam throughout Europe before emigrating to London in 1938. After the war, he settled in Villeneuve on Lake Geneva where he founded his "School for Seeing" to counteract the spread of abstract art. Kokoschka remained active well into his eighties. Image Size: 12 x 14 in. Overall Size: 15 x 20 in. Unframed. (B09934)
Los 335
Erik Nitsche (Swiss, 1908 - 1998) "Brazil Postal Relics" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day of Issue Proof Card for the U.S. 22c Stamp Collecting stamp issued January 23, 1986. One of the most interesting, and little-known, facts in postal history is that Brazil became the second nation in the world to issue adhesive postage stamps -- just three years after Great Britain's famed Penny Black. Brazil's new postal reforms were the result of the work of J.D. Sturz, a Brazilian consul who was serving in Europe in the early 1840s. While in Europe, Sturz was able to see first-hand the workings of Britain's new postal system. Convinced of its efficiency, he returned to his homeland in 1842 and proposed that Brazil institute postal reforms similar to those of Great Britain's. While Great Britain's first stamp featured a portrait of Queen Victoria, the first stamps of Brazil departed from the precedent and featured the numerals of the stamp's face value. The stamp featured an intricately scrolled background to foil would-be forgers and a large numeral sixty. The figures of the face values had no other inscriptions, and their curious appearance led to their nickname the "Bull's Eyes." Today, Brazil's historic "Bull's Eyes" postage stamps are among the most sought-after and desirable of all the world's postage stamps. This artwork features a reproduction of Brazil's first postage stamp. In addition, the modern insignia of the Brazilian Post Office, a postal courier and mailbag carrier, and a 1906 mailbox are also featured. Image Size: 14 x 12 in. Overall Size: 20 x 15 in. Unframed. (B10033)
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283284 Los(e)/Seite