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283287 Los(e)/Seite
CHURCHILL (Winston S). Lieutenant CE Fishbourne RE and East Africa. Collection of material, 1907-15, relating to Lieutenant CE Fishbourne, surveyor on the Uganda railway extension and member of Churchill's party on his African journey. He was one of 'a gallant company of young officers with several of whom I made friendships only broken by the war, in which they lost their lives' (Edward Marsh: 'A number of people' page 156). The group photograph at page 128 of 'My African journey' includes Fishbourne. The collection comprises (1) photograph album containing about 120 photographs, various sizes, of Fishbourne's travel and work in Uganda, about 15 (possibly more) are of the journey with Churchill and his party. Including group photographs, shooting expedition (one of Churchill and the white rhinoceros) (see page 186 of 'My African Journey'). (2) Portrait photograph of Fishbourne in dress uniform (3) Two LS, each 2pp 8vo Aug 1908 from JEB Sealy Under- Secretary, Colonial Office to Churchill and Edward Marsh regarding Churchill's efforts to find suitable employment for Fishbourne. 'If his character is half as nice and interesting as his letter he must be an exceptional person. '...quite agree with what Winston says he is...that he ought to be taken care of and promoted as soon as possible'. The letters to Churchill also refer to Churchill's escape from a fire at Burley on the Hill where Churchill was staying for his brother's wedding. ('What a shame the things you were saving were inanimate. Had they only been live babies you would have been awarded a medal'). These letters were presumably passed on by Churchill and Marsh to Fishbourne to show that something was being done for him. (4)
AN ITALIAN MAIOLICA VASE of ovoid form with everted neck and serpentine scroll handles resting on corbels of human mask form, painted in polychrome with a half-length portrait of Marino Grimani (Doge of Venice in 1595), his armorial above (paly argent and gules) with a panel inscribed in underglaze blue "MARINVS/GRIMANI/D.G.DVX/ M.D. XCV". (Marinus Grimani, by the Grace of God, Duke, 1595), the reverse painted with a female portrait, the sitter attended by a negro servant, 58.5cm, (23in) high, A.F. (distressed)
AN EARLY VICTORIAN ROYAL COMMEMORATIVE TREACLED-GLAZED POTTERY FLASK having relief-moulded bust portrait of Queen Victoria and the Duchess of Kent, beneath ogee arches with fluted pillars, unmarked, 19cm, (7.5in) high * For a similar flask with salt-glazed finish, see PF & K Sale Catalogue, 27th March 2002, lot 329.
A LATE VICTORIAN DOULTON (LAMBETH) STONEWARE JUG of ovoid form, decorated in relief with classical-style portrait medallions and oval plaques framed by ferns, with the motto "BITTER MUST BE THE CUP THAT A SMILE WILL NOT SWEETEN", on a buff ground, impressed marks beneath including number 570, 15cm, (6in) high excluding handle
Hoppner: A HIGH-QUALITY LATE 18TH-CENTURY OVAL PORTRAIT MINIATURE in watercolour and body colour of a gentleman, half-length left, in powdered wig, russet frock coat and white stock, signed Hoppner, in gilt-metal mounted neo-classical dark tortoiseshell or horn frame, the reverse bezel bright-cut engraved with central glazed medallion with applied cypher RB in foliate cursive script 10cm, (4in) excluding suspender
Gaillot: A FINE LATE 18TH-/EARLY 19TH-CENTURY OVAL PORTRAIT MINIATURE in watercolour on ivory of a young man, three-quarter length facing, in grey coat with tan facings and collar, with white stock holding a twitch or crop, signed Gaillot, in gilt metal bezel, horn or tortoiseshell backed, 11.5cm, (4.5in) (excluding suspender)
A HIGH QUALITY 19TH-CENTURY OVAL PORTRAIT MINIATURE of a gentleman, bust length facing, in black coat with white stock, in watercolours on ivory, indistinctly signed, in gilt-metal-mounted tortoiseshell frame with reverse medallion under glass having applied cypher HS(?) in foliate cursive, 11cm, (4.3in) excluding suspender
AN 18TH-CENTURY OVAL PORTRAIT MINIATURE in watercolours on ivory of a lady bust-length three quarters right, in the style of Jeremiah Meyer, in mother-of-pearl-backed gold bezel 4.5cm, (1.75in) excluding suspender, and AN EDWARDIAN OVAL PORTRAIT MINIATURE in watercolours on ivory of a young lady holding a rose, in gilt-metal frame, 7.5cm, (3in) high, excluding suspender (2)
A LATE 19TH-CENTURY CIRCULAR ENAMELLED PORTRAIT MINIATURE of Mary Queen of Scots, painted in polychrome enamels on an amber coloured moire ground, in ermine-trimmed dress and wearing jewelled headdress and necklace, of convex form with gold-tooled leather backing labelled "Miss Marey" in gilt metal frame with "ribbon" surmount, and A 19TH-CENTURY OVAL PORTRAIT MINIATURE of a bride, watercolour and Chinese white on ivory, in gilt-metal ornamental frame, 92mm, (3.6in) high (2)
English School, (mid to late 19th Century) PORTRAIT OF A YOUNG GIRL offering broadsheets to an unseen recipient outside a [Spir]it Vaults", the young girl in ragged black dress, barefoot, watercolour, indistinctly signed (W. Pickley?) and dated 1875 lower left, 38cm x 26cm, (15in x 10.2in), in original gilt oak frame, unglazed
James Smetham, (1821-1889) A PORTRAIT OF A LADY, perhaps representing Flora, oil on panel, signed and dated 1856 lower right, faint handwritten label "...1 *****Lane/Stoke Newington" and printed label of Charles Roberson & Comp'y verso, 22cm x 17.3cm, (8.6in x 6.8in), in gilt slip and gilt frame
A MILITARY CROSS GROUP OF FIVE MEDALS comprising Military Cross, un-named, in mauve morocco official case of issue, Q.S.A with four bars, Cape Colony, Orange Free State, Transvaal and South Africa, 1901, (named to 7230 Sgt. R.Atkinson, Vol. Coy. Border Regt), and W.W.I Trio to 13222 C.S.Mjr. R. Atkinson, Bord. R. (1914-15 Cross), A.W.O. CI.1 (on 1914-1918 British War Medal), and same (on Victory medal), all Bord. R., sold with a photographic half-length portrait of the recipient in uniform, wearing the 11th (Lonsdale) Battalion Cap badge, all in cardboard box inscribed Mrs. J.R. Atkinson, Hawkshead, Westmorland
ENGLISH SCHOOL, Portrait of a Young Woman, head and shoulders, unsigned, 19 3/4" x 13 3/4", stained frame Note: this sitter bears a strong resemblance to the portrait of Miss Anastasia Anrep, by William Coldstream, exhibited in the New Burlington Galleries Nov 1936, and in execution resembles the style of his wife Nancy Spinder

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