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Preisdatenbank abonnierenA 19th century Staffordshire figure of a seated female character beside a spring and holding a water vase together with a late Victorian tile with moulded decoration in tones of sepia showing a shoulder length portrait of a pensive elderly man, incised mark to reverse Made by Sherwin & Cotton at their works in Hanley in the county of Stafford 1898
A late 19th century charcoal portrait study, possibly over photographic ground, showing three children seated around a stone balustrade with inscription ""Phot Org 1889"" and with the names and birth dates of each child, with monogram AS (?) bottom right, 94 x 59 cm in moulded black and gilt frame
A large First World War recruiting poster with portrait of Lord Kitchener, inscribed ""Lord Kitchener Says...Men, materials & money are the immediate necessities enlist today"", printed by David Allen & Sons Limited of Harrow, Middlesex, with reference number W8999, published by The Parliamentary Recruiting Committee, London, poster number 117, 101 x 126 cm approx (unframed but enclosed behind Perspex sheet)
A shoulder length pencil study of Edward Heath, signed bottom left Susan Janes, also signed by Edward Heath and dated 19th May 1972, further signed and inscribed ""This portrait was signed in flight at M20, Brian Trubshaw (Concorde pilot), 19th May 1972"", 48 x 31 cm together with a limited edition coloured print ""Seconds to Spare"" showing Concorde and the Red Arrows in flight about the Cunard cruise ship Queen Elizabeth II, signed by the artist, the captain of the ship, the leader of the Red Arrows and the captain of Concorde, edition 171/1950, 32 x 42 cm (both framed)
A collection of 19th century and other black and white etchings including a pair of signed black and white etchings of continental river scenes, signed bottom right Henri G Rich (?), 21 x 12 cm, a pair of 17th century black and white engravings of a hunting scene and a further sporting scene inscribed ""Callot"", probably for Jacques Callot, 12 x 25 cm, a black and white engraving, portrait of a 17th century Dutch gentleman after Mierevelt, inscribed ""Pieter Corneliszoon Hooft"", 32 x 22 cm, an etching of horses, etc (all framed)
A pair of oil paintings on canvas, bust length portraits of a lady and a gentleman in late 19th century style costume, both signed bottom left Edenti, 66 x 51 cm (unframed) together with a pastel study of a seated nude female character, a study of an Indonesian style female character, a large print on canvas, portrait of the Queen, a late 19th century coloured print of The Madonna and Child, a pair of early 20th century coloured prints, one of a little girl in feathered hat seated by a fire, the other showing a young woman in a garden setting, etc
A collection of watercolours and other pictures including a 19th century watercolour of an extensive landscape with figures, distant town, etc, 20 x 32 cm, various watercolours signed Carter, subjects including Tetbury, Mediterranean views, etc, an oil painting on canvas of a scene with figures before a church, an ink study, shoulder length portrait of a young woman together with a framed 19th century legal agreement relating to William Bowen and dated 63, etc
An early 19th century painting on glass panel commemorating the death of Princess Charlotte, with shoulder length portrait of the Princess within floral and leaf surround, inscribed ""Princess Charlotte of Saxe Cobourg"", with dates of birth and death, inscribed ""Painted by W R Walker of London"", 19 x 24 cm in wooden and gilt frame
A Victorian study of a pair of seated children, signed bottom left A Butts (?) and dated 1851, 24 x 22 cm in gilt frame together with a further Victorian watercolour study of a standing child, 13 x 10 cm in burrwood frame with gilt slip, also together with a pair of silhouette portraits of a lady and gentleman and a further silhouette portrait of a young girl (all framed)
English School 19th century- Miniature portrait of a young lady, head and shoulders:- circular, 4.5cm, together with a gold locket miniature, a miniature of Dr Wall, a silhouette in carved wood frame, a miniature of a gentleman, a continental decorative miniature and an enamelled porcelain plaque miniature. [7]
Circle of John Riley (1646-1691)PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A LACE STOCK AND RED MANTLE Oil on canvas, in a painted stone oval76 x 63cmCONDITION REPORT: 5cm x 6cm hole in canvas to upper right, resulting in paint loss.White marks to edges.3cm scratch to left side.Small areas of retouching to face.
Attributed to Gerard Soest (1600-1681)PORTRAIT OF COLONEL GIBSON, HALF LENGTH IN ARMOUR, HOLDING A PISTOL OVER HIS LEFT SHOULDER Oil on canvas 76 x 63cm, in an 18th century carved giltwood frame Provenance: Chichester family, Hall, Barnstaple, Devon; anon sale, Sotheby`s London, 11th November 1996, lot 183.CONDITION REPORT: 1cm dent in top right of canvas on dark background.3cm dent and two further marks in top left of canvas.Seen under uv lamp, retouching throughout.
Lots 258-265 are by Mary Langdon Edis, Lady Bennett (1881-1976) *Mary Langdon Edis, Lady Bennett (1881-1976)PORTRAIT OF A YOUNG WOMAN, HALF LENGTH, IN A BROWN DRESS AND CAMEO BROOCHSigned l.r., oil on canvas69 x 56cm This is a copy of the portrait by Alfred Stevens (1817-1875) of Mary Ann, wife of Leonard Collman, c.1854, in the Tate Gallery. *Artist`s Resale Right may apply to this lot.Mary Langdon Edis, Lady Bennett (1881-1976), married the architect Sir Thomas Penberthy Bennett (1887-1980) in 1916. He rose to prominence in 1940 as Minister for Bricks and, in 1941, became Director for Works, which involved the overseeing of hospitals, airfields, ordnance factories and prisoner of war camps. Mary Edis continued to paint and one of her portraits is in the National Portrait Gallery.
*Mary Langdon Edis, Lady Bennett (1881-1976)PORTRAIT OF THE ARTIST, HALF LENGTH, IN A CREAM BLOUSESigned l.r., inscribed and dated Aug 1909 on stretcher, oil on canvas61 x 51cm;and two others:PORTRAIT OF SIR CHARLES VESSEY, THE ARTIST`S FATHER, HALF LENGTHOil on canvas69 x 56 cm;PORTRAIT OF A YOUNG WOMAN, HALF LENGTH, IN A WIDE-BRIMMED HATOil on canvas69 x 56cm (3)*Artist`s Resale Right may apply to this lot.
Circle of Matthew Snelling, British 1621-1678, a portrait miniature depicting a gentleman quarter-length with lace doublet and black coat turned to the right, oval, in a glazed carved oval ebony frame, 5x4cm CONDITION REPORT: The frame in good condition with later applied base metal bales top centre paint support has dropped in the frame and top edge is visible this top edge is a little irregular in profile no over-painting or retouching visible under inspection with uv lamp some slight surface blistering to the paint surface in the hair left and right otherwise very good condition
After Rembrandt Harmensz. van Rijn, Dutch 1606-1669, late 18th/early 19th century- Self Portrait; oil on panel, 31x25.5cm Provenance: purchased on 24.6.43 from Willis's Rooms, King Street, St James', lot 147 according to the label attached to the reverse of the panel. This painting is a copy of the original held by the Uffizi in Florence dating from c.1633-34. CONDITION REPORT: gilt composition frame circa early-mid 19th century with large amount of losses to the moulding frame has key construction panel not warped the paint surface is blistering and starting to flake along a vertical axis throughout the picture there are more pronounced blistering along the lower edge and lower left and right, top right and along the left hand edge under inspection with uv lamp there is evidence of cleaning on the face, the collar and the lower right there are remains of the original varnish elsewhere over all in fair to good condition will require some restoration
John Pettie RA, Scottish 1839-1893- Portrait of the artist Francis Wilfred Lawson, quarter-length turned to the left holding a palette; oil on canvas, signed and dated 1889, 16.5x31cm CONDITION REPORT: in a 19th century gilt oak moulding frame canvas has been relined circa late 19th century on what appears to be the original stretcher with six original wedges and two replacements ragged salvage edges the salvage is stuck down to the stretcher with folded newspaper wedges between stretcher and frame with rectangular thin balsa wood 10x12.2cm adhered to the upper area of the canvas reverse with pronounced raised curvilinear craquelure throughout especially over the sitters face with bar marks under inspection with UV lamp there is re-touching and over-painting on the cheek and mouth of the sitter overall in fair-good condition
Augustus Edwin John OM RA, British 1878-1961- Portrait of Marion Coles, half-length holding a fan; oil on canvas, 50.5x36cm (may be subject to Droit de Suite) Provenance: Leon Suddaby Fine Art, St Ives, where purchased by the mother of the current owner's husband, 14th April 1989. A copy of the receipt accompanies this lot. Acquired by Leon Suddaby directly from the family of the artist. Note: The model depicted in this painting is traditionally held to be Marion Coles who had a son by the artist.
Julian Day, British b.1967- "Last Potato Supper"; oil on canvas, signed, titled and dated 2012 on the canvas reverse, 50.5x89cm, (may be subject to Droit de Suite) Provenance: exhibited at the Dulwich Picture Gallery, London, '60th Anniversary Friends Exhibition', 30 September to 12 October, 2014, no. 41 Note: Julian Day completed a B.A in Fine Art at Central St Martin's College, London, in 1992. In 1997, Day was a finalist for the BP Portrait Award. In October 2014 Day was a selected finalist for the Dulwich Picture Galleries 60th Friends exhibition. Day also paints West End theatre backdrops with Mr Andrew Greenfield. Shows that he has painted for include 'Grease' and the 'Royal Variety Show' among many other shows.
Bloomsbury School, early-mid 20th century- Study of a gentleman seated in an interior; oil on canvas, 38x46cm Note: On the far upper right of this composition is depicted Roger Fry's Copy of a Self-Portrait by Cézanne, 1927. CONDITION REPORT: in a painted wooden moulding frame, early-mid 20th century reverse of the frame with recently applied brown tape with wooden stretcher the canvas has not been re-lined the support is comprised of two horizontal sections of linen joined together on the verso there is a small section of salvage standing proud where these two sections of canvas are joined together on the recto there is a horizontal groove visible left to right across the width of the paint surface this mark travels at the level of the upper point of the crook of the sitter's elbow under inspection with uv lamp there is no evidence of retouching or restoration the paint surface looks to have been re-varnished in recent years otherwise good original condition
Marjorie V O Morris, British fl.1931-35- "Mrs Thomas Morris"; oil on canvas, signed and dated 1932, titled, signed and inscribed Royal Academy 1932 on the stretchers reverse, 60x51cm, (unframed) (may be subject to Droit de Suite) Note: This portrait was exhibited at the Royal Academy, London, no. 29, 1932. Morris is also documented as exhibiting at the Royal Academy in 1931 and 1935. Provenance: From the art collection at the former St Gabriel's College, Camberwell. St Gabriel's was a Church of England teacher training college, founded in 1899 and closed in 1978. Its Art Department attracted talented teachers and artists whose vocation was to inspire young teachers through studying and imitating the work of great artists. The paintings and drawings in this collection were collected by the College's staff through donations and purchases during the interwar and post-war periods. After the College's closure, the collection was transferred to the ownership of an educational trust and until recently loaned to Goldsmith's University of London. CONDITION REPORT: unframed not relined on what appears to be the original stretcher inscribed in pen on the stretcher "Mrs Thomas Morris/Royal Academy 1932//by M V O Morris" canvas reverse bearing stamp for "R.A. Student Ccanvas/ C. Robesson & Co Ltd/166 Picadilly, London" with 1.5cm of salvage around all edges recto with worn edges and corners with various surface scuff marks throughout with a bar mark from the lower stretcher with a concave dent approx. 5mm in diameter within the wall to the left of the sitter overall in good condition
Attributed to John Moffat, Scottish 1819-1894, a Portrait Miniature of a gentleman, quarter-length turned to the left, signed and inscribed Edinburgh, within a gilt and red plush mount with oval aperture, rectangular glazed gilt frame, 18x15cm CONDITION REPORT: in a gilt and red plush mount with oval aperture, rectangular glazed gilt frame appears overall faded especially the signature overall in good condition
AMENDMENT: Léon Francois Comerre, French 1850-1916 not Leon Carriere, French, late 19th/early 20th century- Portrait of a lady, half-length in a cream dress; oil on canvas, signed, in a white painted composition frame with oval aperture, 83.5x67cm CONDITION REPORT: please note there is an amendment on the description for the details of this lot and the description should read as follows: Leon Francois Comerre, French 1850-1916 in a composition frame, early 20th century frame may be the original frame has been over painted in greyish white paint there is cracking to the spandrel upper right canvas has been re-lined circa mid-late 20th century retains the wooden stretcher which may be the original under inspection with uv lamp there is evidence of a large area of re-touching lower right over and also above the shoulder of the sitter and in the background there is evidence of a smaller area of retouching upper left and along the far left edge further smaller spots of retouching here and there varnish has been re-applied rather unevenly otherwise good condition
Austin Osman Spare, British 1886-1956- "Galaxy"; pencil with green pastel, signed, titled and dated 1932 in pencil, 38x23.5cm, (may be subject to Droit de Suite) Provenance: with Abbott and Holder, London, according to hand inscribed label on the reverse Note: depicted within this composition, are a number of head studies, one of which is traditionally held to be a self portrait of the artist. CONDITION REPORT: mounted in a glazed wooden moulding frame may or may not be stuck down as is unexamined out of the frame overall in good condition with no visible signs of damage or defects
Lena Pilichowski (Pillico), Polish 1884-1947- Portrait of an officer, quarter-length; watercolour, signed, 70x51cm: together with two other portrait studies and a floral study in watercolour by the same hand, 77x56cm., 69x53cm and 57x39cm., (4) (unframed) Note: Lena Pillico was the wife of the Polish artist Leopold Pilichowski, 1869-1934. She was a member of The Seven and Five Society 1920-1935 along with Ben Nicholson and Henry Moore
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![English School [19th Century] -
Portrait of an Elizabethan Gentleman with white ruff collar:-
oil on canvas
61 x 51cm, unfra](http://lot-images.atgmedia.com/SR/35518/2917525/206-201412419509_468x382.jpg)
![Follower of James Sant [19th Century] -
Portrait of a young lady, head and shoulders:-
signed with initials BM
oil on canvas](http://lot-images.atgmedia.com/SR/35518/2917525/207-2014124195012_468x382.jpg)
![Circle of Adam Buck [1759-1833]-
Miniature portrait of a gentleman,
head and shoulders, sky background:-
oval, 5.5cm,
toget](http://lot-images.atgmedia.com/SR/35518/2917525/208-2014124195015_468x382.jpg)
